"/Title/Tt3702160/": {"Director": [["Kimberly Jessy"]], "Plot": ["\Nbeautiful D Anger Is an Animated 3D Made for TV/Short Film
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Glaadawards March 16, 2013 New York New York Marriott Marquis
#glaadawards MARCH 16, 2013 NEW YORK NEW YORK MARRIOTT MARQUIS APRIL 20, 2013 LOS AnGELES JW MARRIOTT LOS AnGELES MAY 11, 2013 SAN FRANCISCO HILTON SAN FRANCISCO - UnION SQUARE CONNECT WITH US CORPORATE PARTNERS PRESIDENT’S LETTer NOMINEE SELECTION PROCESS speCIAL HONOrees NOMINees SUPPORT FROM THE PRESIDENT Welcome to the 24th Annual GLAAD Media Awards. Thank you for joining us to celebrate fair, accurate and inclusive representations of the lesbian, gay, bisexual and transgender (LGBT) community in the media. Tonight, as we recognize outstanding achievements and bold visions, we also take pause to remember the impact of our most powerful tool: our voice. The past year in news, entertainment and online media reminds us that our stories are what continue to drive equality forward. When four states brought marriage equality to the election FROM THE PRESIDENT ballot last year, GLAAD stepped forward to help couples across the nation to share messages of love and commitment that lit the way for landmark victories in Maine, Maryland, Minnesota and Washington. Now, the U.S. Supreme Court will weigh in on whether same- sex couples should receive the same federal protections as straight married couples, and GLAAD is leading the media narrative and reshaping the way Americans view marriage equality. Because of GLAAD’s work, the Boy Scouts of America is closer than ever before to ending its discriminatory ban on gay scouts and leaders. GLAAD is empowering people like Jennifer Tyrrell – an Ohio mom who was ousted as leader of her son’s Cub Scouts pack – to share their stories with top-tier national news outlets, helping Americans understand the harm this ban inflicts on gay youth and families. -
Digital Surrealism: Visualizing Walt Disney Animation Studios
City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2017 Digital Surrealism: Visualizing Walt Disney Animation Studios Kevin L. Ferguson CUNY Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Digital Surrealism: Visualizing Walt Disney Animation Studios Abstract There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radical ways not previously possible. This article describes one such method using the z-projection function of the scientific image analysis software ImageJ to sum film frames in order to create new composite images. Working with the fifty-four feature-length films from Walt Disney Animation Studios, I describe how this method allows for a unique understanding of a film corpus not otherwise available to cinema and media studies scholars. “Technique is the very being of all creation” — Roland Barthes “We dig up diamonds by the score, a thousand rubies, sometimes more, but we don't know what we dig them for” — The Seven Dwarfs There are quite a number of fruitful digital humanities approaches to cinema and media studies, which vary widely from aesthetic techniques of visualizing color and form in shots to data-driven metrics approaches analyzing editing patterns. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Page 01 July 06.Indd
SUNDAY 6 JULY 2014 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Life Itself: CAMPUS Portrait of the • BFPIS students show excellence in Federal critic as a man Board SSC-I, 2014 exams P | 4 P | 8-9 MARKETPLACE • Sana launches Ramadan raffle promotion A local but highly efficient tradition, P | 5 the man-powered wooden scooters are HEALTH everywhere on the • Why it’s such a headache to schedule a paved highways and doctor’s appointment dusty sidestreets of Goma, Congo, holding P | 7 their own with the motorcycle taxis. WHEELS • Audi A6 TDI Quattro: A perfect blend of luxury and common sense P | 11 TECHNOLOGY • Britain hopes to catch up in global robotics race TSHUKUDU, P | 12 LEARN ARABIC • Learn commonly THE ALL-PURPOSE used Arabic words and their meanings TRANSPORT SCOOTER P | 13 2 PLUS | SUNDAY 6 JULY 2014 COVER STORY Man-powered wooden scooters A man stands next to a tshukudu, a wooden push- bike, in Goma. BY ALBERT KAMBALE A man makes a tshukudu in a workshop in Nyirangongo, HAT do you do when you in the Kibumba region. need to deliver several hun- dred pounds of potatoes, 150 stalks of sugar cane, 30 euca- lyptus saplings and eight sacks Wof coal, without motorised transport? For resi- dents of Goma, in the war-scarred east of the Democratic Republic of Congo, the answer to this, and many other problems, is the tshukudu. A local but highly efficient tradition, the man- powered wooden scooters are everywhere on the paved highways and dusty sidestreets of Goma, holding their own with the motorcycle taxis. -
SYDNEY OPERA HOUSE PRESENTS a Festival Celebrating the Art Of
SYDNEY OPERA HOUSE PRESENTS A festival celebrating the art of graphic storytelling, illustration, comics, animation and music MONDAY 28 SEPTEMBER, SATURDAY 10 & SUNDAY 11 OCTOBER SYDNEY OPERA HOUSE A festival of graphic storytelling, animation and music featuring: Mad Max: Fury Road - Creating the Apocalypse - George Miller, Brendan McCarthy and Nico Lathouris in conversation; Kevin Smith's Superhero Multiverse with special guest Jason Mewes; Sarah Blasko - Eternal Return Album Preview with Commissioned Visuals by Mike Daly; Ólafur Arnalds + visuals by Máni Sigfússon with 13-piece chamber orchestra and new arrangements by Viktor Orri Árnason; The Walking Dead: Season 6 Premiere – FREE SCREENING FREE TALKS from Brendan McCarthy, Nicola Scott, Animal Logic, Brendan Fletcher, Simon Rippingale and Erica Harrison; FREE SCREENINGS of Warren Ellis’ Captured Ghosts, The Mindscape of Alan Moore, She Makes Comics and Future Shock! 2000 AD; A Cautionary Tail and Oscar Wilde’s The Nightingale & The Rose “The smartest, wisest, most cutting edge festival and celebration of narrative literature and its intersection with culture in the world.” NEIL GAIMAN The Sydney Opera House today announced the program for the fifth GRAPHIC festival, taking place on Monday 28 September and Saturday 10 – Sunday 11 October. Featuring the exclusive commissions, world and Australian premieres that the festival has become synonymous with, this year GRAPHIC will also host ten free film screenings and talks from the most exciting storytellers in print, pixel and pop, on the stages and foyers of the Sydney Opera House. GRAPHIC co-curator and Sydney Opera House Head of Contemporary Music Ben Marshall said, “Sydney Opera House presents Graphic in order to celebrate the high artistic beats in forms of modern storytelling that are often ignored in traditional arts conversations and yet are capable of greatness. -
Animated Stereotypes –
Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes. -
From Disney to Disaster: the Disney Corporation’S Involvement in the Creation of Celebrity Trainwrecks
From Disney to Disaster: The Disney Corporation’s Involvement in the Creation of Celebrity Trainwrecks BY Kelsey N. Reese Spring 2021 WMNST 492W: Senior Capstone Seminar Dr. Jill Wood Reese 2 INTRODUCTION The popularized phrase “celebrity trainwreck” has taken off in the last ten years, and the phrase actively evokes specified images (Doyle, 2017). These images usually depict young women hounded by paparazzi cameras that are most likely drunk or high and half naked after a wild night of partying (Doyle, 2017). These girls then become the emblem of celebrity, bad girl femininity (Doyle, 2017; Kiefer, 2016). The trainwreck is always a woman and is usually subject to extra attention in the limelight (Doyle, 2017). Trainwrecks are in demand; almost everything they do becomes front page news, especially if their actions are seen as scandalous, defamatory, or insane. The exponential growth of the internet in the early 2000s created new avenues of interest in celebrity life, including that of social media, gossip blogs, online tabloids, and collections of paparazzi snapshots (Hamad & Taylor, 2015; Mercer, 2013). What resulted was 24/7 media access into the trainwreck’s life and their long line of outrageous, commiserable actions (Doyle, 2017). Kristy Fairclough coined the term trainwreck in 2008 as a way to describe young, wild female celebrities who exemplify the ‘good girl gone bad’ image (Fairclough, 2008; Goodin-Smith, 2014). While the coining of the term is rather recent, the trainwreck image itself is not; in their book titled Trainwreck, Jude Ellison Doyle postulates that the trainwreck classification dates back to feminism’s first wave with Mary Wollstonecraft (Anand, 2018; Doyle, 2017). -
You Can Find Details of All the Films Currently Selling/Coming to Market in the Screen
1 Introduction We are proud to present the Fís Éireann/Screen Irish screen production activity has more than Ireland-supported 2020 slate of productions. From doubled in the last decade. A great deal has also been comedy to drama to powerful documentaries, we achieved in terms of fostering more diversity within are delighted to support a wide, diverse and highly the industry, but there remains a lot more to do. anticipated slate of stories which we hope will Investment in creative talent remains our priority and captivate audiences in the year ahead. Following focus in everything we do across film, television and an extraordinary period for Irish talent which has animation. We are working closely with government seen Irish stories reach global audiences, gain and other industry partners to further develop our international critical acclaim and awards success, studio infrastructure. We are identifying new partners we will continue to build on these achievements in that will help to build audiences for Irish screen the coming decade. content, in more countries and on more screens. With the broadened remit that Fís Éireann/Screen Through Screen Skills Ireland, our skills development Ireland now represents both on the big and small division, we are playing a strategic leadership role in screen, our slate showcases the breadth and the development of a diverse range of skills for the depth of quality work being brought to life by Irish screen industries in Ireland to meet the anticipated creative talent. From animation, TV drama and demand from the sector. documentaries to short and full-length feature films, there is a wide range of stories to appeal to The power of Irish stories on screen, both at home and all audiences. -
In This Issue Portland Home Market for June 2014
Portland Metro Area Home Market Report For June 2014 http://www.movingtoportland.net Voice 503.497.2984 [email protected] In This Issue Portland Home Market: June 2014 Cost of Residential Homes by Community: June 2014 Mortgages Weather Summary for Portland Metro Area Portland Property Taxes: Who Gets the Money Portland Mavericks: The Battered Bastards of Baseball Portland Home Market for June 2014 June 2014 Highlights: Strongest June Closings since 2007 Closed sales enjoyed a solid month this June in the Portland metro area. The 2,617 closings showed a 4.2% increase over the 2,511 closings from last June. In fact, this was the strongest June for closed sales in the region since 2007 when there were 2,731! Pending sales, at 2,965, rose 5.7% compared to last June’s 2,804, but fell slightly (-0.8%) compared to the 2,989 offers accepted just last month. New listings (4,078) were 8.7% stronger than June 2013 (3,751) but fell 2.7% from May’s 4,192. There are currently 7,250 active residential listings in the Portland metro area. Total market time fell again in June to 59 days. Inventory remained stable for the third consecutive month, and sits at 2.8 months. Page 2 Portland Metro Area Home Prices for June 2014 Average and Median Sales Price: Median Price Up 8.7% During First Half of Year The average price the first half of the year was $328,900, up 8.7% from the same time frame in 2013 when the average was $302,700. -
Kurt Russell “I No Longer Look at My Life and Times in the Motion Picture Industry As My Career
Contributing Writers: Les Goldberg Ronnie Greenberg Randal C. Hill Lyn Jensen Debbie L. Sklar VOLUME 47, NUMBER 2 Nick Thomas FEBRUARY 2021 “Serving The Needs of Orange County & Long Beach Seniors Since 1974” Kurt Russell “I no longer look at my life and times in the motion picture industry as my career. I just look at it now as something I like and want to do.” —Kurt Russell What’s Inside.... Calendar of Events ...................................... 5 Flashback ................................................... 6 Classifieds ............................................... 7-8 Song Preview .............................................. 9 Off The Beaten Path ................................... 10 In The Spotlight ........................................ 11 Book Club ................................................. 13 Kurt Russell .............................................. 15 Memphis. ................................................. 18 Fabulous Finds .......................................... 21 Life After Mother ....................................... 22 Busy Boomers ........................................... 25 Movie Preview ........................................... 26 Tinseltown Talks ........................................ 27 Gadget Geezer .......................................... 29 Orange County • Long Beach Page 2 SENIOR REPORTER [email protected] FEBRUARY 2021 Reflections Funeral Services We are a family owned and operated funeral service provider. The services we offer to our families can range from -
Christina Flannery
CHRISTINA FLANNERY Costume Designer www.christinaflannery.com Selected Features: FRESH – Legendary Pictures – Mimi Cave, director ALL MY LIFE – Universal Pictures / Broken Road Productions – Marc Meyers, director THE SECRETS WE KEEP – AGC Studios / Amazon – Greg Shapiro, producer – Yuval Adler, director K-12 – Kim Stuckwisch & Nicole Rocklin, prod. – Melanie Martinez, director SEMPER FI – Lionsgate – David Lancaster & Karina Miller, producers – Henry Alex Rubin, director THEM THAT FOLLOW – Amasia Entertainment – Michael Helfant & Bradley Gallo, prod. – Britt Poulton & Dan Savage, directors *Official Selection Sundance Film Festival CAM. – Netflix / Divide/Conquer – Adam Hendricks & Isabelle Link-Levy, producers – Daniel Goldhaber, director *Fantasia Awards Winner: Best First Feature & Best Screenplay BAYOU CAVIAR – Brittany House Pictures – Anjul Nigam & Hilary Shor, producers – Cuba Gooding Jr, director BIRDS IN THE TRAP-TRAVIS SCOTT – Peligroso Productions – Pj Sodaki & Clemence Cuvelier, prod. – Fleur Fortune, director PEOPLE – KONO Productions – Harrison Huffman & Eric Winder Sella, prod. – Shane McGoey, writer & director CUT OFF – MediaFusion Entertainment – Carol Bidault de L'Isle, producer – Jowan Carbin, director CARTER AND JUNE – Sacred Bull Media – Nicholas Kalikow, director – Assistant Costume Designer ABATTOIR – Dark Web Productions – Darren Lynn Bousman, director – Assistant Costume Designer HEART BABY – Round Room Productions – Angela Shelton, director – Assistant Costume Designer MISSISSIPPI GRIND – Electric City Entertainment – Anna Boden & Ryan Fleck, directors – Costume Coordinator Selected Television: THE CHI (Season 4) – Showtime – Lena Waithe, creator ON THE VERGE (co-costume designer) – Netflix / Barnstormer LA – Julie Delpy, Executive Producer Selected Commercials: NFL. VERIZON. STARBUCKS. OAKLEY. RODAN AND FIELDS. STATE FARM. AUDIBLE. GOOGLE PIXEL 2. GOOGLE VR. HP. VERIZON.FUJI. BANK OF AMERICA. GQ. APPLE. SPECIAL OLYMPICS, LIDL. MCDONALDS. POPEYES. MARLBORO. CADILLAC. TAX ACT. -
Grant Morrison” and Grantmorrison™
K Scott 1 No Guru, No Method, No Teacher: “Grant Morrison” and GrantMorrison™ 1. Introduction My title comes from Van, not Grant, Morrison; not just because of a fondness for the music of my compatriot, but because it sums up both the worldview of my main subject and my own complex and contradictory responses to his work. As a writer, Morrison attracts admiration and odium in roughly equal measure, a sign generally of his attempts to innovate within the medium of comics, and more specifically of the key element of his work I wish to examine here, the extent to which he foregrounds his own presence within his texts. His work displays a continual questioning of established value systems – religious, political and artistic – and a simultaneous elevation of personae who are clearly meant to be read as avatars of Morrison himself, placed in and acting through his comics. As Jacques Bens wrote in his analysis of Boris Vian’s L’Ecume des jours: Tout écrivain refait le monde, soit parce qu’il est impuissant à restituer parfaitement une réalité don’t la structure complexe échappe à la parole, soit parce qu’il a envie de libérer ses demons familers [my italics] (177). [All authors remake the world, either because it is impossible to perfectly reconstruct a reality of which the structure is too complex to capture in language, or because they wish to loose their personal demons] The “personal demons” (and the occult reference is entirely fitting for a writer who makes much play of the idea of magic as a belief system) Morrison liberates are overwhelmingly linked to the relationship between himself and his writing.