2015-10-23 Monteverdi Vespers

Total Page:16

File Type:pdf, Size:1020Kb

2015-10-23 Monteverdi Vespers welcome pacific musicworks ensemble I will never forget the first Stephen Stubbs time I participated in a full music director & lute performance of the Monteverdi Joseph Adam Vespers. It was one of a handful organ of pivotal moments in my life Maxine Eilander so far when I felt that I was harp not really in control of my own Tekla Cunningham & Linda Melsted destiny. It might sound like violins hyperbole, but my experience Laurie Wells & Romeric Pokorny is that this is a work of such violas persuasive power, architectural Photo credit Jan Gates brilliance and raw beauty, that it literally changed the course William Skeen cello of my life. Christopher Jackson was the conductor of the Studio de Musique Ancienne de Montréal on that occasion Moriah Neils and I remember the joy, fascination and pure enthusiasm he bass managed to communicate to everyone involved. I was totally Bruce Dickey & Kiri Tollaksen hooked and felt so compelled and intrigued with how this cornettos work made me feel, that 25 years later, I am still spending Greg Ingles, Erik Schmalz and Mack Ramsey my time convincing anybody who will listen, that there is no sackbuts music that will make them feel luckier to be alive. Christopher Jackson died on September 25th, 2015, after a long and extremely influential career as a master of renaissance and baroque music. His inspirational work with the SMAM and as Dean of the Faculty of Arts at Concordia brought him into regular contact with hundreds of young and vancouver chamber choir aspiring musicians over the years. I will be forever grateful to him for first introducing me and many others to this wondrous music, as well as for instilling in me a desire to perform and promote art that still has the amazing power to transform lives over 400 years later. Though Christopher will be sorely s o p r a n o s t e n o r s missed, his artistry, humility and enthusiasm have had such a profound effect on so many people, that it is hard not to look Kathleen Allan Ian Bannerman back upon his life as anything other than a gift. Beth Buono Gordon Crozier Thank you to Stephen Stubbs, Pacific MusicWorks, Jon Christina Cichos Tom Ellis Washburn and the Vancouver Chamber Choir for working Krista Pederson Carman J. Price together with EMV to bring this incredible music to life. For Lorraine Reinhardt Grant Wutzke those of you hearing this work for the first time, I hope it conveys the same sense of awe, bewilderment and happiness to you that it continues to do for me. a l t o s b a s s e s – Matthew White, Martina Govednik Steven Bélanger Artistic Director, Hilary Ison Cameron Haney Early Music Vancouver Fabiana Katz Winston Lanyon Dolores Scott Paul Nash Karyn Way George Roberts 2 | Early Music Vancouver & Vancouver Chamber Choir ÷ 2015-16 Monteverdi Vespers of 1610 the artists programme Stephen Stubbs MONTEVERDI VESPERS OF 1610 music director Pacific MusicWorks VERSICULUS & Deus in adiutorium meum / RESPONORIUM Domine ad adiuvandum - sex vocibus et sex instrumentis vocal soloists: Jolle Greenleaf PSALMUS 109 Dixit Dominus - sex vocibus et sex instrumentis soprano Catherine Webster CONCERTO Nigra sum - motetto ad una voce soprano PSALMUS 112 Laudate pueri - à 8 voci sole nel organo Laura Pudwell alto CONCERTO Pulchra es - à due voci Reginald L. Mobley alto PSALMUS 121 Lætatus sum - à sei voci Charles Daniels tenor MOTET Duo Seraphim - à sei voci... a tre voci Zachary Wilder tenor PSALMUS 126 Nisi Dominus - à dieci voci Ross Hauck CONCERTO - prima ad una voce sola, poi nella fine à 6 voci tenor Audi cœlum Douglas Williams bass-baritone INTERVAL Charles Robert Stephens bass-baritone PSALMUS 147 Lauda Ierusalem - a sette voci Vancouver Chamber Choir SONATA Sonata sopra Sancta Maria ora pro nobis - à 8 The instrumental ensemble of HYMNUS Ave maris stella - à 8 Pacific MusicWorks Magnificat: i Magnificat - à sette voci e sei instrumenti ii Et exultavit - à tre voci Pre-concert chat at 6:45 in the Chan Centre's iii Quia respexit - ad una voce sola et sei instrumenti li quali suoneranno con più forza ch si può Royal Bank Cinema iv Quia fesit - à tre voci & doi instrumenti with host v Et misericordia - à 6 voci sole in dialogo Matthew White and music director vi Fecit potentiam - ad una voce & tre instrumenti Stephen Stubbs vii Deposuit potentes - ad una voce & due instrumenti viii Esurientes implevit - à due voci & quattro instumenti ix Suscepit Israel - à tre voci x Sicut locutus est - ad una voce solo & sei instrumenti in dialogo THE UNAUTHORISED USE OF xi Gloria Patri et Filio - à tre voci – due de lequali cantano in Echo ANY VIDEO OR AUDIO RECORDING DEVICE IS STRICTLY PROHIBITED xii Sicut era in principio - tutti gli instumenti & voci, & va cantato & sonate forte Monteverdi Vespers of 1610 Early Music Vancouver & Vancouver Chamber Choir ÷ 2015-16 | 3 Early Music Vancouver board of directors Tony Knox president Spencer Corrigal ca treasurer Sharon Kahn past president Stuart Bowyer Chris Guzy Lisa Powers Ingrid Söchting Mark Vessey Fran Watters Welcome to this Early Music Vancouver presentation. ÷ Our Government knows that arts and culture help build healthy communities and strengthen our economy. That is why we are pleased José Verstappen cm artistic director emeritus to invest in concerts like those organized by Early Music Vancouver. This society’s efforts to promote music from the Medieval, Renaissance, ÷ Baroque, Classical and Romantic eras provide us with the opportunity staff to enjoy music as it was played when first composed, on the instruments and according to the practices of the times. Matthew White artistic director On behalf of Prime Minister Stephen Harper and the Government Tim Rendell ca of Canada, I would like to commend the musicians and everyone, managing director particularly the many volunteers, who worked so hard behind the Alicia Hansen scenes to ensure Early Music Vancouver’s success. production & programme coordinator Diana Magallon The Honourable Shelly Glover marketing & fundraising coordinator Ron Costanzo volunteer coordinator Nathan Lorch bookkeeper Jan Gates event photographer Laura Murray Public Relations marketing & media relations Trevor Mangion and The Chan Centre Box Office Staff emv ticket office: 604.822.2697 Our concerts are made possible through the generous assistance of our many volunteers who offer their time. For today's concert, we would like to thank in particular: 1254 West 7th Avenue, Ron Costanzo | Bill Dovhey | Sandy Dowling | Bev Ferguson | Nel Finberg Vancouver BC, V6H 1B6 Gail Franko | Maureen Girvan | Lori Goldman | John Glofcheskie tel: 604.732.1610 Martha Hazevoet | Gretchen Ingram | Gerald Joe | Danny Keays fax: 604.732.1602 Glenys McDonald | Kathy McMullen | Carole Nakonechny | Gina Page Jacqueline Peck | Joey Schibild | Traudi Schneider [email protected] earlymusic.bc.ca Interested in joining our volunteer corps? Phone 604.732.1610 for details. 4 | Early Music Vancouver & Vancouver Chamber Choir ÷ 2015-16 Monteverdi Vespers of 1610 vancouver chamber choir Celebrating its 45th concert season this year, the Vancouver Chamber Choir is one of Canada’s national Board of Directors treasures, an outstanding professional Janis Hamilton vocal ensemble noted for its diverse President repertoire and performing excellence. George Laverock Matthew Baird The Choir has been performing to Vice Presidents audiences at home in Vancouver Linda Kinney and on tour across Canada since it Treasurer was formed in 1971 by conductor Jon Caroline Ewald Washburn. International excursions Secretary have taken the Vancouver Chamber Ivy Arcos Choir to the USA, Mexico, Japan, Linda Ashton China, Hong Kong, Taiwan, South Millie Bojic Korea, Finland, France, Germany, Clayton Bolton the Czech Republic, Russia, Estonia, Cecilia Chueh Photo: Hadani Ditmars Cameron Haney Latvia, Lithuania and Ukraine. Dr. Donna Hogge Honoured with the Margaret Hillis Award for Choral Excellence by Chorus America, the Linda Johnston Vancouver Chamber Choir has to its credit countless performances and broadcasts, over 30 Patricia Kendall recordings and numerous awards. Foremost supporters of Canadian music, Jon Washburn and Colin Miles Dr. Ian Mugridge the Choir have commissioned and premiered more than 250 Canadian choral compositions. Dr. Diane Roscoe Over the years they have sung nearly 3,000 performances of 350 pieces by 120 Canadian Dr. Robert Rothwell composers in addition to their extensive international repertoire. The Choir’s award-winning educational programs include the National Conductors’ Honorary Patrons Symposium for advanced choral conductors, Interplay interactive workshops for choral John Bishop composers, Focus! professional development program for student singers, OnSite visitations Maurice Copithorne, Q.C., LL.D. for school choirs, the biennial Young Composers Competition, and many on-tour workshops Dr. Stephen Drance, O.C. and residencies. Sam Feldman Charles Flavelle Ben Heppner, O.C. Don Hudson JON WASHBURN, ARTISTIC & EXECUTIVE DIRECTOR Dr. John MacDonald, O.C. R. Murray Schafer Jon Washburn is the longtime Conductor and Artistic Director of the Vancouver Chamber Choir. Well known internationally for his mastery of choral technique and interpretation, he Administrative Staff travels widely as guest conductor, lecturer, clinician and master teacher. He is also an active Jon Washburn, C.M. composer, arranger and editor and has had many compositions published, performed and Artistic & Executive Director recorded around the world. Steven Bélanger General Manager In 2001 Mr. Washburn was named a Member of
Recommended publications
  • Jazz Concert
    Artist Series presents Sonatas for Violin and Piano featuring Maria Sampen, violin and Oksana Ezhokina, piano Saturday, November 14, 2015 at 3 pm Lagerquist Concert Hall, Mary Baker Russell Music Center Pacific Lutheran University School of Arts and Communication / Department of Music presents: Artist Series Sonatas for Violin and Piano Maria Sampen, violin Oksana Ezhokina, piano Saturday, November 14, 2015, at 3 pm Lagerquist Concert Hall, Mary Baker Russell Music Center Welcome to Lagerquist Concert Hall. Please disable the audible signal on all watches, pagers and cellular phones for the duration of the concert. Use of cameras, recording equipment and all digital devices is not permitted in the concert hall. PROGRAM Scherzo in C Minor for Violin and Piano, WoO 2 ............................................ Johannes Brahms (1833-1897) Sonata for Violin and Piano in A Major, Op. 100 ................................................................. Johannes Brahms Allegro amabile Andante tranquillo – Vivace Allegretto grazioso INTERMISSION Sonata No. 3 for Violin and Piano in A Minor, Op. 25 .......................................... George Enescu (1881-1955) Moderato malinconico Andante sostenuto e misterioso Allegro con brio, ma non troppo mosso About the Artists Russian-born pianist Oksana Ezhokina appears frequently as guest recitalist and chamber musician on concert series across the United States and abroad. She has soloed with the Seattle Symphony, St. Petersburg Chamber Philharmonic and Tacoma Symphony, and performed in venues such as the Phillips Collection in Washington DC, Benaroya Hall in Seattle, Governor’s Mansion in Olympia, Davies Orchestra Hall in San Francisco, and Klassik Keyifler Festival in Turkey. A dedicated performer of new music, she has premiered works by Marilyn Shrude, Wayne Horvitz, Bern Herbolsheimer, and Laura Kaminsky, among others.
    [Show full text]
  • The Flutist Quarterly Volume Xxxv, N O
    VOLUME XXXV , NO . 2 W INTER 2010 THE LUTI ST QUARTERLY Music From Within: Peter Bacchus Interviews Robert Dick Remembering Frances Blaisdell Running a Chamber Ensemble The Inner Flute: Lea Pearson THE OFFICIAL MAGAZINE OF THE NATIONAL FLUTE ASSOCIATION , INC :ME:G>:C8: I=: 7DA9 C:L =:69?D>CI ;GDB E:6GA 6 8ji 6WdkZ i]Z GZhi### I]Z cZl 8Vadg ^h EZVgaÉh bdhi gZhedch^kZ VcY ÓZm^WaZ ]ZVY_d^ci ZkZg XgZViZY# Djg XgV[ihbZc ^c ?VeVc ]VkZ YZh^\cZY V eZg[ZXi WaZcY d[ edlZg[ja idcZ! Z[[dgiaZhh Vgi^XjaVi^dc VcY ZmXZei^dcVa YncVb^X gVc\Z ^c dcZ ]ZVY_d^ci i]Vi ^h h^bean V _dn id eaVn# LZ ^ck^iZ ndj id ign EZVgaÉh cZl 8Vadg ]ZVY_d^ci VcY ZmeZg^ZcXZ V cZl aZkZa d[ jcbViX]ZY eZg[dgbVcXZ# EZVga 8dgedgVi^dc *). BZigdeaZm 9g^kZ CVh]k^aaZ! IC (,'&& -%%".),"(',* l l l # e Z V g a [ a j i Z h # X d b Table of CONTENTS THE FLUTIST QUARTERLY VOLUME XXXV, N O. 2 W INTER 2010 DEPARTMENTS 5 From the Chair 51 Notes from Around the World 7 From the Editor 53 From the Program Chair 10 High Notes 54 New Products 56 Reviews 14 Flute Shots 64 NFA Office, Coordinators, 39 The Inner Flute Committee Chairs 47 Across the Miles 66 Index of Advertisers 16 FEATURES 16 Music From Within: An Interview with Robert Dick by Peter Bacchus This year the composer/musician/teacher celebrates his 60th birthday. Here he discusses his training and the nature of pedagogy and improvisation with composer and flutist Peter Bacchus.
    [Show full text]
  • FOR IMMEDIATE RELEASE: November 3, 2016 the GRAMMY-Winning Boston Early Music Festival Chamber Opera Series Presents VERSAILLES
    Boston Early Music Festival 43 Thorndike Street, Suite 302 Cambridge, MA 02141-1764 INTERNATIONAL BAROQUE OPERA • CELEBRATED CONCERTS • WORLD-FAMOUS EXHIBITION 617-661-1812 | www.BEMF.org FOR IMMEDIATE RELEASE: November 3, 2016 The GRAMMY-Winning Boston Early Music Festival Chamber Opera Series presents VERSAILLES: Portrait of a Royal Domain on Thanksgiving weekend – November 26 & 27 in Boston and November 28 & 29 in New York City Cambridge, MA - The GRAMMY Award–winning Boston Early Music Festival Chamber Opera Series returns on Thanksgiving weekend for its ninth consecutive year with an all-new production inspired by the splendor and music of the French royal court. VERSAILLES: Portrait of a Royal Domain is a spectacle from the height of Louis XIV’s reign with two chamber operas—Charpentier’s Les Plaisirs de Versailles and Lalande’s Les Fontaines de Versailles—exalting the majesty of the palace and its gardens, alongside divertissements from Lully’s Atys. Produced in partnership with the Centre de Musique Baroque de Versailles, the production will receive four performances: Saturday, November 26 and Sunday, November 27 in Boston, and Monday November 28 and Tuesday, November 29 in New York City. “The Boston Early Music Festival has enjoyed a rich experience with the French operas of the 17th century, and especially the wonderful music of Charpentier,” observes Stage Director Gilbert Blin. “His unique and rather funny Les Plaisirs de Versailles inspired us to create a production of works connected to the famous palace of Louis XIV. Together, the titles answer each other, creating a sumptuous image of the Versailles castle and gardens." The elegance and drama of these three works is brought to life by the all-star BEMF Vocal and Chamber Ensembles in a magnificent production featuring gorgeous costumes and sumptuous period staging.
    [Show full text]
  • Stephen Stubbs Discography 2018
    STEPHEN STUBBS DISCOGRAPHY NAME GROUP LABEL YEAR CD NUMBER COMMENTS Stylus Phantasticus Pacific MusicWorks, dir Stephen Stubbs, featuring Tekla Cunningham 2018 release date 2019 Total Eclipse: Music for Handel's Tenor Pacific MusicWorks, dir Stephen Stubbs, featuring Aaron Sheehan NAXOS 2017 release date June 2019 Handel's Almira Boston Early Music Festival, dir Stephen Stubbs & Paul O’ Dette CPO 2018 release date 2019 Sebastiani: Matthäus Passion Boston Early Music Festival, dir Stephen Stubbs & Paul O’ Dette CPO 2018 CPO 555 204-2 Steffani: Duets of Love and Passion Boston Early Music Festival, dir Stephen Stubbs & Paul O’ Dette CPO 2017 CPO 555 135-2 Handel's Acis and Galatea Boston Early Music Festival, dir Stephen Stubbs & Paul O’ Dette CPO 2015 CPO 777 877-2 Charpentier's Le Descente D'Orphée Boston Early Music Festival, dir Stephen Stubbs & Paul O’ Dette CPO 2014 CPO 777 876-2 GRAMMY® winner Best Opera Recording 2015 Steffani's Niobe Boston Early Music Festival, dir Stephen Stubbs & Paul O’ Dette Erato 2015 CPO 777 876-2 Dipason d'Or, Grammaphone Record of the Month Night Sessions The Dowland Project ECM 2013 ECM2018 Blow's Venus and Adonis Boston Early Music Festival, dir Stephen Stubbs & Paul O’ Dette CPO 2011 CPO 777 614-2 Charpentier's Actéon Boston Early Music Festival, dir Stephen Stubbs & Paul O’ Dette CPO 2010 CPO 777 613-2 Psyche Boston Early Music Festival dir Stephen Stubbs & Paul O’ Dette CPO 2008 CPO 777 367-2 William Lawes Royall Consorts Les Voix Humaines, Stubbs ATMA 2008 ACD22373 William Lawes Complete Harp Consorts
    [Show full text]
  • San Francisco Early Music Society
    San Francisco Early Music Society Breathtaking: A Cornetto and a Voice Entwined WHEN: VENUE: Sunday, May 6, 2018 BInG 4:00 PM COnCERT HaLL Program Artists Maurizio Cazzati (1616 –1678) Hana Blažíková, Regina coeli soprano Bruce dickey, Nicolò Corradini (?–1646) cornetto Spargite flores Tekla Cunningham, Biagio Marini (1594 –1663) Ingrid Matthews, Sonata seconda a doi violini violin Joanna Blendulf, Sigismondo D’India (c1582 –1629) viola da gamba Dilectus meus Langue al vostro languir Michael Sponseller, organ and harpsichord Giovanni Battista Fontana (1589–1630) Stephen Stubbs, Sonata 11 a 2 theorbo and baroque guitar Tarquinio Merula (c 1594–1665) Nigra sum Giacomo Carissimi (1605 –1674) Summi regis puerpera —Intermission— Calliope Tsoupaki (b. 1963) Mélena imí (Nigra sum) , 2015 Gio. Battista Bassani (c1650 –1716) Three arias from La Morte Delusa (Ferrara, 1680) “Sinfonia avanti l’Oratorio” “Speranza lusinghiera” “Error senza dolor” Sonata prima a 3, Op. 5 Alessandro Scarlatti (1660–1725 Three arias from Emireno (Naples, 1697) Rosinda: “non pianger solo dolce usignuolo” Rosinda: “Senti, senti ch’io moro” Emireno: “Labbra gradite” PROGRAM SUBJECT TO CHANGE . Please be considerate of others and turn off all phones, pagers, and watch alarms. Photography and recording of any kind are not permitted. Thank you. 2 Notes Breathtaking: violoncelli. He was able, however, to which included innovative composers A Voice And A Cornetto Entwined attract excellent singers as well as such as Giovanni de Macque. d’India string players to the basilica. His travelled extensively, holding positions In the 16th and 17th centuries, the Regina coeli , from a collection of in Turin, Modena and Rome. His cornetto was fabled for its remarkable Marian antiphons published in 1667, monodies, for which he is primarily ability to imitate the human voice.
    [Show full text]
  • Two Chamber Music Concerts
    School of Music TWO STUDENT CHAMBER MUSIC CONCERTS David Requiro, director MONDAY, APRIL 21, 2014 SCHNEEBECK CONCERT HALL 6 P.M. AND 7:30 P.M. CONCERT I | 6 p.m. Notturno in E-flat Major, Opus 148, D. 897 ...................... Franz Schubert (1797–1828) Trio Consonare Jonathan Mei ‘16, violin Faithlina Chan ‘16, cello Jinshil Yi ‘14, piano Coached by David Requiro Variations on a Theme by Haydn for Two Pianos, Opus 58b .......Johannes Brahms Variations I–VI (1833–1897) Flügel x 2 Taylor Gonzales ’17, and Glenna Toomey ‘15, two pianos, four hands Coached by Duane Hulbert Summer Music for Wind Quintet, Opus 31 ...................... Samuel Barber (1910–1981) Whitney Reveyrand ‘15, flute David Brookshier ‘15, oboe Delaney Pearson ‘15, clarinet Emily Neville ‘14, bassoon Matthew Wasson ‘14, horn Coached by Paul Rafanelli Clarinet Quintet in A Major, K. 581 ..............................W.A. Mozart I. Allegro (1756–1791) IV. Allegretto con variazioni Larissa Freier ‘17, and Sarah Tucker ‘17, violins Sarah Mueller ‘17, viola Alana Roth ‘14, cello Jenna Tatiyatrairong ‘16, clarinet Coached by David Requiro Piano Trio in D Minor, Opus 32 ............................... Anton Arensky I. Allegro moderato (1861–1906) The Morpheus Trio Spencer Dechenne ‘15, violin Bronwyn Hagerty ‘15, cello Brenda Miller ‘15, piano Coached by David Requiro CONCERT II | 7:30 p.m. Piano Quartet in C Minor, Opus 60 ..........................Johannes Brahms I. Allegro non troppo III. Andante Emily Brothers ‘14, violin Henry DeMarais, viola, guest Anna Schierbeek ‘16, cello Imanuel Chen ‘15, piano Coached by David Requiro String Quartet in B Minor, Opus 11 ............................ Samuel Barber I. Molto Allegro e appassionato (1910–1981) Barbershoppe Quartet Clara Fuhrman ‘16, and Brandi Main ‘16, violins Kimberly Thuman ‘16, viola William Spengler ‘17, cello Coached by David Requiro String Trio No.
    [Show full text]
  • The American Bach Society the Westfield Center
    The Eastman School of Music is grateful to our festival sponsors: The American Bach Society • The Westfield Center Christ Church • Memorial Art Gallery • Sacred Heart Cathedral • Third Presbyterian Church • Rochester Chapter of the American Guild of Organists • Encore Music Creations The American Bach Society The American Bach Society was founded in 1972 to support the study, performance, and appreciation of the music of Johann Sebastian Bach in the United States and Canada. The ABS produces Bach Notes and Bach Perspectives, sponsors a biennial meeting and conference, and offers grants and prizes for research on Bach. For more information about the Society, please visit www.americanbachsociety.org. The Westfield Center The Westfield Center was founded in 1979 by Lynn Edwards and Edward Pepe to fill a need for information about keyboard performance practice and instrument building in historical styles. In pursuing its mission to promote the study and appreciation of the organ and other keyboard instruments, the Westfield Center has become a vital public advocate for keyboard instruments and music. By bringing together professionals and an increasingly diverse music audience, the Center has inspired collaborations among organizations nationally and internationally. In 1999 Roger Sherman became Executive Director and developed several new projects for the Westfield Center, including a radio program, The Organ Loft, which is heard by 30,000 listeners in the Pacific 2 Northwest; and a Westfield Concert Scholar program that promotes young keyboard artists with awareness of historical keyboard performance practice through mentorship and concert opportunities. In addition to these programs, the Westfield Center sponsors an annual conference about significant topics in keyboard performance.
    [Show full text]
  • Earshot Jazz Festival in November, P 4
    A Mirror and Focus for the Jazz Community Nov 2005 Vol. 21, No. 11 EARSHOT JAZZSeattle, Washington Earshot Jazz Festival in November, P 4 Conversation with Randy Halberstadt, P 21 Ballard Jazz Festival Preview, P 23 Gary McFarland Revived on Film, P 25 PHOTO BY DANIEL SHEEHAN EARSHOT JAZZ A Mirror and Focus for the Jazz Community ROCKRGRL Music Conference Executive Director: John Gilbreath Earshot Jazz Editor: Todd Matthews Th e ROCKRGRL Music Conference Highlights of the 2005 conference Editor-at-Large: Peter Monaghan 2005, a weekend symposium of women include keynote addresses by Patti Smith Contributing Writers: Todd Matthews, working in all aspects of the music indus- and Johnette Napolitano; and a Shop Peter Monaghan, Lloyd Peterson try, will take place November 10-12 at Talk Q&A between Bonnie Raitt and Photography: Robin Laanenen, Daniel the Madison Renaissance Hotel in Seat- Ann Wilson. Th e conference will also Sheehan, Valerie Trucchia tle. Th ree thousand people from around showcase almost 250 female-led perfor- Layout: Karen Caropepe Distribution Coordinator: Jack Gold the world attended the fi rst ROCKRGRL mances in various venues throughout Mailing: Lola Pedrini Music Conference including the legend- downtown Seattle at night, and a variety Program Manager: Karen Caropepe ary Ronnie Spector and Courtney Love. of workshops and sessions. Registra- Icons Ann and Nancy Wilson of Heart tion and information at: www.rockrgrl. Calendar Information: mail to 3429 were honored with the fi rst Woman of com/conference, or email info@rockrgrl. Fremont Place #309, Seattle WA Valor lifetime achievement Award. com. 98103; fax to (206) 547-6286; or email [email protected] Board of Directors: Fred Gilbert EARSHOT JAZZ presents..
    [Show full text]
  • A TRIBUTE in LOVING MEMORY Irina Diana Tarabac
    A TRIBUTE IN LOVING MEMORY Irina Diana Tarabac (1970-2007) Irina Diana Tarabac dedicated her life to learning, teaching, and science – the field of her choice being linguistics. Among many brilliant scholars and scientists in the Linguistics Department at Stony Brook University, Irina stood out for many a reasons. Unfortunately, Irina left us too early in October 2007. After arriving to study at Stony Brook at 2002, Irina became an active member of the linguistic community in the metropolitan area of New York. She frequently attended seminars in the Linguistics Departments of NYU and the CUNY Graduate Center. Irina was dedicated to life-long learning, and she set extremely high standards for herself, her own research and her teaching responsibilities. She taught a morphology seminar in Bucharest and served as a TA for classes on many different topics at Stony Brook, including syntax, morphology, language philosophy, phonology, typology, and Semitic languages. She was a wonderful teacher and was very concerned about her students. Her dedication to linguistics didn’t leave her much time to pursue her hobbies, but whenever Irina found some time off, she enjoyed listening to symphonic music, reading good literature, visiting museums, and spending time with her friends. Irina earned a Master’s degree in Bucharest, Romania in 1996 and had studied and conducted research in the Netherlands between 1997 and 1999. Irina conducted research on well-known languages such as Dutch, Romanian, and Modern Greek as well as less-known languages such as Rapanui and Burushaki. Irina’s passing is a great loss to her family, her friends and the field of linguistics.
    [Show full text]
  • NEXTET the New Music Ensemble for the 21St Century Virko Baley, Music Director Jorge Villavicencio Grossmann, Guest Composer-In-Residence Carolyn V
    Department of MUSIC College of Fine Arts presents NEXTET The New Music Ensemble for the 21st Century Virko Baley, music director Jorge Villavicencio Grossmann, guest composer-in-residence Carolyn V. Grossmann, guest pianist PROGRAM Greg Burr One (2012) (b. 1984-) Dmytro ehrych, violin Sofiane Merkoucbe, piano Virko Baley Nocturnal No. 1 (1958) (b. 1938-) Diego Vega Audi Reliqua (1998) (b. 1968-) Jorge Villavicencio Grossmann Angelus! (20 11) (b. 1973) Carolyn V. Grossmann, piano Jorge Villavicencio Grossmann Se Habia Extinguido en Nosotros una Claridad (2008) Janis McKay, bassoon Carolyn V. Grossmann, piano John Cage Child ofTree (1975) (1912-1992) Chris Tusa, percussion Jorge V. Grossmann Siray I (2005) II (2009) Carmella Cao, flute Tallyn Wesner, clarinet Timothy Hoft, piano Weiwei Le, violin Maren Quanbeck, violoncello Virko Baley, conductor Sunday, October 21, 2012 7:30p.m. Dr. Arturo Rando-Grillot Recital Hall Lee and Thomas Beam Music Center University of Nevada, Las Vegas About our guests: Jorge Villavicencio Grossmann "[Music] that draws the audience in to a spare and wonderfitl sound world." Sudeep Argawala, Boston Musical Intelligencer Jorge Villavicencio Grossmann's music has been performed throughout the United States, Latin America and Europe by ensembles such as the National Symphony Orchestra of Ukraine, Peruvian National Symphony, New England Philharmonic, Aspen Sinfonia, Kiev Camerata, Orquesta de Ia Universidad del Norte (Paraguay), Boston Musica Viva, Nouvel Ensemble Modeme, Pierrot Lunaire Ensemble Wien, Da Capo Chamber
    [Show full text]
  • S E at T Le S Y M P Hony Ludo Vic Morlo T
    IVES SYMPHONY NO. 4 NO. SYMPHONY SYMPHONY NO. 3 NO. SYMPHONY CENTRAL PARK IN THE DARK CENTRAL PARK THE UNANSWERED QUESTION SEATTLE SYMPHONY LUDOVIC MORLOT CHARLES IVES Symphony No. 4 Prelude: Maestoso .............................................................. 3:27 Comedy: Allegretto .......................................................... 12:07 Fugue: Andante moderato ................................................ 6:39 Finale: Largo maestoso ..................................................... 8:59 Cristina Valdés, piano; Joseph Adam, organ; Stilian Kirov, David Alexander Rahbee, Julia Tai, assistant conductors; Seattle Symphony Chorale The Unanswered Question .........................................................6:50 David Gordon, trumpet Central Park in the Dark ............................................................. 11:22 Symphony No. 3, “The Camp Meeting” Old Folks Gatherin’: Andante maestoso ..........................7:41 Children’s Day: Allegro ....................................................... 6:50 Communion: Largo ................................................................7:47 TOTAL TIME .................................................................71:49 SEATTLESYMPHONY.ORG � & © 2016 Seattle Symphony Media. All rights reserved. Unauthorized copying, hiring, lending, public performance and broadcasting of this record prohibited without prior written permission from the Seattle Symphony. Benaroya Hall, 200 University Street, Seattle, WA 98101 MADE IN USA Photo: Larey McDaniel Larey Photo: SEATTLE
    [Show full text]
  • Louis Fleury and the Early Life of Pierrot Lunaire
    VOLUME 3 9 , NO . 1 F ALL 2 0 1 3 THE LUTI ST QUARTERLY Louis Fleury and the Early Life of Pierrot lunaire The Center of Gravity in Flute Pedagogy and Performance The Inner Flute: A Transcript of Music and Words THEOFFICIALMAGAZINEOFTHENATIONALFLUTEASSOCIATION, INC 695RB-CODA Split E THE ONLY SERIES WHERE CUSTOM Sterling Silver Lip Plate IS COMPLETELY STANDARD 1ok Gold Lip Plate Dolce and Elegante Series instruments from Pearl offer custom performance options to the aspiring C# TrillC# Key student and a level of artisan craftsmanship as found on no other instrument in this price range. Choose B Footjoint from a variety of personalized options that make this flute perform like it was hand made just for you. Dolce and Elegante Series instruments are available in 12 unique models starting at just $1600, and like all Pearl flutes, they feature our advanced pinless mechanism for fast, fluid action and years of reliable service. Dolce and Elegante. When you compare them to other flutes in this price range, you’ll find there is no comparison. pearlflutes.com Table of CONTENTSTHE FLUTIST QUARTERLY VOLUME 39, NO. 1 FALL 2013 DEPARTMENTS 11 From the Chair 47 Passing Tones 13 From the Executive Director 52 Honor Roll of Donors to the NFA 16 High Notes 54 New Products 36 From the Research Chair 56 Reviews 37 Across the Miles 37 The Inner Flute: A Transcript of 70 NFA Office, Coordinators, Music and Words Committee Chairs 43 Notes from Around the World 75 Index of Advertisers 20 FEATURES 20 Louis Fleury and the Early Life of Pierrot lunaire by Nancy Toff Front and center in new-music happenings of the early 1900s, Louis Fleury helped introduce Schönberg’s seminal work in Paris, London, and Italy.
    [Show full text]