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Oxref Bundle OXNOTES – a Notes-Based Style for Biblatex
oxref bundle OXNOTES – A notes-based style for Biblatex Alex Ball 18th January 2021 v2.2 Contents 1 Introduction 5 1.1 Loading the style . 5 1.2 How to use this document . 6 1.3 Design philosophy . 7 1.4 Technical documentation . 8 1.5 Stability . 8 2 Citations and common formatting 9 2.1 Test citations . 9 2.2 Missing or inferred attribution . 10 2.3 Name variants . 12 2.4 Author-translators and author-revisers . 13 2.5 Titular prefixes . 14 2.6 Works in foreign languages . 14 2.7 Missing place of publication . 16 2.8 Missing or inferred date of publication . 17 3 Articles and periodicals 18 article, periodical, suppperiodical, review 3.1 Articles in periodicals with volumes/numbers . 18 3.2 Articles in periodicals with series . 20 3.3 Articles in issues identified by date alone . 21 3.4 Works published as an issue . 22 3.5 Articles in an issue that is a supplement to another issue . 23 3.6 Articles that span multiple issues . 23 3.7 Accepted journal articles, pre-publication . 24 3.8 Editorials and other regular features . 24 3.9 Reviews . 25 4 Books 27 book, mvbook, collection, mvcollection, reference, mvreference 4.1 Monographs . 27 4.2 Collections . 28 4.3 Reference works . 29 4.4 Multi-volume works . 29 4.5 Additions, translations, and revisions . 33 4.6 Editions . 34 4.7 Works from a series . 40 2 3 4.8 Pre-publication book . 41 5 Works within books 42 inbook, bookinbook, suppbook, incollection, suppcollection, inreference 5.1 Works in collections of a single author’s works . -
Thames Sailing Barge Repertor and for Floating Films Screenings
T S Br Based in Faversham, Kent and at St Katharine Id)<)d r Gr3=8 B33?)+,& Docks, London, SB R%8%r3r is available for sailing charters, from May to September. SB R%8%r3r can take up to 12 passengers maximum REPERTOR Our sailing programme is organised around Barge for sailing charters - as individuals or in groups. Matches (races) and the passage trips before and S#)*)+, Prr#$$% afterwards – see dates on left. Or you can book Confirmation of trips depends on location and a other dates and locations for your own choice of minimum total of 8 passengers booked – we can 4567 daysails, weekends or longer trips. Please see sometimes join individuals and smaller groups with our website or contact us direct for availability. others to make up numbers. B#r M#9A" R#A%&C & P#&&#, Tr& Join us for a modern-day Traditional Sail experience ndividual catered prices per day-trip are shown below & SB REPERTOR – comfortable cruising or competitive racing, with overleaf; please contact us for B&B, self-catered, repeat good home-style cooking and a relaxing atmosphere. and group discount prices & for confirmation of OdatesP O28 MarP London (Gravesend) to Faversham R50 For ideas, suggestions and prices, see overleaf, or O25-26 AprPFaversham to London(Gravesend) R50 view our website at [[rr3r$ OM#EFS Possible weekend and midweek tripsP As an example, you can add on the days before or 22 May London (Gravesend) to Chatham R60 after Matches (races), as passage trips between M# MEDAY MATCH (Chatham) N645 ports-of-call or as round-trips, to give you a 24 May Chatham to London (Gravesend) R60 wider barge-sailing experience. -
The Acoustic City
The Acoustic City The Acoustic City MATTHEW GANDY, BJ NILSEN [EDS.] PREFACE Dancing outside the city: factions of bodies in Goa 108 Acoustic terrains: an introduction 7 Arun Saldanha Matthew Gandy Encountering rokesheni masculinities: music and lyrics in informal urban public transport vehicles in Zimbabwe 114 1 URBAN SOUNDSCAPES Rekopantswe Mate Rustications: animals in the urban mix 16 Music as bricolage in post-socialist Dar es Salaam 124 Steven Connor Maria Suriano Soft coercion, the city, and the recorded female voice 23 Singing the praises of power 131 Nina Power Bob White A beautiful noise emerging from the apparatus of an obstacle: trains and the sounds of the Japanese city 27 4 ACOUSTIC ECOLOGIES David Novak Cinemas’ sonic residues 138 Strange accumulations: soundscapes of late modernity Stephen Barber in J. G. Ballard’s “The Sound-Sweep” 33 Matthew Gandy Acoustic ecology: Hans Scharoun and modernist experimentation in West Berlin 145 Sandra Jasper 2 ACOUSTIC FLÂNERIE Stereo city: mobile listening in the 1980s 156 Silent city: listening to birds in urban nature 42 Heike Weber Joeri Bruyninckx Acoustic mapping: notes from the interface 164 Sonic ecology: the undetectable sounds of the city 49 Gascia Ouzounian Kate Jones The space between: a cartographic experiment 174 Recording the city: Berlin, London, Naples 55 Merijn Royaards BJ Nilsen Eavesdropping 60 5 THE POLITIcs OF NOISE Anders Albrechtslund Machines over the garden: flight paths and the suburban pastoral 186 3 SOUND CULTURES Michael Flitner Of longitude, latitude, and -
Experience Options Analysis: Mapping the Experiential Product in Kent September 2020
Experience Options Analysis: Mapping the Experiential Product in Kent September 2020 Funded by: Delivered by: With support from: SW Consulting Contents Mapping the experience product in Kent 3 Options analysis for West Kent 23-31 Experience Travel Trends for 2020/21 4 - Core Strengths (Fig 1.5) Where is the customer looking? 7 - Opportunities - TripAdvisor 7 Options Analysis : - Airbnb. (Fig 1.1) 8 - Ashford Borough Putting the visitor first 9 - Tunbridge Wells Borough The benefits of experience tourism for Kent (Fig 1.2/1.3) 10 - Maidstone, Tonbridge, Sevenoaks Product options focus: Options analysis for East Kent 11 -22 Options analysis for North Kent 32-40 - Core Strengths (fig 1.4) - Core Strengths (Fig 1.6) - Opportunities - Opportunities Options Analysis : Options Analysis : - Folkestone, Hythe & Romney Marsh - Medway - White Cliffs Country – Dover Deal & Sandwich - Gravesham - Canterbury, Herne Bay & Whitstable - Swale & Dartford - Thanet – Margate, Ramsgate, Broadstairs Partnership working opportunities 41 Appendix 1 Kent Product Snapshot: 42-44 Seasonal Potential/ Strengths, Opportunities & Gap analysis 2 Mapping the experiential product in Kent Context Over the past 10 years, travellers have increasingly sought out ‘more’ from their leisure time, continually hunting for that truly local and authentic experience that separates them from the tourism hordes. Whether this is the secluded beach that no one else seems to have discovered or the best family run restaurant in the district, visitors gain an immense sense of personal achievement to have found ‘the best, authentic, most unique, secret, unusual and downright bizarre’; and when they take to social media this experience becomes an almost ‘badge of honour’, that all who follow will want to obtain. -
Die Welt Des Aki Kaurismäki
Die Welt des Aki Kaurismäki »Das Kino ist der einzige Ort, an dem der Mensch immer Kaurismäkis filmische Mittel orientieren sich an noch frei ist. Und wie Camus und Reich gesagt haben, be- Robert Bresson, Jean-Pierre Melville, und Yasujirō Ozu steht das größte Bedürfnis des Menschen darin, der Frei- – sie werden bestimmt von einer klaren Bildsprache, heit zu entfliehen, was den Zuschauerschwund der Kinos dem reduzierten Spiel der Darsteller und einem präzi- erklärt. Die Menschen meiden den einzigen Ort, an dem sen Schnitt. Kaurismäkis eigenwilliger Sinn für Humor sie ihrer Phantasie freien Lauf lassen könnten, und stre- ben nach einem Zustand der beruhigenden Gefangen- verbindet ihn zudem mit Luis Buñuel, Charles Chaplin schaft, zum Beispiel in die Nähe eines Videorekorders.« und Buster Keaton. Typisch für Aki Kaurismäki ist sein psychologischer Anti-Realismus, der Mangel an äuße- »Die Kunst ist so wie das Gebet eine ins Dunkle aus- ren Emotionen. Da spürt man eine Verwandtschaft mit gestreckte Hand«, sagte Frank Kafka nach Gustav Ja- der Tradition des japanischen Theaters. nouch. Aki Kaurismäkis ausgestreckte Hand ist seit den Das Bewusstsein vom Ende der Kunst ist ein Grund- Aki Kaurismäki 1980er Jahren weltweit gerne angenommen worden, gefühl in Kaurismäkis Kino. »Es gibt ein Kino vor und 74 von Tokio bis Buenos Aires. Der Name Kaurismäki wur- nach Godard«, sagte Richard Roud; Aki Kaurismäkis de zu einem Markenzeichen. »Die Welt des Aki Kauris- Filme sind dem postmodernen Kino zuzurechnen. Die mäki« ist zwar in Finnland entstanden, findet sich aber Komplexität von Jean-Luc Godards Metakino in Kau- auch in London, Paris, und Le Havre wieder. -
Seascape Character Assessment Report
Seascape Character Assessment for the South East Inshore marine plan area MMO 1134: Seascape Character Assessment for the South East Inshore marine plan area September 2018 Report prepared by: Land Use Consultants (LUC) Project funded by: European Maritime Fisheries Fund (ENG1595) and the Department for Environment, Food and Rural Affairs Version Author Note 0.1 Sally Marshall First draft desk-based report completed May 2015 Kate Ahern 1.0 Kate Ahern Updated draft final report following stakeholder consultation, August 2018 1.1 Chris Graham, MMO Comments David Hutchinson 2.0 Kate Ahern Final report, September 2018 2.1 Chris Sweeting Independent QA © Marine Management Organisation 2018 You may use and re-use the information featured on this website (not including logos) free of charge in any format or medium, under the terms of the Open Government Licence. Visit www.nationalarchives.gov.uk/doc/open-government- licence/ to view the licence or write to: Information Policy Team The National Archives Kew London TW9 4DU Email: [email protected] Information about this publication and further copies are available from: Marine Management Organisation Lancaster House Hampshire Court Newcastle upon Tyne NE4 7YH Tel: 0300 123 1032 Email: [email protected] Website: www.gov.uk/mmo Disclaimer This report contributes to the Marine Management Organisation (MMO) evidence base which is a resource developed through a large range of research activity and methods carried out by both MMO and external experts. The opinions expressed in this report do not necessarily reflect the views of MMO nor are they intended to indicate how MMO will act on a given set of facts or signify any preference for one research activity or method over another. -
DIPLOMARBEIT RED SAND TOWERS Dokumentation, Analyse Und Neukonzeptentwicklung Ausgeführt Zum Zwecke Der Erlangung Des Akademisc
Die approbierte Originalversion dieser Diplom-/ Masterarbeit ist in der Hauptbibliothek der Tech- nischen Universität Wien aufgestellt und zugänglich. http://www.ub.tuwien.ac.at The approved original version of this diploma or master thesis is available at the main library of the Vienna University of Technology. http://www.ub.tuwien.ac.at/eng DIPLOMARBEIT RED SAND TOWERS Dokumentation, Analyse und Neukonzeptentwicklung ausgeführt zum Zwecke der Erlangung des akademischen Grades eines Diplom-Ingenieurs unter der Leitung Stadler Gerhard e 251.2 Institut für Kunstgeschichte, Bauforschung und Denkmalpflege: Lehrstuhl für Denkmalpflege und Bauen im Bestand eingereicht an der Technischen Universität Wien Fakultät für Architektur und Raumplanung von Werner Christian 0326330 Wien, Mai 2015 Abstract Im Jahr 1943 wurden vor der Themsemündung die Red Sand Towers errichtet um feindliche Luftangriffe abzuwehren. Nach dem Ende des Zweiten Weltkrieges gerieten sie jedoch mehr und mehr in Vergessenheit. Zum einen weil sie sich inmitten des Meeres befinden, zum anderen weil sich die Regierung aufgrund der hohen Erhaltungs- sowie Abrüstungskosten von diesen abwandte. Nur ab und zu blitzten sie in den Medien wieder auf. Meist allerdings durch negative Schlagzeilen wie beispielsweise Schiffskollisionen oder illegale Besetzung durch Piratensender. Diese Diplomarbeit dokumentiert die Ausstattung und strategische Zusammensetzung der Red Sand Towers, ihre Nutzung und Funktionsmöglichkeit während und nach dem Zweiten Weltkrieg, die Biographie des Erbauers, Guy Maunsell, sowie Statik, Konstruktion und ihre Bauweise. In der Analyse wird der aktuelle Zustand der Red Sand Towers untersucht und Möglichkeiten zur Erhaltung präsentiert. Dabei wird ein Konzept zur zukünftigen Verwendung der Seefestung als Ausbildungszentrum für Berufstaucher und Seenotrettungen vorgestellt. Dieses beinhaltet Übungsobjekte, Verpflegung sowie Schlaf- und Seminarräumlichkeiten für Auszubildende und Ausbilder. -
Filmpodium Biel/Bienne
FILMPODIUM BIEL/BIENNE Fr/Ve 15/01 20h30 CRIME AND PUNISHMENT Sa 16/01 20h30 (RIKOS JA RANGAISTUS) Aki Kaurismäki, FIN 1983, 94’, Ov/d,f DER KUNSTVEREIN BIEL PRÄSENTIERT / LA SOCIÉTÉ DES BEAUX-ARTS BIENNE PRÉSENTE: So/Di 17/01 10h30* GOSSENREITER Mo/Lu 18/01 18h00 Marcel Wyss, CH 2015, 85’, Dialekt, D/f Di/Ma 19/01 18h00 *In Anwesenheit des Regisseurs / En présence du réalisateur So/Di 17/01 18h00 CALAMARI UNION 20h30 Aki Kaurismäki, FIN 1984/85, 82’, Ov/d,f Mo/Lu 18/01 20h30 SHADOWS IN PARADISE Di/Ma 19/01 20h30 (VARJOJA PARATIISISSA) Aki Kaurismäki, FIN 1986, 75’, Ov/d,f Fr/Ve 22/01 20h30 VON COWBOYS UND GESCHUNDENEN Sa 23/01 20h30 SEELEN 7 COURT-MÉTRAGES DE AKI KAURISMÄKI FIN 1986–2007, 58’, o.W. ROCKY VI 1986, 9’, o.W., THRU THE WIRE 1987, 6’, o.W., THOSE WERE THE DAYS 1991/92, 5’, o.W., THESE BOOTS 1992/93, 5’ o.W., ALWAYS BE A HUMAN (OO AINA IHMINEN) 1996, 5’, o.W., BICO 2004, 5’ Ov/e, VALIMO 2007, 4’, o.W. So/Di 24/01 10h30 GOSSENREITER Marcel Wyss, CH 2015, 85’, Dialekt, D/f So/Di 24/01 18h00 HAMLET GOES BUSINESS 20 h30 (HAMLET LIIKEMAAILMASSA) Aki Kaurismäki, FIN 1987, 90’, Ov/d,f Mo/Lu 25/01 18h00 FÜR EINE SCHÖNE WELT Erich Langjahr, CH 2016, 74’, Dialekt, D/f Mo/Lu 25/01 20h30 ARIEL Di/Ma 26/01 18h00 Aki Kaurismäki, FIN 1988, 73’, Ov/d,f 20 h 30 Fr/Ve 29/01 20h30 LENINGRAD COWBOYS GO AMERICA Sa 30/01 20h30 Aki Kaurismäki, FIN/S 1989, 80’, Ov/d,f So/Di 31/01 10h30 THE MATCH FACTORY GIRL 18h00 (TULITIKKUTEHTAAN TYTTÖ) 20h30 Aki Kaurismäki, FIN/S 1989/90, 70’, Ov/d,f Mo/Lu 01/02 18h00 I HIRED A CONTRACT KILLER 20h30 Aki Kaurismäki, -
Leighway January 2011.Pdf
Issue 32 – January 2011 The newsletter of the Leigh Society An eye to the future with an ear to the past in the heart of Leigh FRANK BENTLEY NOT SO ‘SWEET’ FANNY ADAMS FOLLOW UP The article in the last Leighway sparked interest from member As most of you will by now know, our President, Frank Terry Pond who knows the area where Fanny came from very Bentley, passed away in September aged 88. well. Tinkers Hole is due north of Creeksea between Endway Those of us who worked with Frank at the Society, met him at and the road to Althorne. And to prove it Terry has kindly sent our meetings or were involved with the Sea Scouts will know in the following recent photograph. what a wonderful gentleman Frank was. A jovial soul who couldn’t do enough for anyone. From the Society’s point of view we have lost a dear friend who steered us through many stormy meetings with his expertise in planning and development, gave talks at the Heritage Centre for the younger visitors and who can ever forget his one man band at the Comicals? He led from the front and was always up front, honest and adorable. We will all miss him terribly and our heartfelt sympathy goes to Kathleen and the family. Frank Bentley – a son of Leigh FROM THE EDITOR THE TOTTENHAM OUTRAGE Happy new year everyone, I hope, like me, you did not spend FOLLOW UP your Christmas in bed with the flu. What with that and the snow I can’t say I’m sorry to see the end of 2010. -
Finne Dein Glück!
Unverkäufliche Leseprobe Alle Rechte vorbehalten. Die Verwendung von Text und Bildern, auch auszugsweise, ist ohne schriftliche Zustimmung des Verlags urheberrechtswidrig und strafbar. Dies gilt insbesondere für die Vervielfältigung, Übersetzung oder die Verwendung in elektronischen Systemen. Bernd Gieseking ist unterwegs im Land der Glücksweltmeister, in Finnland. Er reist von Süd nach Nord, von Helsinki nach Inari und dann über Rovaniemi, Oulu, die Insel Hailuoto und Turku wieder zurück. Er besucht langjährige Freunde und trifft Künst- lerinnen und einen Bierbrauer, eine Bischöfin, einen Tierarzt, eine Mumin-Expertin, einen ehemaligen Musiker der Leningrad Cow- boys, einen Mitarbeiter des samischen Parlaments, die finnische Vizemeisterin im Hobby Horsing in der Disziplin Dressur, er sitzt in zahlreichen Saunen, spricht mit einem Lakritz-Hersteller und reist zu den finnischen Meisterschaften im Watercross. Gieseking fragt Finnen, warum sie glücklich sind, aber auch ob Deutsche in Finnland und Finnen in Deutschland glücklich sein können. Und er fragt sich selbst, warum er in Finnland immer wieder so glück- lich ist. Bernd Gieseking, geboren 1958 in Minden, ist Kabarettist und Autor von Kolumnen für die »Wahrheit«-Seite der »taz«, Kin- derbüchern, Kinderhörspielen für den WDR und den HR sowie diversen anderen Büchern wie die Kolumnensammlung »Ja klar, ich bin schuld«. Im FISCHER Taschenbuch erschienen »Früher hab’ ich nur mein Motorrad gepflegt« und »Gefühlte Dreißig«. Seine Finnland-Bücher »Finne dich selbst!« und »Das kuriose Finnland-Buch – Was Reiseführer verschweigen« sind Bestseller. Weitere Informationen finden Sie auf www.fischerverlage.de BERND GIESEKING Finne dein •• Gluck Eine Spurensuche im Land der Mitternachtssonne FISCHER Taschenbuch Für meinen Bruder Axel, der mich überhaupt erst nach Finnland gebracht hat Aus Verantwortung für die Umwelt hat sich der S. -
Military Structures Listing Selection Guides Summary
Military Structures Listing Selection Guides Summary Historic England’s twenty listing selection guides help to define which historic buildings are likely to meet the relevant tests for national designation and be included on the National Heritage List for England. Listing has been in place since 1947 and operates under the Planning (Listed Buildings and Conservation Areas) Act 1990. If a building is felt to meet the necessary standards, it is added to the List. This decision is taken by the Government’s Department for Digital, Culture, Media and Sport (DCMS). These selection guides were originally produced by English Heritage in 2011: slightly revised versions are now being published by its successor body, Historic England. The DCMS‘ Principles of Selection for Listing Buildings set out the over-arching criteria of special architectural or historic interest required for listing and the guides provide more detail of relevant considerations for determining such interest for particular building types. See https:// www.gov.uk/government/publications/principles-of-selection-for-listing-buildings. Each guide falls into two halves. The first defines the types of structures included in it, before going on to give a brisk overview of their characteristics and how these developed through time, with notice of the main architects and representative examples of buildings. The second half of the guide sets out the particular tests in terms of its architectural or historic interest a building has to meet if it is to be listed. A select bibliography gives suggestions for further reading. This guide outlines our approaches to listing England’s military buildings and structures, some of the most eloquent witnesses to the impact of world events on our national story. -
INSTRUCTIONS Review the Information Provided in The
UNIVERSITY OF OSLO, FACULTY OF LAW ENGLISH FOR LAWYERS (ENGSEMJ) TOPICS IN INTERNATIONAL LAW AND HUMAN RIGHTS HANDOUT #1: THE CASE OF SEALAND INSTRUCTIONS Review the information provided in the following pages that was copied from the official website of the Principality of Sealand as well as from Wikipedia.com. Consider that the United Kingdom sought to settle the matter in the International Court of Justice and Sealand agreed. As a matter of procedure, the ICJ agreed to hear the case and allow representatives of ‘Sealand’ to present their case without their appearance before the Court having any ramifications in international law. The Honorable Richard Hustad, acting ICJ judge, will preside over this case. Assignment: Team #1: As a representative of the United Kingdom, argue that Sealand is part of the United Kingdom and subject to its jurisdiction. Team #2: As a representative of Sealand, argue that Sealand is a sovereign state. Source: www.sealandgov.com History of Sealand During World War II, the United Kingdom decided to establish a number of military bases, the purpose of which was to defend England against German air raids. These sea forts housed enough troops to man and maintain artillery designed to shoot down German aircraft and missiles. They were situated along the east coast of England on the edge of the English territorial waters. One of these bases, consisting of concrete and steel construction, was the famous royal fort Roughs Tower situated slightly north of the estuary region of the Thames River. In contrast to the original plan to locate the tower within the sovereign territory of England, this fortress was situated at a distance of approximately 7 nautical miles from the coast, which is more than double the then applicable 3-mile range of territorial waters; to put it briefly, this island was situated in the international waters of the North Sea.