Film List Kaurismäki

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Film List Aki Kaurismäki + Carte blanche Valehtelija (The Liar), 1981, Mika Kaurismäki Saimaa-ilmiö (The Saimaa Gesture ), 1981, Aki & Mika Kaurismäki Arvottomat (The Worthless), 1982, Mika Kaurismäki Rikos ja rangaistus (Crime and Punishment), 1983, Aki Kaurismäki Calamari Union, 1985, Aki Kaurismäki Rocky VI, 1986, Aki Kaurismäki Varjoja paratiisissa (Shadows in Paradise), 1986, Aki Kaurismäki Hamlet liikemaailmassa (Hamlet Goes Business), 1987, Aki Kaurismäki Leningrad Cowboys: Thru The Wire, 1987, Aki Kaurismäki Melrose: Rich Little Bitch, 1987, Aki Kaurismäki Ariel, 1988, Aki Kaurismäki Leningrad Cowboys Go America, 1989, Aki Kaurismäki Tulitikkutehtaan tyttö (The Match Factory Girl), 1990, Aki Kaurismäki I Hired a Contract Killer, 1990, Aki Kaurismäki Boheemielämää (La Vie de Bohème), 1992, Aki Kaurismäki Leningrad Cowboys: These Boots, 1992, Aki Kaurismäki Leningrad Cowboys: Those Were the Days, 1992, Aki Kaurismäki Leningrad Cowboys Meet Moses, 1994, Aki Kaurismäki Pidä huivista kiinni, Tatjana (Take Care of Your Scarf, Tatiana), 1994, Aki Kaurismäki Total Balalaika Show, 1994, Aki Kauismäki Kauas pilvet karkaavat (Drifting Clouds), 1996, Aki Kaurismäki Oo aina ihminen, 1996, Aki Kaurismäki Juha, 1999, Aki Kaurismäki Ten Minutes Older: Dogs Have No Hell, 2002, Aki Kaurismäki Mies vailla menneisyyttä (The Man Without a Past), 2002, Aki Kaurismäki Bico, 2004, Aki Kaurismäki Laitakaupungin valot (Lights in the Dusk), 2006, Aki Kaurismäki Valimo (The Foundry), 2007, Aki Kaurismäki Le Havre, 2011, Aki Kaurismäki O Tasquiero (Tavern Man), 2012, Aki Kaurismäki Bluesia Pieksämäen asemalla (Pieksämäki Station Blues), 1988/2013, Aki Kaurismäki Toivon tuolla puolen (The Other Side of Hope), 2017, Aki Kaurismäki CARTE BLANCHE Carmen, 1918, Ernst Lubitsch The Cameraman, 1928, Keaton & Sedgwick jr Quai des brumes (Port of Shadows), 1938, Marcel Carné Intohimon vallassa (Passionate Power), 1947, Teuvo Tulio The Set-Up, 1949, Robert Wise Los Olvidados (The Young and the Damned), 1950, Luis Buñuel Tōkyō monogatari (Tokyo Story), 1953, Ozu Yasujirō Tengoku to jigoku (High and Low), 1963, Kurosawa Akira Au hasard Balthazar, 1966, Robert Bresson Kalina Krasnaja (The Red Snowball Tree), 1974, Vasilij Šukšin Stranger than Paradise, 1984, Jim Jarmusch Khane-ye doust kojast? (Where Is the Friend's Home?), 1987, Kiarostami For more information and photos, please visit www.filmmuseum.at or contact: Patrick Holzapfel, [email protected], T +43 | 1 | 533 70 54 Ext 22 .

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Leningrad Cowboys
This pdf was last updated: Feb/01/2011. Leningrad Cowboys Band’s unique musical style of performing cover and original songs combined with highly visual stage-look aims’ for one common goal - to make the audience scream, jump and party! Line-up Richard Johnson - vocals Sakke Järvenpää - vocals Tuomas Uusitalo - vocals, guitar Tomi Vartiainen - guitar Marzi Nyman - guitar Mauri Sumén - keyboards Timo Tolonen - bass Sami Järvinen - drums Juuso Hannukainen - percussions On Stage: 9 Travel Party: 10 Website www.leningradcowboys.fi Biography The band's visual look - unicorn hairdos and half meter long, sharp-pointed shoes are already worldwide known and well-established Leningrad Cowboys trademarks. For over fifteen years, the band has performed in hundreds of festivals, clubs and TV shows in over fifty countries; including Europe, Japan, Hong Kong, South America, Australia, USA and the United Arab Emirates. In June 1993 the Leningrad Cowboys pulled off the most amazing production: "Total Balalaika Show", a joint concert with the full 160-member Russian Red Army Ensemble, which the Variety magazine called "the most incongruous - and inspired - crosscultural pairing since Nureyev danced with Miss Piggy". The setting for this sensational show was grandiose: the biggest stage ever built in Finland, on the main square of Helsinki and witnessed by an enthusiast audience of 70.000 people! The Helsinki concert was followed in 1994 with a second Balalaika-joint-concert of the Leningrad Cowboys and the Red Army Ensemble. The "NOKIA Balalaika Show" took place at Berlin’s Lustgarten, where 60.000 people enjoyed the concert on this historical day, which witnessed the farewell march of the allied troops.
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LE HAVRE Aki Kaurismäki
SPUTNIK, PYRAMIDE PRODUCTIONS AND PANDORA FILM PRESENT ANDRÉANDRÉ KATIKATI JEAN-PIERREJEAN-PIERRE BLONDIN WILMSWILMS OUTINENOUTINEN DARROUSSINDARROUSSIN MIGUEL LELE HAVREHAVREa film by Aki Kaurismäki PRODUCTIONS Sputnik Oy Pyramide Productions Pandora Film Museokatu 13 A 5 rue du Chevalier de Saint George Balthasarstrasse 79 00100 Helsinki 75 008 Paris 50670 Koeln Finland France Germany Tel : +358 9 6877 100 Tel : +33 (0)1 40 20 13 60 Tel : +49 221 973 320 Fax : +358 9 6877 1010 Fax : +33 (0)1 42 96 05 90 Fax : +49 221 973 329 [email protected] [email protected] [email protected] www.pyramide-productions.com www.pandorafilm.com INTERNATIONAL SALES FESTIVALS The Match Factory GmbH Finnish Film Foundation Balthasarstrasse 79-81 in Cannes Kanavakatu 12 in Cannes 50670 Koeln Résidence ”La Bagatelle” 00160 Helsinki Scandinavian Terrace Germany 4ème étage Finland 55, La Croisette Tel : +49 221 539 709 - 0 25 La Croisette Tel : +358 9 6220 300 Jaana Puskala, Fax :+49 221 539 709 10 Tel : +33 (0)4 93 99 66 98 Fax :+358 9 6220 3050 Tel : +358 50 593 2068 [email protected] Fax :+33 (0)4 93 99 68 33 [email protected] Jenni Domingo, www.the-match-factory.com www.ses.fi Tel : +358 40 841 2849 INTERNATIONAL PRESS FRENCH PRESS SPUTNIK, PYRAMIDE PRODUCTIONS AND PANDORA FILM PRESENT Wolfgang W. Werner Public Relations eva Simonet Tal 46 in Cannes Galatée films 80331 Muenchen Christiane Leithardt 19, avenue de Messine - 75008 Paris Germany Cell : +49 179 104 80 64 France Tel :+49 89 38 38 67-0 Wolfgang Werner Cell Paris and Cannes : +33 6 62
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The Auteurial-National Nexus and Aki Kaurismäki's Finland Trilogy
“Our Aki” The auteurial-national nexus and Aki Kaurismäki’s Finland trilogy Sanna Peden Bachelor of Arts (European Studies) Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities European Studies 2012 Abstract This thesis explores the interconnections of ‘Finnishness’ and ‘Kaurismäkianness’ in and around Aki Kaurismäki’s so-called Finland trilogy: Drifting Clouds (1996), The Man Without A Past (2002) and Lights in the Dusk (2006). The thesis addresses how Kaurismäki, whose work and public persona have tended to be critical of national institutions and preoccupations, has developed into an increasingly national figure in Finland’s years of Europeanisation. In order to examine the links between ‘Finnishness’ and ‘Kaurismäkianness’ I establish, first, the way in which Kaurismäki’s films engage with national themes; and, second, the way in which this Kaurismäkian take on Finnishness is received and further appropriated in Finland. I provide a textual analysis of each of the focus films, paying particular attention to their national aspects and their references to Kaurismäki’s other films. I combine this close analysis of the film texts with discussion of the context of the films, their media presence and ‘afterlife’, for example the discourses surrounding the films after their initial release or the ways in which their ‘Kaurismäkianness’ has been appropriated by others for specifically national purposes. In seeking to understand how Kaurismäki’s auteurial engagement with narratives of Finnishness feeds back into Finnish society this thesis contributes to current debates about the relationship between auteurs and national identity.
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TODOS SOMOS IGUALES, TODOS SOMOS HUMANOS AKI KAURISMÄKI REPARTO SINOPSIS Khaled SHERWAN HAJI Helsinki
EL OTRO LADO DE LA ESPERANZA ESCRITA Y DIRIGIDA POR AKI KAURISMÄKI TODOS SOMOS IGUALES, TODOS SOMOS HUMANOS AKI KAURISMÄKI REPARTO SINOPSIS Khaled SHERWAN HAJI Helsinki. Khaled, un joven inmigrante sirio, llega Wikström SAKARI KUOSMANEN oculto de polizón en un barco de carga proceden- Calamnius ILKKA KOIVULA te de Polonia. Mientras, un comercial anodino lla- Nyrhinen JANNE HYYTIÄINEN Mirja NUPPU KOIVU mado Wikström decide poner fin a su matrimonio, Esposa KAIJA PAKARINEN cambiar de negocio y abrir un restaurante poco Miriam NIROZ HAJI frecuentado. Sus caminos se cruzarán y Wikström Mazdak SIMON HUSSEIN AL-BAZOON ofrecerá a Khaled techo, comida y trabajo. Pero el sueño del chico es encontrar a su hermana, que también huyó de Siria. FICHA TÉCNICA Director AKI KAURISMÄKI Guion AKI KAURISMÄKI Producción SPUTNIK OY / AKI KAURISMÄKI Coproducción OY BUFO AB / MISHA JAARI, MARK LWOFF PANDORA FILM / REINHARD BRUNDIG Cámara TIMO SALMINEN Iluminación OLLI VARJA Diseño de producción AKI KAURISMÄKI Montaje SAMU HEIKKILÄ Sonido TERO MALMBERG Mezclas OLLI PÄRNÄNEN Vestuario TIINA KAUKANEN País Finlandia / Idiomas Finés - Árabe - Inglés / Duración 98’ La película cuenta dos historias que se cru- zan. La primera habla de Khaled, un joven refugiado sirio que ha perdido a toda su fa- milia. Llega a Helsinki por casualidad y pide asilo sin grandes esperanzas. LA PELÍCULALa segunda gira en torno a Wikström, un comercial dedicado a la ven- ta de camisas y corbatas que abandona su profesión, gana dinero en una timba de póquer y compra un restaurante en un sitio poco fre- cuentado. Las autoridades finlandesas deciden repatriar a Khaled a una Alepo en ruinas.
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YTK A32 Alku.Pmd
Centre for Urban and Regional Studies Publications A 32 Espoo 2005 EXPERIENCE AND CONFLICT The dialectics of the production of public urban space in the light of new event venues in Helsinki 1993–2003 Panu Lehtovuori AB TEKNILLINEN KORKEAKOULU TEKNISKA HÖGSKOLAN HELSINKI UNIVERSITY OF TECHNOLOGY TECHNISCHE UNIVERSITÄT HELSINKI UNIVERSITE DE TECHNOLOGIE D’HELSINKI Centre for Urban and Regional Studies Publications A 32 Espoo 2005 EXPERIENCE AND CONFLICT The dialectics of the production of public urban space in the light of new event venues in Helsinki 1993–2003 Panu Lehtovuori Academic dissertation Dissertation for the degree of Doctor of Science in Technology to be presented with due permission of the Department of Architecture for public examination and debate in Auditorium B at Helsinki University of Technology (Espoo, Finland) on Saturday, 11 of June, 2005, at 12 o'clock noon. Helsinki University of Technology Centre for Urban and Regional Studies Distribution: Helsinki University of Technology Centre for Urban and Regional Studies PB 9300 FIN-02015 HUT Tel. +358-9-451 4083 Fax +358-9-451 4071 E-mail: [email protected] Http://www.hut.fi/Yksikot/YTK/ Photos ‘Kide’ installation in front of the Helsinki Cathedral, January 2000 of cover (photo Panu Lehtovuori) Human Wall demonstration in Makasiinit, September 2000 (photo Laura Mänki) Layout Marina Johansson ISBN 951-22-7662-3 ISSN 1455-7789 Frenckellin kirjapaino Oy Espoo 2005 ABSTRACT Why do new urban spaces lack feeling, power and sensory quality? Why does ‘urbanness’ retreat from the newly produced public spaces? Why does the political significance of urban space seem to be lost? In this research, the structures of thinking in planning and architecture are identified as a key reason for those problems.
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Un Film De Aki Kaurismäki
SPUTNIK Présente UN FILM DE AKI KAURISMÄKI SHERWAN HAJI SAKARI KUOSMANEN SPUTNIK Présente UN FILM DE AKI KAURISMÄKI SHERWAN HAJI SAKARI KUOSMANEN Finlande - 2017 - 1.85 - 5.1 - Durée : 1h38 AU CINÉMA LE 15 MARS Matériel presse téléchargeable sur www.diaphana.fr DISTRIBUTION PRESSE DIAPHANA DISTRIBUTION MONICA DONATI 155, rue du Faubourg St Antoine - 75011 Paris 55, rue Traversière - 75012 Paris Tél. : 01 53 46 66 66 Tél.: 01 43 07 55 22 [email protected] [email protected] SYNOPSIS Helsinki. Deux destins qui se croisent. Wikhström, la cinquantaine, décide de changer de vie en quittant sa femme alcoolique et son travail de représentant de commerce pour ouvrir un restaurant. Khaled est quant à lui un jeune réfugié syrien, échoué dans la capitale par accident. Il voit sa demande d’asile rejetée mais décide de rester malgré tout. Un soir, Wikhström le trouve dans la cour de son restaurant. Touché par le jeune homme, il décide de le prendre sous son aile. NOTES DU RÉALISATEUR Avec ce film, je tente de mon mieux de briser le point de vue européen sur les réfugiés considérés tantôt comme des victimes objets de notre apitoiement, tantôt comme des réfugiés économiques qui avec insolence veulent prendre notre travail, nos femmes, nos logements et nos voitures. La création et le développement de nos préjugés en stéréotypes ont une sombre résonance dans l’histoire de l’Europe. L’AUTRE CÔTÉ DE L’ESPOIR est, je l’avoue volontiers, un film qui tend dans une certaine mesure et sans scrupules à influer sur l’opinion du spectateur et essaie de manipuler ses sentiments pour y parvenir.
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Filmpodium Biel/Bienne
FILMPODIUM BIEL/BIENNE Fr/Ve 15/01 20h30 CRIME AND PUNISHMENT Sa 16/01 20h30 (RIKOS JA RANGAISTUS) Aki Kaurismäki, FIN 1983, 94’, Ov/d,f DER KUNSTVEREIN BIEL PRÄSENTIERT / LA SOCIÉTÉ DES BEAUX-ARTS BIENNE PRÉSENTE: So/Di 17/01 10h30* GOSSENREITER Mo/Lu 18/01 18h00 Marcel Wyss, CH 2015, 85’, Dialekt, D/f Di/Ma 19/01 18h00 *In Anwesenheit des Regisseurs / En présence du réalisateur So/Di 17/01 18h00 CALAMARI UNION 20h30 Aki Kaurismäki, FIN 1984/85, 82’, Ov/d,f Mo/Lu 18/01 20h30 SHADOWS IN PARADISE Di/Ma 19/01 20h30 (VARJOJA PARATIISISSA) Aki Kaurismäki, FIN 1986, 75’, Ov/d,f Fr/Ve 22/01 20h30 VON COWBOYS UND GESCHUNDENEN Sa 23/01 20h30 SEELEN 7 COURT-MÉTRAGES DE AKI KAURISMÄKI FIN 1986–2007, 58’, o.W. ROCKY VI 1986, 9’, o.W., THRU THE WIRE 1987, 6’, o.W., THOSE WERE THE DAYS 1991/92, 5’, o.W., THESE BOOTS 1992/93, 5’ o.W., ALWAYS BE A HUMAN (OO AINA IHMINEN) 1996, 5’, o.W., BICO 2004, 5’ Ov/e, VALIMO 2007, 4’, o.W. So/Di 24/01 10h30 GOSSENREITER Marcel Wyss, CH 2015, 85’, Dialekt, D/f So/Di 24/01 18h00 HAMLET GOES BUSINESS 20 h30 (HAMLET LIIKEMAAILMASSA) Aki Kaurismäki, FIN 1987, 90’, Ov/d,f Mo/Lu 25/01 18h00 FÜR EINE SCHÖNE WELT Erich Langjahr, CH 2016, 74’, Dialekt, D/f Mo/Lu 25/01 20h30 ARIEL Di/Ma 26/01 18h00 Aki Kaurismäki, FIN 1988, 73’, Ov/d,f 20 h 30 Fr/Ve 29/01 20h30 LENINGRAD COWBOYS GO AMERICA Sa 30/01 20h30 Aki Kaurismäki, FIN/S 1989, 80’, Ov/d,f So/Di 31/01 10h30 THE MATCH FACTORY GIRL 18h00 (TULITIKKUTEHTAAN TYTTÖ) 20h30 Aki Kaurismäki, FIN/S 1989/90, 70’, Ov/d,f Mo/Lu 01/02 18h00 I HIRED A CONTRACT KILLER 20h30 Aki Kaurismäki,
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New Releases New Releases
January February We Own the Night La Vie de Bohème -S M T W T F S S M T W T F S New Releases New Releases 1:00pm 1:00pm 1:00pm 12:30pm 12:30pm 4:00pm 1:30pm Capernaum For more New Release Opens Jan 11 Jurassic Park Catch Me If You Can The Terminal Minority Report E.T.: The Extra-Terrestrial The Iron Giant: Love Story STEVEN SPIELBERG STEVEN SPIELBERG STEVEN SPIELBERG STEVEN SPIELBERG STEVEN SPIELBERG titles, visit tiff.net Signature Edition SPECIAL SCREENINGS 1999 Cold War 3:45pm 3:50pm 3:55pm 3:35pm 3:15pm 4:15pm Opens Jan 25 The Lost World: Super 8 The Color Purple Catch Me If You Can Schindler’s List 7:00pm Crime and Punishment The Image Book Jurassic Park STEVEN SPIELBERG STEVEN SPIELBERG STEVEN SPIELBERG STEVEN SPIELBERG Shadows in Paradise AKI KAURISMÄKI STEVEN SPIELBERG AKI KAURISMÄKI Opens Jan 25 6:15pm 7:00pm 6:15pm 7:00pm 6:30pm 6:40pm Jaws Close Encounters The Yards In Conversation With... 9:00pm The Straight Story Raiders of the Lost Ark STEVEN SPIELBERG of the Third Kind with James Gray James Gray The 36th Chamber 1999 STEVEN SPIELBERG STEVEN SPIELBERG JAMES GRAY JAMES GRAY For more New Release 9:15pm of Shaolin 9:00pm SHAW BROTHERS titles, visit tiff.net 9:20pm Minority Report 9:45pm 9:30pm 10:00pm Badlands Twister STEVEN SPIELBERG War of the Worlds James Gray Carte Blanche: Duel SPECIAL SCREENINGS STEVEN SPIELBERG STEVEN SPIELBERG Other Men’s Women STEVEN SPIELBERG JAMES GRAY 1 2 10:30am 6:30pm 6:45pm 6:25pm 1:00pm 1:00pm Secret Movie Club Hamlet Goes Business The Match Factory Girl I Hired a Contract Killer Love Story McCabe & Mrs.
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THE MAN WITHOUT a PAST a Film by Aki Kaurismäki
THE MAN WITHOUT A PAST A film by Aki Kaurismäki 55th FESTIVAL DE CANNES 2002 GRAND JURY PRIZE BEST ACTRESS FOR KATI OUTINEN ECUMENICAL JURY PRIZE TORONTO INTERNATIONAL FILM FESTIVAL TELLURIDE FILM FESTIVAL NEW YORK FILM FESTIVAL ACADEMY AWARD NOMINEE FOR BEST FOREIGN FILM 2003 A Sony Pictures Classics Release. Running time 97 minutes. Rated PG-13 by the MPAA. In Finnish with English Subtitles. EAST COAST: WEST COAST: EXHIBITOR CONTACTS: SOPHIE GLUCK & ASSOC. BLOCK-KORENBROT SONY PICTURES CLASSICS SOPHIE GLUCK ZIGGY KOZLOWSKI CARMELO PIRRONE SANDRA RAMANI MELODY KORENBROT MARISSA MANNE 225 CENTRAL PARK WEST 8271 MELROSE AVENUE, 550 MADISON AVENUE SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 595-2432 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 595-4295 FAX: (323) 655-7302 FAX: (212) 833-8844 [email protected] www.sonyclassics.com Director's Statement My last film was black and white and silent, which clearly shows that I am a man of business. However, going forward on that road would demand skipping out on the picture next. What would we have then-- a shadow? So, always ready for compromises, I decided to turn around and make this film here, which has loads of dialogues plus a variety of colors - not to mention other Commercial values. I have to admit that deep in my subconscious, there might have been a hope that this step would make me seem normal, too. My social, economical and Political views of the state of society, moral and love can hopefully be found from the film itself.
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Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
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TOTAL BALALAIKA SHOW Finnland 1994
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Hochschulschriftenserver - Universität Frankfurt am Main Kieler Beiträge zur Filmmusikforschung, 5.3, 2010 // 413 TOTAL BALALAIKA SHOW Finnland 1994 R/P: Aki Kaurismäki. M: B. Alexandrov, Tipe Johnson. K: Heikki Ortamo. S: Timo Linnasalo. Musiker: Leningrad Cowboys, Alexandrov Red Army Ensemble. UA: 2.7.1994. DVD-Ed.: 2005 (Facets). 54min. 1,85:1. Farbe. „Welcome to an outrageous spectacle!“, verkündet eine charmante Ansagerin mit enormer Haartolle, wie sie nur die Stirn eines Leningrad Cowboy zieren kann. Das Musikerkollektiv hat die totale Show initiiert und dafür die 100 Sänger, 40 Musiker und 20 Tänzer des Alexandrov-Ensembles der Roten Armee der unlängst zerfallenen Sowjetunion auf Bühne geladen. 70.000 Zuschauer strömen vor die gewaltige Freilichtbühne ins historische Zentrum Helsinkis. Sie erwarte ein einmaliges Ereignis in der finnischen Rockgeschichte, so die Musiker - und ein Crossover: von Klassik und Rock, von „Old and New, East and West“. Aki Kaurismäki filmte das Konzert ab, vier Jahre nach seinem Spielfilm LENINGRAD COWBOYS GO AMERICA (1989). Vordergründig unterscheidet TOTAL BALALAIKA SHOW wenig von gängigen Konzertdokumentationen, doch ist der Film mehr als die bloße Huldigung der Lieblingsband des international bekannten Regisseurs. Kaurismäki, der sich die Kamerapositionen mit dem finnischen Fernsehen teilen musste, brachte seine Kameraleute an vier Punkten in Stellung: Eine Kamera deckte die Frontalsicht auf die Musiker ab, eine weitere stand auf der Bühne links in Höhe der Sängerriege, und zwei nahmen das Geschehen von rechts auf - sie hatten sich in der Nähe des Schlagzeugs postiert, das als Dampf spuckender Traktor dekoriert war.
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Othering Finland in Japan Representation of Aki Kaurismäki´S Films in Reviews in Japanese Magazines
RIE FUSE Othering Finland in Japan Representation of Aki Kaurismäki´s Films in Reviews in Japanese Magazines Tampere University Dissertations 443 Tampere University Dissertations 443 RIE FUSE Othering Finland in Japan Representation of Aki Kaurismäki’s Films in Reviews in Japanese Magazines ACADEMIC DISSERTATION To be presented, with the permission of the Faculty of Information Technology and Communication Sciences of Tampere University, for public discussion in the auditorium 1096 of the Pinni B building, Kanslerinrinne 1, Tampere, on 13 August 2021, at 12 o’clock. ACADEMIC DISSERTATION Tampere University, Faculty of Information Technology and Communication Sciences, Finland Responsible Associate Professor supervisor Katja Valaskivi and Custos Tampere University Finland Supervisor Professor Juha Herkman University of Helsinki Finland Pre-examiners University Lecturer, docent Professor Shinji Oyama Mari Pajala Ritsumeikan University University of Turku Japan Finland Opponent Academy Research Fellow, docent Outi Hakola University of Helsinki Finland The originality of this thesis has been checked using the Turnitin OriginalityCheck service. Copyright ©2021 author Cover design: Roihu Inc. ISBN 978-952-03-2032-4 (print) ISBN 978-952-03-2033-1 (pdf) ISSN 2489-9860 (print) ISSN 2490-0028 (pdf) http://urn.fi/URN:ISBN:978-952-03-2033-1 PunaMusta Oy – Yliopistopaino Joensuu 2021 For my family who has supported and encouraged me. iii iv ACKNOWLEDGEMENTS Over the years that I have prepared this dissertation, I have received support and advice from many people. This work would have not been completed without their support. I would like to thank for their contributions and express my gratitude to all of them. First and foremost, I wish to express my deep gratitude to my two supervisors, Associate Professor Katja Valaskivi and Professor Juha Herkman.
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