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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Short Encounters for Characters of Any Level
TABLE OF CONTENTS Foreword . 2 Adventure Customs and Shorthand . 2 About the Authors . 2. So, a Displacer Beast Cub and a Pack of Blink Dogs Ran Across Our Path… by Alan Tucker . .3 . So, a Sverfneblin, Chased by a Duergar Posse, Walked into Our Campsite… by Chad M. Lensch . 4. So, a Poacher Walks Into a Lodge… by Harm Delva . 5 . So, a Goblin in a Cage Hangs Over the Road… by Ciaran O’Halloran . 6 So, an Exotic Merchant and a Crippled Aarakocra Landed on Our Campsite… by Elven Tower . .7 So, an Umber Hulk and a Slaad Fly Over the Road… by Tony Petrecca . 8. So, a Blind Woman and a Medusa Walk Along the Road… by Beatriz T. Dias . .9 . So, a Barghest and Its Goblin Prey Are Found on the Road… by David McDonough . 10. So, a Child and His Sister Walk Onto the Road… by Matt Vaughan (Dungeon Rollers) . 11 So, Two Clans of Goblins Gathered by the Road With a Hag—Then a Bunch of Bards Showed Up… by George Sager . 12 So, a Magic Axe, a Skeleton, and a Crowd of Peasants Block the Road… by Duncan Rhodes . 13 . So, a Campfire Appeared Along the Road… by Morten Greis . 14 So, Some Adventurers With a Locked Chest Step Onto the Road… by Richard Malena-Webber . 15 So, a Tearful Shepherd, Three Pixies, and Flock of Sheep Walk Onto the Road… by Karl Sciberras . 16 Encounter Modifier Tables by ELF Vesala . .1 7 . Short Encounters for CREDITS Design & Layout: Alan Tucker Characters of Any Level Art: Alan Tucker, and licensed and modified stock art from DepositPhotos.com and DMsGuild Community Resources IT CLICKS! Editing: Linda May and Alan Tucker This version of the product is DUNGEONS & DRAGONS, D&D, wizards of the Coast, Forgotten Realms, Ravenloft, the dragon ampersand, and fully hyperlinked so you can all other wizards of the Coast product names, and their respective logos are trademarks of wizards of the Coast in the USA and other countries. -
Notes on Numbers 202 1 Edition Dr
Notes on Numbers 202 1 Edition Dr. Thomas L. Constable TITLE The title the Jews used in their Hebrew Old Testament for this book comes from the fifth word in the book in the Hebrew text, bemidbar: "in the wilderness." This is, of course, appropriate since the Israelites spent most of the time covered in the narrative of Numbers in the wilderness. The English title "Numbers" is a translation of the Greek title Arithmoi. The Septuagint translators chose this title because of the two censuses of the Israelites that Moses recorded at the beginning (chs. 1—4) and toward the end (ch. 26) of the book. These "numberings" of the people took place at the beginning and end of the wilderness wanderings and frame the contents of Numbers. DATE AND WRITER Moses wrote Numbers (cf. Num. 1:1; 33:2; Matt. 8:4; 19:7; Luke 24:44; John 1:45; et al.). He apparently wrote it late in his life, across the Jordan from the Promised Land, on the Plains of Moab.1 Moses evidently died close to 1406 B.C., since the Exodus happened about 1446 B.C. (1 Kings 6:1), the Israelites were in the wilderness for 40 years (Num. 32:13), and he died shortly before they entered the Promised Land (Deut. 34:5). There are also a few passages that appear to have been added after Moses' time: 12:3; 21:14-15; and 32:34-42. However, it is impossible to say how much later. 1See the commentaries for fuller discussions of these subjects, e.g., Gordon J. -
Department of Political Science Chair of Gender Politics Wonder Woman
Department of Political Science Chair of Gender Politics Wonder Woman and Captain Marvel as Representation of Women in Media Sara Mecatti Prof. Emiliana De Blasio Matr. 082252 SUPERVISOR CANDIDATE Academic Year 2018/2019 1 Index 1. History of Comic Books and Feminism 1.1 The Golden Age and the First Feminist Wave………………………………………………...…...3 1.2 The Early Feminist Second Wave and the Silver Age of Comic Books…………………………....5 1.3 Late Feminist Second Wave and the Bronze Age of Comic Books….……………………………. 9 1.4 The Third and Fourth Feminist Waves and the Modern Age of Comic Books…………...………11 2. Analysis of the Changes in Women’s Representation throughout the Ages of Comic Books…..........................................................................................................................................................15 2.1. Main Measures of Women’s Representation in Media………………………………………….15 2.2. Changing Gender Roles in Marvel Comic Books and Society from the Silver Age to the Modern Age……………………………………………………………………………………………………17 2.3. Letter Columns in DC Comics as a Measure of Female Representation………………………..23 2.3.1 DC Comics Letter Columns from 1960 to 1969………………………………………...26 2.3.2. Letter Columns from 1979 to 1979 ……………………………………………………27 2.3.3. Letter Columns from 1980 to 1989…………………………………………………….28 2.3.4. Letter Columns from 19090 to 1999…………………………………………………...29 2.4 Final Data Regarding Levels of Gender Equality in Comic Books………………………………31 3. Analyzing and Comparing Wonder Woman (2017) and Captain Marvel (2019) in a Framework of Media Representation of Female Superheroes…………………………………….33 3.1 Introduction…………………………….…………………………………………………………33 3.2. Wonder Woman…………………………………………………………………………………..34 3.2.1. Movie Summary………………………………………………………………………...34 3.2.2.Analysis of the Movie Based on the Seven Categories by Katherine J. -
Marvel-Phile: Über-Grim-And-Gritty EXTREME Edition!
10 MAR 2018 1 Marvel-Phile: Über-Grim-and-Gritty EXTREME Edition! It was the best of times, it was the worst of times. It 90s, but you’d be wrong. Then we have Nightwatch, a was a dark time for the Republic. In short, it was...the bald-faced ripoff of Todd MacFarlane’s more ‘90s. The 1990s were an odd time for comic books. A successful Spawn. Next, we have Necromancer… the group of comic book artists, including the likes of Jim Dr. Strange of Counter-Earth. And best for last, Lee and hate-favorite Rob Liefield, splintered off from there’s Adam X the X-TREME! Oh dear Lord -- is there Marvel Comics to start their own little company called anything more 90s than this guy? With his backwards Image. True to its name, Image Comics featured comic baseball cap, combustible blood, a costume seemingly books light on story, heavy on big, flashy art (often made of blades, and a title that features not one but either badly drawn or heavily stylized, depending on TWO “X”s, this guy that was teased as the (thankfully who you ask), and a grim and gritty aesthetic that retconned) “third Summers brother” is literally seemed to take all the wrong lessons from renowned everything about the 90s in comics, all rolled into one. works such as Frank Miller’s Dark Knight Returns. Don’t get me wrong, there were a few gems in the It wasn’t long until the Big Two and other publishers 1990s. Some of my favorite indie books were made hopped on the bandwagon, which was fueled by during that time. -
NSLS Members & Honorees
NSLS Members & Honorees Two induction ceremonies are held each academic year (fall and spring) to honor those new student members who have completed the required steps for lifetime NSLS membership; for past inductees completing additional requirements for the National Engaged Leader Award (NELA); and for those others within the campus and greater community honored with select awards. Current and past NSLS honorees are listed below: EXCELLENCE IN Advanced HONORARY EXCELLENCE IN CEREMONY NEW MEMBERS SERVICE TO Recognition MEMBERS TEACHING STUDENTS Spring 2020 Marquis Braimer, Hannah Cantrell, Chloe Collins, Sarah n/a Joe Kiser, Mikaela Bruce Cahoon, Donna Henry, Dotson, Harley Hess, Daniel Ibrahim, Logan Lane, & Logan & Karina Heather Gordon Joshua Justice & Joshua McCray Rufino & Rachel Tighe Tabitha Smith Fall 2019 Sarah Boyd, Emilee Helbert, Daniel Laughlin, Hannah n/a Molly Land, Emily Dotson, Joshua Justice, McGlothlin, Sierra Thacker, Rachel ‘Nikki’ Wilder, & Valerie Lawson & Kaushiki Saha & Valerie Lawson & Alexandra Willis Denise Maggard Julia Weiss Narda Porter Spring 2019 Bailey Anderson, Bryce Harty, Haley Isbell, Peyton ALC: Timothy Andy Cox & Marla Anthony Cashio & Rosa Bott & Narda Johnson, Brianna Kerr, A. Mason Phillips, Alexandra Cheney Weitzman Priscilla Brame Porter Ratliff, Jayme Salyers, Makenzie Sheets, & S. Katie Tucker Fall 2018 Jessica Caldwell, Timothy Cheney, Devin Gwynn, NELA: Adriana Bryan Hoyt & Amy Clark, Tammie Hale, Montana Hill, Audrey Lucas, Sherraza Pond, Madison Coleman & Telena Jacob Somervell Scott -
Representing the Gaichi in Japanese Detective Fiction
Representing the Gaichi in Japanese Detective Fiction by Aileen Marie Cruz A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Japanese language in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Daniel C. O’Neill Professor Alan Tansman Professor Donna Jones Spring 2014 Abstract Representing the Gaichi in Japanese Detective Fiction by Aileen Marie Cruz Doctor of Philosophy in Japanese Language University of California, Berkeley Professor Daniel O’Neill, Chair This dissertation examines the relationship between Japanese detective fiction and the territories under Japanese colonial rule, areas such as the South Seas, Korea, and Manchuria known collectively as the “outer territories” (gaichi), during the early 1930s. It analyzes the works of three detective fiction writers: Yumeno Kyȗsaku (1898-1936), Oguri Mushitarȏ (1901-1946), and Kim Nae-Seong (1909-1957). The colonial settings of their works have various functions. In Kyȗsaku’s work, these are largely domesticated through the use of tropes and recognizable images. Through these tropes and images, he depicts colonial space as a site where community is lost, but can be recuperated through the violence of suicide. On the other hand, Oguri’s work depicts colonial space as completely unfamiliar, not only through the descriptions of a contaminating, foul landscape, but also by utilizing the conventions of a locked room mystery. In doing so, Oguri challenges the scientific conceit of this subgenre of detective fiction, a conceit also present in the story’s inclusion of eugenics discourses. Kim Nae-Seong’s detective fiction differs from those of Oguri and Kyȗsaku by eliding the otherness of the colonial landscape. -
DRAGON Magazines
July, 1980 The Dragon The Dragon Vol. V, No. 1 among you, Bill Fawcett presents an overview of the types of bows used in real life and how their characteristics apply for gaming purposes. In the “charts and tables” department, Carl Parlagreco has prepared a new system for determining and describing the controversial phenomena of critical hits and fumbles. Remember the little spacemen we pictured in TD-34 with a request to readers for information about their origin? Well, we got some answers, and TD staff member Bryce Knorr played “private t may seem like an uncomplimentary thing to say about eye” to provide a solution to the mystery, which is almost as authen- ourselves, but it does seem as though The Dragon resem- tic as it is amusing. Karl Horak looks at the development of fantasy bles an elephant trodding on thin ice: We can’t help making role-playing from Chainmail through D&D to AD&D and wonders a breakthrough with every step we take. whether uniformity between the various game systems is possible, or This month, TD is proud to present the first in what even desirable. promises to be a long line of modules for use with Top Secret, TSR’s A wealth of inspiratin and information is offered in July’s regular new espionage role-playing game. “The Missile Mission” is the features. Len Lakofka puts forth guidelines for beginning a cam- brainchild of Mike Carr, the general manager of TSR Hobbies and paign in Leomund’s Tiny Hut. Then, when you’ve got things rolling, one of the people who helped put Merle Rasmussen’s Top Secret you can inject a few items from Bazaar of the Bizarre, and employ game manuscript into its final form. -
Freedom from Violence and Lies Essays on Russian Poetry and Music by Simon Karlinsky
Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky simon Karlinsky, early 1970s Photograph by Joseph Zimbrolt Ars Rossica Series Editor — David M. Bethea (University of Wisconsin-Madison) Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky edited by robert P. Hughes, Thomas a. Koster, richard Taruskin Boston 2013 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-158-6 On the cover: Heinrich Campendonk (1889–1957), Bayerische Landschaft mit Fuhrwerk (ca. 1918). Oil on panel. In Simon Karlinsky’s collection, 1946–2009. © 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. -
TSR6905.MHR1.X-Force
INTRODUCTION "My homeworld floats alone, a dead "Pay heed to the Grandmaster's Log! For monument to a dead galaxy, a reminder of one day, I and my Chosen shall arrive those who thrived millennia ago. from the frigid depths of space to make "And yet I live on, an immortal whose our challenge. The very Earth shall be the only amusement lies in games of chance prize! Who among you shall stand to face and challenge. I am an Elder of the the Game of the Grandmaster?" Universe. I am the Grandmaster. "The universe is my game board; it's countless inhabitants, my playing pieces. On your world, I have beaten the Prime Mover, a robotic computer created by the Earth-born called Doctor Doom. I have even bested Death itself. "The Earth and its flock, especially its mutants, are dear to me. As a breeding ground for superhuman pawns, this planet has no equal. Mutants are particularly 'adaptable' to my games. "I have written this log so you might prepare yourself for the games to come. In this log, you shall find information relevant to Earth's most powerful mutants. Not only shall you discover the limits of their powers and abilities, but you shall learn what it is like to be a mutant among normals. This factor, this 'mutant agenda,’ shall affect their success in the contest above all else. "I have also included scenarios designed to test mutant players for the coming challenge, as well as complete rules for developing a 'Danger Room' of your own, where your heroic pawns can be tested even further. -
Paradise Lost
Paradise Lost Author(s): Milton, John (1608-1674) Publisher: CCEL Description: Paradise Lost is widely regarded as the greatest English- language poem of all time. Published in 1667, the epic is written in 12 sections of blank verse. Milton was blind when he wrote the majority of the poem, and transcribed it to his daughters. The poem is a fascinating look at the characters of the Garden of Eden. Adam, Eve, God, and Satan engage in a struggle, much like they do in the Hebrew Bible. Milton claimed his purpose in writing was to "justify the ways of God to men" and to reconcile what he saw as a gap between the free will of humans and God©s omniscience. Perhaps the most interesting aspect of the poem, and one profitable for long-time Christians to observe, is the fact that Adam and Eve have personalities. Milton adds several books worth of narrative about their sinless life in the garden pre-Fall, and readers catch a glimpse of their emotions - pleasure, temptation, guilt, and lust. Paradise Lost is a valuable work of literature, particularly for Christians as it addresses the age-old battle of whether free will exists for created humans. Though the poetry is challenging to read (Milton intended it to be so), those who wade their way through the tale will come away with a fresh perspective on the classic story of Eden. Abby Zwart CCEL Staff Writer i Contents Paradise Lost 1 Title Page 1 Book I 2 Book II 24 Book III 52 Book IV 72 Book V 99 Book VI 123 Book VII 148 Book VIII 182 Book IX 214 Book X 244 ii This PDF file is from the Christian Classics Ethereal Library, www.ccel.org. -
Quick Guide Is Online
SAN DIEGO SAN DIEGO MARRIOTT CONVENTION MARQUIS & MARINA CENTER JULY 18–21 • PREVIEW NIGHT JULY 17 QUICKQUICK GUIDEGUIDE SCHEDULE GRIDS • EXHIBIT HALL MAP • CONVENTION CENTER & HOTEL MAPS HILTON SAN DIEGO BAYFRONT MANCHESTER GRAND HYATT ONLINE EDITION INFORMATION IS SUBJECT TO CHANGE MAPu HOTELS AND SHUTTLE STOPS MAP 1 28 10 24 47 48 33 2 4 42 34 16 20 21 9 59 3 50 56 31 14 38 58 52 6 54 53 11 LYCEUM 57 THEATER 1 19 40 41 THANK YOU TO OUR GENEROUS SHUTTLE 36 30 SPONSOR FOR COMIC-CON 2013: 32 38 43 44 45 THANK YOU TO OUR GENEROUS SHUTTLE SPONSOR OF COMIC‐CON 2013 26 23 60 37 51 61 25 46 18 49 55 27 35 8 13 22 5 17 15 7 12 Shuttle Information ©2013 S�E�A�T Planners Incorporated® Subject to change ℡619‐921‐0173 www.seatplanners.com and traffic conditions MAP KEY • MAP #, LOCATION, ROUTE COLOR 1. Andaz San Diego GREEN 18. DoubleTree San Diego Mission Valley PURPLE 35. La Quinta Inn Mission Valley PURPLE 50. Sheraton Suites San Diego Symphony Hall GREEN 2. Bay Club Hotel and Marina TEALl 19. Embassy Suites San Diego Bay PINK 36. Manchester Grand Hyatt PINK 51. uTailgate–MTS Parking Lot ORANGE 3. Best Western Bayside Inn GREEN 20. Four Points by Sheraton SD Downtown GREEN 37. uOmni San Diego Hotel ORANGE 52. The Sofia Hotel BLUE 4. Best Western Island Palms Hotel and Marina TEAL 21. Hampton Inn San Diego Downtown PINK 38. One America Plaza | Amtrak BLUE 53. The US Grant San Diego BLUE 5.