Paradise Lost
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Dragon Magazine #228
Where the good games are As I write this, the past weekend was the WINTER FANTASY ™ slots of the two LIVING DEATH adventures; all the judges sched- gaming convention. uled to run them later really wanted to play them first. That’s a It is over, and we’ve survived. WINTER FANTASY isn’t as hectic vote of confidence for you. or crowded as the GENCON® game fair, so we can relax a bit These judges really impressed me. For those of you who’ve more, meet more people, and have more fun. never played a LIVING CITY, LIVING JUNGLE™, or LIVING DEATH game, It was good meeting designers and editors from other game you don’t know what you’re missing. The judges who run these companies and discussing trends in the gaming industry, but it things are the closest thing to a professional corps of DMs that was also good sitting in the hotel bar (or better yet, Mader’s, I can imagine. Many judges have been doing this for years, and down the street) with old friends and colleagues and just talk- some go to gaming conventions solely for the purpose of run- ing shop. ning games. They really enjoy it, they’re really good, and they Conventions are business, but they are also fun. really know the rules. I came out of WINTER FANTASY with a higher respect for the Now the Network drops into GENCON gear. Tournaments are people who run these things. TSR’s new convention coordina- being readied and judges are signing up. -
3. Prometheus Unbound by Percy Bysshe Shelley
The Myth of Prometheus in Shelley and Goethe/Mit o Prometeju u djelima Shelleya i Goethea Lovrić, Benjamin Undergraduate thesis / Završni rad 2018 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:792444 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-29 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Studij: Dvopredmetni sveučilišni preddiplomski studij engleskoga jezika i književnosti i njemačkog jezika i književnosti Benjamin Lovrić Mit o Prometeju u djelima Shelleya i Goethea Završni rad Mentor: doc. dr. sc. Boris Berić Osijek, 2017 Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Odsjek za engleski jezik i književnost Studij: Dvopredmetni sveučilišni preddiplomski studij engleskoga jezika i književnosti Benjamin Lovrić Mit o Prometeju u djelima Shelleya i Goethea Završni rad Znanstveno područje: humanističke znanosti Znanstveno polje: filologija Znanstvena grana: anglistika Mentor: doc. dr. sc. Boris Berić Osijek, 2017 J.J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Study Programme: Double Major BA Study Programme in English Language and Literature Benjamin Lovrić The Myth of Prometheus in Shelley and Goethe Bachelor's Thesis Supervisor: doc. dr. sc. Boris Berić Osijek, 2017 J.J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Department of English Study Programme: Double Major BA Study Programme in English Language and Literature Benjamin Lovrić The Myth of Prometheus in Shelley and Goethe Bachelor's Thesis Scientific area: humanities Scientific field: philology Scientific branch: English studies Supervisor: doc. -
A. Affiliations, 3 Distinctions B
Doing Experience – Marvel Heroics Style 0. Consider each data file to have, at least, the following for free: a. Affiliations, 3 Distinctions b. One power set, 2 die at d6, one sfx and one limit(assume extra limits are added, no t changed) c. 2 specialities at d8 d. Milestones 1. Using normal XP expenditure rules, calculate how much EXP it would take to make that character. 2. For a custom character within a group of pre-made files, add up all the EXP spent by each character (either before or after the beginning of play) 3. Divide it by the number of players – this will give you your mean. 4. After applying the rule of 0 to the custom character, give them that much EXP to spend on making their character. Example Armour Ignore Affiliations and Distinctions. Power set o Two powers of d10 – 40 EXP(10 for d8, 10 for d10 x2) o 3 sfx – 30 EXP (2 new Sfx =15 exp) o 2 Limits – 5 EXP (1 new limit=5 exp) Specialities o 3 at Expert – 15exp(2 free, one at expert purchased) Total =90 exp Keep in mind If somebody actually has less than rule 0 for in power sets or specialities a reduction in XP cost is applied. If a sheet says X+Y, X is the first and Y the second power set on the sheet respectively. This isn’t entirely indicative of effectiveness. These are just numbers. Means are rounded to nearest multiple of 5, with the actual number (0dp) in brackets. It’s hard to find groups of four with identical XP costs – a range of +-10 should suffice. -
Marvel-Phile: Über-Grim-And-Gritty EXTREME Edition!
10 MAR 2018 1 Marvel-Phile: Über-Grim-and-Gritty EXTREME Edition! It was the best of times, it was the worst of times. It 90s, but you’d be wrong. Then we have Nightwatch, a was a dark time for the Republic. In short, it was...the bald-faced ripoff of Todd MacFarlane’s more ‘90s. The 1990s were an odd time for comic books. A successful Spawn. Next, we have Necromancer… the group of comic book artists, including the likes of Jim Dr. Strange of Counter-Earth. And best for last, Lee and hate-favorite Rob Liefield, splintered off from there’s Adam X the X-TREME! Oh dear Lord -- is there Marvel Comics to start their own little company called anything more 90s than this guy? With his backwards Image. True to its name, Image Comics featured comic baseball cap, combustible blood, a costume seemingly books light on story, heavy on big, flashy art (often made of blades, and a title that features not one but either badly drawn or heavily stylized, depending on TWO “X”s, this guy that was teased as the (thankfully who you ask), and a grim and gritty aesthetic that retconned) “third Summers brother” is literally seemed to take all the wrong lessons from renowned everything about the 90s in comics, all rolled into one. works such as Frank Miller’s Dark Knight Returns. Don’t get me wrong, there were a few gems in the It wasn’t long until the Big Two and other publishers 1990s. Some of my favorite indie books were made hopped on the bandwagon, which was fueled by during that time. -
Fiendish Aspects Full
INTRODUCTION Got demons? Well, you will if you pick up a copy of Fiendish Codex I: Hordes of the Abyss, which is packed full of information on demons and demon lords and how to use all this nastiness in your campaign. The chapter on demon lords mentions aspects of the demon lords as more common foes than the demon lords themselves, FIENDISH but few aspects are presented in the book since the ASPECTS designers put so many other useful things in that tome. Well, that is where this little guide comes in. In A Web Enhancement for Fiendish this combined edition of Fiendish Aspects, you’ll meet eleven aspects of demon lords, all suitable for mid- Codex I: Hordes of the Abyss level campaigns. Several of the demon lords could have aspects that are different than the ones you see here, because an aspect is one facet of a demon lord CREDITS rather than a lesser version of the whole package. If Design: Robert Wiese you don’t like the aspect presented here for your Editing: Miranda Horner demon lord of choice, choose a different “view” of the Typesetting: Nancy Walker demon lord and make your own. For example, Juiblex Web Production Bart Carroll has a few combat tricks, plus a few spell-like and ooze- Web Development: Mark A. Jindra related powers. If you want a more oozy aspect of Graphic Design: Sean Glenn, Cynthia Fliege Juiblex, take away the grappling and constriction & Jen Page powers and give it the create slime and summon ooze Special T h a n k s : Michael Donais, Skaff Elias, Rob abilities. -
Prometheus Unbound and the Gothic Novel 15
From the Sublime to the Numinous A Study of Gothic Qualities in the Poetry and Drama of Shelley's Italian Period A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by Robert Percival University of Canterbury 2000 Contents Page Acknowledgements Abstract Introduction 1 I. Prometheus Unbound and the Gothic Novel 15 II. Prometheus Unbound and the Classical Gothic 29 III. Prometheus Unbound- Heroes and Villains 50 IV. The Cenci - An Absence of the Numinous 64 V. Leonardo's Medusa and the Limits of the Sublime 78 VI. The West Wind-Poet as Prophet and Enchanter 90 VII. Adonais - Flight from the City of Death 101 VIII. Adonais - The Hunter Hunted 112 IX. The Triumph ofLife - The Living Dead and the Car of Life 130 X. The Triumph ofLife - Rousseau, the Shape, and the "shape all light" 146 Conclusion 159 Bibliography - (Primary and Secondary Sources) 164 Acknowledgements I would like to thank my wife, Hannah, for her limitless patience, and for her unfailing practical and moral support, without which this thesis would never have been completed; and my supervisor, Dr Gordon Spence, for his continuing encouragement, his unobtrusive guidance, and the generous spirit in which he always shared his time and erudition. Abstract In this thesis I consider six poems which Shelley wrote in Italy, between 1818 and his death in 1822: Prometheus Unbound, The Cenci, "On the Medusa of Leonardo da Vinci in the Florentine Gallery", "Ode to the West Wind", Adonais, and The Triumph ofLife. -
Dragon Magazine #100
D RAGON 1 22 45 SPECIAL ATTRACTIONS In the center: SAGA OF OLD CITY Poster Art by Clyde Caldwell, soon to be the cover of an exciting new novel 4 5 THE CITY BEYOND THE GATE Robert Schroeck The longest, and perhaps strongest, AD&D® adventure weve ever done 2 2 At Moonset Blackcat Comes Gary Gygax 34 Gary gives us a glimpse of Gord, with lots more to come Publisher Mike Cook 3 4 DRAGONCHESS Gary Gygax Rules for a fantastic new version of an old game Editor-in-Chief Kim Mohan Editorial staff OTHER FEATURES Patrick Lucien Price Roger Moore 6 Score one for Sabratact Forest Baker Graphics and production Role-playing moves onto the battlefield Roger Raupp Colleen OMalley David C. Sutherland III 9 All about the druid/ranger Frank Mentzer Heres how to get around the alignment problem Subscriptions Georgia Moore 12 Pages from the Mages V Ed Greenwood Advertising Another excursion into Elminsters memory Patricia Campbell Contributing editors 86 The chance of a lifetime Doug Niles Ed Greenwood Reminiscences from the BATTLESYSTEM Supplement designer . Katharine Kerr 96 From first draft to last gasp Michael Dobson This issues contributing artists . followed by the recollections of an out-of-breath editor Dennis Kauth Roger Raupp Jim Roslof 100 Compressor Michael Selinker Marvel Bullpen An appropriate crossword puzzle for our centennial issue Dave Trampier Jeff Marsh Tony Moseley DEPARTMENTS Larry Elmore 3 Letters 101 World Gamers Guide 109 Dragonmirth 10 The forum 102 Convention calendar 110 Snarfquest 69 The ARES Section 107 Wormy COVER Its fitting that an issue filled with things weve never done before should start off with a cover thats unlike any of the ninety-nine that preceded it. -
Representing the Gaichi in Japanese Detective Fiction
Representing the Gaichi in Japanese Detective Fiction by Aileen Marie Cruz A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Japanese language in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Daniel C. O’Neill Professor Alan Tansman Professor Donna Jones Spring 2014 Abstract Representing the Gaichi in Japanese Detective Fiction by Aileen Marie Cruz Doctor of Philosophy in Japanese Language University of California, Berkeley Professor Daniel O’Neill, Chair This dissertation examines the relationship between Japanese detective fiction and the territories under Japanese colonial rule, areas such as the South Seas, Korea, and Manchuria known collectively as the “outer territories” (gaichi), during the early 1930s. It analyzes the works of three detective fiction writers: Yumeno Kyȗsaku (1898-1936), Oguri Mushitarȏ (1901-1946), and Kim Nae-Seong (1909-1957). The colonial settings of their works have various functions. In Kyȗsaku’s work, these are largely domesticated through the use of tropes and recognizable images. Through these tropes and images, he depicts colonial space as a site where community is lost, but can be recuperated through the violence of suicide. On the other hand, Oguri’s work depicts colonial space as completely unfamiliar, not only through the descriptions of a contaminating, foul landscape, but also by utilizing the conventions of a locked room mystery. In doing so, Oguri challenges the scientific conceit of this subgenre of detective fiction, a conceit also present in the story’s inclusion of eugenics discourses. Kim Nae-Seong’s detective fiction differs from those of Oguri and Kyȗsaku by eliding the otherness of the colonial landscape. -
Freedom from Violence and Lies Essays on Russian Poetry and Music by Simon Karlinsky
Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky simon Karlinsky, early 1970s Photograph by Joseph Zimbrolt Ars Rossica Series Editor — David M. Bethea (University of Wisconsin-Madison) Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky edited by robert P. Hughes, Thomas a. Koster, richard Taruskin Boston 2013 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-158-6 On the cover: Heinrich Campendonk (1889–1957), Bayerische Landschaft mit Fuhrwerk (ca. 1918). Oil on panel. In Simon Karlinsky’s collection, 1946–2009. © 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. -
The Classical Mythology of Milton's English Poems
YALE STUDIES IN ENGLISH ALBERT S. COOK, Editor VIII THE CLASSICAL MYTHOLOGY OF Milton's English poems CHARLES GROSVENOR OSGOOD, Ph.D. NEW YORK HENRY HOLT AND COMPANY igoo Ss9a Copyright, igoo, BY CHARLES GROSVENOR OSGOOD, Ph.D. J^ 7/SS TO PROFESSQR ALBERT S. COOK AND PROFESSOR THOMAS D. SEYMOUR — PREFACE The student who diligently peruses the lines of a great poem may go far toward a realization of its char- acter. He may appreciate, in a degree, its loveliness, strength, and direct hold upon the catholic truth of life. But he will be more sensitive to these appeals, and receive gifts that are richer and less perishable, accord- ing as he comprehends the forces by whose interaction the poem was produced. These are of two kinds the innate forces of the poet's character, and certain more external forces, such as, in the case of Milton, are represented by Hellenism and Hebraism. Their activ- ity is greatest where they meet and touch, and at this point their nature and measure are most easily dis- cerned. From a contemplation of the poem in its gene- sis one returns to a deeper understanding and enjoyment of it as a completed whole. The present study, though it deals with but one of the important cultural influ- ences affecting Milton, and with it but in part, endeav- ors by this method to deepen and clarify the apprecia- tion of his art and teaching. My interest in the present work has found support and encouragement in the opinions of Mr. Churton Collins, as expressed in his valuable book. -
142 Map & Handout Supplement Produced by Paizo Publishing, Llc
#142 MAP & HANDOUT SUPPLEMENT PRODUCED BY PAIZO PUBLISHING, LLC. PAIZO.COM Michael M. Kaluta MASQUE OF DREAMS by B. Matthew Conklin III A masquerade ball at a remote desert oasis turns tragic when the party is crashed by goblin minions of a priestess of Zargon. Can the PCs rescue the abducted guests before they become the latest victims of the Lost City of the valley of Death? A D&D adventure for 1st-level characters. Dungeon #142 Map & Handout Supplement © 2007 Wizards of the Coast, Inc. 1 DUNGEON 142 Supplement Permission to photocopy for personal use only. All rights reserved. Robert Lazzaretti Vestang Manor Ground Floor Lady’s Private Oasis Patio Second Floor Kitchen Lounge Neheshru’s Room Barracks Grand Upper Hall Gallery Dinning Office Room Delvis Room Servant’s Coach Rooms House Greenhouse Master Bedroom Courtyard Wellhead Lounge Stable Under Kitchen N Storage 15 foot wall One square = 5 feet Robert Lazzaretti Dungeon #142 Map & Handout Supplement © 2007 Wizards of the Coast, Inc. 2 DUNGEON 142 Supplement Permission to photocopy for personal use only. All rights reserved. Ilsinan Michael M Kaluta Michael M Kaluta Michael M Kaluta Michael M Kaluta Dungeon #142 Map & Handout Supplement © 2007 Wizards of the Coast, Inc. 3 DUNGEON 142 Supplement Permission to photocopy for personal use only. All rights reserved. Lady Ashinana Vestang Michael M. Kaluta Dungeon #142 Map & Handout Supplement © 2007 Wizards of the Coast, Inc. 4 DUNGEON 142 Supplement Permission to photocopy for personal use only. All rights reserved. Robert Lazzaretti N The Valley of Death Lake of 10 Miles Dust to Parsa Dragongrave 22 Miles to Ashinana’s Oasis Sulba Robert Lazzaretti Dungeon #142 Map & Handout Supplement © 2007 Wizards of the Coast, Inc. -
Mlincoln Thesis Formatted
ABSTRACT Title of Document: HENDRICK GOLTZIUS’S PROTEAN ICONOGRAPHY: 1582-1590 Matthew David Lincoln, Master of Arts, 2012 Directed By: Professor Arthur K. Wheelock, Jr., Department of Art History and Archaeology Karel van Mander famously characterized Goltzius as a “Proteus or Vertumnus of art”, a turn of phrase that has been taken to refer to his virtuosic skill at engraving in the styles of all the best masters. Often overlooked is the fact that Goltzius also conspicuously exercised his abilities as an iconographer in his early career as a print publisher. Between 1582, when he started his Haarlem print studio, and 1590, when he departed for Italy, Goltzius used classical rhetorical methods to construct innovative compositions. He thus promoted not only his skillful hand, but also his inventive and resourceful mind. This thesis considers Goltzius’s intellectual circles in Haarlem during this critical professional period, presents several case studies of his inventive iconographies, and concludes with two new interpretations of mythological artworks based on the artist’s rarely-acknowledged use of iconographic manuals and emblem books. HENDRICK GOLTZIUS’S PROTEAN ICONOGRAPHY: 1582-1590 By Matthew David Lincoln Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2012 Advisory Committee: Professor Arthur K. Wheelock, Jr., Chair Professor Anthony Colantuono Professor Meredith Gill © Copyright by Matthew David Lincoln 2012 DISCLAIMER The thesis document that follows has had referenced material removed in respect for the owner’s copyright. A complete version of this document, which includes said referenced material, resides in the University of Maryland College Park’s library collection.