The Emergence and Organization of Chinese Religions1
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ADDITIONS OF LICENSED PERSONS/REGISTERED INSTITUTIONS DURING 06/2017 CE Name CE No. Licence Type Types of Regulated Activity Aesop Asset Management Limited BJB903 Licensed Corporation 4, 9 AMTD Wealth Management Solutions Group Limited BIJ009 Licensed Corporation 1, 4, 9 BMP Wealth Limited BIO512 Licensed Corporation 4, 9 BOCOM International Futures Limited BGZ962 Licensed Corporation 2, 5 Cogito Investments Limited BIQ909 Licensed Corporation 4, 9 Deep Data Capital Management Limited BJG759 Licensed Corporation 9 East Purple Capital Company Limited BIV166 Licensed Corporation 4, 9 Ever-Long Futures Limited BIL619 Licensed Corporation 2 Fairy Ambition Limited BIE318 Licensed Corporation 4, 9 Great Honour Capital Limited BJI417 Licensed Corporation 4, 9 Heavenly Wealth Management Limited BJC173 Licensed Corporation 1, 4, 9 Innovation Asset Management Co., Limited BIJ878 Licensed Corporation 4, 9 Inter Capital Resources Limited BJF121 Licensed Corporation 1, 4, 9 Paragon Securities Limited BIC431 Licensed Corporation 1 Pinerion Investment Advisory Limited BJI194 Licensed Corporation 4 Pixiu Asset Management Limited BJI787 Licensed Corporation 4, 9 Right Time Asset Management Company Limited BIX929 Licensed Corporation 4, 9 Rock Hill Asset Management Limited BJD184 Licensed Corporation 4, 9 RUIFENG SECURITIES LIMITED BJG526 Licensed Corporation 1, 4 SAR Pine Asset Management Limited BIT424 Licensed Corporation 9 Shanggu Asset Management (Asia) Limited BJD133 Licensed Corporation 1, 4, 9 Silk Road Finance Asia Limited BIR392 Licensed Corporation -
Preparing the Shaanxi-Qinling Mountains Integrated Ecosystem Management Project (Cofinanced by the Global Environment Facility)
Technical Assistance Consultant’s Report Project Number: 39321 June 2008 PRC: Preparing the Shaanxi-Qinling Mountains Integrated Ecosystem Management Project (Cofinanced by the Global Environment Facility) Prepared by: ANZDEC Limited Australia For Shaanxi Province Development and Reform Commission This consultant’s report does not necessarily reflect the views of ADB or the Government concerned, and ADB and the Government cannot be held liable for its contents. (For project preparatory technical assistance: All the views expressed herein may not be incorporated into the proposed project’s design. FINAL REPORT SHAANXI QINLING BIODIVERSITY CONSERVATION AND DEMONSTRATION PROJECT PREPARED FOR Shaanxi Provincial Government And the Asian Development Bank ANZDEC LIMITED September 2007 CURRENCY EQUIVALENTS (as at 1 June 2007) Currency Unit – Chinese Yuan {CNY}1.00 = US $0.1308 $1.00 = CNY 7.64 ABBREVIATIONS ADB – Asian Development Bank BAP – Biodiversity Action Plan (of the PRC Government) CAS – Chinese Academy of Sciences CASS – Chinese Academy of Social Sciences CBD – Convention on Biological Diversity CBRC – China Bank Regulatory Commission CDA - Conservation Demonstration Area CNY – Chinese Yuan CO – company CPF – country programming framework CTF – Conservation Trust Fund EA – Executing Agency EFCAs – Ecosystem Function Conservation Areas EIRR – economic internal rate of return EPB – Environmental Protection Bureau EU – European Union FIRR – financial internal rate of return FDI – Foreign Direct Investment FYP – Five-Year Plan FS – Feasibility -
Daily Life for the Common People of China, 1850 to 1950
Daily Life for the Common People of China, 1850 to 1950 Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access China Studies published for the institute for chinese studies, university of oxford Edited by Micah Muscolino (University of Oxford) volume 39 The titles published in this series are listed at brill.com/chs Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Daily Life for the Common People of China, 1850 to 1950 Understanding Chaoben Culture By Ronald Suleski leiden | boston Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access This is an open access title distributed under the terms of the prevailing cc-by-nc License at the time of publication, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www.knowledgeunlatched.org. Cover Image: Chaoben Covers. Photo by author. Library of Congress Cataloging-in-Publication Data Names: Suleski, Ronald Stanley, author. Title: Daily life for the common people of China, 1850 to 1950 : understanding Chaoben culture / By Ronald Suleski. -
Appendix 1 Date of Issue Description
Appendix 1 Date of Issue Description 28 January 2021 1. Year of the Ox Hongkong Post is pleased to present the tenth of its fourth Lunar New Year special stamp series to ring in the Year of the Ox. This latest issue comprises four stamps, a stamp sheetlet and a silk stamp sheetlet. Staying true to tradition, stamp designs are based on artefacts modelled after the year’s zodiac animal to bring festive joy. May the Ox also bring everyone happiness and good fortune in the coming year. 1 Date of Issue Description 28 January 2021 1a. Gold and Silver Stamp Sheetlet on Lunar New Year Animals – Rat / Ox It is time to wave off the Year of the Rat and usher in the Year of the Ox for a new start. Co-starring the two zodiac animals, this gold and silver stamp sheetlet features a Year of the Rat stamp finished with silver hot foil stamping and a Year of the Ox stamp in 22K gold plating. Along with a certificate of authenticity, it is ideal both as a new year gift and for private collection. 23 February 2021 2. Intangible Cultural Heritage – Dragon and Lion Dance Dragon dance and lion dance are the all-time favourites at traditional Chinese festivals. In various local communities, these folk customs have unique historical, cultural and art significances. Inspired by this heritage, Hongkong Post is launching an issue of four stamps and two stamp sheetlets to present the five intangible cultural heritage items of Hong Kong ― lion dance, pixiu dance, unicorn dance, dragon dance and fire dragon dance. -
Chinese Folklore Han Folk Literature & Folk Religion
JianiWen/0029958/2018MDES RECOVERING CHINESE FOLKLORE HAN FOLK LITERATURE & FOLK RELIGION Contents I. Acknowledgement p.01 II. Abstract p.03 III. List of Figures p.05 IV. Introduction p.07 1. Overview 2. Problem Statement 3. Literature Review V. Theoretical Framework p.20 1. Background 2. Problem Statement 3. Literature Review VI. Research Design p.34 1. Constellation of Context 2. Literature Review 3. Case Study VII. Methodology p.48 1. Overview 2. Questionaire 3. Data 4. Design Potentials VIII. Research Result p.34 1. Review 2. Ideas 3. Discussion 4. Final Design IX. Conclusion p.88 VIII. References p.91 I would like to thank all of my instructors at NSCAD, especially Rudi Meyer, Michael LeB- lanc and Christopher Kaltenbach. Without their help, I would not have been able to finish this thesis project. I also thank all of my classmates in the MDes program. I will never forget how much encouragement and help you gave me. I am glad to study with you during this stressful but fantastic Acknowledgement adventure. Finally, I would like to thank my fami- ly and my friends, who supported me throughout my studies. Thank you so much! ACKNOWLEDGEMENT 02 Chinese folklore is a field encompassing a wide spectrum of folk culture including literature and religion. Chinese folk literature is spread by educated folklorists and, on the opposite end of the spectrum, Chinese folk religion is the realm of the masses. Chinese literature was taken as an academic discipline in the early 1920s but its popularity was later diminished in academia because of the political ideology at the time. -
The Destruction of Immoral Temples in Qing China Vincent Goossaert
The Destruction of Immoral Temples in Qing China Vincent Goossaert To cite this version: Vincent Goossaert. The Destruction of Immoral Temples in Qing China. ICS Visiting Professor Lectures Series, 2, Chinese University Press, pp.131-153, 2009, Journal of Chinese Studies Special Issue. halshs-00418652 HAL Id: halshs-00418652 https://halshs.archives-ouvertes.fr/halshs-00418652 Submitted on 21 Sep 2009 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The Destruction of Immoral Temples in Qing China* Vincent Goossaert China, like other pre-modern East Asian countries, was characterized by a pluralistic reli- gious system. Although the Qing Imperial state (1644–1911) recognized this system by granting freedom of practice to a wide range of distinct religious traditions, it was not, for all that matter, tolerant. What was not included within the corpus of officially recognized practices was the object of repression in its various forms. This repression generally remained only a threat, but in some cases the threat was carried out and the reasons and ways in which it was carried out were generally complex and numerous. This article proposes to examine repressive acts as not being necessarily self-evident, as a way of understanding the logic and workings of a state apparatus in its dealings with the religious domain, a particularly difficult area to control. -
Asian Decorative Works of Art of Works Decorative Asian
Tuesday December 19, 2017 Tuesday San Francisco ASIAN DECORATIVE WORKS OF ART ASIAN DECORATIVE ASIAN DECORATIVE WORKS OF ART | San Francisco | Tuesday December 19, 2017 24266 ASIAN DECORATIVE WORKS OF ART Tuesday December 19, 2017 at 11am San Francisco BONHAMS BIDS INQUIRIES 220 San Bruno Avenue +1 415 861 7500 San Francisco New York San Francisco, California 94103 +1 415 861 8951 fax Dessa Goddard, Director Jeff Olson, Director bonhams.com [email protected] +1 (415) 503 3333 Japanese Art [email protected] +1 (212) 461 6516 PREVIEW To bid via the internet please visit [email protected] San Francisco www.bonhams.com/24266 Joyce Chu, Business Manager Friday December 15, 2017 +1 (415) 503 3358 Bruce MacLaren, Specialist 10am – 5pm Please note that bids should be [email protected] Chinese Art Saturday December 16, 2017 summited no later than 24hrs +1 (917) 206 1677 10am – 5pm prior to the sale. New Bidders Dick Lin, Head of Sale [email protected] Sunday December 17, 2017 must also provide proof of +1(415) 503 3264 10am – 5pm identity when submitting bids. [email protected] Failure to do this may result in SALE NUMBER: 24266 your bid not being processed. Henry Kleinhenz, Specialist Lots 6001 - 6503 +1 (415) 503 3336 LIVE ONLINE BIDDING IS [email protected] CATALOG: $35 AVAILABLE FOR THIS SALE Please email Dan Herskee, Specialist ILLUSTRATIONS [email protected] +1 (415) 503 3271 Front cover: Lot 6369 with “Live bidding” in the subject [email protected] Back cover: Lot 6281 line 48hrs before the auction to First session page: Lot 6004 register for this service. -
The Spiritual World of a Hakka Village
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by PDXScholar Portland State University PDXScholar Anthropology Faculty Publications and Anthropology Presentations 2007 The pirS itual World of a Hakka Village Sharon A. Carstens Portland State University, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://pdxscholar.library.pdx.edu/anth_fac Part of the Chinese Studies Commons Citation Details Carstens, Sharon A. "The pS iritual World of a Hakka Village." Taiwan Journal of Southeast Asian Studies 4.1 (2007): 29-64. This Article is brought to you for free and open access. It has been accepted for inclusion in Anthropology Faculty Publications and Presentations by an authorized administrator of PDXScholar. For more information, please contact [email protected]. Articles Taiwan Journal of Southeast Asian Studies, 4 (1): 29-64 (2007) The Spiritual World of a Hakka Village Sharon A. CARSTENS* Abstract This paper examines spiritual beliefs and practices in the Hakka Malaysian community of Pulai, focusing on the pantheon of deities and spirits worshipped and propitiated; the system of local beliefs in the power and efficacy of these deities; and the manner in which individuals and families have reproduced and altered these spiritual beliefs over time. Unlike my previous writings about religion in Pulai, which have emphasized the sociological components of local religion practices, my goal here is to explore the cosmological system, world view, and system of meanings conveyed through religious practices in this Hakka village. As with many Chinese communities, the list of spirits who are propitiated in Pulai is rather lengthy. -
The Funerary Buddha: Material Culture and Religious Change In
THE FUNERARY BUDDHA: MATERIAL CULTURE AND RELIGIOUS CHANGE IN “THE INTRODUCTION OF BUDDHISM TO CHINA” by Margarita Angelica Delgado Creamer B.A. in Philosophy, Catholic University of Peru, Lima, 1996 M.A. in Religious Studies, Queen’s University, Kingston, 2008 Submitted to the Graduate Faculty of The Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH The Dietrich School of Arts & Sciences This dissertation was presented by MARGARITA ANGELICA DELGADO CREAMER It was defended on March 30, 2016 and approved by Clark Chilson, PhD, Associate Professor Katheryn Linduff, PhD, Professor Adam Shear, PhD, Associate Professor Dissertation Advisor: Linda Penkower, PhD, Associate Professor ii Copyright © by Margarita Angelica Delgado Creamer 2016 iii THE FUNERARY BUDDHA: MATERIAL CULTURE AND RELIGIOUS CHANGE IN “THE INTRODUCTION OF BUDDHISM TO CHINA” Margarita Angelica Delgado Creamer, Ph.D. University of Pittsburgh, 2016 How could Buddhism gain initial acceptance in China? This question has long perplexed scholars of Chinese religions mainly on account of (1) the alleged deep ethnocentrism of Chinese civilization—that should have prevented the acceptance of a “barbarian” religion and god—and (2) the dearth of reliable relevant information for the period (first through fourth centuries CE). On the basis of the fragmentary textual sources available, the traditional narrative resolved the first problem by arguing that the initial misunderstanding or assimilation of Buddhism in terms of Daoism was pivotal in the initial acceptance of the foreign religion. The second problem has been partially ameliorated by the archaeological discovery in the last decades of dozens of objects bearing recognizably Buddhist motifs that have been dated to this period. -
Comparative Study Between Chinese and Indian Imaginary Animals: Similarities and Differences
© 2018 JETIR March 2018, Volume 5, Issue 3 www.jetir.org (ISSN-2349-5162 Comparative Study between Chinese and Indian Imaginary Animals: Similarities and Differences First A. Author: Dhaneshwar Shah, Second B. Author: Sunanda Khauria/Rani Abstract: Chinese and Indian artists depicted animals and birds in many creative and imaginative ways. Through the Chinese Imaginary Animals: imaginative thought process they finally successfully 01. Dragon (龍) created an imaginative animal form, through the 02. Pixiu (貔貅) imagination they given a strong impression on people 03. Bifang (毕方) heart and mind same like a real animal. These imaginary animals are an important part of our art history, 04. Taotie (饕餮) mythology and Civilization. China and India have many 05. Feng Huang (凤凰) imaginary animals, it has a few similarities and 06. Qilin (麒麟) differences, but we need to find it for better understanding about it. Through the research paper I would try to find 01. Dragon: Dragon is a one of most important legendary and out similarities and differences between Chinese and imaginative creature in Chinese society. We cannot imagine Indian imaginary animals through the comparative study. Chinese society without a Dragon image. We don‟t have any evidence which can give proof of its presence in real life. It Keywords: Imaginary Animals, China, India, means Chinese dragon does not exist in the real world or nature. Dragon forms look like a snake, but actually, it is a Introduction: Animal is an important part of our life, it's combination of 6 or 8 different known animal‟s character or always reminding our deep connection to nature. -
Religion As a Chinese Cultural Component: Culture in the Chinese Taoist Association and Confucius Institute John D
Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School Spring 2016 Religion as a Chinese Cultural Component: Culture in the Chinese Taoist Association and Confucius Institute John D. Abercrombie Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/theses Part of the Chinese Studies Commons, History of Religions of Eastern Origins Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Abercrombie, John D., "Religion as a Chinese Cultural Component: Culture in the Chinese Taoist Association and Confucius Institute" (2016). Masters Theses & Specialist Projects. Paper 1579. http://digitalcommons.wku.edu/theses/1579 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. RELIGION AS A CHINESE CULTURAL COMPONENT: CULTURE IN THE CHINESE TAOIST ASSOCIATION AND CONFUCIUS INSTITUTE A Thesis Presented to The Faculty of the Department of Philosophy and Religion Western Kentucky University Bowling Green, Kentucky In Partial Fulfillment Of the Requirements for the Degree Master of Arts By John Abercrombie May 2016 ACKNOWLEDGEMENTS Writing this thesis has involved the help of many individuals who deserve more thanks than I can give. First, I would like to thank my advisor, Jeff Samuels, for giving me the initial inspiration for this topic and for valuable insights and critiques throughout the writing process on drafts and in long office meetings. He always provided a friendly face and kept his faith in me even as I dragged my feet and took wrong turns. -
Chronology of Plays Discussed in the Book
APPENDIX 1 Chronology of Plays Discussed in the Book Premiè re Title Company Playwright Director Stage Designer/Scenographer 1980Hezhu’s New Match Lan-ling Theatre Workshop Jin Shijie Jin Shijie Xu Rongchang (prop/cos- tume design) 1982 Absolute Signal Beijing People’s Art Theatre Gao Xingjian, Liu Lin Zhaohua Huang Qingze Huiyuan 1993 Can Three Make It? Part Ping-Fong Acting Troupe Li Guoxiu Li Guoxiu Zhang Yicheng III—Oh! Three Diverged Paths 1996 Shang Yang Shanghai Dramatic Arts Yao Yuan Chen Xinyi Huang Haiwei Centre 1996 Peking Opera: The Ping-Fong Acting Troupe Li Guoxiu Li Guoxiu Nie Guangyan 242 Revelation 1998 Three Sisters & Waiting for Lin Zhaohua Theatre Studio Anton Chekhov/ Lin Zhaohua Yi Liming Godot Samuel Beckett 1999 Field of Life and Death Central Experimental Tian Qinxin (adapter) Tian QinxinXue Dianjie and Theatre Wang Hanyi 2001 Richard III Lin Zhaohua Theatre Studio William Shakespeare Lin Zhaohua Huang Haiwei 2001 We Are One Family Hong Kong Repertory He Jiping Fredric Mao Ho Yingfung Theatre 2003 Sweet & Sour Hong Kong Hong Kong Repertory He Jiping Fredric Mao Ho Yingfung Theatre 2005 The Ballad of Yellow Earth Drama Troupe attached to Meng Bing Hu Zongqi Huang Haiwei the Political Department of the PLA 2006 The Master Builder Lin Zhaohua Theatre Studio Henrik Ibsen Lin Zhaohua Yi Liming 2006 Flowers in the Mirror, Moon National Theatre of China/ Xi Chuan (poems); Meng Jinghui Feng Jiangzhou (visual on the Water Meng Jinghui Studio Liao Yimei (drama- design and multimedia) turgy); cast with contributions by Shen