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Acting Style, 5, 63, 179 Actresses, 67, 81, 99–100, 119–20, 219, 221 Cambridge University Press 978-0-521-82070-7 - Performing Menken: Adah Isaacs Menken and the Birth of American Celebrity Renée M. Sentilles Index More information Index acting style, 5, 63, 179 Barkley, James, 209, 211, 214, 217, 228–30, actresses, 67, 81, 99–100, 119–20, 219, 221, 254, 255 226 Barkley, Louise Dudevant Victor adventuress, 56, 80 Emmanuel, 230, 239, 240 “Affinity of Poetry and Religion,” 85 Barnum, P. T., 11, 12, 94, 111, 141, 175 African Americans, 23, 135, 171; see also Basch, Norma, 213 free people of color Bateman, Kate, 8 “A Heart Wail,” 45 Baton Rouge, 22 “A Jew in Parliament,” 40 Battle of Shiloh, 161 “A Memory,” 130 “Battle of the Stars,” 131 Albany, 152 Baudelaire, Charles, 143, 154 Allen, Robert C., 181, 269 Beecher, Henry Ward, 67 ambiguity, 24 “Behind the Scenes,” 149–50 androgyny, 97, 104, 107 Benefit Night, 117 Anthony, Susan B., 265 Bennett, James Gordon, 111, 226, 259 anti-Semitism, 29, 240–41 bigamy, 56, 87 antitheater literature, 63–64 biography, 4, 116, 119,124, 136; Menken’s Ardenne, Tess, 182 “autobiography,” 124, 126, 131, 134, Arnold, George, 142 278; Menken’s biographies, 20, 131, 258, Ashkenazi Jews, 36, 38 267–69, 272–85 Aspinwall, Panama 171–72 Black Crook, 65, 202, 222, 227 “Aspiration,” 186 Black Eye’d Susan, 183 assimilation, 36–37, 41 Black Heritage Collection, 283 Associated Press, 57 Bleecker Street, 139, 141 Astley’s Theatre Royal, 200, 207, 217, 247, bloomers, 109 253, 261 Bloomingdale Road, 58 audience: composition of, 12, 13, 91, 109, bohemians, 140–45, 146, 152, 178, 193, 112, 113, 201, 202, 205, 223, 225–26, 224; French, 141–42, 144; women, 146 285; female, 64, 67, 88, 91, 179, 180, Bontemps Arna, 283 184, 226; white male, 184, 223–26, 227 Book of Judith, 79–80 Booth, Edwin, 175 bachelor culture, 66, 75 Booth, Junius, Jr., 175, 185, 198 Ballon, Maturin, 101 Boston Illustrated News, 135 Baltimore, 161, 164, 166–69, 171 Boucicault, Dian, 200, 214 Baltimore Sun, 168, 169 Bourgeois, Anicet, 218 Balzac, Honore de, 143, 154 bourgeoisie, 33, 37, 140, 142, 145, 232, Banner, Lois, 270 Bowery, 63, 78, 222 Barbary Coast, 185–86 Bowery B’hoys, 173 Barclay, George, 23, 129, 274–75, 280 Bradbury, Osgood, 130 303 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82070-7 - Performing Menken: Adah Isaacs Menken and the Birth of American Celebrity Renée M. Sentilles Index More information 304 Index breeches parts, 17, 27, 44, 46fig., 100, 183 economic shifts, 16; gender, 96–98, British Blondes, 206 103–4 Broadway, 63, 202, 219, 223–24, 227 Clapp, Henry, Jr., 141, 143, 144, 149 Broadway Theatre, 219, 225 Clare, Ada, 143, 146–47, 155, 178, 189 Brooks, Daphne, 284 class, social, 4, 6, 16, 32, 66 Brooks, Elizabeth, 268 Cofran, Joseph, 277–78 Brooks, Maria, 70 Colman, Wil, 4 Brougham, John, 130; The Child of the Sun, color, construction of, 133–34, 243 217–18, 254 “Come to Me,” 57 Brown, Thomas Allston, 112, 124 commercial culture, 140, 143 Browne, J. Ross, 190, 192 communication technology, 53, 57, 123 Browne, Junius Henri, 56, 71, 206 Comstock, 173–74, 177, 190–91, 192, 199; Buckstone, J. B., 130 see also Washoe Buntline, Ned, 53, 56 Confederacy, 17, 169 burlesque, 16, 107, 202, 209, 217, 270; Confederate Army, 168, 171 sexualized, 202, 206 confidence man, 11, 15 Butler, Judith, 4, 154 conformity, 140, 153, 178 Byron, George Gordon, 34, 95, 109, 123, Conroy, Jack, 283 144, 166, 220, 256 “Conscience,” 85 Cooke, James, 12 California, 166, 173, 199, 208; see also San Coolbrith, Ina, 177, 189, 198 Francisco Cooper, James Fenimore, 30, 130 Campbell, Fanny, 101 copyright laws, 205 Canterbury Concert Hall, 87 corset, 107, 112 Carey, Alice, 8 Cowells, Mr. and Mrs. Sam, 88 Carey, Phoebe, 8 Crabtree, Lotta, 185, 189, 198 Carpenter, Millie, 266–67 Crampton, Charlotte, 91n cartes de visite, 232–38, 242–44 Crescent City Drama Association, 26 Catullus, 86 Crimean War, 110 celebrities, 5, 6, 8, 53, 58, 117, 121, 176, Crisp, W. H., 26 214, 232, 235; female, 8, 9, 12, 21, 117 Crockett, Davy, 127 celebrity, 3, 5, 6, 14, 117, 140, 233, 238; cross-dressing, 93, 97, 99, 106; cult of, 3, 6 androgynous, 97, 104; men, 100, 106, Celeste, Madame, 99, 113 111–12; Menken, 93, 152, 166; political Les Cenelles, 243 cartoons, 106; in print, 10, 96, 100, 101, Charleston Mercury, 77 106; sexualized, 104, 106; soldiers, 102–3, chastity, 146 106; spies, 96; theater, 96, 97, 101, 107 Cheltenham, 217 Cuba, 11, 122, 127n, 128, 271, 184 The Child of the Sun, 217–18 cultural rebellion, 63, 65–66, 93, 119, 132, Choate, Rufus, 71 137, 140, 143, 144, 145, 167, 178, 179 Christian imagery, 43, 72, 139 Cushman, Charlotte, 91, 99–100, 100n, Christian women, 30, 43 159–60 Cincinnati, 33–36, 152 Cushman, Pauline, 169 Cincinnati Commercial, 55 Civil War, 97, 98, 110, 166, 193, 216; daguerreotype, 234 aftermath, 2; battles, 161, 167–68, 177; Dalcour, Pierre, 243–44 culture of, 2, 3, 6, 13, 16–17, 21, 69, 78, Daly, Augustine (Gus), 7, 55, 124, 125, 93, 111, 137, 143, 161, 236–37; 161–62, 205, 216, 224–25, 280 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82070-7 - Performing Menken: Adah Isaacs Menken and the Birth of American Celebrity Renée M. Sentilles Index More information Index 305 “The Dark Hour,” 71–72 ethnicity, 5 Davenport, Ira, 214, 270 exoticism, 30, 93, 95, 109, 130–31, 166 Davenport, Ormus, 214 Eytinge, Rose, 273 Davenport, William, 210, 214, 215, 228, 239, 270 Falk, Bernard, 242n, 274 Davenport Brothers, 214, 215–16 fame, 48, 50, 53 Davis, Jefferson, 106 family circle, 65 Dayton Empire, 44, 56 Fane, Florence, 105, 182 Dayton Enquirer, 57 Farnie, H. B., 204–5, 259 Dayton incident, 44–45, 48, 55 fashion, 16, 62, 140, 221, 223 Dayton Light Guards, 44, 55 fashionable women, 150 DeBarr’s Theatre (St. Louis), 152 father(s), 11, 22, 23, 34, 115, 118, 122, 124, Deborah, 26, 40–42; Menken as, 40–42, 126, 131–32, 133, 134, 274, 275, 277–82 46–47, 49, 80, 123 Fechter, Charles, 213 Deltwyn, Agnes Proctor, Believest Thou femininity, 154 This, 270 Fern, Fanny (Sarah Parton), 148 Democratic party, 167 Fields, Barbara, 282–83 Dickens, Charles, 202, 206, 222, 250, 257, fiction, popular, 50, 59, 101, 106, 119–20, 264 130 Die Deborah, 39, 40, 45–46 Fink, Mike, 127 divorce, 213; see also under Menken Fish, Provost-Marshall, 170 domesticity, 42, 43, 46, 68, 70, 78, 105, fluidity, social, 75 146–47, 219 freedoms, personal, 140–41, 145, 192 draft riots (New York), 171 free people of color, 23, 25, 131, 274–76, “Drifts That Bar My Door,” 131 279–83 The Drunkard, 67 free verse, 73 Drury Theatre, 200 French, Benjamin Brown, 113 Dudden, Faye, 100, 269 French: culture, 145–46; identity, 32; Dugue,´ Ferdinand, 218 intellectualism, 142; literature, 144, 154 Dumaine, Louis, 254 frontier, 173, 174, 191 Dumas, Alexandre fils, 246, 271 Front Street Theatre (Baltimore), 152, 168 Dumas, Alexandre pere` , 7, 32, 232, 243–46, 245fig., 252, 255 Galveston, 24 Du Solle, John, 142 Galveston Bulletin, 260 Gates, Henry Louis, Jr., 284 Edmonds, S. Emma, 102–3 Gautier, Theophile, 32, 243, 155, 218, 241; Edwards, Samuel (Noel Gerson, a.k.a. Paul Mademoiselle de Maupin, 155, 198, 250 Lewis), 271–72 gender: 5, 16, 17, 31, 32, 96, 100, 140, 154, election of 1860, 58 173, 175; ambiguity, 109, 111, 173;as Ellington, Susette, 228, 240, 253, 254 binary, 106, 154, 173;asfluid, 148, 173; Ellis, Havelock, 184 convention, 144, 146, 184, 189; and war, Ellsworth, Elmer, 110 54n; see also Menken; middle class Elsller, Fanny, 8 genteel culture, 61, 63, 65, 66, 70, 143 Emerson, Ralph Waldo, 249, 28 German immigrants, 33, 87 “The End” (“Judith”), 79, 80–83, 80n Gerson, Noel (a.k.a. Samuel Edwards, Paul English, William, “Heenan Has Come,” 74 Lewis), 270–72 eroticism, 154 girls, unprotected, 119 ethnic impersonation, 27 Glasgow, 216 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82070-7 - Performing Menken: Adah Isaacs Menken and the Birth of American Celebrity Renée M. Sentilles Index More information 306 Index Godey’s Ladies Book, 70–71 Infelicia, 69, 125, 130, 138, 186, 254–55, gold, 190 258, 264, 270, 283; reviews of, 258, Goodman, Joe, 192–94 261–67 Gordon, Mary, 251 “Infelix” (“El Suspiro”), vi–vii, 186, 188 The Greek Slave, 108, 183 intellectualism, 16 Greeley, Horace, 55 Israelite, 27, 29, 34, 39, 40, 46–48, 272 Green Street Theatre (Albany), 91, 94, 152 Ixion; or, The Man at the Wheel, 206 Halttunen, Karen 5, 15 J. S. Charles Co., 26, 118 Hamblin, Thomas, 63 Jackson, Claiborne F., 106 Hamilton, Allan McLane, 197 Jael, 40, 80 Hardinge, Emma, 216 James, Edwin, 125, 157, 163, 168, 170, 171, Harte, Bret, 7, 177, 178, 198 189, 200, 205, 208, 210, 211, 212, 213, Harvard Theatre Collection, 48fig., 89, 271 214, 216, 217, 229, 247, 255; biography Haussman, George, 240 of Menken, 125, 260, 267 Heenan, John Carmel (Benecia Boy), 7, 50, James, Henry, 184 52, 55, 57, 58, 59, 60–62, 66, 69, 74–75, Jenny Lind Theatre, 175 77, 83–85, 161, 197, 209, 211, 211n, Jersey City, 88, 163 212, 215, 254, 270 The Jewess; or, The Council of Trent, 46 Heenan, Josephine, 62 Jewish emancipation, 37 heroes, 184 Jewish identity, 22, 26, 30, 45, 47, 49, 133 heroines, 120–21, 130, 155 Jewish Messenger, 27 heterosexuality, 100, 148, 154, 157–58, 184, Jews, depiction in popular culture: men, 29, 196 31, 46, 133; women, 30, 31, 46, 133 hippodrome, 23n Josephy, Alvin, 193 hoaxes, 14, 193, 271 journalism, 57, 61 Holofernes, 79, 80, 82 “Judith” (“The End”), 79, 80–83, 80n Home Journal, 222, 225, 262 homoeroticism, 155 “Kazarah to Karl,” 45 homosexuality, 154, 184 Keene, Laura, 67 homosociality, 100, 154 Kemble, Fanny, 8, 10, 67 Hope Chapel, 77, 79 Kendall, John S., 23, 272, 274, 277–80 Horowitz, Tony, 285 King, Thomas Starr, 192 Hotten, James, 252, 255, 261, 267 Kneass, W.
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