Khasbm Yeni Yayinlar Mayis 2015
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
April 2021 New Titles List University of Dubuque
April 2021 New Titles List University of Dubuque Local Item Call Local Item Permanent Number Author Name Title Publisher NamePublication Date Edition Language Name Material Format Material Subformat Shelving Location N/A Neonatology today. Neonatology Today,2006 N/A English JOURNALS/MAGAZIN EJOURNALS/EMAGA ES ZINES Parkman, Francis, A half century of Little, Brown, and Co.,1899 Frontenac English BOOKS PRINTBOOK conflict / edition. Schur, Michael,Scanlon, The Good Place. Universal 2019 N/A English VIDEOS DVDS Claire,Miller, Beth Television,Shout! Factory, McCarthy,Holland, Dean,Bell, Kristen,Danson, Ted,Harper, William Jackson,Jamil, Jameela,Carden, D'Arcy,Jacinto, Manny,; Shout! Factory (Firm),Universal Television (Firm), AM151 .T54 2019 Garcia, Tristan,Normand, Theater, garden, ÉCAL/University of Art 2019 N/A English BOOKSPRINTBOOK New Book Collection: Vincent,; École cantonale bestiary :a and Design Lausanne 1st Floor d'art de Lausanne,Haute materialist history of ;Sternberg Press, école spécialisée de exhibitions / Suisse occidentale. BF789.C7 P3713 Pastoureau, Michel,; Green :the history of Princeton University 2014 N/A English BOOKSPRINTBOOK New Book Collection: 2014 Gladding, Jody, a color / Press, 1st Floor BJ1521 .H76 2020 Miller, Christian B.,West, Integrity, honesty, Oxford University Press,2020 N/A English BOOKSPRINTBOOK New Book Collection: Ryan, and truth seeking / 1st Floor BR65.A9 W47 Wessel, Susan, On compassion, Bloomsbury Academic,2020 N/A English BOOKSPRINTBOOK New Book Collection: 2020 healing, suffering, 1st Floor and the purpose of the emotional life / BS195 .R48 2019 Wansbrough, Henry, The Revised New Image,2019 First U.S. edition. English BOOKSPRINTBOOK New Book Collection: Jerusalem Bible 1st Floor :study edition / BS2553 .R83 Ruden, Sarah, The Gospels / Modern Library,2021 First edition. -
Oxref Bundle OXNOTES – a Notes-Based Style for Biblatex
oxref bundle OXNOTES – A notes-based style for Biblatex Alex Ball 18th January 2021 v2.2 Contents 1 Introduction 5 1.1 Loading the style . 5 1.2 How to use this document . 6 1.3 Design philosophy . 7 1.4 Technical documentation . 8 1.5 Stability . 8 2 Citations and common formatting 9 2.1 Test citations . 9 2.2 Missing or inferred attribution . 10 2.3 Name variants . 12 2.4 Author-translators and author-revisers . 13 2.5 Titular prefixes . 14 2.6 Works in foreign languages . 14 2.7 Missing place of publication . 16 2.8 Missing or inferred date of publication . 17 3 Articles and periodicals 18 article, periodical, suppperiodical, review 3.1 Articles in periodicals with volumes/numbers . 18 3.2 Articles in periodicals with series . 20 3.3 Articles in issues identified by date alone . 21 3.4 Works published as an issue . 22 3.5 Articles in an issue that is a supplement to another issue . 23 3.6 Articles that span multiple issues . 23 3.7 Accepted journal articles, pre-publication . 24 3.8 Editorials and other regular features . 24 3.9 Reviews . 25 4 Books 27 book, mvbook, collection, mvcollection, reference, mvreference 4.1 Monographs . 27 4.2 Collections . 28 4.3 Reference works . 29 4.4 Multi-volume works . 29 4.5 Additions, translations, and revisions . 33 4.6 Editions . 34 4.7 Works from a series . 40 2 3 4.8 Pre-publication book . 41 5 Works within books 42 inbook, bookinbook, suppbook, incollection, suppcollection, inreference 5.1 Works in collections of a single author’s works . -
Leningrad Cowboys
This pdf was last updated: Feb/01/2011. Leningrad Cowboys Band’s unique musical style of performing cover and original songs combined with highly visual stage-look aims’ for one common goal - to make the audience scream, jump and party! Line-up Richard Johnson - vocals Sakke Järvenpää - vocals Tuomas Uusitalo - vocals, guitar Tomi Vartiainen - guitar Marzi Nyman - guitar Mauri Sumén - keyboards Timo Tolonen - bass Sami Järvinen - drums Juuso Hannukainen - percussions On Stage: 9 Travel Party: 10 Website www.leningradcowboys.fi Biography The band's visual look - unicorn hairdos and half meter long, sharp-pointed shoes are already worldwide known and well-established Leningrad Cowboys trademarks. For over fifteen years, the band has performed in hundreds of festivals, clubs and TV shows in over fifty countries; including Europe, Japan, Hong Kong, South America, Australia, USA and the United Arab Emirates. In June 1993 the Leningrad Cowboys pulled off the most amazing production: "Total Balalaika Show", a joint concert with the full 160-member Russian Red Army Ensemble, which the Variety magazine called "the most incongruous - and inspired - crosscultural pairing since Nureyev danced with Miss Piggy". The setting for this sensational show was grandiose: the biggest stage ever built in Finland, on the main square of Helsinki and witnessed by an enthusiast audience of 70.000 people! The Helsinki concert was followed in 1994 with a second Balalaika-joint-concert of the Leningrad Cowboys and the Red Army Ensemble. The "NOKIA Balalaika Show" took place at Berlin’s Lustgarten, where 60.000 people enjoyed the concert on this historical day, which witnessed the farewell march of the allied troops. -
Fresh Dressed
PRESENTS FRESH DRESSED A CNN FILMS PRODUCTION WORLD PREMIERE – DOCUMENTARY PREMIERE Running Time: 82 Minutes Sales Contact: Dogwoof Ana Vicente – Head of Theatrical Sales Tel: 02072536244 [email protected] 1 SYNOPSIS With funky, fat-laced Adidas, Kangol hats, and Cazal shades, a totally original look was born— Fresh—and it came from the black and brown side of town where another cultural force was revving up in the streets to take the world by storm. Hip-hop, and its aspirational relationship to fashion, would become such a force on the market that Tommy Hilfiger, in an effort to associate their brand with the cultural swell, would drive through the streets and hand out free clothing to kids on the corner. Fresh Dressed is a fascinating, fun-to-watch chronicle of hip-hop, urban fashion, and the hustle that brought oversized pants and graffiti-drenched jackets from Orchard Street to high fashion's catwalks and Middle America shopping malls. Reaching deep to Southern plantation culture, the Black church, and Little Richard, director Sacha Jenkins' music-drenched history draws from a rich mix of archival materials and in-depth interviews with rappers, designers, and other industry insiders, such as Pharrell Williams, Damon Dash, Karl Kani, Kanye West, Nasir Jones, and André Leon Talley. The result is a passionate telling of how the reach for freedom of expression and a better life by a culture that refused to be squashed, would, through sheer originality and swagger, take over the mainstream. 2 ABOUT THE FILMMAKERS SACHA JENKINS – Director Sacha Jenkins, a native New Yorker, published his first magazine—Graphic Scenes & X-Plicit Language (a ‘zine about the graffiti subculture)—at age 17. -
LE HAVRE Aki Kaurismäki
SPUTNIK, PYRAMIDE PRODUCTIONS AND PANDORA FILM PRESENT ANDRÉANDRÉ KATIKATI JEAN-PIERREJEAN-PIERRE BLONDIN WILMSWILMS OUTINENOUTINEN DARROUSSINDARROUSSIN MIGUEL LELE HAVREHAVREa film by Aki Kaurismäki PRODUCTIONS Sputnik Oy Pyramide Productions Pandora Film Museokatu 13 A 5 rue du Chevalier de Saint George Balthasarstrasse 79 00100 Helsinki 75 008 Paris 50670 Koeln Finland France Germany Tel : +358 9 6877 100 Tel : +33 (0)1 40 20 13 60 Tel : +49 221 973 320 Fax : +358 9 6877 1010 Fax : +33 (0)1 42 96 05 90 Fax : +49 221 973 329 [email protected] [email protected] [email protected] www.pyramide-productions.com www.pandorafilm.com INTERNATIONAL SALES FESTIVALS The Match Factory GmbH Finnish Film Foundation Balthasarstrasse 79-81 in Cannes Kanavakatu 12 in Cannes 50670 Koeln Résidence ”La Bagatelle” 00160 Helsinki Scandinavian Terrace Germany 4ème étage Finland 55, La Croisette Tel : +49 221 539 709 - 0 25 La Croisette Tel : +358 9 6220 300 Jaana Puskala, Fax :+49 221 539 709 10 Tel : +33 (0)4 93 99 66 98 Fax :+358 9 6220 3050 Tel : +358 50 593 2068 [email protected] Fax :+33 (0)4 93 99 68 33 [email protected] Jenni Domingo, www.the-match-factory.com www.ses.fi Tel : +358 40 841 2849 INTERNATIONAL PRESS FRENCH PRESS SPUTNIK, PYRAMIDE PRODUCTIONS AND PANDORA FILM PRESENT Wolfgang W. Werner Public Relations eva Simonet Tal 46 in Cannes Galatée films 80331 Muenchen Christiane Leithardt 19, avenue de Messine - 75008 Paris Germany Cell : +49 179 104 80 64 France Tel :+49 89 38 38 67-0 Wolfgang Werner Cell Paris and Cannes : +33 6 62 -
49Th USA Film Festival Schedule of Events
HIGH FASHION HIGH FINANCE 49th Annual H I G H L I F E USA Film Festival April 24-28, 2019 Angelika Film Center Dallas Sienna Miller in American Woman “A R O L L E R C O A S T E R O F FABULOUSNESS AND FOLLY ” FROM THE DIRECTOR OF DIOR AND I H AL STON A F I L M B Y FRÉDERIC TCHENG prODUCeD THE ORCHARD CNN FILMS DOGWOOF TDOG preSeNT a FILM by FrÉDÉrIC TCHeNG IN aSSOCIaTION WITH pOSSIbILITy eNTerTaINMeNT SHarp HOUSe GLOSS “HaLSTON” by rOLaND baLLeSTer CO- DIreCTOr OF eDITeD MUSIC OrIGINaL SCrIpTeD prODUCerS STepHaNIe LeVy paUL DaLLaS prODUCer MICHaeL praLL pHOTOGrapHy CHrIS W. JOHNSON by ÈLIa GaSULL baLaDa FrÉDÉrIC TCHeNG SUperVISOr TraCy MCKNIGHT MUSIC by STaNLey CLarKe CINeMaTOGrapHy by aarON KOVaLCHIK exeCUTIVe prODUCerS aMy eNTeLIS COUrTNey SexTON aNNa GODaS OLI HarbOTTLe LeSLey FrOWICK IaN SHarp rebeCCa JOerIN-SHarp eMMa DUTTON LaWreNCe beNeNSON eLySe beNeNSON DOUGLaS SCHWaLbe LOUIS a. MarTaraNO CO-exeCUTIVe WrITTeN, prODUCeD prODUCerS ELSA PERETTI HARVEY REESE MAGNUS ANDERSSON RAJA SETHURAMAN FeaTUrING TaVI GeVINSON aND DIreCTeD by FrÉDÉrIC TCHeNG Fest Tix On@HALSTONFILM WWW.HALSTON.SaleFILM 4 /10 IMAGE © STAN SHAFFER Udo Kier The White Crow Ed Asner: Constance Towers in The Naked Kiss Constance Towers On Stage and Off Timothy Busfield Melissa Gilbert Jeff Daniels in Guest Artist Bryn Vale and Taylor Schilling in Family Denise Crosby Laura Steinel Traci Lords Frédéric Tcheng Ed Zwick Stephen Tobolowsky Bryn Vale Chris Roe Foster Wilson Kurt Jacobsen Josh Zuckerman Cheryl Allison Eli Powers Olicer Muñoz Wendy Davis in Christina Beck -
Film List Kaurismäki
Film List Aki Kaurismäki + Carte blanche Valehtelija (The Liar), 1981, Mika Kaurismäki Saimaa-ilmiö (The Saimaa Gesture ), 1981, Aki & Mika Kaurismäki Arvottomat (The Worthless), 1982, Mika Kaurismäki Rikos ja rangaistus (Crime and Punishment), 1983, Aki Kaurismäki Calamari Union, 1985, Aki Kaurismäki Rocky VI, 1986, Aki Kaurismäki Varjoja paratiisissa (Shadows in Paradise), 1986, Aki Kaurismäki Hamlet liikemaailmassa (Hamlet Goes Business), 1987, Aki Kaurismäki Leningrad Cowboys: Thru The Wire, 1987, Aki Kaurismäki Melrose: Rich Little Bitch, 1987, Aki Kaurismäki Ariel, 1988, Aki Kaurismäki Leningrad Cowboys Go America, 1989, Aki Kaurismäki Tulitikkutehtaan tyttö (The Match Factory Girl), 1990, Aki Kaurismäki I Hired a Contract Killer, 1990, Aki Kaurismäki Boheemielämää (La Vie de Bohème), 1992, Aki Kaurismäki Leningrad Cowboys: These Boots, 1992, Aki Kaurismäki Leningrad Cowboys: Those Were the Days, 1992, Aki Kaurismäki Leningrad Cowboys Meet Moses, 1994, Aki Kaurismäki Pidä huivista kiinni, Tatjana (Take Care of Your Scarf, Tatiana), 1994, Aki Kaurismäki Total Balalaika Show, 1994, Aki Kauismäki Kauas pilvet karkaavat (Drifting Clouds), 1996, Aki Kaurismäki Oo aina ihminen, 1996, Aki Kaurismäki Juha, 1999, Aki Kaurismäki Ten Minutes Older: Dogs Have No Hell, 2002, Aki Kaurismäki Mies vailla menneisyyttä (The Man Without a Past), 2002, Aki Kaurismäki Bico, 2004, Aki Kaurismäki Laitakaupungin valot (Lights in the Dusk), 2006, Aki Kaurismäki Valimo (The Foundry), 2007, Aki Kaurismäki Le Havre, 2011, Aki Kaurismäki O Tasquiero (Tavern -
Journey to the Academy Awards: an Investigation of Oscar-Shortlisted and Nominated Documentaries (2014-2016) PRELIMINARY KEY
Journey to the Academy Awards: An Investigation of Oscar-Shortlisted and Nominated Documentaries (2014-2016) PRELIMINARY KEY FINDINGS By Caty Borum Chattoo, Co-Director, Center for Media & Social Impact American University School of Communication | Washington, D.C. February 2016 OVERVIEW For a documentary filmmaker, being recognized by the Academy of Motion Picture Arts & Sciences for an Oscar nomination in the Best Documentary Feature category is often the pinnacle moment in a career. Beyond the celebratory achievement, the acknowledgment can open up doors for funding and opportunities for next films and career opportunities. The formal recognition happens in three phases: It begins in December with the Academy’s announcement of a shortlist—15 films that advance to a formal nomination for the Academy’s Best Documentary Feature Award. Then, in mid-January, the final list of five official nominations is announced. Finally, at the end of February each year, the one winner is announced at the Academy Awards ceremony. Beyond a film’s narrative and technical prowess, the marketing campaigns that help a documentary make it to the shortlist and then the final nomination list are increasingly expensive and insular, from advertisements in entertainment trade outlets to lavish events to build buzz among Academy members and industry influencers. What does it take for a documentary film and its director and producer to make it to the top—the Oscars shortlist, the nomination and the win? Which film directors are recognized—in terms of race and gender? -
Giantscreencinema Twitter: @Gsca Instagram: @Gsca1 #Gscaconference BEST 3D DOCUMENTARY LUMIERE AWARDS HOLLYWOOD, CALIFORNIA DIGITAL CROSSING FILMS
giantscreencinema.com Facebook: giantscreencinema Twitter: @gsca Instagram: @gsca1 #GSCAconference BEST 3D DOCUMENTARY LUMIERE AWARDS HOLLYWOOD, CALIFORNIA DIGITAL CROSSING FILMS GOLDEN REEL AWARD NOMINEE BEST BEST SOUND BEST FILM BIG IDEA BEST ENGAGING YOUNG BEST SPECIAL VENUE FILM LIFELONG LEARNING AWARD CREATIVITY FILM SCIENTISTS VISUAL EFFECTS MOTION PICTURE SOUND GSCA ACHIEVEMENT GSCA ACHIEVEMENT BEIJING INTERNATIONAL JACKSON HOLE SCIENCE GSCA ACHIEVEMENT SOUND EDITORS, L.A. AWARDS AWARDS FILM FESTIVAL MEDIA AWARDS AWARDS BEST BEST FILM BEST BEST BEST LARGEBEST FORMAT 3D VISUAL EFFECTS SHORT SUBJECT CINEMATOGRAPHY ORIGINAL SCORE SOUND DESIGN DOCUMENTARY GSCA ACHIEVEMENT GSCA ACHIEVEMENT GSCA ACHIEVEMENT GSCA ACHIEVEMENT GSCA ACHIEVEMENT STEREOPSIA AWARDS AWARDS AWARDS AWARDS AWARDS BRUSSELS, BELGIUM 1 Table of Contents GSCA Contacts 4 Schedule Giant Screen Cinema Association 7 Sponsors 624 Holly Springs Road, Suite 243 8 Map Holly Springs, NC 27540 U.S. giantscreencinema.com 10 New Films facebook.com/giantscreencinema 16 Films in Production twitter.com/gsca Instagram: gsca1 24 Projects in Development linkedin.com/groups/1046547 29 Trailers Tammy Seldon 32 Symposium Sessions Executive Director 35 Presenters Office: 1-919-346-1123 Mobile: 1-703-855-3699 Advertiser Index [email protected] BIG & Digital, LLC 28 Cosmic Picture 5 Kelly Germain December Media Distribution back cover Director of Membership and Evans & Sutherland inside back cover Communications Office: 1-651-917-1080 Giant Screen Cinema Association 34 Mobile: 1-651-270-4915 ImagesInSound 7 [email protected] IMAX Corporation 3 K2 Studios 13 Eileen Pheiffer MacGillivray Freeman Films 20, 21 Accounting nWave Pictures Distribution 9 Office: 1-314-725-7020 SK Films inside front cover, 1 Mobile: 1-314-708-0448 Visceral Image Productions 25 [email protected] Policies Recording and Media Policies Photography GSCA sessions may be recorded. -
2-19-19 Rehearsal Schedule.Xls
Sunday, March 10, 2019 AMC IMAX Theater NEW /ROUGH CUT - 2:00 PM Time Film Title 2D/3D 1.43/1.90 Run Time Producer Distributor 2:00 PM Hidden Pacific 2D 1.9 0:10:00 Tandem Stills + Motion Giant Screen Films 2:10 PM Cuba 2D 1.43 0:10:00 Golden Gate 3D Giant Screen Films 2:20 PM Touch the Stars 3D 3D 1.43 0:10:00 Afterglow Studios BIG & Digital, LLC 2:30 PM Superpower Dogs 3D 0:10:00 Cosmic Picture and IMAX Cosmic Picture and IMAX 2:40 PM Australia's Great Wild North 3D 0:10:00 Wild Pacific Media and Definition Films K2 Studios 2:50 PM Mountain Quest 3D 0:10:00 Stranger Than Fiction Films K2 Studios 3:00 PM Apollo11: First Steps 2D 2.2 0:10:00 Statement Pcitures and CNN Films MacGillivray Freeman Films 3:10 PM Great Bear Rainforest 3D 1.43 0:10:00 Spirit Bear Entertainment MacGillivray Freeman Films 3:20 PM Great Barrier Reef 3D 1.43 0:10:00 December Media MacGillivray Freeman Films 3:30 PM Turtle Odyssey 3D 3D 1.43 0:10:00 Definition Films SK Films 3:40 PM Volcanoes: The Fires of Creation 3D 1.43 0:10:00 Digital Crossing Films SK Films 3:50 PM Planet Power 3D 1.43 0:10:00 N3D Land Films nWave Pictures Distribution Total Total 1:50:00 4:00 PM HRDCC1 (8kDCC w camera names) 2D 1.43 0:05:00 GSCA GSCA 4:05 PM HRDCC2 (new content) 2D 1.43 0:05:00 GSCA GSCA FIP - 4:20 pm Time Film Title 2D/3D 1.43/1.90 Run Time Producer Distributor 4:20 PM Blue Whales 2D 1.85 0:05:00 Oceanic Films 4:25 PM Colours of China 2D 1.43 0:05:00 Making Movies 4:30 PM Antarctica 3D: Into the Unknown 2D 0:05:00 BBC Studios BBC Earth 4:35 PM Back from the Brink - Saved -
The Auteurial-National Nexus and Aki Kaurismäki's Finland Trilogy
“Our Aki” The auteurial-national nexus and Aki Kaurismäki’s Finland trilogy Sanna Peden Bachelor of Arts (European Studies) Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities European Studies 2012 Abstract This thesis explores the interconnections of ‘Finnishness’ and ‘Kaurismäkianness’ in and around Aki Kaurismäki’s so-called Finland trilogy: Drifting Clouds (1996), The Man Without A Past (2002) and Lights in the Dusk (2006). The thesis addresses how Kaurismäki, whose work and public persona have tended to be critical of national institutions and preoccupations, has developed into an increasingly national figure in Finland’s years of Europeanisation. In order to examine the links between ‘Finnishness’ and ‘Kaurismäkianness’ I establish, first, the way in which Kaurismäki’s films engage with national themes; and, second, the way in which this Kaurismäkian take on Finnishness is received and further appropriated in Finland. I provide a textual analysis of each of the focus films, paying particular attention to their national aspects and their references to Kaurismäki’s other films. I combine this close analysis of the film texts with discussion of the context of the films, their media presence and ‘afterlife’, for example the discourses surrounding the films after their initial release or the ways in which their ‘Kaurismäkianness’ has been appropriated by others for specifically national purposes. In seeking to understand how Kaurismäki’s auteurial engagement with narratives of Finnishness feeds back into Finnish society this thesis contributes to current debates about the relationship between auteurs and national identity.