The British Academy Annual Report of the Trustees and Financial Statements
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Classical Philology and Theology Edited by Catherine Conybeare , Simon Goldhill Frontmatter More Information
Cambridge University Press 978-1-108-49483-0 — Classical Philology and Theology Edited by Catherine Conybeare , Simon Goldhill Frontmatter More Information CLASSICAL PHILOLOGY AND THEOLOGY Modern disciplinary silos tend to separate the fields of classical philology and theology. This collection of essays, however, explores for the first time the deep and significant interactions between them. It demonstrates how from antiquity to the present they have marched hand in hand, informing each other with method, views of the past and structures of argument. The volume rewrites the history of discipline formation, and reveals how close the seminar is to the seminary. catherine conybeare is Leslie Clark Professor in the Humanities at Bryn Mawr College. She is an authority on the Latin texts of late antiquity, and is the author of four books, including The Laughter of Sarah: Biblical Exegesis, Feminist Theory, and the Concept of Delight (2013). She is also the editor of a new series for Cambridge University Press, Cultures of Latin from Antiquity to the Enlightenment. simon goldhill is Professor of Greek at the University of Cambridge and a Fellow of King’s College. He is one of the best- known writers on Greek literature and cultures, publishing almost twenty books and numerous articles on texts and topics from the whole span of antiquity and its reception. His books have won three international prizes and have been translated into ten languages. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-49483-0 -
The British Academy Annual Report of the Trustees and Financial Statements
The British Academy Annual Report of the Trustees and Financial Statements For the year ended 31 March 2020 1 2 Trustees and Principal Advisers Council President As at date of signing Professor Sir David Cannadine Vice-Presidents Professor Sarah Worthington QC Treasurer Professor Dominic Abrams Vice President, Social Sciences Professor Simon Goldhill Foreign Secretary Professor Aditi Lahiri Vice President, Humanities Professor Roger Kain Vice President, Research and Higher Education Policy (retired 18 July 2019) Professor Simon Swain Vice President, Research and Higher Education Policy Revd Professor Diarmaid MacCulloch Kt Vice President, Public Engagement Professor Genevra Richardson Vice President, Public Policy Professor Hamish Scott Vice President, Publications Professor Charles Tripp Vice President, British International Research Institutes Ordinary Members Professor Julia Barrow Professor Tony Manstead Professor Christine Bell Professor Jane Millar Professor Sarah Birch Professor Michael Moriarty Registered Charity No. 233176 Professor Julian Birkinshaw Professor Anne Phillips (retired 18 July 2019) Registered Auditors BDO LLP Professor Joanna Bourke Professor Chakravarthi Ram-Prasad 55 Baker Street London W1U 7EU Professor Stella Bruzzi Professor John Scott (retired 18 July 2019) Solicitors Professor Eleanor Dickey Professor Sally Shuttleworth (retired 18 July 2019) Macfarlanes Professor Jane Humphries Professor Nicholas Sims-Williams 10 Norwich Street London EC4A 1BD Professor Glynnis Jones Professor Annette Volfing Bank (retired -
Curriculum Vitae Ann L. Kuttner [email protected] [9/6/16: Penn Arth Website Version, Abbreviated]
CV-Kuttner 1 Curriculum Vitae Ann L. Kuttner [email protected] [9/6/16: Penn ArtH website version, abbreviated] Dept. of History of Art, Jaffe Building, University of Pennsylvania, Philadelphia, PA 19104-6208, USA Tel., 215-898-8327; fax, 215-573-2210 Graduate Groups in Art & Archaeology of the Mediterranean World, Ancient History, Classical Studies, and Religious Studies University of Pennsylvania Museum of Archaeology and Anthropology, Mediterranean Section Consulting Scholar http://dept.arth.upenn.edu/ , http://www.arthistory.upenn.edu/aamw/, http://ccat.sas.upenn.edu/anch/ Degrees 1987 Ph.D., 1982 M.A. University of California at Berkeley, Graduate Group in Ancient History and Mediterranean Archaeology. 1978 B.A. magna cum laude with departmental honors, Bryn Mawr College, Department of Classical and Near Eastern Archaeology. Teaching and Research Appointments 1992- Associate Professor, University of Pennsylvania, Department of History of Art. Graduate Groups: Ancient History; Art and Archaeology of the Mediterranean World; Classical Studies; Religious Studies. http://dept.arth.upenn.edu/facultykuttner.htm at http://dept.arth.upenn.edu/ Graduate Groups: http://dept.arth.upenn.edu/aamw/, and http://dept.arth.upenn.edu/aamw/fieldwork.html [Villamagna]; http://ccat.sas.upenn.edu/anch/; http://ccat.sas.upenn.edu/clst/index.html; http://ccat.sas.upenn.edu/rs/ University of Pennsylvania Museum of Archaeology and Anthropology, Research Associate, Mediterranean Section 1992-93 Associate Professor, University of Toronto, Department of Fine Art. Graduate Program in Ancient Studies, Graduate Faculties of History of Art and of Classics. 1987-92 Assistant Professor, University of Toronto, Department of Fine Art, Graduate Faculties of History of Art and of Classics. -
Read Keith Thomas' the Wolfson History Prize 1972-2012
THE WOLFSON HISTORY PRIZE 1972-2012 An Informal History Keith Thomas THE WOLFSON HISTORY PRIZE 1972-2012 An Informal History Keith Thomas The Wolfson Foundation, 2012 Published by The Wolfson Foundation 8 Queen Anne Street London W1G 9LD www.wolfson.org.uk Copyright © The Wolfson Foundation, 2012 All rights reserved The Wolfson Foundation is grateful to the National Portrait Gallery for allowing the use of the images from their collection Excerpts from letters of Sir Isaiah Berlin are quoted with the permission of the trustees of the Isaiah Berlin Literary Trust, who own the copyright Printed in Great Britain by The Bartham Group ISBN 978-0-9572348-0-2 This account draws upon the History Prize archives of the Wolfson Foundation, to which I have been given unrestricted access. I have also made use of my own papers and recollections. I am grateful to Paul Ramsbottom and Sarah Newsom for much assistance. The Foundation bears no responsibility for the opinions expressed, which are mine alone. K.T. Lord Wolfson of Marylebone Trustee of the Wolfson Foundation from 1955 and Chairman 1972-2010 © The Wolfson Foundation FOREWORD The year 1972 was a pivotal one for the Wolfson Foundation: my father, Lord Wolfson of Marylebone, became Chairman and the Wolfson History Prize was established. No coincidence there. History was my father’s passion and primary source of intellectual stimulation. History books were his daily companions. Of all the Foundation’s many activities, none gave him greater pleasure than the History Prize. It is an immense sadness that he is not with us to celebrate the fortieth anniversary. -
British Academy New Fellows 2015 Fellows Professor Janette Atkinson
British Academy New Fellows 2015 Fellows Professor Janette Atkinson FMedSci Emeritus Professor, University College London; Visiting Professor, University of Oxford Professor Oriana Bandiera Professor of Economics, Director of STICERD, London School of Economics Professor Melanie Bartley Emeritus Professor of Medical Sociology, University College London Professor Christine Bell Professor of Constitutional Law, Assistant Principal and Executive Director, Global Justice Academy, University of Edinburgh Professor Julia Black Professor of Law and Pro Director for Research, London School of Economics and Political Science Professor Cyprian Broodbank John Disney Professor of Archaeology and Director, McDonald Institute for Archaeological Research, University of Cambridge Professor David Buckingham Emeritus Professor of Media and Communications, Loughborough University; Visiting Professor, Sussex University; Visiting Professor, Norwegian Centre for Child Research Professor Craig Calhoun Director and School Professor, London School of Economics Professor Michael Carrithers Professor of Anthropology, Durham University Professor Dawn Chatty Professor of Anthropology and Forced Migration, University of Oxford Professor Andy Clark FRSE Professor of Logic and Metaphysics, University of Edinburgh Professor Thomas Corns Emeritus Professor of English Literature, Bangor University Professor Elizabeth Edwards Professor of Photographic History, Director of Photographic History Research Centre, De Montfort University Professor Briony Fer Professor of Art History, -
Review of the Year 2014-2015
INSPIRING EXCELLENCE REVIEW OF THE YEAR 2014/15 British Academy Review of the year 2014/15 1 CONTENTS Our Mission: To inspire, recognise and support high achievement in the humanities and social sciences throughout the UK and internationally, and to champion their role and value. 02 INTRODUCTION 15 STRENGTHENING POLICYMAKING Providing independent contributions 04 THE YEAR IN NUMBERS to public policy development, enhancing the policymaking process. The following sections reflect the six strategic priorities set 17 ENGAGING WITH THE PUBLIC out in the Academy’s Strategic Stimulating public interest in and Framework 2013–2018: understanding of the humanities and social sciences, and contributing 06 CHAMPIONING THE HUMANITIES to public debate. aND SOCIAL SCIENCES 19 PROMOTING INTERNatiONALISM Taking a lead in representing the Promoting UK research in humanities and social sciences, international arenas, fostering a global promoting their interests and approach across UK research and vigorously upholding their value. providing leadership in developing 08 ADVANCING RESEARCH global research links and expertise. Providing distinctive and 22 ABOUT THE ACADEMY complementary funding opportunities for outstanding people and innovative research. 12 FOSTERING EXCELLENCE Strengthening, extending and diversifying ways of recognising and celebrating high achievement in the humanities and social sciences. British Academy Review of the year 2014/15 1 INTRODUCTION This Review of the Year presents a Exemplifying this are the first three series In its policy activities, the Academy has The second, with the Department for summary of highlights from the past of The British Academy Debates. These took carried out highly regarded work on the International Development, will create a year, showing how the British Academy public discussions of a selected theme – UK’s constitution and on the multiple new body of international research on ways Ageing, then Immigration, then Well-being issues surrounding Scottish devolution. -
Sophocles and the Greek Tragic Tradition Edited by Simon Goldhill and Edith Hall Frontmatter More Information
Cambridge University Press 978-0-521-88785-4 - Sophocles and the Greek Tragic Tradition Edited by Simon Goldhill and Edith Hall Frontmatter More information SOPHOCLES AND THE GREEK TRAGIC TRADITION Thirteen essays by senior international experts on Greek tragedy take a fresh look at Sophocles’ dramas. They reassess their crucial role in the creation of the tragic repertoire, in the idea of the tragic canon in antiquity, and in the making and infinite recreation of the tragic tradition in the Renaissance and beyond. The introduction looks at the paradigm shifts during the twentieth century in the theory and practice of Greek theatre, in order to gain a perspective on the current state of play in Sophoclean studies. The following three sections explore respectively the way that Sophocles’ tragedies provoked and educated their original Athenian democratic audience, the language, structure and lasting impact of his Oedipus plays, and the centrality of his oeuvre in the development of the tragic tradition in Aeschylus, Euripides, ancient philosophical theory, fourth-century tragedy and Shakespeare. The volume is dedicated to Professor Pat Easterling of Newnham College, Cambridge, to mark her seventy-fifth birthday. It has been written by some of her many former pupils and collaborators and recognises the enormous contribution she has made to the study of Greek tragedy and, in particular, of Sophocles. simon goldhill is Professor of Greek, Cambridge University, and a Fellow of King’s College. He has published widely on Greek literature and drama, with books including Reading Greek Tragedy (1986), Per- formance Culture and Athenian Democracy (co-authored with Robin Osborne, 1999), and How to Stage Greek Tragedy Today (2007). -
How the Social Sciences, Humanities and the Arts Can SHAPE a Positive, Post-Pandemic Future for Peoples, Economies and Environments
Journal of the British Academy, 8, 167–266 DOI https://doi.org/10.5871/jba/008.167 Posted 2 October 2020 Shape the Future: how the social sciences, humanities and the arts can SHAPE a positive, post-pandemic future for peoples, economies and environments Molly Morgan Jones, Dominic Abrams and Aditi Lahiri Abstract: COVID-19 is the most challenging global public health crisis we have faced for many decades. However, it is more than a health crisis. The impacts go well beyond the medical sphere and are changing lives, livelihoods, communities and economies within and across nation-states. The British Academy launched its Shape the Future initiative in May 2020 to bring insights from the social sciences, humanities and the arts together to understand how we can shape a positive future for people, the econ- omy and the environment post-pandemic. These disciplines have a critical role to play in the handling of and recovery from the pandemic. This paper summarises the discussions held during twenty policy and research workshops which considered topics under three broad themes relevant to the post-pandemic future: revitalising societal well-being, recreating an inclusive economy around purpose, and revisiting the histories and cultures of science, policy and politics. Keywords: COVID-19, society, history, culture, policy, SHAPE. Note on the authors: Dr Molly Morgan Jones is Director of Policy at the British Academy. Dominic Abrams is Professor of Social Psychology and Director of the Centre for the Study of Group Processes, at the University of Kent. He was elected a Fellow of the British Academy in 2013, and until July 2020 was the Academy’s Vice President (Social Sciences). -
Cambridge E-Books Title Author Collection Name Volume Edition
Cambridge E-Books Title Author Collection name Volume Edition The 2005 Hague Convention on Choice of Court Agreements Ronald A. Brand, Paul Herrup 1 Edited by Evencio Mediavilla, Santiago Arribas, Martin Roth, Jordi 3D Spectroscopy in Astronomy Cepa-Nogué, Francisco Sánchez 1 A. W. H. Phillips: Collected Works in Contemporary Perspective Edited by Robert Leeson 1 Edited by Vincenzo Antonuccio- AGN Feedback in Galaxy Formation Delogu, Joseph Silk 1 The Abolition of the African Slave-Trade by the British Parliament Thomas Clarkson 2 1 The Abolition of the Death Penalty in International Law William A. Schabas 3 Herbert Cole Coombs, Foreword by Aboriginal Autonomy Mick Dodson 1 Absolutism and Society in Seventeenth-Century France William Beik 1 An Account of Some Recent Discoveries in Hieroglyphical Literature and Egyptian Antiquities Thomas Young 1 Account of the Harvard Greek Play Henry Norman 1 An Account of the Present State of the Island of Puerto Rico George D. Flinter 1 Accountability of Armed Opposition Groups in International Law Liesbeth Zegveld 1 Accounting Principles for Lawyers Peter Holgate 1 Achieving Industrialization in East Asia Edited by Helen Hughes 1 Acquiring Phonology Neil Smith 1 Across Australia Baldwin Spencer, F. J. Gillen 2 1 Archibald John Little, Edited by Across Yunnan Alicia Little 1 Across the Jordan Gottlieb Schumacher 1 Across the Plains Robert Louis Stevenson 1 Acta Mythologica Apostolorum in Arabic Edited by Agnes Smith Lewis 1 Acts of Activism D. Soyini Madison 1 Fenton John Anthony Hort, Edited by Brooke Foss Westcott, Thomas The Acts of the Apostles Ethelbert Page 1 Acute Medicine J. -
Eyewitnessing: the Uses of Images As Historical Evidence
Eyewitnessing The Uses of Images as Historical Evidence Peter Burke ‘If you would like to understand . history . you should look carefully at portraits. In people’s faces there is always something of the history of their time to be read, if one knows how to read it.’ Eyewitnessing picturing history Series Editors Peter Burke, Sander L. Gilman, Ludmilla Jordanova, Roy Porter, †Bob Scribner (1995–8) In the same series Health and Illness Mirror in Parchment Images of Difference The Luttrell Psalter and the Making of sander l. gilman Medieval England michael camille Reading Iconotexts From Swift to the French Revolution Landscape and Englishness peter wagner david matless Men in Black The Thief, the Cross and the Wheel john harvey Pain and the Spectacle of Punishment in Medieval and Renaissance Europe Dismembering the Male mitchell b. merback Men’s Bodies, Britain and the Great War joanna bourke ‘Down with the Crown’ British Anti-monarchism and Debates about Eyes of Love Royalty since 1790 The Gaze in English and French Painting antony taylor and Novels 1840–1900 stephen kern The Jewish Self-Image American and British Perspectives The Destruction of Art 1881‒1939 Iconoclasm and Vandalism since the French michael berkowitz Revolution dario gamboni Global Interests Renaissance Art between East and West The Feminine Ideal lisa jardine and jerry brotton marianne thesander Picturing Tropical Nature Maps and Politics nancy leys stepan jeremy black Representing the Republic Trading Territories 1600‒1900 Mapping the Early Modern World Mapping the -
What Is Cultural History?
What is Cultural History? Second Edition What is History? series Published titles John Arnold, What is Medieval History? Peter Burke, What is Cultural History? 2nd edition John Burnham, What is Medical History? Stephen Morillo with Michael F. Pavkovic, What is Military History? J. Donald Hughes, What is Environmental History? Pamela Kyle Crossley, What is Global History? What is Cultural History? Second Edition PETER BURKE polity Copyright © Peter Burke 2008 The right of Peter Burke to be identifi ed as Author of this Work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. First edition published in 2004 by Polity This edition published in 2008 by Polity Polity 65 Bridge Street Cambridge CB2 1UR, UK Polity 350 Main Street Malden, MA 02148, USA All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. ISBN-13: 978-0-7456-4409-7 ISBN-13: 978-0-7456-4410-3(pb) A catalogue record for this book is available from the British Library. Typeset in 10.5 on 12 pt Sabon by SNP Best-set Typesetter Ltd., Hong Kong Printed and bound in Great Britain by MPG Books Ltd, Bodmin The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. -
Single Spaced 5-12
The Cultural Imaginary of Manteia: Seercraft, Travel, and Charisma in Ancient Greece By Margaret Cecelia Foster A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Leslie Kurke, Chair Professor Mark Griffith Professor Donald Mastronarde Professor Emily Mackil Spring 2010 Abstract The Cultural Imaginary of Manteia: Seercraft, Travel, and Charisma in Ancient Greece by Margaret Cecelia Foster Doctor of Philosophy in Classics University of California, Berkeley Professor Leslie Kurke, Chair This dissertation considers four different members of the Melampodid and Iamid clans in order to elucidate Greek cultural fantasies about seers and seercraft. I explore why the seer is cast as a navigator, a military commander, an oikist (founder of a city), and a figure of charismatic authority. Moving beyond viewing seers merely as specialists in divination, I consider the other qualities Greeks attributed to seers and the range of ventures in which Greeks envisioned their seers participating. Each chapter concentrates on a particular seer in order to investigate a discrete facet of the Greek cultural imaginary of manteia (prophetic power). Chapter 1 examines the relationship between Odysseus and the Melampodid seer Theoklymenos. The seer and the hero operate as a coherent pair within the framework of colonization. The Odyssey casts Odysseus’ return home as a re-colonization of Ithaka and Odysseus himself as the oikist of this “colony.” Theoklymenos emerges not only as a seer but also as a skillful navigator for the oikist. He thus exemplifies the homology that the ethnographer Mary Helms observes in pre-industrial societies between figures skilled at negotiating the horizontal axis of long-distance travel (e.g., navigators and traders) and those who mediate the vertical axis of communication with the supernatural (e.g., prophets).