E. Touwen-Bouwsma Japanese Minority Policy; the Eurasians on Java and the Dilemma of Ethnic Loyalty
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Orientalism and the Rhetoric of the Family: Javanese Servants in European Household Manuals and Children's Fiction1 Elsbeth L
O rientalism and the Rhetoric of the Family: Javanese Servants in European H ousehold Manuals and C hildren' s F iction1 Elsbeth Locher-Scholten Of all dominated groups in the former colonies, domestic servants were the most "sub altern." Silenced by the subservient nature of their work and the subordinated social class they came from, Indonesian or Javanese servants in the former Dutch East-Indies were neither expected nor allowed to speak for themselves. Neither did they acquire a voice through pressures in the labor market, as was the case with domestic servants in twentieth- century Europe.2 Because of the large numbers of Indonesian servants, the principle of supply and demand functioned to their disadvantage. For all these reasons, it is impossible to present these servants' historical voices and experiences directly from original source material. What we can do is reconstruct fragments of their social history from circumstantial evi dence (censuses). Moreover, in view of the quantity of fictional sources and the growing interest in the history of colonial mentalities, we can analyze the Dutch narratives which chronicle the colonizer-colonized relationship. It is possible to reconstruct pictures of Indo nesian servants by decoding these representations, although we should keep in mind that * A first draft of this article was presented to the Ninth Berkshire Conference of the History of Women, Vassar College, June 1993.1 want to thank the audience as well as Sylvia Vatuk, Rosemarie Buikema, Frances Gouda, Berteke Waaldijk and the anonymous reviewers of this journal for their useful comments on earlier drafts. 2 Since the Vassar historian Lucy Maynard Salmon published the first study of domestic service in the United States in 1890, the history of American and European domestic service has become a well-documented field of historical analysis. -
Look Toward the Mountain, Episode 6 Transcript
LOOK TOWARD THE MOUNTAIN, EPISODE 6 TRANSCRIPT ROB BUSCHER: Welcome to Look Toward the Mountain: Stories from Heart Mountain Incarceration Camp, a podcast series about life inside the Heart Mountain Japanese American Relocation Center in northwestern Wyoming during World War II. I’m your host, Rob Buscher. This podcast is presented by the Heart Mountain Wyoming Foundation and is funded by the National Endowment for the Humanities. ROB BUSCHER: The sixth episode titled “Organizing Resistance” will explore how the Japanese American tradition of organizing evolved in camp to become a powerful resistance movement that dominated much of the Heart Mountain experience in its later years. INTRO THEME ROB BUSCHER: For much of history, Japanese traditional society was governed by the will of its powerful military warlords. Although in principle the shogun and his vassal daimyo ruled by force, much of daily life within the clearly delineated class system of Japanese society relied on consensus-building and mutual accountability. Similar to European Feudalism, the Japanese Han system created a strict hierarchy that privileged the high-born samurai class over the more populous peasantry who made up nearly 95% of the total population. Despite their low rank, food-producing peasants were considered of higher status than the merchant class, who were perceived to only benefit themselves. ROB BUSCHER: During the Edo period, peasants were organized into Gonin-gumi - groups of five households who were held mutually accountable for their share of village taxes, which were paid from a portion of the food they produced. If their gonin-gumi did not meet their production quota, all the peasants in their group would be punished. -
Studia 16-3-09 OK Minus Hal .Indd
Volume 16, Number 3, 2009 V o l u m e 16 , N u m b e r 3 , 2009 STINIAI$hIilIIKA ffi @ EDITORIAL BOARD: M. Quraish Shihab (UINJaharta) Taufk Abdulkh (LIPI Jakarta) Nur A. Fadhil Lubis (IAIN Sumatra Uara) M.C. Ricklefs (National Uniuersity of Singapore) Martin uan Bruinessen (Urecht Uniuersity) John R. Bouen (Vashington Uniaersity, St. Louis) M. Atho Mudzhar (UIN Jaharta) M. Kamal Hasan (Intemational Islamic Uniuersity, Kuak Lumpur) M. Bary Hooker (Austalian National Uniuersi4t, Autralia) Vi rginia M at h e s o n H o o h e r (Aut t ra lia n Natio na I Un iu e rs ity' Au s tra li a) EDITOR-]N.CHIEF Azytmardi Azra EDITORS Jajat Burhanudin Saiful Mujani Jamhari Fu'ad Jabali Oman Fathurabman ASSiSTANT TO THE EDITORS Setyadi Sulaiman Testriono ENGLISH LANGUAGE ADVISOR Dick uan der Meij ARABIC I-A.NGUAGE ADVISOR Nursamad COVER DESIGNER S. Prinka STUDIA ISLAMIKA QSSN 0215-0492) is a joumal published b1 the Centerfor the Studl of hkn and societ\ @PIM) UIN Syrif Hida\atulkh, Jabarta (STT DEPPEN No 129/SK/DITJEN/PPG/ STT/1976). It specializes in Indonesian Islamic studies in particulat and South-east.Asian Islamic Studies in general, and is intended to communicate original researches and cutrent issues on the subject. This journal wam| welcomes contributions from scholtrs of related dirciplines. All artictes pubtished do not necesaily represent the aieus of the journal, or other irctitutions to which it h afrliated. Thq are solely the uieus ofthe authors. The articles contained in this journal haue been refereed by the Board of Edirors. -
Discourse on Food in World War II Japan
ISSN: 1500-0713 ______________________________________________________________ Article Title: Discourse on Food in World War II Japan Author(s): Junko Baba Source: Japanese Studies Review, Vol. XXI (2017), pp. 131-153 Stable URL: https://asian.fiu.edu/projects-and-grants/japan- studies-review/journal-archive/volume-xxi-2017/baba-junko- revision-710-corrections-added.pdf ______________________________________________________________ DISCOURSE ON FOOD IN WORLD WAR II JAPAN Junko Baba University of South Carolina Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg. The eggs are the unarmed civilians who are crushed and burned and shot by them… And each of us, to a greater or lesser degree, is confronting a high, solid wall. The wall has a name: It is The System. The System is supposed to protect us, but sometimes it takes on a life of its own and then it begins to kill us and cause us to kill others - coldly, efficiently, systematically. – Haruki Murakami Food consumption during wartime is not only the usual fundamental source of energy, especially for soldiers in combat; it is also “an important home-front weapon essential for preserving order and productivity” of the citizens.1 This study analyzes the sociopolitical and cultural meaning of food in Japan during World War II by examining social commentary and criticism implied in selected post-war literature about the war by popular writers, when the role of food during wartime in the lives of ordinary citizens could be depicted without censorship. These literary works offer insight into the inner lives and conflicts of ordinary Japanese citizens, including civilians and conscripted soldiers, under the fascist military regime during the war. -
Japan's National Imagery of the “Holy War,”
SENSÔ SAKUSEN KIROKUGA (WAR CAMPAIGN DOCUMENTARY PAINTING): JAPAN’S NATIONAL IMAGERY OF THE “HOLY WAR,” 1937-1945 by Mayu Tsuruya BA, Sophia University, 1985 MA, University of Oregon, 1992 Submitted to the Graduate Faculty of the School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Mayu Tsuruya It was defended on April 26, 2005 and approved by Karen M. Gerhart Helen Hopper Katheryn M. Linduff Barbara McCloskey J. Thomas Rimer Dissertation Director ii Copyright © by Mayu Tsuruya 2005 iii Sensô Sakusen Kirokuga (War Campaign Documentary Painting): Japan’s National Imagery of the “Holy War,” 1937-45 Mayu Tsuruya University of Pittsburgh, 2005 This dissertation is the first monographic study in any language of Japan’s official war painting produced during the second Sino-Japanese War in 1937 through the Pacific War in 1945. This genre is known as sensô sakusen kirokuga (war campaign documentary painting). Japan’s army and navy commissioned noted Japanese painters to record war campaigns on a monumental scale. Military officials favored yôga (Western-style painting) for its strength in depicting scenes in realistic detail over nihonga (Japanese-style painting). The military gave unprecedented commissions to yôga painters despite the fact that Japan was fighting the “materialist” West. Large military exhibitions exposed these paintings to civilians. Officials attached national importance to war documentary paintings by publicizing that the emperor had inspected them in the Imperial Palace. This study attempts to analyze postwar Japanese reluctance to tackle war documentary painting by examining its controversial and unsettling nature. -
PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/210142 Please be advised that this information was generated on 2021-09-29 and may be subject to change. Book reviews Michele Stephen, Desire, divine and demonic; Balinese mysticism in the paintings of I Ketut Budiana and I Gusti Nyoman Mirdiana. Honolulu: University of Hawai’i Press, 2005, ix + 179 pp. ISBN 0824828593. Price: USD 52.00 (hardback). ANDREA ACRI Complemented by several illustrations, this monograph presents itself as a study of Balinese mysticism based upon the paintings of I Ketut Budiana and I Gusti Nyoman Mirdiana, two accomplished contemporary Balinese artists. However, the title only partly reflects the content of the book, and may fail to attract the attention it deserves from a wider scholarly audience. Stephen’s work indeed offers an innovative, ground-breaking interpretation of the complex phenomenon of Balinese religion. Taking the artwork as her point of departure, the author draws on contemporary Balinese practices as well as ancient texts, thus initiating a wide-ranging analysis bringing together disciplines such as anthropology, religious studies and philology. Her analy- sis is not limited to the modern period, but attempts to redefine a mystical and philosophical tradition going back several centuries that ‘is not owed to, and predates, twentieth-century reformist efforts to realign Balinese religion with Indian Hinduism or introduce Hindu devotional religion’ (p. 27). This tradition, as she points out, is much more complex than most scholars have previously assumed. -
Kitagawa Tamiji's Art and Art Education
KITAGAWA TAMIJI’S ART AND ART EDUCATION: TRANSLATING CULTURE IN POSTREVOLUTIONARY MEXICO AND MODERN JAPAN By Copyright 2017 TAKAAKI KUMAGAI Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy ________________________________ Chairperson: Maki Kaneko ________________________________ David Cateforis ________________________________ Sherry Fowler ________________________________ Elaine Gerbert ________________________________ Amy McNair Date Defended: April 7, 2017 The Dissertation Committee for Takaaki Kumagai certifies that this is the approved version of the following dissertation: KITAGAWA TAMIJI‘S ART AND ART EDUCATION: TRANSLATING CULTURE IN POSTREVOLUTIONARY MEXICO AND MODERN JAPAN _____________________________ Chairperson: Maki Kaneko Date approved: April 7 2017 ii Abstract This dissertation investigates the life and career of the Japanese painter, printmaker, and art educator, Kitagawa Tamiji (1894-1989), and his conception of Mexico as cultural Other. Today, Kitagawa is widely recognized in Japan as an artist and educator, whose thought and practices were deeply inspired by his long-term residence in postrevolutionary Mexico (1921-1936). Kitagawa left Japan at the age of twenty to study art in the United States. After engaging in several temporary jobs and briefly being trained at the Art Students League of New York, he went to Mexico in 1921, to eventually spend the next decade and a half working as an artist and art educator. Kitagawa‘s conception and narrative of Mexican culture—especially that of the Mexican indigenous population—are noteworthy for an early twentieth-century artist/intellectual. Rather than seeing Mexico in terms of its widespread stereotype as a distant tropical country, he regarded the country as a key locus of the emerging anti-colonial notion of culture. -
Perception of Chinese-Indonesians Society on the Chinese Wedding Tradition in South Tangerang, Banten: a Case Study
Perception of Chinese-Indonesians Society on the Chinese Wedding Tradition in South Tangerang, Banten: A Case Study Mari Okatini Armandari, Neneng Siti Sillfi Ambarwati, Anna Prawitasari Cosmetology Department, Engineering Faculty, Universitas Negeri Jakarta, Jl. Rawamangun Muka, East Jakarta, Indonesia 13220 Keyword: Public perception Chinese-Indonesians, Chinese wedding, Chinese Society, Serpong Abstract: The aim of this research was to obtain data on public perception of Indonesian Chinese-Indonesians (Chinese Peranakans) about the Chinese wedding tradition included make-up, hairdo, fashion, accessories and ceremonies. The decline in the number of people who use Chinese bridal influenced by the mixing of cultures, religions, as well as the development era. Descriptive analysis method was used in this study is. The results of this research led to the conclusion of the public perception of Indonesian Chinese-Indonesian about the Chinese bridal in South Tangerang, Banten. It reveals that the public perception of Chinese- Indonesians (Chinese Peranakans) who do not apply Chinese bridal is no longer in line with the meaning of religion they follow. Most of public of them now embraced Christianly, so they use European bridal and customary performed in the church blessing following the procession. Public perception of Chinese- Indonesians (Chinese Peranakans) that using Chinese bridal is unique shaped, and very traditional, sumptuous with red and his accessories, and the ceremony has a sacred meaning. 1 INTRODUCTION until now, but there is a tradition of Chinese marriage that is carried out taken from regional Indonesia is a nation which have so many cultural culture because of the existence of the community of diversities as one of its unique characteristics. -
Does Multicultural Indonesia Include Its Ethnic Chinese? 257
256 WacanaWacana Vol. 13Vol. No. 13 2 No. (October 2 (October 2011): 2011) 256—278 DEWI ANGGRAENI, Does multicultural Indonesia include its ethnic Chinese? 257 Does multicultural Indonesia include its ethnic Chinese? DEWI ANGGRAENI Abstract Multiculturalism in Indonesia is predominantly concerned with various regional cultures in the country, which continue to exist, and in some cases, to develop and progress. These cultures meet and interact in the context of a unitary national, Indonesian culture. There are however people who or whose ancestors originate from outside Indonesia, the major ones being Chinese and Arabs. They brought with them the cultures and mores of their lands of origin and to varying degrees integrated them into those of the places they adopted as homes. This article discusses how the Chinese who opted for Indonesian citizenship and nationality, fared and fare in Indonesia’s multicultural society, what problems slowed them in their path, and what lies behind these problems. Keywords Multicultural, cultural plurality, ethnic Chinese, peranakan, indigenous, migration, nationalism, VOC, New Order, Muslim, Confucianism, ancestry, Cheng Ho, pecinan, Chinese captaincy. What is multiculturalism? In Australia, the United States, and Canada, the media started to use the term multiculturalism from the late 1960s to the early 1970s to describe the nature of the society in their respective countries. It is worth noting that Australia, the United States and Canada have been immigrant-receiving nations where immigrants have had a very significant role in nation building and in economic growth. WorldQ.com explains the concept well and defines multiculturalism or DEWI ANGGRAENI is a writer of fiction and non-fiction. -
Changing Identity Politics and the Paradox of Sinification
ISSUE: 2016 NO. 12 ISSN 2335-6677 RESEARCHERS AT ISEAS – YUSOF ISHAK INSTITUTE SHARE THEIR UNDERSTANDING OF CURRENT EVENTS Singapore | 17 March 2016 Ethnic Chinese in Contemporary Indonesia: Changing Identity Politics and the Paradox of Sinification Charlotte Setijadi* EXECUTIVE SUMMARY Almost two decades after post-Suharto reforms began, Chinese Indonesians no longer face the forced assimilation and legislative discrimination they endured under Suharto’s New Order regime. Since 1998, Chinese Indonesian identity politics and culture have flourished, and Chinese organizations, media and Mandarin language education are once again back in the public domain. Scholars term the phenomenon ‘(re)Sinification’ or a ‘return’ to Chinese culture. Politically, Chinese Indonesians now have greater representation and participation than ever before. However, far from being ‘unified,’ their political views and aspirations are extremely diverse. In recent years, motivated by the economic lure of a rising China, closer bilateral ties between China and Indonesia, and a sentimental desire for a return to Chinese modes of identification, many Chinese Indonesians, especially those from the totok (generally understood as ‘unacculturated’ or ‘purer’ Chinese, usually able to speak Mandarin) business community have culturally and linguistically reoriented themselves towards Mainland China, as well as forged closer commercial ties with PRC government and businesses. Within the new climate of Sino-Indonesian cooperation, Chinese Indonesians can potentially play an important cultural and commercial ‘bridging’ role. 1 ISSUE: 2016 NO. 12 ISSN 2335-6677 Nevertheless, considering the violent history of racism against Chinese Indonesians, as well as undercurrents of anti-PRC sentiments in Indonesia, more critical questions need to be asked about the potential dangers of ‘Sinification’ for Indonesia’s ethnic Chinese. -
The Paradigm of Malayness in Literature
THE PARADIGM OF MALAYNESS IN LITERATURE IDA BAIZURA BAHAR Thesis submitted for the degree of PhD in the Languages and Cultures of South East Asia 2010 Department of South East Asia School of Oriental and African Studies University of London ProQuest Number: 11010464 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11010464 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 | SOAP LIRDARY 2 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. Signed: Ida Baizura Bahar Date: 7 December 2010 3 ABSTRACT This study is a study on the paradigm of Malayness in literature, taking as its point of departure the understanding of Malayness in Malaysia. -
Remembering Manchukuo………………………………………………..319
Utopia/Dystopia: Japan’s Image of the Manchurian Ideal by Kari Leanne Shepherdson-Scott Department of Art, Art History, and Visual Studies Duke University Date:_______________________ Approved: ___________________________ Gennifer Weisenfeld, Supervisor ___________________________ David Ambaras ___________________________ Mark Antliff ___________________________ Stanley Abe Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art, Art History, and Visual Studies in the Graduate School of Duke University 2012 i v ABSTRACT Utopia/Dystopia: Japan’s Image of the Manchurian Ideal by Kari Leanne Shepherdson-Scott Department of Art, Art History, and Visual Studies Duke University Date:_______________________ Approved: ___________________________ Gennifer Weisenfeld, Supervisor ___________________________ David Ambaras ___________________________ Mark Antliff ___________________________ Stanley Abe An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art, Art History, and Visual Studies in the Graduate School of Duke University 2012 Copyright by Kari Leanne Shepherdson-Scott 2012 Abstract This project focuses on the visual culture that emerged from Japan’s relationship with Manchuria during the Manchukuo period (1932-1945). It was during this time that Japanese official and popular interest in the region reached its peak. Fueling the Japanese attraction and investment in this region were numerous romanticized images of Manchuria’s bounty and space, issued to bolster enthusiasm for Japanese occupation and development of the region. I examine the Japanese visual production of a utopian Manchuria during the 1930s and early 1940s through a variety of interrelated media and spatial constructions: graphic magazines, photography, exhibition spaces, and urban planning.