NEXT DOOR DUNGEON (Book One)
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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Sideways Title Page
SIDEWAYS by Alexander Payne & Jim Taylor (Based on the novel by Rex Pickett) May 29, 2003 UNDER THE STUDIO LOGO: KNOCKING at a door and distant dog BARKING. NOW UNDER BLACK, A CARD -- SATURDAY The rapping, at first tentative and polite, grows insistent. Then we hear someone getting out of bed. MILES (O.S.) ...the fuck... A door is opened, and the black gives way to blinding white light, the way one experiences the first glimpse of day amid, say, a hangover. A worker, RAUL, is there. MILES (O.S.) Yeah? RAUL Hi, Miles. Can you move your car, please? MILES (O.S.) What for? RAUL The painters got to put the truck in, and you didn’t park too good. MILES (O.S.) (a sigh, then --) Yeah, hold on. He closes the door with a SLAM. EXT. HIDEOUS APARTMENT COMPLEX - DAY SUPERIMPOSE -- SAN DIEGO, CALIFORNIA Wearing only underwear, a bathrobe, and clogs, MILES RAYMOND comes out of his unit and heads toward the street. He passes some SIX MEXICANS, ready to work. 2. He climbs into his twelve-year-old convertible SAAB, parked far from the curb and blocking part of the driveway. The car starts fitfully. As he pulls away, the guys begin backing up the truck. EXT. STREET - DAY Miles rounds the corner and finds a new parking spot. INT. CAR - CONTINUOUS He cuts the engine, exhales a long breath and brings his hands to his head in a gesture of headache pain or just plain anguish. He leans back in his seat, closes his eyes, and soon nods off. -
Short Encounters for Characters of Any Level
TABLE OF CONTENTS Foreword . 2 Adventure Customs and Shorthand . 2 About the Authors . 2. So, a Displacer Beast Cub and a Pack of Blink Dogs Ran Across Our Path… by Alan Tucker . .3 . So, a Sverfneblin, Chased by a Duergar Posse, Walked into Our Campsite… by Chad M. Lensch . 4. So, a Poacher Walks Into a Lodge… by Harm Delva . 5 . So, a Goblin in a Cage Hangs Over the Road… by Ciaran O’Halloran . 6 So, an Exotic Merchant and a Crippled Aarakocra Landed on Our Campsite… by Elven Tower . .7 So, an Umber Hulk and a Slaad Fly Over the Road… by Tony Petrecca . 8. So, a Blind Woman and a Medusa Walk Along the Road… by Beatriz T. Dias . .9 . So, a Barghest and Its Goblin Prey Are Found on the Road… by David McDonough . 10. So, a Child and His Sister Walk Onto the Road… by Matt Vaughan (Dungeon Rollers) . 11 So, Two Clans of Goblins Gathered by the Road With a Hag—Then a Bunch of Bards Showed Up… by George Sager . 12 So, a Magic Axe, a Skeleton, and a Crowd of Peasants Block the Road… by Duncan Rhodes . 13 . So, a Campfire Appeared Along the Road… by Morten Greis . 14 So, Some Adventurers With a Locked Chest Step Onto the Road… by Richard Malena-Webber . 15 So, a Tearful Shepherd, Three Pixies, and Flock of Sheep Walk Onto the Road… by Karl Sciberras . 16 Encounter Modifier Tables by ELF Vesala . .1 7 . Short Encounters for CREDITS Design & Layout: Alan Tucker Characters of Any Level Art: Alan Tucker, and licensed and modified stock art from DepositPhotos.com and DMsGuild Community Resources IT CLICKS! Editing: Linda May and Alan Tucker This version of the product is DUNGEONS & DRAGONS, D&D, wizards of the Coast, Forgotten Realms, Ravenloft, the dragon ampersand, and fully hyperlinked so you can all other wizards of the Coast product names, and their respective logos are trademarks of wizards of the Coast in the USA and other countries. -
The Runners of Shawnee Road
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-20-2013 The Runners of Shawnee Road Melissa Remark University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Fiction Commons Recommended Citation Remark, Melissa, "The Runners of Shawnee Road" (2013). University of New Orleans Theses and Dissertations. 1761. https://scholarworks.uno.edu/td/1761 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. The Runners of Shawnee Road A Thesis Submitted to the Graduate Faculty of The University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theater and Communication Arts Creative Writing by Melissa Remark B.A. Trent University, 2010 Diploma, Humber College, 2000 December, 2013 The Sheeny Man rides through the streets pulling his wagon of junk. Sometimes he is black, sometimes he is white, and sometimes he is French. -
Department of Political Science Chair of Gender Politics Wonder Woman
Department of Political Science Chair of Gender Politics Wonder Woman and Captain Marvel as Representation of Women in Media Sara Mecatti Prof. Emiliana De Blasio Matr. 082252 SUPERVISOR CANDIDATE Academic Year 2018/2019 1 Index 1. History of Comic Books and Feminism 1.1 The Golden Age and the First Feminist Wave………………………………………………...…...3 1.2 The Early Feminist Second Wave and the Silver Age of Comic Books…………………………....5 1.3 Late Feminist Second Wave and the Bronze Age of Comic Books….……………………………. 9 1.4 The Third and Fourth Feminist Waves and the Modern Age of Comic Books…………...………11 2. Analysis of the Changes in Women’s Representation throughout the Ages of Comic Books…..........................................................................................................................................................15 2.1. Main Measures of Women’s Representation in Media………………………………………….15 2.2. Changing Gender Roles in Marvel Comic Books and Society from the Silver Age to the Modern Age……………………………………………………………………………………………………17 2.3. Letter Columns in DC Comics as a Measure of Female Representation………………………..23 2.3.1 DC Comics Letter Columns from 1960 to 1969………………………………………...26 2.3.2. Letter Columns from 1979 to 1979 ……………………………………………………27 2.3.3. Letter Columns from 1980 to 1989…………………………………………………….28 2.3.4. Letter Columns from 19090 to 1999…………………………………………………...29 2.4 Final Data Regarding Levels of Gender Equality in Comic Books………………………………31 3. Analyzing and Comparing Wonder Woman (2017) and Captain Marvel (2019) in a Framework of Media Representation of Female Superheroes…………………………………….33 3.1 Introduction…………………………….…………………………………………………………33 3.2. Wonder Woman…………………………………………………………………………………..34 3.2.1. Movie Summary………………………………………………………………………...34 3.2.2.Analysis of the Movie Based on the Seven Categories by Katherine J. -
A. Affiliations, 3 Distinctions B
Doing Experience – Marvel Heroics Style 0. Consider each data file to have, at least, the following for free: a. Affiliations, 3 Distinctions b. One power set, 2 die at d6, one sfx and one limit(assume extra limits are added, no t changed) c. 2 specialities at d8 d. Milestones 1. Using normal XP expenditure rules, calculate how much EXP it would take to make that character. 2. For a custom character within a group of pre-made files, add up all the EXP spent by each character (either before or after the beginning of play) 3. Divide it by the number of players – this will give you your mean. 4. After applying the rule of 0 to the custom character, give them that much EXP to spend on making their character. Example Armour Ignore Affiliations and Distinctions. Power set o Two powers of d10 – 40 EXP(10 for d8, 10 for d10 x2) o 3 sfx – 30 EXP (2 new Sfx =15 exp) o 2 Limits – 5 EXP (1 new limit=5 exp) Specialities o 3 at Expert – 15exp(2 free, one at expert purchased) Total =90 exp Keep in mind If somebody actually has less than rule 0 for in power sets or specialities a reduction in XP cost is applied. If a sheet says X+Y, X is the first and Y the second power set on the sheet respectively. This isn’t entirely indicative of effectiveness. These are just numbers. Means are rounded to nearest multiple of 5, with the actual number (0dp) in brackets. It’s hard to find groups of four with identical XP costs – a range of +-10 should suffice. -
Stories of the Fallen Willow
Stories of the Fallen Willow by Jessica Noel Casimir Senior Honors Thesis Department of English and Comparative Literature April 2020 1 dedication To my parents who sacrifice without hesitation to support my ambitions, To my professors who invested their time and shared their wisdom, And to my fellow-writer friends made along the way. Thank you for the unconditional support and words of encouragement. 2 table of contents Preface…………………………………………………………………………….4 Sellout……………………………………………………………………………..9 Papercuts…………………………………………………………………………24 Static……………………………………………………………………………...27 Dinosaur Bones………………………………………………………………..…32 How to Prepare for a Beach Trip in 4 Easy Steps………………………………..37 A Giver…………………………………………………………………………...39 Hereditary………………………………………………………………………...42 Tomato Soup…………………………………………………………………...…46 A Fair Trade………………………………………………………………………53 Fifth Base…………………………………………………………………………55 Remembering Bennett………………………………………………………….…60 Yellow Puddles……………………………………………………………………69 Head First…………………………………………………………………...…….71 3 preface This introduction is meant to be a moment of honesty. So, I’ll be candid in saying that this is my eighth attempt at writing it. I’ve started and stopped, deleted and retyped, closed my laptop and reopened it. Never in my life have I found it this difficult to write, never in my life has my body physically ached at the thought of sitting down and spending time in my own headspace. Right now, my headspace is the last place on earth I want to be. I’ve decided that this will be my last attempt at writing, and whatever comes out now will remain on the page. I am currently sitting on my couch under a pile of blankets, reclined back as far as my seat will allow me to go. My Amazon Alexa is belting music from an oldies playlist, and my dad is sitting at the kitchen table singing along to “December, 1963” by The Four Seasons as he works. -
Finishing Skills
Finishing Skills Sarah K. Inman Livingston Press The University of West Alabama CHAPTER ONE BACKSTAGE, WATSON SMEARED my face with petroleum jelly that we’d borrowed from another fighter. Our jar of Vaseline and our corner’s bucket were missing. Where the fuck were they? It was karma for what Jenna, the other pro female from the Academy, did last week; sly, she walked out of Boomtown Casino with a pair of eight-ounce gloves used in one of the bouts. They weren’t even good for sparring, so Jenna gave them to one of the newcomers to work the heavy bags. Jenna’s habit of stealing useless crap filled our gym with odd-sized gloves, cracked mirrors, and a scale that was off by two pounds. Watson had sent Darnel, one of the gym rats, to find our stuff or to borrow what we were missing, Vaseline, gauze, tape, ice; I’d packed my own mouthpiece. “How did Jenna make out?” I didn’t want to ask because I sensed that she’d lost, but I needed to break the silence. Jenna had fought early on the card, and I had been too nervous to poke my head into the crowd at the Pontchartrain Center to watch her. I was making my pro debut at a memorial event fund-raiser, held for two New Orleans police officers who had died in a freak New Year’s Eve explosion. “She had a good fight,” Watson said. His thick moustache perched above his upper lip, like a small animal. I had the sense the thing could sprout little legs and run off on its own. -
In the Supreme Court of California
IN THE SUPREME COURT OF CALIFORNIA THE PEOPLE, Plaintiff and Respondent, v. THOMAS LEE BATTLE, Defendant and Appellant. S119296 San Bernardino County Superior Court FVI012605 July 1, 2021 Justice Cuéllar authored the opinion of the Court, in which Chief Justice Cantil-Sakauye and Justices Corrigan, Kruger, Groban, and Jenkins concurred. Justice Liu filed a dissenting opinion. PEOPLE v. BATTLE S119296 Opinion of the Court by Cuéllar, J. Defendant Thomas Lee Battle was convicted of kidnapping and killing Shirley and Andrew Demko after burglarizing and robbing their home. The jury returned a death verdict, and the trial court sentenced Battle to death. This appeal is automatic. (Pen. Code, § 1239, subd. (b).)1 Battle contends that the trial court made several errors during the guilt and penalty phases of his trial. We find no error and affirm the trial court judgment. I. BACKGROUND In November 2001, the San Bernardino District Attorney filed an information charging Battle with two counts of murder (§ 187, subd. (a)), one count of first degree residential burglary (§ 459), one count of first degree residential robbery (§ 211), and two counts of kidnapping (§ 207). The information also alleged the following: All the offenses were serious felonies (§ 1192.7, subd. (c)) and violent felonies (§ 667.5, subd. (c)); during the commission and attempted commission of these offenses Battle personally used a knife, a deadly and dangerous weapon (§ 12022, subd. (b)(1)), causing the offenses to be serious felonies (§ 1192.7, subd. (c)(23)); in 1995 Battle suffered a prior conviction for burglary (§ 459), a serious or violent felony (§§ 667, subd. (b), 1 All statutory references are to the Penal Code unless otherwise noted. -
Modes of Expression in the Songs of Aimee Mann Amy M
Macalester College DigitalCommons@Macalester College Music Honors Projects Music Department 5-20-2008 Modes of Expression in the Songs of Aimee Mann Amy M. Coddington Macalester College, [email protected] Follow this and additional works at: https://digitalcommons.macalester.edu/musi_honors Recommended Citation Coddington, Amy M., "Modes of Expression in the Songs of Aimee Mann" (2008). Music Honors Projects. 4. https://digitalcommons.macalester.edu/musi_honors/4 This Honors Project - Open Access is brought to you for free and open access by the Music Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Music Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Modes of Expression in the Songs of Aimee Mann Amy M. Coddington Senior Honors Thesis Advisor: Mark Mazullo Readers: Chris Gable and Peter Mercer-Taylor Macalester College, Music Department Spring 2008 2 Table of Contents Abstract 3 Introduction 4 Song analyses I. How Am I Different (Bachelor No. 2, 2000) 8 II. That’s How I Knew This Story Would Break My Heart (The Forgotten Arm, 2005) 13 III. Choice in the Matter (I’m With Stupid, 1995) 16 IV. Invisible Ink (Lost in Space, 2002) 20 V. The Fall of the World’s Own Optimist (Bachelor No.2, 2000) 25 Conclusion 31 Acknowledgements 33 Appendix I: Chordal analyses and lyrics of songs 34 Appendix II: Works Consulted 44 3 Abstract Singer-songwriter Aimee Mann has been creating music, both as a solo artist and as a former member of the band 'Til Tuesday, for the past twenty years. -
DRAGON Magazines
July, 1980 The Dragon The Dragon Vol. V, No. 1 among you, Bill Fawcett presents an overview of the types of bows used in real life and how their characteristics apply for gaming purposes. In the “charts and tables” department, Carl Parlagreco has prepared a new system for determining and describing the controversial phenomena of critical hits and fumbles. Remember the little spacemen we pictured in TD-34 with a request to readers for information about their origin? Well, we got some answers, and TD staff member Bryce Knorr played “private t may seem like an uncomplimentary thing to say about eye” to provide a solution to the mystery, which is almost as authen- ourselves, but it does seem as though The Dragon resem- tic as it is amusing. Karl Horak looks at the development of fantasy bles an elephant trodding on thin ice: We can’t help making role-playing from Chainmail through D&D to AD&D and wonders a breakthrough with every step we take. whether uniformity between the various game systems is possible, or This month, TD is proud to present the first in what even desirable. promises to be a long line of modules for use with Top Secret, TSR’s A wealth of inspiratin and information is offered in July’s regular new espionage role-playing game. “The Missile Mission” is the features. Len Lakofka puts forth guidelines for beginning a cam- brainchild of Mike Carr, the general manager of TSR Hobbies and paign in Leomund’s Tiny Hut. Then, when you’ve got things rolling, one of the people who helped put Merle Rasmussen’s Top Secret you can inject a few items from Bazaar of the Bizarre, and employ game manuscript into its final form. -
Report Artist Release Tracktitle Streaming 2017 1Wayfrank Ayegirl
Report Artist Release Tracktitle Streaming 2017 1wayfrank Ayegirl - Single Ayegirl Streaming 2017 2 Brothers On the 4th Floor Best of 2 Brothers On the 4th Floor Dreams (Radio Version) Streaming 2017 2 Chainz TrapAvelli Tre El Chapo Jr Streaming 2017 2 Unlimited Get Ready for This - Single Get Ready for This (Yar Rap Edit) Streaming 2017 3LAU Fire (Remixes) - Single Fire (Price & Takis Remix) Streaming 2017 4Pro Smiler Til Fjender - Single Smiler Til Fjender Streaming 2017 666 Supa-Dupa-Fly (Remixes) - EP Supa-Dupa-Fly (Radio Version) Lets Lurk (feat. LD, Dimzy, Asap, Monkey & Streaming 2017 67 Liquez) No Hook (feat. LD, Dimzy, Asap, Monkey & Liquez) Streaming 2017 6LACK Loyal - Single Loyal Streaming 2017 8Ball Julekugler - Single Julekugler Streaming 2017 A & MOX2 Behøver ikk Behøver ikk (feat. Milo) Streaming 2017 A & MOX2 DE VED DET DE VED DET Streaming 2017 A Billion Robots This Is Melbourne - Single This Is Melbourne Streaming 2017 A Day to Remember Homesick (Special Edition) If It Means a Lot to You Streaming 2017 A Day to Remember What Separates Me from You All I Want Streaming 2017 A Flock of Seagulls Wishing: The Very Best Of I Ran Streaming 2017 A.CHAL Welcome to GAZI Round Whippin' Streaming 2017 A2M I Got Bitches - Single I Got Bitches Streaming 2017 Abbaz Hvor Meget Din X Ikk Er Mig - Single Hvor Meget Din X Ikk Er Mig Streaming 2017 Abbaz Harakat (feat. Gio) - Single Harakat (feat. Gio) Streaming 2017 ABRA Rose Fruit Streaming 2017 Abstract Im Good (feat. Roze & Drumma Battalion) Im Good (feat. Blac) Streaming 2017 Abstract Something to Write Home About I Do This (feat.