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Sustainable Tourism in China
6th UNWTO Executive Training Program, Bhutan Sustainable Tourism Observatories and Cases in China Prof. BAO Jigang, Ph. D Assistant President, Dean of School of Tourism Management, Sun Yat-Sen University, Guangzhou, P. R. China Email:[email protected] 25th - 28th, June, 2012 Content Part I: Observatories for Sustainable Tourism Development in China; Part II: Indicators for Sustainable Tourism Development in Yangshuo, China; Part III: Chinese Sustainable Tourism Cases(Some positive and negative examples) Observatories for Sustainable Part I Tourism Development in China Introduction The Observatory for Sustainable Tourism development in China In July 2005, the workshop of “UNWTO Indictors for Sustainable Tourism” was held in Yangshuo, Guilin, China. Yangshou Observatory for Sustainable Tourism Development was founded in 2005. The conference of UNWTO indicators for Sustainable Tourism The Destinations as Cases for Sustainable Tourism Development in China In March 2008, the Observatory for Sustainable Tourism Development in Huangshan Mountain was established. Opening Ceremony of the Observatory for Sustainable Centre for Tourism Planning & Tourism Development in Huangshan Mountain Research , Sun Yat-Sen University, Guangzhou, China, takes the responsibility to monitor the indicators for sustainable tourism in Huangshan Mountain . Observatory for Sustainable Tourism Development in Huangshan Mountain The Destinations as Cases for Sustainable Tourism Development in China Collaboration Agreement between UNWTO and Sun Yat-Sen University -
Dengfeng Observatory, China
90 ICOMOS–IAU Thematic Study on Astronomical Heritage Archaeological/historical/heritage research: The Taosi site was first discovered in the 1950s. During the late 1970s and early 1980s, archaeologists excavated nine chiefly tombs with rich grave goods, together with large numbers of common burials and dwelling foundations. Archaeologists first discovered the walled towns of the Early and Middle Periods in 1999. The remains of the observatory were first discovered in 2003 and totally uncovered in 2004. Archaeoastronomical surveys were undertaken in 2005. This work has been published in a variety of Chinese journals. Chinese archaeoastronomers and archaeologists are currently conducting further collaborative research at Taosi Observatory, sponsored jointly by the Committee of Natural Science of China and the Academy of Science of China. The project, which is due to finish in 2011, has purchased the right to occupy the main field of the observatory site for two years. Main threats or potential threats to the sites: The most critical potential threat to the observatory site itself is from the burials of native villagers, which are placed randomly. The skyline formed by Taer Hill, which is a crucial part of the visual landscape since it contains the sunrise points, is potentially threatened by mining, which could cause the collapse of parts of the top of the hill. The government of Xiangfen County is currently trying to shut down some of the mines, but it is unclear whether a ban on mining could be policed effectively in the longer term. Management, interpretation and outreach: The county government is trying to purchase the land from the local farmers in order to carry out a conservation project as soon as possible. -
A Symbol of Global Protec- 7 1 5 4 5 10 10 17 5 4 8 4 7 1 1213 6 JAPAN 3 14 1 6 16 CHINA 33 2 6 18 AF Tion for the Heritage of All Humankind
4 T rom the vast plains of the Serengeti to historic cities such T 7 ICELAND as Vienna, Lima and Kyoto; from the prehistoric rock art 1 5 on the Iberian Peninsula to the Statue of Liberty; from the 2 8 Kasbah of Algiers to the Imperial Palace in Beijing — all 5 2 of these places, as varied as they are, have one thing in common. FINLAND O 3 All are World Heritage sites of outstanding cultural or natural 3 T 15 6 SWEDEN 13 4 value to humanity and are worthy of protection for future 1 5 1 1 14 T 24 NORWAY 11 2 20 generations to know and enjoy. 2 RUSSIAN 23 NIO M O UN IM D 1 R I 3 4 T A FEDERATION A L T • P 7 • W L 1 O 17 A 2 I 5 ESTONIA 6 R D L D N 7 O 7 H E M R 4 I E 3 T IN AG O 18 E • IM 8 PATR Key LATVIA 6 United Nations World 1 Cultural property The designations employed and the presentation 1 T Educational, Scientific and Heritage of material on this map do not imply the expres- 12 Cultural Organization Convention 1 Natural property 28 T sion of any opinion whatsoever on the part of 14 10 1 1 22 DENMARK 9 LITHUANIA Mixed property (cultural and natural) 7 3 N UNESCO and National Geographic Society con- G 1 A UNITED 2 2 Transnational property cerning the legal status of any country, territory, 2 6 5 1 30 X BELARUS 1 city or area or of its authorities, or concerning 1 Property currently inscribed on the KINGDOM 4 1 the delimitation of its frontiers or boundaries. -
Conservation in China Issue, Spring 2016
SPRING 2016 CONSERVATION IN CHINA A Note from the Director For over twenty-five years, it has been the Getty Conservation Institute’s great privilege to work with colleagues in China engaged in the conservation of cultural heritage. During this quarter century and more of professional engagement, China has undergone tremendous changes in its social, economic, and cultural life—changes that have included significant advance- ments in the conservation field. In this period of transformation, many Chinese cultural heritage institutions and organizations have striven to establish clear priorities and to engage in significant projects designed to further conservation and management of their nation’s extraordinary cultural resources. We at the GCI have admiration and respect for both the progress and the vision represented in these efforts and are grateful for the opportunity to contribute to the preservation of cultural heritage in China. The contents of this edition of Conservation Perspectives are a reflection of our activities in China and of the evolution of policies and methods in the work of Chinese conservation professionals and organizations. The feature article offers Photo: Anna Flavin, GCI a concise view of GCI involvement in several long-term conservation projects in China. Authored by Neville Agnew, Martha Demas, and Lorinda Wong— members of the Institute’s China team—the article describes Institute work at sites across the country, including the Imperial Mountain Resort at Chengde, the Yungang Grottoes, and, most extensively, the Mogao Grottoes. Integrated with much of this work has been our participation in the development of the China Principles, a set of national guide- lines for cultural heritage conservation and management that respect and reflect Chinese traditions and approaches to conservation. -
IUCN TECHNICAL EVALUATION MOUNT SANQINGSHAN NATIONAL PARK (CHINA) – ID No. 1292
WORLD HERITAGE NOMINATION – IUCN TECHNICAL EVALUATION MOUNT SANQINGSHAN NATIONAL PARK (CHINA) – ID No. 1292 1. DOCUMENTATION i) Date nomination received by IUCN: April 2007 ii) Additional information offi cially requested from and provided by the State Party: IUCN requested supplementary information on 14 November 2007 after the fi eld visit and on 19 December 2007 after the fi rst IUCN World Heritage Panel meeting. The fi rst State Party response was offi cially received by the World Heritage Centre on 6 December 2007, followed by two letters from the State Party to IUCN dated 25 January 2008 and 28 February 2008. iii) UNEP-WCMC Data Sheet: 11 references (including nomination document) iv) Additional literature consulted: Dingwall, P., Weighell, T. and Badman, T. (2005) Geological World Heritage: A Global Framework Strategy. IUCN, Gland, Switzerland; Hilton-Taylor, C. (compiler) (2006) IUCN Red List of Threatened Species. IUCN, Gland, Switzerland; IUCN (ed.) (2006) Enhancing the IUCN Evaluation Process of World Heritage Nominations: A Contribution to Achieving a Credible and Balanced World Heritage List. IUCN, Gland, Switzerland; Management Committee (2007) Abstract of the Master Plan of Mount Sanqingshan National Park. Mount Sanqingshan National Park; Management Committee (2007) Mount Sanqingshan International Symposium on Granite Geology and Landscapes. Mount Sanqingshan National Park; Migon, P. (2006) Granite Landscapes of the World. Oxford University Press; Migon, P. (2006) Sanqingshan – The Hidden Treasure of China. Available online; Peng, S.L., Liao, W.B., Wang, Y.Y. et al. (2007) Study on Biodiversity of Mount Sanqingshan in China. Science Press, Beijing; Shen, W. (2001) The System of Sacred Mountains in China and their Characteristics. -
2 Days Leshan Giant Buddha and Mount Emei Tour
[email protected] +86-28-85593923 2 days Leshan Giant Buddha and Mount Emei tour https://windhorsetour.com/emei-leshan-tour/leshan-emei-2-day-tour Chengdu Mount Emei Leshan Chengdu A classic trip to Leshan and Mount Emei only takes 2 days. Leshan Grand Buddha is the biggest sitting Buddha in the world and Mount Emei is one of the four Buddhist Mountains in China. Type Private Duration 2 days Theme Culture and Heritage Trip code WS-302 From £ 214 per person £ 195 you save £ 19 (10%) Itinerary Mt.Emei lies in the southern area of Sichuan basin. It is one of the four sacred Buddhist Mountains in China. It is towering, beautiful, old and mysterious and is like a huge green screen standing in the southwest of the Chengdu Plain. Its main peak, the Golden Summit, is 3099 meters above the sea level, seemingly reaching the sky. Standing on the top of it, you can enjoy the snowy mountains in the west and the vast plain in the east. In addition in Golden Summit there are four spectacles: clouds sea, sunrise, Buddha rays and saint lamps. Leshan Grand Buddha is the biggest sitting Buddha in the world. It was begun to built in 713AD in Tang Dynasty, took more than 90 years to finish this huge statue. And it sits at Lingyue Mountain, at the Giant Buddha Cliff, you will find out a lot of stunning small buddha caves, you will be astonished by this human project. Leshan Grand Buddha and Mt.Emei both were enlisted in the world natural and cultural heritage by the UNESCO in 1996. -
9 Days World Heritages Sichuan Tour
[email protected] +86-28-85593923 9 days World heritages Sichuan tour https://windhorsetour.com/sichuan-highlights-tour/chengdu-emei-jiuzhaigou-tour Chengdu Dujiangyan Mount Emei Leshan Jiuzhaigou Huanglong Chengdu This tour takes you explore the top fantastic natural sceneries and precious cultural heritage in Sichuan. Enjoy the happy time with the adorable pandas in Chengdu, unspoiled natural world at Jiuzhaigou and more. Type Private Duration 9 days Theme Culture and Heritage, Natural scenery, Panda Trip code WS-201 From £ 1,197 per person £ 1,088 you save £ 109 (10%) Itinerary The Chinese often refer to Sichuan as the Heavenly Kingdom (Tian Fu Zhi Guo), a reference to the province's abundance in natural resources and cultural heritage. Sichuan boasts a lot of mountains, rivers and historic relics. UNESCO inscribed Jiuzhaigou, Hulong scenic area, Mount Emei with the Leshan Giant Buddha, and Mount Qingcheng-Dujiangyan Irrigation Project on the World Heritage List in 1992, 1996 and 2000 respectively. Day 01 : Chengdu airport pick up Chengdu airport pick up and transfer to your hotel. Have a good rest at the first day. Overnight at Chengdu. B=breakfast Day 02 : Chengdu city one day sightseeing (B) Morning around 07:30 - 08:00 to be met in your hotel lobby and head over to Chengdu Panda Breeding and Research Center, about half an hour drive. You will catch pandas' feeding time, breakfast they most active time of a day. Enjoy both adult and baby pandas as the gobble up fresh bamboo. Later then watch the film at Panda Story Cinema to learn about a pandas daily life, baby's birth, dating, mating and more. -
3 Days Datong Pingyao Classical Tour
[email protected] +86-28-85593923 3 days Datong Pingyao classical tour https://windhorsetour.com/datong-pingyao-tour/datong-pingyao-classical-tour Datong Pingyao Exploring the highlights of Datong and Pingyao's World Culture Heritage sites gives you a chance to admire the superb artistic attainments of the craftsmen and understand the profound Chinese culture in-depth. Type Private Duration 3 days Theme Culture and Heritage, Family focused, Winter getaways Trip code DP-01 Price From € 304 per person Itinerary This is a 3 days’ culture discovery tour offering the possibility to have a glimpse of the profound culture of Datong and Pingyao and the outstanding artistic attainments of the craftsmen of ancient China in a short time. The World Cultural Heritage Site - Yungang Grottoes, Shanhua Monastery, Hanging Monastery, as well as Yingxian Wooden Pagoda gives you a chance to admire the rich Buddhist culture of ancient China deeply. The Pingyao Ancient City, one of the 4 ancient cities of China and a World Cultural Heritage site, displays a complete picture of the prosperity of culture, economy, and society of the Ming and Qing Dynasties for tourists. Day 01 : Datong arrival - Datong city tour Arrive Datong in the early morning, your experienced private guide, and a comfortable private car with an experienced driver will be ready (non-smoking) to serve for your 3 days ancient China discovery starts. The highlights today include Shanhua Monastery, Nine Dragons Wall, as well as Yungang Grottoes. Shanhua Monastery is the largest and most complete existing monastery in China. The Nine Dragons Wall in Datong is the largest Nine Dragons Wall in China, which embodies the superb carving skills of ancient China. -
A Geographic History of Song-Dynasty Chan Buddhism: the Decline of the Yunmen Lineage
decline of the yunmen lineage Asia Major (2019) 3d ser. Vol. 32.1: 113-60 jason protass A Geographic History of Song-Dynasty Chan Buddhism: The Decline of the Yunmen Lineage abstract: For a century during China’s Northern Song era, the Yunmen Chan lineage, one of several such regional networks, rose to dominance in the east and north and then abruptly disappeared. Whereas others suggested the decline was caused by a doctri- nal problem, this essay argues that the geopolitics of the Song–Jin wars were the pri- mary cause. The argument builds upon a dataset of Chan abbots gleaned from Flame Records. A chronological series of maps shows that Chan lineages were regionally based. Moreover, Song-era writers knew of regional differences among Chan lin- eages and suggested that regionalism was part of Chan identity: this corroborates my assertion. The essay turns to local gazetteers and early-Southern Song texts that re- cord the impacts of the Song–Jin wars on monasteries in regions associated with the Yunmen lineage. Finally, I consider reasons why the few Yunmen monks who sur- vived into the Southern Song did not reconstitute their lineage, and discuss a small group of Yunmen monks who endured in north China under Jin and Yuan control. keywords: Chan, Buddhism, geographic history, mapping, spatial data n 1101, the recently installed emperor Huizong 徽宗 (r. 1100–1126) I authored a preface for a new collection of Chan 禪 religious biogra- phies, Record of the Continuation of the Flame of the Jianzhong Jingguo Era (Jianzhong Jingguo xudeng lu 建中靖國續燈錄, hereafter Continuation of the Flame).1 The emperor praised the old “five [Chan] lineages, each ex- celling in a family style 五宗各擅家風,” a semimythical system promul- gated by the Chan tradition itself to assert a shared identity among the ramifying branches of master-disciple relationships. -
Minshan Draft Factsheet 13Oct06.Indd
Gift to the Earth 103, 25 October 2006 Gift to the Earth China: Sichuan and Gansu Provinces join efforts to preserve the giant panda and its habitat in the Minshan Landscape SUMMARY The 2004 Panda Survey concluded that 1,600 giant pandas survive in the wild. The pandas are scattered in 20 isolated populations in six major landscapes in southwestern China in the upper Yangtze River basin. Almost half these pandas are found in the Minshan landscape, shared by Sichuan and Gansu provinces. In a major development, the provincial governments of Sichuan and Gansu have each committed to establish new protected areas (PAs), linking corridors and co-managed areas to ensure all the pandas in Minshan are both protected and reconnected to ensure their long term health and survival. This represents the designation of almost 1,6 million hectares of panda habitat. Both provincial governments have also committed to establish PAs for other wildlife totaling an additional 900,000 hectares by 2010. WWF considers the giant panda as a ‘flagship’ species – a charismatic animal representative of the biologically rich temperate forest it WWF, the global conservation organization, recognizes these inhabits which also mobilizes support for conservation of the commitments by the two provincial governments as a Gift to larger landscape and its inhabitants. By conserving the giant panda the Earth – symbolizing a globally significant conservation and its habitat, many other species will also be conserved – including achievement and inspiring environmental leadership. -
The Daoist Tradition Also Available from Bloomsbury
The Daoist Tradition Also available from Bloomsbury Chinese Religion, Xinzhong Yao and Yanxia Zhao Confucius: A Guide for the Perplexed, Yong Huang The Daoist Tradition An Introduction LOUIS KOMJATHY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 175 Fifth Avenue London New York WC1B 3DP NY 10010 UK USA www.bloomsbury.com First published 2013 © Louis Komjathy, 2013 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Louis Komjathy has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury Academic or the author. Permissions Cover: Kate Townsend Ch. 10: Chart 10: Livia Kohn Ch. 11: Chart 11: Harold Roth Ch. 13: Fig. 20: Michael Saso Ch. 15: Fig. 22: Wu’s Healing Art Ch. 16: Fig. 25: British Taoist Association British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 9781472508942 Library of Congress Cataloging-in-Publication Data Komjathy, Louis, 1971- The Daoist tradition : an introduction / Louis Komjathy. pages cm Includes bibliographical references and index. ISBN 978-1-4411-1669-7 (hardback) -- ISBN 978-1-4411-6873-3 (pbk.) -- ISBN 978-1-4411-9645-3 (epub) 1. -
UC Berkeley Berkeley Undergraduate Journal
UC Berkeley Berkeley Undergraduate Journal Title Tales from the Cinnamon Sea: Literary Appropriation and the Creation of Paradise in the works of Fan Chengda Permalink https://escholarship.org/uc/item/36n4t98z Journal Berkeley Undergraduate Journal, 29(1) ISSN 1099-5331 Author Merlo, Phillip Edward Publication Date 2016 DOI 10.5070/B3291030167 Peer reviewed|Undergraduate eScholarship.org Powered by the California Digital Library University of California Tales from the Cinnamon Sea TALES FROM THE CINNAMON SEA: Literary Appropriation and the Creation of Paradise in the Works of Fan Chengda By Phillip Merlo his paper introduces the reader to China’s Southern Song dynasty (1127-1279), and specif- cally the diplomat, court ofcial, and poet Fan Chengda (1127-1279). During his years in government bureaucracy Fan Chengda traveled widely throughout the Southern Song Em- Tpire. During his travels he wrote several travel diaries, encyclopedias, and geographical treatises, in addition to thousands of extant travel poems. Tis paper investigates two of his works in particular: the Canluan lu and the Guihai yuheng zhi (both circa 1171-1174), both written during his travels to Guilin in the far South of the empire. Canluan lu, or the Register of Mounting a Simurgh is a travel diary of his trip to Guilin, and Guihai yuheng zhi is a geographical encyclopedia of Guilin and its surroundings. Comparative analysis of the two texts shows that in an apparent attempt to validate his self-image as an ideal Song scholar-ofcial, Fan Chengda appropriated historical descriptions of Guilin from past scholars. His in-text statements as well as his descriptive style suggest that Fan Chengda wished to identify and commune with scholars from other eras of Chinese dynastic his- tory.