Catalogue 2013
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Armas Y Letras 84-85.Pdf
84-85 A Requiem for the XXth Century-Réquiem por el siglo XX ANDAR A LA REDONDA / JONAS MEKAS. TRADUCCIÓN DE ROCÍO CERÓN / 4 Demasiado humano / LEONARDO IGLESIAS / 57 ALBERT CAMUS (1913-2013) Armas y Letras presenta este dossier con motivo del Las relaciones de objeto internas y su función reparadora: centenario del natalicio del autor argelino-francés. Inicia la leyenda de Yoloxóchitl / A partir de una interpretación con el ensayo de Marina Porcelli sobre cómo opera la psicoanalítica del relato zapoteca-mixe, ALBERTO dimensión política en las obras de ficción de Camus; el VILLARREAL explica la función reparadora de los objetos maestro Rangel Guerra nos presenta los comentarios de en momentos de sufrimiento. / 66 Camus sobre la obra de Kafka; Silvia Mijares nos ofrece una sucinta biografía del autor y un comentario en torno TOBOSO a su clásico El mito de Sísifo. Presentamos además un par de textos de Camus traducidos por Miguel Covarrubias. A la letra: De la mano a la luz / BÁRBARA JACOBS / 72 Albert Camus: “Lo que está permitido” / MARINA Letras al margen: En el centenario de José Revueltas / EDUARDO ANTONIO PARRA / 76 PORCELLI / 22 La materia no existe: Cómo ir a otro mundo por medio de Kafka visto por Camus / ALFONSO RANGEL GUERRA / 27 un elevador / ALBERTO CHIMAL / 80 Centenario de Albert Camus / SILVIA MIJARES / 30 DE ARTES Y ESPEJISMOS Carta a su maestro / ALBERT CAMUS. TRADUCCIÓN DE MIGUEL COVARRUBIAS / 35 Trances instantáneos / SARA LÓPEZ / 82 Carnets / ALBERT CAMUS. TRADUCCIÓN DE MIGUEL No voy a narrar / MAYRA SILVA / 87 COVARRUBIAS/ 36 De la pintura a la novela. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Murder in the Mews the Adventure of Johnnie Waverly the Adventure Of
The Adventure of the Clapham 8-Jan-89 Captain Hastings Cook Inspector Japp Miss Lemon Murder in the Mews 15-Jan-89 Captain Hastings Inspector Japp Miss Lemon The Adventure of Johnnie 22-Jan-89 Captain Hastings Waverly Inspector Japp Miss Lemon Four and Twenty Blackbirds 29-Jan-89 Captain Hastings Inspector Japp Miss Lemon The Third Floor Flat 5-Feb-89 Captain Hastings The Third Floor Flat 5-Feb-89 Inspector Japp Miss Lemon Triangle at Rhodes 12-Feb-89 Problem at Sea 19-Feb-89 Captain Hastings The Incredible Theft 26-Feb-89 Captain Hastings Inspector Japp Miss Lemon The King of Clubs 12-Mar-89 Captain Hastings Inspector Japp The Dream 19-Mar-89 Captain Hastings Inspector Japp Miss Lemon [edit] Series Two (1990) Title UK Airdate Recurring Cast Peril at End House 7-Jan-90 Captain Hastings (feature-length) Inspector Japp Miss Lemon The Veiled Lady 14-Jan-90 Captain Hastings Inspector Japp Miss Lemon The Lost Mine 21-Jan-90 Captain Hastings Inspector Japp Miss Lemon The Cornish Mystery 28-Jan-90 Captain Hastings Inspector Japp Miss Lemon The Disappearance of Mr. 4-Feb-90 Captain Hastings Davenheim Inspector Japp Miss Lemon Double Sin 11-Feb-90 Captain Hastings Inspector Japp Miss Lemon Double Sin 11-Feb-90 The Adventure of the Cheap 18-Feb-90 Captain Hastings Flat Inspector Japp Miss Lemon The Kidnapped Prime Minister 25-Feb-90 Captain Hastings Inspector Japp Miss Lemon The Adventure of the Western 4-Mar-90 Captain Hastings Star Inspector Japp Miss Lemon The Mysterious Affair at Styles 16-Sep-90 Captain Hastings (feature-length) Inspector Japp -
Dd Shrewstudyguide.Pdf
HOFSTRA UNIVERSITY DEPARTMENT OF DRAMA AND DANCE THE TAMING OF THE SHREW William Shakespeare STUDY GUIDE Written and compiled by James J. Kolb, Professor of Drama HOFSTRA/DRAMA 1997 A Study Guide to Hofstra University’s Department of Drama and Dance Production of The Taming of the Shrew by William Shakespeare March 1997 Table of Contents The New Cambridge Shakespeare version of The Taming of the Shrew, edited by Ann Thompson, is the text used in the About Shakespeare 2 current production. It is published in paperback by Cambridge University Press, 40 West 20th Street, New York, Title Page of the First Folio Edition New York 10011-4211 of Shakespeare’s Plays 2 ISBN # 0 521 29388 X ($10.95) Shakespeare’s Coat of Arms 3 Shakespeare’s Plays 3 Shakespeare’s Theatre 4 HOFSTRA/DRAMA Department of Drama and Dance Summary of the Story 5 Hofstra University (516) 463-5444 The Sources of the Story 5 The Date of Composition and Special Problems With the Text of The Taming of the Shrew As Related to The Taming of a Shrew 6 A Few Critical Comments 7 The cover engraving is taken from James Edmund Harting’s About the Play on Stage 10 The Birds of Shakespeare (1871). It depicts hawks in training being carried to the field in “the cadge,” carried by “the Notable Lines 15 cadger.” See page 8 of the Study Guide for some additional comments about falconry. About the Play in Other Forms 16 The idea and format of this study guide is by Peter Sander. -
English Productions of Measure for Measure on Stage and Screen
English Productions of Measure for Measure on Stage and Screen: The Play’s Indeterminacy and the Authority of Performance Thesis submitted for the degree of Doctor of Philosophy at the Department of English and Creative Writing Lancaster University March, 2016 Rachod Nusen Declaration I declare that this thesis is my own work, and has not been submitted in substantially the same form for the award of a higher degree elsewhere. Acknowledgements First and foremost, I would like to express my deepest gratitude to my supervisor, Professor Alison Findlay. Without her advice, kindness and patience, I would be completely lost. It is magical how she could help a man who knew so little about Shakespeare in performance to complete this thesis. I am forever indebted to her. I am also indebted to Dr. Liz Oakley-Brown, Professor Geraldine Harris, Dr. Karen Juers-Munby, Dr. Kamilla Elliott, Professor Hilary Hinds and Professor Stuart Hampton-Reeves for their helpful suggestions during the annual, upgrade, mock viva and viva panels. I would like to acknowledge the Shakespeare Centre Library and Archive, the National Theatre Archive, the Shakespeare’s Globe Library and Archives, the Theatre Collection at the University of Bristol, the National Art Library and the Folger Shakespeare Library on where many of my materials are based. Moreover, I am extremely grateful to Mr. Phil Willmott who gave me an opportunity to interview him. I also would like to take this opportunity to show my appreciation to Thailand’s Office of the Higher Education Commission for finically supporting my study and Chiang Mai Rajabhat University for allowing me to pursue it. -
Title ID Titlename D0043 DEVIL's ADVOCATE D0044 a SIMPLE
Title ID TitleName D0043 DEVIL'S ADVOCATE D0044 A SIMPLE PLAN D0059 MERCURY RISING D0062 THE NEGOTIATOR D0067 THERES SOMETHING ABOUT MARY D0070 A CIVIL ACTION D0077 CAGE SNAKE EYES D0080 MIDNIGHT RUN D0081 RAISING ARIZONA D0084 HOME FRIES D0089 SOUTH PARK 5 D0090 SOUTH PARK VOLUME 6 D0093 THUNDERBALL (JAMES BOND 007) D0097 VERY BAD THINGS D0104 WHY DO FOOLS FALL IN LOVE D0111 THE GENERALS DAUGHER D0113 THE IDOLMAKER D0115 SCARFACE D0122 WILD THINGS D0147 BOWFINGER D0153 THE BLAIR WITCH PROJECT D0165 THE MESSENGER D0171 FOR LOVE OF THE GAME D0175 ROGUE TRADER D0183 LAKE PLACID D0189 THE WORLD IS NOT ENOUGH D0194 THE BACHELOR D0203 DR NO D0204 THE GREEN MILE D0211 SNOW FALLING ON CEDARS D0228 CHASING AMY D0229 ANIMAL ROOM D0249 BREAKFAST OF CHAMPIONS D0278 WAG THE DOG D0279 BULLITT D0286 OUT OF JUSTICE D0292 THE SPECIALIST D0297 UNDER SIEGE 2 D0306 PRIVATE BENJAMIN D0315 COBRA D0329 FINAL DESTINATION D0341 CHARLIE'S ANGELS D0352 THE REPLACEMENTS D0357 G.I. JANE D0365 GODZILLA D0366 THE GHOST AND THE DARKNESS D0373 STREET FIGHTER D0384 THE PERFECT STORM D0390 BLACK AND WHITE D0391 BLUES BROTHERS 2000 D0393 WAKING THE DEAD D0404 MORTAL KOMBAT ANNIHILATION D0415 LETHAL WEAPON 4 D0418 LETHAL WEAPON 2 D0420 APOLLO 13 D0423 DIAMONDS ARE FOREVER (JAMES BOND 007) D0427 RED CORNER D0447 UNDER SUSPICION D0453 ANIMAL FACTORY D0454 WHAT LIES BENEATH D0457 GET CARTER D0461 CECIL B.DEMENTED D0466 WHERE THE MONEY IS D0470 WAY OF THE GUN D0473 ME,MYSELF & IRENE D0475 WHIPPED D0478 AN AFFAIR OF LOVE D0481 RED LETTERS D0494 LUCKY NUMBERS D0495 WONDER BOYS -
Shakespeare's Isabella and Cressida on the Modern Stage
''Shrewd Tempters with their Tongues..,: Shakespeare's Isabella and Cressida on the Modern Stage Anna Kamaralli A thesis submitted to the Faculty of Arts, School of Theatre, Film and Dance of the University ofNSW In partial fulfillment of the degree ofMA(Hons) 2002 ii Abstract Shakespeare's Isabella (Measure for Measure) and Cressida (Troilus and Cressida) share an unusual critical and theatrical history. Unappreciated o:ri stage, contentious on the page, they have traditionally provoked discomfort among critics, wl).o l).ave ~~€::J:'! quicker to see them as morally reprehensible than to note their positive qualities. Seemingly at polar opposites of the personal and moral spectrum, the two share an independence of spirit, a refusal to conform to the desires and requirements of men, and a power to polarize opinion. This thesis considers the ways in which attitudes to Isabella and Cressida on the English speaking stage have shifted, over the latter half of the twentieth century, in the light of an escalating public awareness of issues of feminism and gender politics. Against a close reading of Shakespeare's text, both literary and performance criticism are examined, together with archival material relating to theatre productions of the plays, primarily by the Royal Shakespeare Company. The thesis concludes that in the case of both characters a change is indeed discemable. For Isabella, it is informed by the idea that the ethical code to which she adheres deserves respect, and that her marriage to the Duke is neither inevitable, nor inevitably welcomed by her. Cressida has undergone a more dramatic change: she is no longer assumed to be constitutionally immoral, and her behaviour is examined without preconception. -
Versuche Einer Verortung Der Ästhetik Jonas Mekas' Im
DIPLOMARBEIT Titel der Diplomarbeit Utopie und Erfahrung– Versuche einer Verortung der Ästhetik Jonas Mekas‘ im Kontext der Philosophie Walter Benjamins Verfasser Christoph Gnädig angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2015 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt Theater-, Film- und Medienwissenschaft Betreuer: Univ.-Prof. Dr. Christian Schulte Für H.G. 2 „Money has never made anything beautiful, but people did!“1 „As a film-maker and a poet, I feel it's my duty to be an eye and an antenna to what's happening around me. I always felt a solidarity with those who are desperate and confused and misused and are seeking a way out of it. So I had to be there.“ (Jonas Mekas)2 1 Jonas Mekas bei "Occupy Wall Street" (2. Oktober 2011, Zuccotti Park / Liberty Plaza Park, New York). Foto von Sebastian Mekas. URL: http://jonasmekas.com/diary/?m=201110 Zugriff: 15.11.2011. 2 URL: http://www.indiewire.com/photo/jonas_mekas_occupies_wall_street Zugriff: 15.11.2011. 3 Eidesstattliche Erklärung Ich erkläre hiermit an Eides Statt, dass ich die vorliegende Arbeit selbständig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Gedanken sind als solche kenntlich gemacht. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch nicht veröffentlicht. Wien, am 19.02.2015 (Christoph Gnädig) 4 Danksagung Danke an Christian Schulte für seine Geduld und fachliche Beratung, Jonas Mekas für sein Vertrauen und seine Gastfreundschaft, Peter Kubelka, Ken Jacobs und P. Adams Sitney für die anregenden Gespräche, Alexander Horwath und Regina Schlagnitweit für die Möglichkeit, die Jonas-Mekas-Retrospektive im Österreichischen Filmmuseum zu realisieren, Andrea Titieni und Christian Undeutsch für die Transkription der Interviews. -
Reminder List of Productions Eligible for the 89Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 89TH ACADEMY AWARDS THE ABOLITIONISTS ABSOLUTELY FABULOUS THE MOVIE Actors: Chris Colfer. Actresses: Jennifer Saunders. Joanna Lumley. Julia Sawalha. Jane Horrocks. June Whitfield. Celia Imrie. THE ACCOUNTANT Actors: Ben Affleck. J.K. Simmons. Jon Bernthal. Jeffrey Tambor. John Lithgow. Gary Basaraba. Andy Umberger. Jason Davis. Rob Treveiler. Seth Lee. Actresses: Anna Kendrick. Cynthia Addai-Robinson. Jean Smart. Alison Wright. Mary Kraft. Izzy Fenech. Susan Williams. Sheila Maddox. Kelly Collins Lintz. Viviana Chavez. ALICE THROUGH THE LOOKING GLASS Actors: Johnny Depp. Matt Lucas. Rhys Ifans. Sacha Baron Cohen. Leo Bill. Ed Speleers. Andrew Scott. Richard Armitage. Actresses: Anne Hathaway. Mia Wasikowska. Helena Bonham Carter. Lindsay Duncan. Geraldine James. Hattie Morahan. ALLIED Actors: %UDG3LWW-DUHG+DUULV6LPRQ0F%XUQH\'DQLHO%HWWV0DWWKHZ*RRGH$XJXVW'LHKO7KLHUU\)U«PRQW Vincent Ebrahim. Xavier De Guillebon. Michael McKell. Actresses: Marion Cotillard. Lizzy Caplan. Camille Cottin. Fleur Poad. Miryam Hayward. Iselle Rifat. Aysha Kanayo. Sally Messham. Charlotte Hope. Celeste Dodwell. ALMOST CHRISTMAS Actors: Danny Glover. Romany Malco. JB Smoove. Jessie T. Usher. John Michael Higgins. Omar Epps. Actresses: Mo'Nique. Gabrielle Union. Kimberly Elise. ALWAYS SHINE Actresses: Mackenzie Davis. Caitlin FitzGerald. AMERICAN HONEY Actors: Shia LaBeouf. Actresses: Sasha Lane. Riley Keough. 89th Academy Awards Page 1 of 34 AMERICAN PASTORAL Actors: Ewan McGregor. Peter Riegert. David Strathairn. Actresses: Jennifer Connelly. Dakota Fanning. Uzo Aduba. AMERICAN WRESTLER: THE WIZARD Actors: Ali Afshar. George Kosturos. THE ANGRY BIRDS MOVIE Actors: Jason Sudeikis. Josh Gad. Danny McBride. Keegan-Michael Key. Sean Penn. Tony Hale. Bill Hader. Peter Dinklage. Actresses: Maya Rudolph. Kate McKinnon. ANTHROPOID Actors: Cillian Murphy. -
Allan Kaprow Papers, 1940-1997
http://oac.cdlib.org/findaid/ark:/13030/tf9d5nb3dv Online items available Finding aid for the Allan Kaprow papers, 1940-1997 Annette Leddy. Finding aid for the Allan Kaprow 980063 1 papers, 1940-1997 Descriptive Summary Title: Allan Kaprow papers Date (inclusive): 1940-1997 Number: 980063 Creator/Collector: Kaprow, Allan Physical Description: 63.5 Linear Feet(119 boxes, 16 flat file folders, 2 rolls) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: The Allan Kaprow Papers offer comprehensive documentation of an artistic career that spanned the latter half of the 20th century and continues into the 21st. Arranged chronologically so as to demonstrate the artist's passage from student of art and art history to practicing artist, art theorist and art educator, the collection contains drawings, term papers and notebooks from Kaprow's student days, followed by ca. 250 Project Files, comprising the complete extant documentation of Kaprow's Environments, Happenings, and Activities. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English . Biographical / Historical Note Allan Kaprow was born in Atlantic City, New Jersey, on August 23, 1927, and spent his childhood in Tuscon, Arizona. His family then moved to New York, where Kaprow attended the High School of Music and Art, graduating in 1945. He received his B.A. degree from New York University, where he majored in philosophy and art history and was a principle cartoonist for the college magazine. -
Analyse Critique Et Enjeux Théoriques Du Théâtre Des Orgies Et Des Mystères D’Hermann Nitsch : De 1957 À Nos Jours Benedicte Maselli
Analyse critique et enjeux théoriques du Théâtre des Orgies et des Mystères d’Hermann Nitsch : de 1957 à nos jours Benedicte Maselli To cite this version: Benedicte Maselli. Analyse critique et enjeux théoriques du Théâtre des Orgies et des Mystères d’Hermann Nitsch : de 1957 à nos jours. Art et histoire de l’art. Université Rennes 2, 2018. Français. NNT : 2018REN20004. tel-01711019 HAL Id: tel-01711019 https://tel.archives-ouvertes.fr/tel-01711019 Submitted on 21 Mar 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THESE UNIVERSITE RENNES 2-HAUTE présentée par BRETAGNE sous le sceau de l’Université européenne de Bretagne Bénédicte MASELLI pour obtenir le titre de Préparée à l’Unité Mixte de recherche n° EA1279 DOCTEUR DE L’UNIVERSITE RENNES 2 Université Rennes 2 Ecole doctorale Arts, Lettres, Communication Histoire et critique des arts Mention : Histoire de l’art Jean-Jacques WUNENBURGER Analyse critique et enjeux Professeur Emérite de philosophie – Université Jean Moulin Lyon 3 rapporteur théoriques du Théâtre des Sylvie COËLLIER Professeure des Universités en Arts plastiques – Université Aix-Marseille 1 Orgies et des rapporteur Véronique PERRUCHON Mystères Professeure des Universités en Arts du spectacle – Université de Lille Laurence CORBEL d’Hermann Nitsch : Maître de conférence en Esthétique – Université Rennes 2 de 1957 à nos jours Jean-Marc POINSOT Professeur Emérite d’Histoire de l’art– Université Rennes 2 directeur de thèse Maselli, Bénédicte. -
Istituto Italiano Per Gli Studi Filosofici
ISTITUTO ITALIANO PER GLI STUDI FILOSOFICI 1 2 ISTITUTO ITALIANO PER GLI STUDI FILOSOFICI La dimensione internazionale dell’Istituto Italiano per gli Studi Filosofici Napoli 2010 3 A cura di MARIASOLE FANUZZI e ANTONIO GARGANO con la collaborazione di ANTONELLA CHIARO Stampato nel mese di luglio MMX Arti Grafiche Cecom srl - Bracigliano (Sa) © Istituto Italiano per gli Studi Filosofici Palazzo Serra di Cassano Via Monte di Dio 14, Napoli www.iisf.it ISBN 978-88-89946-00-8 4 Свобода исследования и преподавания и назначение государственного университета Исполнившееся первое десятилетие со дня рождения Итальянского института философских исследований побуждает нас задать себе некоторые вопросы, в том числе и в связи с недавними спорами относительно назначения и действенности культурных институций, основанных и поддерживаемых частными лицами, относительно права таких заведений на получение помощи со стороны государства, а значит, и относительно собственной роли университетов, какой она является нам во всех отраслях естественного, научного и гуманитарного познания. Успех и большой общественный резонанс культурных инициатив Института, основанного в Неаполе Джерардо Мароттой, а также связанной с Институтом Высшей школы гуманитарных и естественных наук, показывают, что оба учреждения отвечают неудовлетворенным потребностям множества людей, испытывающих тягу к знаниям и наделенных критическим складом ума, причем отвечают им по меньшей мере столь же успешно, как и другие заведения, преследующие сходные цели, но возникшие значительно раньше и существующие полностью на государственном содержании. В этом легко убедиться, стоит лишь освободиться – что, впрочем, случается нечасто, – от некоторых «идолов площади», которые вынуждают нас видеть в университетских и академических институциях, равно как и в иных государственных «органах науки», естественные и самородные очаги научного * Статья Джованни Пульезе Каррателли, опубликованная в специальном выпуске журнала «La Provincia di Napoli» 3/4 1987, посвященном Итальянскому институту философских исследований.