Report and Recommendations of the National Eisteddfod Task And
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The Role and Importance of the Welsh Language in Wales's Cultural Independence Within the United Kingdom
The role and importance of the Welsh language in Wales’s cultural independence within the United Kingdom Sylvain Scaglia To cite this version: Sylvain Scaglia. The role and importance of the Welsh language in Wales’s cultural independence within the United Kingdom. Linguistics. 2012. dumas-00719099 HAL Id: dumas-00719099 https://dumas.ccsd.cnrs.fr/dumas-00719099 Submitted on 19 Jul 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. UNIVERSITE DU SUD TOULON-VAR FACULTE DES LETTRES ET SCIENCES HUMAINES MASTER RECHERCHE : CIVILISATIONS CONTEMPORAINES ET COMPAREES ANNÉE 2011-2012, 1ère SESSION The role and importance of the Welsh language in Wales’s cultural independence within the United Kingdom Sylvain SCAGLIA Under the direction of Professor Gilles Leydier Table of Contents INTRODUCTION ................................................................................................................................................. 1 WALES: NOT AN INDEPENDENT STATE, BUT AN INDEPENDENT NATION ........................................................ -
Annual Report V2.Indd
THE CHIEF EXECUTIVE’S REPORT THE CHAIRPERSON’S REPORT The Urdd is an organisation that makes a difference. It It is hard to believe that a year has flown by since I makes a difference to the Welsh language and it makes contributed to the Annual Report for 2004. Once again, a difference to the culture of Wales. It also, importantly, the members of the Urdd experienced a busy and makes a difference to the lives of children and young successful year – a year full of varied activities under the people. This review contains a summary of all the activities leadership of committed staff and enthusiastic volunteers. that have made that difference. This collaboration is key to the orginasation’s success. It gives me great pleasure to present a review that describes Congratulations to everyone involved in the pioneering Insurance Brokers and Independent Financial Advisers activities as varied as the fantastic Eisteddfod held at Eisteddfod at the Wales Millennium Centre – competitors, the Wales Millennium Centre, pioneering work with the trainers and organisers alike. The spectacular building was charity Shelter, an exciting exchange project with a youth full of the Urdd members’ ‘Sound of Music and Song’ and the organisation in Ireland and the opening of the new Urdd City Welsh language. Sleepover in Cardiff. The Urdd City sleepover at the Wales Millennium Centre is Throughout our activities, our central aim is to give the children becoming ever more popular, and our other centres at and young people of Wales an opportunity to live their lives Glan-llyn and Llangrannog are as popular as ever. -
Eisteddfod Branding
The National Eisteddfod The National Eisteddfod is Wales’ largest festival, held alternately in north and south Wales, celebrating the Welsh language and culture of Wales. Its history can be traced back to the court of the Lord Rhys in 1176, with the modern day Eisteddfod held every year bar one since 1861. The festival has evolved and developed greatly over the past ten years, with over 1,000 events held across the Maes (site) during the eight-day festival. The Eisteddfod also plays host to over 200 competitions, with many of these held in the main Pavilion during the week. The other events are held across the Maes, some in semi- permanent buildings and others in attractive tents and yurts, such as Tŷ Gwerin and Caffi Maes B. We know the Eisteddfod and the community project are unique. Our brand needs to celebrate and embrace this uniqueness. Information on the festival and all events can be found online, www.eisteddfod.wales The project The Eisteddfod is looking to rebrand the festival and the organisation over the next year. The Eisteddfod festival is an iconic brand, the word itself is known across the world, and our brand needs to reflect this, with the word playing a central part in any graphic. Typography is very important to us. With so many events and activities held during the week and the community project, the typography must be strong and instantly recognisable – emphasising the uniqueness of the festival and the project and its central place in the culture of Wales. The successful agency will need to deliver a brand which overcomes a number of challenges. -
The Sovereignty of the Crown Dependencies and the British Overseas Territories in the Brexit Era
Island Studies Journal, 15(1), 2020, 151-168 The sovereignty of the Crown Dependencies and the British Overseas Territories in the Brexit era Maria Mut Bosque School of Law, Universitat Internacional de Catalunya, Spain MINECO DER 2017-86138, Ministry of Economic Affairs & Digital Transformation, Spain Institute of Commonwealth Studies, University of London, UK [email protected] (corresponding author) Abstract: This paper focuses on an analysis of the sovereignty of two territorial entities that have unique relations with the United Kingdom: the Crown Dependencies and the British Overseas Territories (BOTs). Each of these entities includes very different territories, with different legal statuses and varying forms of self-administration and constitutional linkages with the UK. However, they also share similarities and challenges that enable an analysis of these territories as a complete set. The incomplete sovereignty of the Crown Dependencies and BOTs has entailed that all these territories (except Gibraltar) have not been allowed to participate in the 2016 Brexit referendum or in the withdrawal negotiations with the EU. Moreover, it is reasonable to assume that Brexit is not an exceptional situation. In the future there will be more and more relevant international issues for these territories which will remain outside of their direct control, but will have a direct impact on them. Thus, if no adjustments are made to their statuses, these territories will have to keep trusting that the UK will be able to represent their interests at the same level as its own interests. Keywords: Brexit, British Overseas Territories (BOTs), constitutional status, Crown Dependencies, sovereignty https://doi.org/10.24043/isj.114 • Received June 2019, accepted March 2020 © 2020—Institute of Island Studies, University of Prince Edward Island, Canada. -
Ffilm/Cerddoriaeth/Theatr/Celf/Dawns/Sgyrsiau/Comedi a Mwy… Film/Music/Theatre/Art/Dance/Talks/Comedy and More… Digwyddiadau’R Tymor/Season Events
Rhaglen Ddigwyddiadau Ionawr – Ebrill 2019 Events Programme January – April 2019 Ffilm/Cerddoriaeth/Theatr/Celf/Dawns/Sgyrsiau/Comedi a mwy… Film/Music/Theatre/Art/Dance/Talks/Comedy and more… Digwyddiadau’r Tymor/Season Events Digwyddiad/Event Dyddiad/Date Amser/Time Digwyddiad/Event Dyddiad/Date Amser/Time Andre Rieu’s 2019 New Year’s Concert 05.01.19 19:00 Sgriblo a Sgetsio 09.02.19 11:00–12:00 06.01.19 15:00 Estyneto 10.02.19 13:30–15:00 Cerdd Dafod yn y Doc (gwersi cynganeddu) o/from: 19:30–21:30 Cainc 10.02.19 15:00–17:00 08.01.19–02.07.19 Olwyn Lliw: Lliw/Colour 14.02.19 10:30–12:30 Olwyn Lliw: Creu Marciau/Mark-making 10.01.19 10:30–2:30 Kendal Mountain Festival UK Tour 2019 15.02.19 19:30 TONIC: Math Roberts 10.01.19 14:30–15:30 Blasu Crefft: Breichled weiren a gleiniau/ 19.02.19 18:30–20:30 Y Ffrog/The Dress 11.01.19–24.02.19 Bead & wire bracelet arddangosfa Kristina Banholzer exhibition Lovecraft (Not the Sex Shop in Cardiff) 20.02.19 19:30 Sgriblo a Sgetstio 12.01.19 11:00–12:00 TONIC: Doniau Cudd 21.02.19 14:30–15:30 Metropolitan Opera Live: 12.01.19 17:55 Cyngerdd Meistri a Disgyblion CGWM 22.02.19 19:00 Adriana Lecouvreur (Cilea) Estyneto 24.02.19 13:30–15:00 NT Live: 15.01.19 19:00 The Tragedy of King Richard the Second [12A] Gwˆyl Ffilm PICS 2019 Film Festival 22.02.19–03.03.19 Michael Clarke: Felt & Crybabies 19.01.19 19:30 Cwrs Creu Ffilm 22.02.19–26.02.19 10:00–16:00 P’nawn yn y Pictiwrs 20.01.19 14:30 Creu Eitem Ffeithiol 25.02.19 12:00–17:00 Blasu Crefft: Sgraffito (ar wydr/on glass) 22.01.19 18:30–20:30 Gweithdy -
Llyfrgell Genedlaethol Cymru = the National Library of Wales Cymorth
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Winifred Coombe Tennant Papers, (GB 0210 WINCOOANT) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 05, 2017 Printed: May 05, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH Description follows ANW guidelines based on ISAD(G) 2nd ed.; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/winifred-coombe-tennant-papers-2 archives.library .wales/index.php/winifred-coombe-tennant-papers-2 Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Winifred Coombe Tennant Papers, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement .................................................................................................................................. 5 Nodiadau | Notes ............................................................................................................................................ -
New Perspectives on Modern Wales
New Perspectives on Modern Wales New Perspectives on Modern Wales: Studies in Welsh Language, Literature and Social Politics Edited by Sabine Asmus and Katarzyna Jaworska-Biskup New Perspectives on Modern Wales: Studies in Welsh Language, Literature and Social Politics Edited by Sabine Asmus and Katarzyna Jaworska-Biskup Reviewer: Prof. dr. Eduard Werner This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Sabine Asmus, Katarzyna Jaworska-Biskup and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2191-5 ISBN (13): 978-1-5275-2191-9 CONTENTS INTRODUCTION ............................................................................................ 1 CHAPTER ONE ............................................................................................. 3 Welsh or British in Times of Trouble? Shaping Welsh Culture and Identity during the Second World War Martin Andrew Hanks CHAPTER TWO .......................................................................................... 31 Local or National? Gender, Place and Identity in Post-Devolution Wales’ Literature Rhiannon Heledd Williams CHAPTER THREE -
Catalogue of Photographs of Wales and the Welsh from the Radio Times
RT1 Royal Welsh Show Bulls nd RT2 Royal Welsh Show Sheep shearing nd RT3 Royal Welsh Show Ladies choir nd RT4 Royal Welsh Show Folk dance 1992 RT5 Royal Welsh Show Horses nd RT6 Royal Welsh Show Horses 1962 RT7 LLangollen Tilt Dancers 1962 RT8 Llangollen Tilt Estonian folk dance group 1977 RT9 Llangollen Eisteddfod Dancers 1986 RT10 Royal Welsh Show Horse and rider 1986 RT11 Royal Welsh Show Horse 1986 RT12 Royal Welsh Show Pigs 1986 RT13 Royal Welsh Show Bethan Charles - show queen 1986 RT14 Royal Welsh Show Horse 1986 RT15 Royal Welsh Show Sheep shearing 1986 RT16 Royal Welsh Show Sheep shearing 1986 RT17 Royal Welsh Show Produce hall 1986 RT18 Royal Welsh Show Men's tug of war 1986 RT19 Royal Welsh Show Show jumping 1986 RT20 Royal Welsh Show Tractors 1986 RT21 Royal Welsh Show Log cutting 1986 RT22 Royal Welsh Show Ladies in welsh costume, spinning wool 1986 RT23 Royal Welsh Show Horses 1986 RT24 Royal Welsh Show Horses 1986 RT25 Royal Welsh Show Men's tug of war 1986 RT26 Royal Welsh Show Audience 1986 RT27 Royal Welsh Show Horses 1986 RT28 Royal Welsh Show Vehicles 1986 RT29 Royal Welsh Show Sheep 1986 RT30 Royal Welsh Show General public 1986 RT31 Royal Welsh Show Bulls 1986 RT32 Royal Welsh Show Bulls 1986 RT33 Merionethshire Iowerth Williams, shepherd nd RT34 LLandrindod Wells Metropole hotel nd RT35 Ebbw Vale Steel works nd RT36 Llangollen River Dee nd RT37 Llangollen Canal nd RT38 Llangollen River Dee nd RT39 Cardiff Statue of St.David, City Hall nd RT40 Towyn Floods 1990 RT41 Brynmawr Houses and colliery nd RT42 Llangadock Gwynfor Evans, 1st Welsh Nationalist MP 1966 RT43 Gwynedd Fire dogs from Capel Garman nd RT44 Anglesey Bronze plaque from Llyn Cerrigbach nd RT45 Griff Williams-actor nd RT46 Carlisle Tullie House, museum and art gallery nd RT47 Wye Valley Tintern Abbey nd 1 RT48 Pontypool Trevethin church nd RT49 LLangyfelach church nd RT50 Denbighshire Bodnant gardens nd RT51 Denbighshire Glyn Ceiriog nd RT52 Merthyr New factory and Cyfartha castle nd RT53 Porthcawl Harbour nd RT54 Porthcawl Harbour nd RT55 Gower Rhosili bay nd RT56 St. -
The Height of Its Womanhood': Women and Genderin Welsh Nationalism, 1847-1945
'The height of its womanhood': Women and genderin Welsh nationalism, 1847-1945 Item Type text; Dissertation-Reproduction (electronic) Authors Kreider, Jodie Alysa Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 09/10/2021 04:59:55 Link to Item http://hdl.handle.net/10150/280621 'THE HEIGHT OF ITS WOMANHOOD': WOMEN AND GENDER IN WELSH NATIONALISM, 1847-1945 by Jodie Alysa Kreider Copyright © Jodie Alysa Kreider 2004 A Dissertation Submitted to the Faculty of the DEPARTMENT OF HISTORY In Partia' Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2004 UMI Number: 3145085 Copyright 2004 by Kreider, Jodie Alysa All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3145085 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. -
The Welsh Welsh – Y Cymry Cymreig: a Study of Cultural Exclusion Among Rural- Dwelling Older People Using a Critical Human Ecological Framework
International Journal of Ageing and Later Life, 2018 12(2): 119–151. The Author doi: 10.3384/ijal.1652-8670.18399 The welsh Welsh – Y Cymry cymreig: A study of cultural exclusion among rural- dwelling older people using a critical human ecological framework BY BETHAN WINTER & VANESSA BURHOLT Abstract Research on cultural exclusion has not kept apace with transformations to rural populations, economy, family structures and community relationships. Cultural exclusion refers to the extent to which people are able or willing to conform to cultural norms and values. We theorise cultural exclusion using the critical human ecological framework and social comparison theory, taking into account period effects, area effects and cohort and/or lifecourse effects. Qualitative case studies in three rural areas of South Wales (United Kingdom) synthesise data from life- history interviews, life-history calen- dars, documentary sources and focus groups (n = 56). Our findings suggest that cultural exclusion is an issue for rural-dwelling older people, which they describe by temporal self- comparison and group comparisons. The critical human ecological framework provides new insight into the drivers (industrial decline, policy and population change, a shift from collectivism to individualism), and outcomes (sense of belonging, community cohesion) of cultural exclusion experienced by rural-dwelling older people. Bethan Winter & Vanessa Burholt, Centre for Innovative Ageing, College of Human and Health Sciences, Swansea University, Wales, UK. 119 International Journal of Ageing and Later Life Keywords: rurality, cultural exclusion, social comparison, critical human ecology, collectivism, individualism. Introduction This article focusses on the experience of cultural exclusion of older people living in rural areas of South Wales. -
H 955 Great Britain
Great Britain H 955 BACKGROUND: The heading Great Britain is used in both descriptive and subject cataloging as the conventional form for the United Kingdom, which comprises England, Northern Ireland, Scotland, and Wales. This instruction sheet describes the usage of Great Britain, in contrast to England, as a subject heading. It also describes the usage of Great Britain, England, Northern Ireland, Scotland, and Wales as geographic subdivisions. 1. Great Britain vs. England as a subject heading. In general assign the subject heading Great Britain, with topical and/or form subdivisions, as appropriate, to works about the United Kingdom as a whole. Assign England, with appropriate subdivision(s), to works limited to that country. Exception: Do not use the subdivisions BHistory or BPolitics and government under England. For a work on the history, politics, or government of England, assign the heading Great Britain, subdivided as required for the work. References in the subject authority file reflect this practice. Use the subdivision BForeign relations under England only in the restricted sense described in the scope note under EnglandBForeign relations in the subject authority file. 2. Geographic subdivision. a. Great Britain. Assign Great Britain directly after topics for works that discuss the topic in relation to Great Britain as a whole. Example: Title: History of the British theatre. 650 #0 $a Theater $z Great Britain $x History. b. England, Scotland, Northern Ireland, and Wales. Assign England, Scotland, Northern Ireland, or Wales directly after topics for works that limit their discussion to the topic in relation to one of the four constituent countries of Great Britain. -
Paid Traineeship
Paid Traineeship WNO Associate Artist Fixed Term August 2020 – July 2021 Salary range: £19,000 to £22,000 per annum, pro rata (depending on experience and the content of traineeship contract to be offered) Deadline for Applications: Monday 18 November 2019 (12 pm) Auditions & Informal interviews: 1st round auditions: 28 & 29 November in Cardiff 2 & 3 December in Manchester 8 & 9 December in London 11 & 12 December in Birmingham 13 December in Bristol/Bath 2nd round auditions: January/February 2020 in Cardiff Start Date: 3 August 2020 End date: Circa July 2021; depending on content of contract WNO Associate Artist programme aims to encourage singers from all backgrounds to take part and is grateful to the Shirley & Rolf Olsen Bursary and other Bursary supporters for their significant support in enabling us to achieve this. To Apply Please provide a CV which details all your relevant performance training and current/ previous employment. Along with a cover letter explaining what you feel you would gain from being a WNO associate artist, why the scheme and its associated professional training programme and how this would benefit your future career path into the performing industry. CVs, covering letters and forms can be submitted electronically to [email protected] or in hard copy to the HR Department, WNO, Wales Millennium Centre, Bute Place Cardiff CF10 5AL. Our Mission Our mission is to bring the power, drama and raw emotion of opera to as wide an audience as possible in performances, marked by an uncompromising quest for artistic quality. As a national company with international status, we sit at the heart of music-making in Wales and play a valuable role in the communities we serve in England.