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Sideways Title Page
SIDEWAYS by Alexander Payne & Jim Taylor (Based on the novel by Rex Pickett) May 29, 2003 UNDER THE STUDIO LOGO: KNOCKING at a door and distant dog BARKING. NOW UNDER BLACK, A CARD -- SATURDAY The rapping, at first tentative and polite, grows insistent. Then we hear someone getting out of bed. MILES (O.S.) ...the fuck... A door is opened, and the black gives way to blinding white light, the way one experiences the first glimpse of day amid, say, a hangover. A worker, RAUL, is there. MILES (O.S.) Yeah? RAUL Hi, Miles. Can you move your car, please? MILES (O.S.) What for? RAUL The painters got to put the truck in, and you didn’t park too good. MILES (O.S.) (a sigh, then --) Yeah, hold on. He closes the door with a SLAM. EXT. HIDEOUS APARTMENT COMPLEX - DAY SUPERIMPOSE -- SAN DIEGO, CALIFORNIA Wearing only underwear, a bathrobe, and clogs, MILES RAYMOND comes out of his unit and heads toward the street. He passes some SIX MEXICANS, ready to work. 2. He climbs into his twelve-year-old convertible SAAB, parked far from the curb and blocking part of the driveway. The car starts fitfully. As he pulls away, the guys begin backing up the truck. EXT. STREET - DAY Miles rounds the corner and finds a new parking spot. INT. CAR - CONTINUOUS He cuts the engine, exhales a long breath and brings his hands to his head in a gesture of headache pain or just plain anguish. He leans back in his seat, closes his eyes, and soon nods off. -
Practical Tips for Working with Transgender Survivors of Sexual Violence
Practical Tips: working with trans survivors michael munson Practical Tips for Working With Transgender Survivors of Sexual Violence Who Are Transgender People? Transgender is an umbrella term which encompasses the whole “gender community,” including transsexuals, cross‐dressers, intersexed individuals, androgynes, bigendered persons, genderqueers, SOFFAs (Significant Others, Friends, Family and Allies) and others. Transgender may also refer to people who do not fit neatly into either the “male” or “female” categories, instead crossing or blurring gender lines. The term can also refer to butch lesbians and effeminate gay men. In some communities, “transgender” refers only to cross‐dressers. By definition, transgender individuals piece together a self‐identity that is different from or in opposition to what everyone tells them they are. Although the rise of the Internet and growing public visibility of transgender people and issues are making it easier for individuals to tap into preexisting identity models, the transgender experience is still largely an isolated, individual one. This might be the primary reason why the nomenclature for the trans experience is both unsettled and, among trans people themselves, very hotly contested. There are literally hundreds of words used to describe a trans identity or experience (See last page). Therefore, definitions and examples should be used gingerly and in a way that makes it possible for each trans individual hirself to use the term(s) s/hei considers most reflective of hir self‐conception and experience. Key Concepts Our culture strongly promotes the idea of an immutable gender binary in which people are supposed to fit into only one of just two gender boxes, and stay there from birth to death. -
The Runners of Shawnee Road
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-20-2013 The Runners of Shawnee Road Melissa Remark University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Fiction Commons Recommended Citation Remark, Melissa, "The Runners of Shawnee Road" (2013). University of New Orleans Theses and Dissertations. 1761. https://scholarworks.uno.edu/td/1761 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. The Runners of Shawnee Road A Thesis Submitted to the Graduate Faculty of The University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theater and Communication Arts Creative Writing by Melissa Remark B.A. Trent University, 2010 Diploma, Humber College, 2000 December, 2013 The Sheeny Man rides through the streets pulling his wagon of junk. Sometimes he is black, sometimes he is white, and sometimes he is French. -
T.C. ISTANBUL AYDIN UNIVERSITY INSTITUTE of SOCIAL SCIENCES the CRITIQUE of NEOLIBERALISM in DAVID HARE's PLAYS Phd THESİS Ha
T.C. ISTANBUL AYDIN UNIVERSITY INSTITUTE OF SOCIAL SCIENCES THE CRITIQUE OF NEOLIBERALISM IN DAVID HARE’S PLAYS PhD THESİS Hakan GÜLTEKİN Department of English Language and Literature English Language and Literature Program Thesis Advisor: Assoc. Prof. (Ph. D.) Ferma LEKESİZALIN June, 2018 ii T.C. ISTANBUL AYDIN UNIVERSITY INSTITUTE OF SOCIAL SCIENCES THE CRITIQUE OF NEOLIBERALISM IN DAVID HARE’S PLAYS PhD THESİS Hakan GÜLTEKİN (Y1414.620014) Department of English Language and Literature English Language and Literature Program Thesis Advisor: Assoc. Prof. (Ph. D.) Ferma LEKESİZALIN June, 2018 ii iv DECLARATION I hereby declare that all information in this thesis document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results, which are not original to this thesis. ( / /2017). Hakan GÜLTEKİN v vi FOREWORD I would like to express my appreciation to my supervisor Assoc. Prof. Dr. Ferma LEKESĠZALIN for her persistent encouragement, guidance, patience, and Dr. Ahmet Gökhan BĠÇER for his erudite comments and invaluable contribution. I am also indebted to Dr. Öz ÖKTEM and Dr. Gamze SABANCI UZUN for supporting me in Istanbul Aydin University days. I would also like to thank Prof. Dr. Mehmet TAKKAÇ for his suggestions. Special thanks go to Prof. Dr. Ġbrahim YEREBAKAN and Dr. Mesut GÜNENÇ, whose encouragements have been of particular note here. I am also grateful to Assoc. Prof. Dr. Gillian Mary Elizabeth ALBAN, Dr. Hüseyin EFE, Dr. Arsev AyĢen ARSLANOĞLU YILDIRAN, Sercan ÖZTEKĠN and Florentina GÜMÜġ for their help during the creation phase of my thesis. -
Tom Rubnitz / Dynasty Handbag
TOM RUBNITZ / DYNASTY HANDBAG 9/25/2012 PROGRAM: TOM RUBNITZ The Mother Show, video, 4 mins., 1991 Made for TV, video, 15 mins., 1984 Drag Queen Marathon, video, 5 mins., 1986 Strawberry Shortcut, video, 1:30 mins., 1989 Pickle Surprise, video, 1:30 mins., 1989 DYNASTY HANDBAG The Quiet Storm (with Hedia Maron), video, 10 mins., 2007 Eternal Quadrangle, video, 20 mins., 2012 WHITE COLUMNS JIBZ CAMERON JOSH LUBIN-LEVY What does it mean to be a great performer? In a rather conventional sense, great performing is often associated with a sense of interiority, becoming your character, identifying with your role. In that sense, a great performer could become anyone else simply by looking deep within herself. Of course, there’s a long history of performance practices that reject this model. Yet whether it is a matter of embracing or rejecting what is, so to speak, on the inside, there is an overarching belief that great performers are uniquely adept at locating themselves and using that self to build a world around them. It is no surprise then that today we are all expected to be great performers. Our lives are filled the endless capacity to shed one skin for another, to produce multiple cyber-personalities on a whim. We are hyperaware that our outsides are malleable and performative—and that our insides might be an endless resource for reinventing and rethinking ourselves (not to mention the world around us). So perhaps it’s almost too obvious to say that Jibz When I was a youth, say, about 8, I played a game in the Cameron, the mastermind behind Dynasty Handbag, is an incredible woods with my friend Ocean where we pretended to be hookers. -
True Colors Resource Guide
bois M gender-neutral M t t F F INTERSEXALLY Lesbian butch INTERSEXALLY Lesbian polyamorousBirls queer Femme queer bisexual GAY GrrlsAsexual bisexual GAY bi-curious bi-curious QUEstioningtransgender bi-confident pansexualtranssexual QUEstioningtransgender bois bois gender-neutral M gender-neutralLOVEM gender-neutral t t F F INTERSEXALLY Lesbian butch INTERSEXALLY Lesbian butch Birls polyamorousBirls polyamorousBirls queer Femme queer Femme Asexual bisexual GAY GrrlsAsexual bisexual GAY GrrlsAsexual bi-curious bi-curious transsexual QUEstioningtransgender bi-confident pansexualtranssexual QUEstioningtransgender bi-confident pansexualtranssexual bois M gender-neutral gender-neutral M t t F F ALLY Lesbian INTERSEX butch INTERSEXALLY Birls polyamorousBirls queer Femme queer bisexual Asexual GAY GrrlsAsexual bisexual bi-curious bi-curious transsexual QUEstioningtransgender bi-confident pansexualtranssexual QUEstioningtransgender bois bois LOVE gender-neutral M gender-neutral t F INTERSEXALLY Lesbian butch INTERSEXALLY Lesbian butch polyamorousBirls polyamorousBirls queer Femme queer Femme bisexual GAY GrrlsAsexual bisexual GAY GrrlsAsexual bi-curious bi-curious QUEstioningtransgender bi-confident pansexualtranssexual QUEstioningtransgender bi-confident pansexualtranssexual bois bois M gender-neutral M gender-neutral t t F F INTERSEXALLY Lesbian butch INTERSEXALLY Lesbian butch polyamorousBirls polyamorousBirls queer Femme queer Femme bisexual GAY GrrlsAsexual bisexual GAY GrrlsAsexual bi-curious bi-curious QUEstioningtransgender bi-confident -
Biographies of Janet Mock and Miss Major, Black Trans Women
Whalen Symposium Abstract – Award Consideration John Jacobson, Women’s and Gender Studies Word Count: 694, excluding title and bibliography #GirlsLikeUs: The Development of Femme Identities in the (Auto)biographies of Janet MoCk and Miss Major, BlaCk Trans Women Understanding the subjectivities oF black transgender women lies at the intersection oF multiple academic Fields. Revolutionaries such as Judith Butler, bell hooks and Kate Bornstein have all contributed to discourse surrounding transgender women oF color. To understand and humanize the subjectivities oF these women, there must be an interaction of gender theory, queer theory, queer of color critique, and black Feminism. Trans women oF color are routinely in the margins oF academic spaces because their lives are interactions of unique oppressed identities. This presentation puts the (auto)biographical lives and works (a memoir and documentary, respectively) oF two black trans women in context: Janet Mock, a young activist, author, and media maker, and Miss Major, an elderly activist whose liFe has spanned From Attica to Stonewall and beyond (Licona). It centers their stories through the black Feminist concept of “a healthy love for ourselves, our sisters and our community which allows us to continue our struggle and work” (Combahee River Collective). Through these methods oF black Feminist love, we can observe the ways Mock and Major have developed black trans Femme identities and how those identities are revolutionary. Mock and Major both establish self-love through their modes oF unique gender expression, the way they “become” women in the way that Simone de Beauvoir theorized through personal growth and gender expression. Their living oF this theory allows the idea oF womanhood, or Femme-central identity, to be a “process, a becoming, a constructing that cannot be rightfully said to originate or end” (Butler). -
Patrick Califia B
PATRICK CALIFIA b. March 8, 1954 AUTHOR “By coming out to ourselves, we free up the energy we spent keeping a part of ourselves hidden.” Patrick Califia is a transgender author of fiction, nonfiction and poetry. His writings explore sexuality and gender identity and have included lesbian erotica and works In 1999, Califia about BDSM subculture. transitioned from female Califia was born female and raised by Mormon parents in Corpus Christi, Texas. He to male, noting that started writing stories and poems in his youth. He graduated a year early from high school and matriculated to the University of Utah. While in college, Califia—who was “neither one is really a still living as a woman—came out as a lesbian to his parents. They placed him in a very good fit for me.” mental institution. In 1973, Califia moved to California and joined the women’s liberation and anti-war movements. He joined the lesbian separatist movement, but was rejected for his interest in S&M. In 1978, Califia cofounded a lesbian S&M group. In 1980, his book “Sapphistry: The Book of Lesbian Sexuality” was published. He wrote many works on gender theory, erotica and LGBT issues. He received a bachelor’s degree in psychology and a master’s degree in counseling from San Francisco State University. Califia received Lambda Literary Awards for his short story collection, “Macho Sluts” (1988), his novel “Doc and Fluff: The Dystopian Tale of a Girl and Her Biker” © MARK CHESTER (1990) and his columns published in The Advocate Adviser (1991). In 1997, he wrote “Sex Changes: The Politics of Transgenderism,” chronicling gender nonconforming identities through historical and social perspectives. -
Queer Definitions
! ! The Amherst College Queer Resource Center's Terms, Definitions, and Labels Compiled and adapted by David Huante '16 QRC Activities Coordinator ! ! Terminology is important. The words we use, and how we use them, can be very powerful. Knowing and understanding the meaning of the words we use improves communication and helps prevent misunderstandings. The following terms are not absolutely-defined. Rather, they provide a starting point for conversations. As always, listening is the key to understanding. Every thorough discussion about the queer community starts with terminology. Some of this terminology may be confusing or surprising; please do not hesitate to ask for clarification. This is a partial list of terms you may encounter. New language and terms emerge as our understanding of these topics changes and evolves. ! ! ! ! ! ! ! ! ! ! ! Affectional (Romantic) Orientation Ally Refers to variations in object of An individual whose attitudes and emotional and sexual attraction. The term behavior are supportive and affirming is preferred by some over “sexual of all genders and sexual orientations orientation” because it indicates that the and who is active in combating feelings and commitments involved are homophobia, transphobia, not solely (or even primarily, for some heterosexism, and cissexism both people) sexual. The term stresses the personally and institutionally. affective emotional component of attractions and relationships, regardless of orientation. Androgyny Asexual Displaying physical and social A person who doesn't experience characteristics identified in this culture sexual attraction or who has low or no as both feminine and masculine to the interest in sexual activity. Unlike degree that the person’s outward celibacy, an action that people choose, appearance and mannerisms make it asexuality is a sexual identity. -
Counseling Transgender Youth Utilizing Expressive Art Therapies
1 CHAPTER 1 Introduction The True Colors of Authenticity I see your true colors Your true colors (Written by Billy Steinberg and Tom Kelly) The quest to know our true identity is a challenging process that evolves over a lifetime. Transitions are inherent for everyone, yet these shifts of physical, intellectual, emotional, social and spiritual change are even more challenging for transgender or gender non-conforming (GNC) youth. Transitions include birth, childhood, adolescence, adulthood, death and everything in between those phases that embraces a shift or an adjustment to a life circumstance. When these life phases also include an evolutionary change of the individual as well, it can be a difficult and seemingly never ending journey. The journey toward self starts with the pronouncement of our biological or assigned sex. The moment the declaration boy! specific gender begins. For many of us gender simply is. It is not something that is questioned, debated, or defended. 1 2 What happens to the transgender child when that declaration of assigned sex or in other words, their gender identity or gender expression does not conform to the sex of their body? How might they adapt healthfully into a world that often rejects atypical presentations of what it means to be a boy or a girl? How can mental health care professionals best guide, assist and support these children and their families through this process? Kate Bornstein (2013), author and transgender activist, stated The genders well-rounded, creative, loving people I . (p. 73). When transgender youth are insistent, persistent and insistent regarding their gender, we need to look and listen to what they are really saying because they are providing us with invaluable information about themselves and how they relate to the world. -
2019-03-17 5C8e1290421a2 Gagafeminism.Pdf
OTHER BOOKS BY J. JACK HALBERSTAM Skin Shows: Gothic Horror and the Technology of Monsters Posthuman Bodies. Coedited with Ira Livingston Female Masculinity The Drag King Book. With Del LaGrace Volcano In a Queer Time and Place: Transgender Bodies, Subcultural Lives The Queer Art of Failure OTHER BOOKS IN THE QUEER IDEAS SERIES Queer (In)Justice: The Criminalization of LGBT People in the United States by Joey L. Mogul, Andrea J. Ritchie, and Kay Whitlock God vs. Gay? The Religious Case for Equality by Jay Michaelson Beyond (Straight and Gay) Marriage: Valuing All Families under the Law by Nancy D. Polikoff From the Closet to the Courtroom: Five LGBT Rights Lawsuits That Have Changed Our Nation by Carlos A. Ball OTHER BOOKS IN THE QUEER ACTION SERIES Come Out and Win: Organizing Yourself, Your Community, and Your World by Sue Hyde Out Law: What LGBT Youth Should Know about Their Legal Rights by Lisa Keen For Maca CONTENTS A NOTE FROM THE SERIES EDITOR 1 PREFACE Going Gaga 4 INTRODUCTION 11 ONE Gaga Feminism for Beginners 24 TWO Gaga Genders 64 THREE Gaga Sexualities: The End of Normal 112 FOUR Gaga Relations: The End of Marriage 154 FIVE Gaga Manifesto 206 ACKNOWLEDGMENTS 233 NOTES 235 A NOTE FROM THE SERIES EDITOR The American lesbian, gay, bisexual, transgender, and queer movement has never been only a movement about civil rights. From its beginnings in the 1950s, groups like the Mattachine Society and Daughters of Bilitis understood the power of popular culture. The gay liberation movement of the early 1970s understood that the way to political power was through popular culture. -
LGBT/Two Spirit Definitions Lesbian Is a Woman Whose Enduring Physical, Romantic, Emotional And/Or Spiritual Attraction Is to Other Women
12/12/2012 Mending the Rainbow: Working with the Native LGBT/Two Spirit Community Presented By: Elton Naswood, CBA Specialist National Native American AIDS Prevention Center Mattee Jim, Supervisor HIV Prevention Programs First Nations Community HealthSource LGBT/Two Spirit Definitions Lesbian is a woman whose enduring physical, romantic, emotional and/or spiritual attraction is to other women. Gay is a man whose enduring physical, romantic, emotional and/or spiritual attraction is to other men Bisexual is an individual who is physically, romantically, emotionally and/or spiritually attracted to men and women. Transgender is a term for people whose gender identity and/or gender expression differs form the sex they were assigned at birth. Two Spirit is a contemporary term used to identify Native American Lesbian, Gay, Bisexual, and some Transgender individuals with traditional and cultural understandings of gender roles and identity. 13th National Indian Nations Conference ~ Dec 2012 1 12/12/2012 Two Spirit – Native GLBT Two Spirit term refers to Native American/Alaskan Native Lesbian, Gay, Bisexual, Transgender (LGBT) individuals A contemporary term used to identify Native American Lesbian, Gay, Bisexual, Transgender individuals with traditional and cultural understandings of gender roles and identity. Encompassing term used is “Two Spirit” adopted in 1990 at the 3rd International Native Gay & Lesbian Gathering in Winnipeg, Canada. Term is from the Anishinabe language meaning to have both female and male spirits within one person. Has a different meaning in different communities. The term is used in rural and urban communities to describe the re- claiming of their traditional identity and roles. The term refer to culturally prescribed spiritual and social roles; however, the term is not applicable to all tribes Two Spirit – Native LGBT .