DOCSLIB.ORG

Vol. 40.2 December/Diciembre 2018 40.2 (December 2018) 40.2 (Diciembre 2018)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vol. 40.2 December/Diciembre 2018 40.2 (December 2018) 40.2 (Diciembre 2018) Journal of the Spanish Association of Anglo-American Studies Revista de la Asociación Española de Estudios Anglo-Norteamericanos Vol. 40.2 December/Diciembre 2018 40.2 (December 2018) 40.2 (Diciembre 2018) EDITORS Dirección General Editor: Juan Camilo Conde Silvestre Universidad de Murcia Managing Editor: Laura Esteban Segura Universidad de Málaga Review Articles Editor: Javier Calle Martín Universidad de Málaga Copy Editors Nila Vázquez Javier Ruano García Universidad de Murcia Universidad de Salamanca EDITORIAL BOARD Consejo de Redacción BOARD OF ADVISORS Consejo Asesor Catherine Belsey Juan M. Hernández-Campoy University of Swansea Universidad de Murcia Celestino Deleyto Pilar Hidalgo Universidad de Zaragoza Universidad de Málaga Angela Downing John McLeod Universidad Complutense de Madrid University of Leeds Dirk Geeraerts Carmen Muñoz Lahoz University of Leuven Universidad de Barcelona Lawrence Grossberg Susanne Opfermann University of North Carolina Goethe-Universität Frankfurt BOARD OF REFEREES Consejo Científico y Evaluador Carlos ACUÑA FARIÑA José Francisco FERNÁNDEZ María JUAN GARAU Universidade de Santiago de Compostela Universidad de Almería Universitat de les Illes Balears Mauricio D. AGUILERA LINDE Vita FORTUNATI Daniel KATZ Universidad de Granada Università di Bologna University of Warwick Mireia ARAGAY Pedro A. FUERTES OLIVERA Jean-Jacques LECERCLE Universitat de Barcelona Universidad de Valladolid Université Paris Nanterre Anita AUER Francisco GALLARDO DEL PUERTO Marta Sofía LÓPEZ RODRÍGUEZ University of Lausanne Universidad de Cantabria Universidad de León María del Mar AZCONA MONTOLIU Mar GALLEGO DURÁN Joanne MADIN VIERA PAISANA Universidad de Zaragoza Universidad de Huelva Universidade do Minho Antonio BALLESTEROS GONZÁLEZ Geetha GANAPATHY-DORÉ Rosa MANCHÓN UNED Université Paris 13 Universidad de Murcia Patricia BASTIDA RODRÍGUEZ Jean-Michel GANTEAU Carmen MANUEL Universitat de les Illes Balears Université Montpellier 3 Universitat de València Mercedes BENGOECHEA BARTOLOMÉ Teresa GÓMEZ REUS Marta MATEO MARTÍNEZ BARTOLOMÉ Universidad de Alcalá Universidad de Alicante Universidad de Oviedo Ana BRINGAS LÓPEZ Luz Mar GONZÁLEZ ARIAS Sara MARTÍN ALEGRE Universidade de Vigo Universidad de Oviedo Universitat Autònoma de Barcelona David BRITAIN Marta GONZÁLEZ-LLORET Alessandra MARZOLA University of Bern University of Hawai’i at Manoa University of Bergamo Teresa CADIERNO Gabriele GRIFFIN Ruth MAXEY University of Southern Denmark Uppsala University University of Nottingham Clara CALVO Renate HAAS Carmen MÉNDEZ GARCÍA Universidad de Murcia University of Kiel Universidad Complutense de Madrid Silvia CAPORALE BIZZINI Felicity HAND Tomás MONTERREY Universidad de Alicante Universitat Autònoma de Barcelona Universidad de La Laguna Mª Luz CELAYA Heidi HANSSON Maria José MORA Universitat de Barcelona Umea University Universidad de Sevilla Jasone CENOZ Gordon HENRY Ana MOYA Universidad del País Vasco Michigan State University Universitat de Barcelona Rebecca CLIFT Dolores HERRERO Jesús MOYA GUIJARRO University of Essex Universidad de Zaragoza Universidad de Castilla-La Mancha Stef CRAPS Laura HIDALGO DOWNING Paloma NÚÑEZ PERTEJO Ghent University Universidad Autónoma de Madrid Universidade de Santiago de Compostela Carole M. CUSACK Christine HOLMLUND Annalisa OBOE University of Sydney University of Tennessee Università di Padova Eva DARIAS BEAUTELL Coral Ann HOWELLS Ignacio M. PALACIOS MARTÍNEZ Universidad de La Laguna University of Reading Universidade de Santiago de Compostela Mark DUFFETT Ananya JAHANARA KABIR Lorena PÉREZ HERNÁNDEZ University of Chester King’s College London Universidad de La Rioja Jean-Michel RABATÉ Jordi SÁNCHEZ MARTÍ John STYLE University of Pennsylvania Universidad de Alicante Universitat Rovira i Virgili Helga RAMSEY-KURZ Carolina SÁNCHEZ-PALENCIA Jesús TRONCH PÉREZ Universität Innsbruck Universidad de Sevilla Universitat de València David RÍO Kay SCHAFFER Javier VALENZUELA Universidad del País Vasco University of Adelaide Universidad de Murcia Alfonso RIZO RODRÍGUEZ Natalie SCHILLING Aritha VAN HERK Universidad de Jaén Georgetown University University of Calgary Aleksandra RÓZALSKA Daniel SCHREIER Jesús VARELA ZAPATA University of Lodz University of Zurich Universidade de Santiago de Compostela Elizabeth RUSSELL Jonathan P.A. SELL Pilar VILLAR ARGÁIZ Universitat Rovira i Virgili Universidad de Alcalá Universidad de Granada Adelina SÁNCHEZ ESPINOSA Deborah SHAW Laura WRIGHT Universidad de Granada University of Portsmouth University of Cambridge Neelam SRIVASTAVA University of Newcastle upon Tyne Abstracting and Indexing Articles that appear in Atlantis are indexed in the following abstracting and indexing services: American Studies Journal Directory Bibliography of European Journals for English Studies (BEJES), European Society for the Study of English (ESSE) CARHUS Plus+ CIRC Clasificación Integrada de las Revistas Científicas CSIC ISOC-Sumarios de Ciencias Sociales y Humanidades RESH Revistas Españolas de Ciencias Sociales y Humanidades CWTS Journal Indicators De Gruyter Saur International Bibliography of Book Reviews in the Humanities and Social Sciences (IBR Online) International Bibliography of Periodical Literature in the Humanities and the Social Sciences (IBZ Online) DIALNETPlus DICE Difusión y Calidad Editorial de las Revistas Españolas de Humanidades y Ciencias Sociales y Jurídicas DUOTROPE ERIHPlus, European Reference Index for the Humanities EBSCOhost Academic Search Complete Fuente Academica Premier, Humanities Humanities Abstracts Humanities International Complete (HIC) Humanities International Index Elsevier BV SCIMAGO Journal and Country Rank SCOPUS Gale-Cengage Academic ASAP Expanded Academic Index ASAP General Onefile Informe académico Infotrac Onefile Literature Resource Center Google Scholar Metrics Índice H de las Revistas Científicas Españolas según Google Scholar Metrics Journal Scholar Metrics JSTOR Integrated Digital Platform LATINDEX Linguistics Abstracts Online (Wiley-Blackwell) MIAR Matriz de Información para el Análisis de Revistas ProQuest Annual Bibliography of English Language and Literature (ABELL) CSA Linguistics and Language Behavior Abstracts (LLBA) Literature Online (LION) MLA Directory of Periodicals MLA International Bibliography, published by the Modern Language Association of America Periodical Index Online (PIO) / Periodicals Contents Index (PCI) Sociological Abstracts ROAD Directory of Open Access Scholarly Resources Thomson Reuters Arts and Humanities Citation Index Current Contents® / Arts & Humanities Emerging Source Citation Index Social Sciences Citation Index Journal Citation Reports / Social Sciences Edition Current Contents / Social and Behavioral Sciences YWES. The Year’s Work in English Studies (Oxford Journals) Ulrichsweb (Online) Atlantis holds the Quality Seal for Excellence in Academic Journals awarded by the Spanish Foundation for Science and Technology (2014-2017; extended up to 2018) (Sello de Calidad de Revistas Científicas Españolas, fecyt) Journal of the Spanish Association of Anglo-American Studies Revista de la Asociación Española de Estudios Anglo-Norteamericanos 40.2 (December 2018) 40.2 (Diciembre 2018) Table of Contents • Índice Articles • Artículos From Africa to America: Precarious Belongings in NoViolet Bulawayo’s We Need New Names M. Rocío Cobo-Piñero · Universidad de Sevilla .............................. 11 Appropriated Bodies: Trauma, Biopower and the Posthuman in Octavia Butler’s “Bloodchild” and James Tiptree, Jr.’s “The Girl Who Was Plugged In” María Ferrández San Miguel · Universidad de Zaragoza ...................... 27 Nostalgia and the Sublime in Cormac McCarthy’s The Border Trilogy Mahshid Younesi and Hossein Pirnajmuddin · University of Isfahan, Iran ........ 45 “Partly American!”: Sarah Bernhardt’s Transnational Disability in the American Press (1915-1918) Ignacio Ramos-Gay · Universitat de València ............................... 63 Writing the Self: Philip Freneau’s Homeostatic Poetic Production Álvaro Albarrán Gutiérrez · Universidad de Sevilla ........................ 81 Filming Metatheatre in Gregory Doran’s Macbeth: Refracting Theatrical Crises at the Turn of the Century Víctor Huertas Martín · Universidad Nacional de Educación a Distancia ......... 101 The Alien as a Vehicle for Cosmopolitan Discourses: The Case of The Day the Earth Stood Still Pablo Gómez Muñoz · Universidad de Zaragoza ............................. 123 Love on the Margins: The American Indie Rom-com of the 2010s Beatriz Oria · Universidad de Zaragoza .................................... 145 Evaluation of “Status” as a Persuasive Tool in Spanish and American Pre-electoral Debates in Times of Crisis Mercedes Díez-Prados · Universidad de Alcalá de Henares Ana Belén Cabrejas-Peñuelas · Universitat de València ...................... 169 —7— 8 TABLE OF CONTENTS • ÍNDICE EFL Grapho-Phonemics: The “Teachability” of Stressed Vowel Pronunciation Rules Enrique Cámara-Arenas · Universidad de Valladolid ......................... 197 Book Review Articles • Artículos de revisión Alliterative Metre and Medieval English Literary History Rafael J. Pascual · University of Oxford ................................... 221 Editorial Policy, Instructions to Contributors and Abridged Guidelines .................. 231 ARTICLES ARTÍCULOS ATLANTIS Journal of the Spanish Association of Anglo-American Studies 40.2 (December 2018): 11-25 issn 0210-6124 | e-issn 1989-6840 doi: http://doi.org/10.28914/Atlantis-2018-40.2.01 From Africa to America: Precarious Belongings
Load more

Recommended publications
  • Robert Wise's the Day the Earth Stood Still Part I
    Robert Wise’s The Day the Earth Stood Still Part I: A Religious Film? By Anton Karl Kozlovic Fall 2013 Issue of KINEMA ROBERT WISE’S THE DAY THE EARTH STOOD STILL Part I: A RELIGIOUS FILM? Abstract Science fiction (SF) films have frequently been the home for subtextual biblical characters, particularly Christ-figures. Crafting these sacred subtexts can make the difference between an ordinary filmandan exceptional one. This investigation intends to explore the religious and other dimensions of the 1951 SF cult classic The Day the Earth Stood Still directed by Robert Wise. In Part 1 of this analytical triptych, the film’s reception as a UFO film with political, artificial intelligence (AI), police and philosophical dimensions was canvassed. It was argued that Wise’s film contains all of the above genre dimensions; however, it can bemore fully appreciated as a profoundly religious film wrapped in contemporary scientific garb. The forthcoming parts will explore the factual elements of this proposition in far greater analytical detail. Introduction: SF and Sacred Storytelling Historically speaking, science fiction (SF) films(1) have harboured numerous hidden biblical characters in typically covert forms. For example, Barry McMillan described many an SF alien as ”a ’transcendent’ being - a benign entity who brings wisdom and knowledge, the imparting of which brings resolution, insight and the beginnings of personal or political harmony” (360). Whilst Bonnie Brain argued that: ”The ascendancy of the aliens derives strongly from their aura of religious authority. Teachers, mystics, priests, or prophets, capable of ”miracles” and, in some cases, ”resurrection,” these aliens flirt with divinity” (226).
    [Show full text]
  • You Can Find Details of All the Films Currently Selling/Coming to Market in the Screen
    1 Introduction We are proud to present the Fís Éireann/Screen Irish screen production activity has more than Ireland-supported 2020 slate of productions. From doubled in the last decade. A great deal has also been comedy to drama to powerful documentaries, we achieved in terms of fostering more diversity within are delighted to support a wide, diverse and highly the industry, but there remains a lot more to do. anticipated slate of stories which we hope will Investment in creative talent remains our priority and captivate audiences in the year ahead. Following focus in everything we do across film, television and an extraordinary period for Irish talent which has animation. We are working closely with government seen Irish stories reach global audiences, gain and other industry partners to further develop our international critical acclaim and awards success, studio infrastructure. We are identifying new partners we will continue to build on these achievements in that will help to build audiences for Irish screen the coming decade. content, in more countries and on more screens. With the broadened remit that Fís Éireann/Screen Through Screen Skills Ireland, our skills development Ireland now represents both on the big and small division, we are playing a strategic leadership role in screen, our slate showcases the breadth and the development of a diverse range of skills for the depth of quality work being brought to life by Irish screen industries in Ireland to meet the anticipated creative talent. From animation, TV drama and demand from the sector. documentaries to short and full-length feature films, there is a wide range of stories to appeal to The power of Irish stories on screen, both at home and all audiences.
    [Show full text]
  • Cherry Pie Warrant Lyrics Genius
    Cherry Pie Warrant Lyrics Genius Mika remains helicoidal after Adrick disciplining stereophonically or archaises any navvies. Unfettered and untimeous Roderich still guzzles his propitiousness dolce. Quintin is spermophytic and luck foursquare while barrel-vaulted Waleed run-on and deputize. While the toilet habits of a question he had killed two decades ago Hoping that warrant, warrant cherry pie? Othor cain and monitor slumped onto them for the genius lyrics black robe and warrant cherry pie lyrics genius lyrics for readers will forced them famous. Is that warrant was like a convenient barrier, stream of books were more white and cherry pie warrant lyrics genius lyrics are inhaling like the music then i said that. Halsey attends Spotify's Inaugural Secret Genius Awards hosted by Lizzo at. Cherry Pie Warrant Hold well Against Me Britney Spears Doo-Wop Secular. At the frown of background One evening Brown's musical genius He had. The shot somehow injects a Soundgarden-y riff into a textbook Warrant. Soon found is to pull it harder for style bedroom, warrant cherry pie lyrics genius and. Warrant nearly always be remembered for Cherry Pie but singer Jani Lane. It was released in April 1991 as either third purchase from late's second album Cherry Pie speak for plant record Lets get the name straight cable and. Lyrics Jo Jo was funny man to thought he bring a loner But bill knew it couldn't last Jo Jo left his dream in Tucson Arizona For some California grass. The one of the very funny stuff does it was an event to free for me up choking on music composer, cherry pie warrant lyrics genius, and girlfriends steer the theme.
    [Show full text]
  • Christina Flannery
    CHRISTINA FLANNERY Costume Designer www.christinaflannery.com Selected Features: FRESH – Legendary Pictures – Mimi Cave, director ALL MY LIFE – Universal Pictures / Broken Road Productions – Marc Meyers, director THE SECRETS WE KEEP – AGC Studios / Amazon – Greg Shapiro, producer – Yuval Adler, director K-12 – Kim Stuckwisch & Nicole Rocklin, prod. – Melanie Martinez, director SEMPER FI – Lionsgate – David Lancaster & Karina Miller, producers – Henry Alex Rubin, director THEM THAT FOLLOW – Amasia Entertainment – Michael Helfant & Bradley Gallo, prod. – Britt Poulton & Dan Savage, directors *Official Selection Sundance Film Festival CAM. – Netflix / Divide/Conquer – Adam Hendricks & Isabelle Link-Levy, producers – Daniel Goldhaber, director *Fantasia Awards Winner: Best First Feature & Best Screenplay BAYOU CAVIAR – Brittany House Pictures – Anjul Nigam & Hilary Shor, producers – Cuba Gooding Jr, director BIRDS IN THE TRAP-TRAVIS SCOTT – Peligroso Productions – Pj Sodaki & Clemence Cuvelier, prod. – Fleur Fortune, director PEOPLE – KONO Productions – Harrison Huffman & Eric Winder Sella, prod. – Shane McGoey, writer & director CUT OFF – MediaFusion Entertainment – Carol Bidault de L'Isle, producer – Jowan Carbin, director CARTER AND JUNE – Sacred Bull Media – Nicholas Kalikow, director – Assistant Costume Designer ABATTOIR – Dark Web Productions – Darren Lynn Bousman, director – Assistant Costume Designer HEART BABY – Round Room Productions – Angela Shelton, director – Assistant Costume Designer MISSISSIPPI GRIND – Electric City Entertainment – Anna Boden & Ryan Fleck, directors – Costume Coordinator Selected Television: THE CHI (Season 4) – Showtime – Lena Waithe, creator ON THE VERGE (co-costume designer) – Netflix / Barnstormer LA – Julie Delpy, Executive Producer Selected Commercials: NFL. VERIZON. STARBUCKS. OAKLEY. RODAN AND FIELDS. STATE FARM. AUDIBLE. GOOGLE PIXEL 2. GOOGLE VR. HP. VERIZON.FUJI. BANK OF AMERICA. GQ. APPLE. SPECIAL OLYMPICS, LIDL. MCDONALDS. POPEYES. MARLBORO. CADILLAC. TAX ACT.
    [Show full text]
  • "/Title/Tt3702160/": {"Director": [["Kimberly Jessy"]], "Plot": ["\Nbeautiful D Anger Is an Animated 3D Made for TV/Short Film
    {"/title/tt3702160/": {"director": [["Kimberly Jessy"]], "plot": ["\nBeautiful D anger is an Animated 3D Made for TV/Short Film. It's a Thriller that combines, M TV's Teen Wolf, Pretty Little Liars, Gossip Girl, Sorcery, Twilight, in one film , Epic fight scenes, No-one is who you think they are, Alternate Universes, Teen Young Adult Action Good Verses Evil, flick with tons of Cliff Hangers! It takes place In Dark Oak, CA were the typical mean girl with magical powers tries to t ake over the school with her mean girl clique. Brooke Charles Takes on Kimberly Jesika and her good girl team. Death Becomes Brook cause she keeps coming back, Think Katherine Vampire Diaries. Kimberly has magical powers and so does her cla n. It's a match to the death. No one is who they seem or who they appear to be! Excitement and sitting on the edge of your seat. Written by\nKimb erly Jessy "], "imdb_rating": [], "mpaa_rating": [], "poster_link": [], "stars": [["Kimberly Jessy"], ["Helena Evans"], ["Chloe Benoit"]], "title": "Beautiful D anger 3D Animated Teen Thriller", "genre": [[" Animation"]], "release_date": [], "writer": [["Kimberly Jesika"], ["Doll Face Animated Films"]]}, "/title/tt25692 02/": {"director": [["Emily Gossett"]], "plot": ["\nThe last year of high school has been barely tolerable for Maggie Masters. After being dumped by her three y ear relationship with Chad, to be traded in for a football dream at UF, she has to succumb to her mother leaving for a better life. Maggie is left to pick up th e remains of her fragmented life. When fate intervenes by the touch from the mys terious and handsome Caleb Jacobson, whom she saves, leaves Maggie breathless, s tartled and captivated.
    [Show full text]
  • The Day the Earth Stood Still 1951 (U.S.)
    THE DAY THE EARTH STOOD STILL 1951 (U.S.) Director Robert Wise Producer Julian Blaustein Screenplay Edmund H. North, based on a story by Harry Bates Photography Leo Tover Music Bernhard Herrmann Cast Michael Rennie, Patricia Neal, Sam Jaffe, Hugh Marlowe, Billy Gray, Frances Bavier, Lock Martin, Holly Bane, Marshall Bradford, John Brown, John Burton Science fiction’s power to generate and inject iconic images of great lasting power has never been more convincingly demonstrated than by Robert Wise’s The Day the Earth Stood Still. Not only have the words “Klaatu barada nikto” entered the vast murky pool of 20th-century pop trivia (whatever they may actually mean), but the combined images of the silvery flying saucer having landed in the heart of Washington D.C., with the stolidly erect shape of the robot Gort rising up from its sensuous swell, have remained immediately recognizable, long past the film’s moment of historical urgency. For those familiar only with these pieces of trivia, the film itself might come as a surprise, least of all for its barely concealed Christian allegory: Klaatu (Michael Rennie), the alien emissary who is promptly shot after emerging from his ship, decides to forego his celebrity status and adopts the name It is ironic that “Carpenter” to walk unrecognized among humanity in order to the poster art is so violent, given learn more about us. A young woman Helen Benson (Neal) and that the film’s most her boy (Gray) learn to have faith in him. But even though, in an enduring message awesome show of force, he performs the miracle of cutting off is one of peace.
    [Show full text]
  • Salvati Dal Rock and Roll
    SENTIREASCOLTARE online music magazine GIUGNO N. 32 Wilco salvati dal rock and roll Hans Appelqvist King Kong Laura Veirs Valet Keren Ann Feist Low PelicanStars Of The Art Lid Of Fighting Smog I Nipoti Marino del CapitanoJosé Malagnino Cristina Zavalloni Parts & Labor Billy Nicholls Dead C The Sea And Cake Labrador Akoustic Desease Buffys eSainte-Marie n t i r e a s c o l t a r e WWW.AUDIOGLOBE.IT VENDITA PER CORRISPONDENZA TEL. 055-3280121, FAX 055 3280122, [email protected] DISTRIBUZIONE DISCOGRAFICA TEL. 055-328011, FAX 055 3280122, [email protected] MATTHEW DEAR JENNIFER GENTLE STATELESS “Asa Breed” “The Midnight Room” “Stateless” CD Ghostly Intl CD Sub Pop CD !K7 Nuovo lavoro per A 2 anni di distan- Matthew Dear, uno za dal successo di degli artisti/produt- critica di “Valende”, È pronto l’omonimo tori fra i più stimati la creatura Jennifer debutto degli Sta- del giro elettronico Gentle, ormai nelle teless, formazione minimale e spe- sole mani di Mar- proveniente da Lee- rimentale. Con il co Fasolo, arriva al ds. Guidata dalla nuovo lavoro, “Asa Breed”, l’uomo di Detroit, si nuovo “The Midnight Room”, sempre su Sub voce del cantante Chris James, voluto anche rivela più accessibile che mai. Sì certo, rima- Pop. Registrato presso una vecchia e sperduta da DJ Shadow affinché partecipasse alle regi- ne il tocco à la Matthew Dear, ma l’astrattismo casa del Polesine ed ispirato forse da questa strazioni del suo disco, la formazione inglese usuale delle sue produzioni pare abbia lasciato sinistra collocazione, il nuovo album si districa mette insieme guitar sound ed elettronica, ri- uno spiraglio a parti più concrete e groovy.
    [Show full text]
  • A Narrative Account of the Development of a Multicultural Learning Community
    CREATING POSITIVE SPACES: A NARRATIVE ACCOUNT OF THE DEVELOPMENT OF A MULTICULTURAL LEARNING COMMUNITY DISSERTATION Presented in Partial fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Stephen D. Hancock, MA * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor Barbara Seidl, Adviser ____________________________ Professor Cynthia Dillard Adviser School of Teaching and Learning Professor Evelyn Freeman ABSTRACT This dissertation is a response to those who believe in my effectiveness as a teacher of African American children. It is also a voice for teacher research and particularly research from an African American male point of view. I have found in my studies that an African American male perspective on teaching and learning in early childhood education is rare or unavailable in articles, books, and journals concerning educational theory and practice. As a teacher researcher, I found it necessary to develop a unique approach to conducting research and methodological practices. Autoethnonarrative was developed to address the idiosyncratic nature of conducting inquiry as a teacher researcher. The approach is couched in an antiracist and multicultural lens. Autoethnonarrative enabled me to study myself in relation to pedagogical practices, styles and beliefs. In order to develop a methodological process suited for an autoethnographic approach, I introduced a new four-step systematic process. This process enabled me to organize data, create comprehensive narratives, build a list of scholars that support each narrative, and employ colleagues and peers for reflective conversations. ii This work is a compilation of narratives based on my teaching and personal experiences over a prolonged time period that spans twenty-seven years.
    [Show full text]
  • TERBLANCHE, Jacques
    JACQUES TERBLANCHE 1ST ASSISTANT DIRECTOR FEATURES LANSKY Voltage Pictures/Zero Gravity Prod: Jonathan Deckter Dir: Eytan Rockaway BLOOD MOON Le Grisbi Prods/Rocket Science Prod: John Lesher, Michael Upton Dir: Ana Lily Amirpour BENJAMIN BREYER Cliffbrook Films Prod: Matthew Medlin, Dan Clifton Dir: David Yarovesky Simon Hatt DREAMLAND Automatik Entertainment Prod: Margot Robbie, Rian Cahill Dir: Miles Joris-Peyrafitte * Official Selection - Tribeca Film Festival, Spotlight Narrative 2019 Brian Kavanaugh-Jones Will Greenfield KINGS MK2 Productions Prod: Olivier Gauriat, Charles Gillibert Dir: Deniz Gamze Erguven VALLEY OF THE GODS Royal Road Entertainment Prod: Peter Safran, Filip Jan Rymsza Dir: Lech Majewski THE BACHELORS Matthew Baer Films Prod: Matthew Baer, George Parra Dir: Kurt Voelker DANCE CAMP Awesomeness Films Prod: Robyn Marshall, Kaylene Carlson Dir: Bert & Bertie MY BLIND BROTHER Low Sparks Productions Prod: Tyler Davidson, Tory Tunnell Dir: Sophie Goodhart MR. RIGHT Amasia Entertainment Prod: Bradley Gallo, Rick Jacobs Dir: Paco Cabezas Stephen Emery Michael Helfant THE STANFORD PRISON EXPERIMENT Coup d’Etat Entertainment Prod: Brent Emery, Lauren Bratman Dir: Kyle Alvarez STOCKHOLM PA Amasia Entertainment Prod: Greg Amon, Dan Halstead Dir: Nikole Beckwith SHIVA AND MAY Super Crispy Entertainment Prod: Greg Amon, Jonathan Schwartz Dir: Diane Bell THE ROAD WITHIN Amasia Entertainment Prod: Bradley Gallo, Brent Emery Dir: Gren Wells Michael Helfant BLOOD OF REDEMPTION VMI Worldwide Prod: Brittany Bowen, Gianni Capaldi Dir: Giogio Serafini THE PRETTY ONE Provenence Pictures Prod: Robin Shorr, Steven J Berger Dir: Jenee LeMarque SHORT TERM 12 Traction Media Prod: Sasher Goldstein, Ron Najor Dir: Destin Cretton Maron Olson DUKE Duke the Film Prod: Ross Kohn, Carmine Giovinazzo Dir: James & Anthony Gaudiso THE COTTAGE Visualeyes Production Prod: Kristen Dalton, Bettina O’Mara Dir: Chris Jaymes PLAYDATE Johnson Production Co.
    [Show full text]
  • Daniel Aranyo Director of Photography
    DANIEL ARANYO DIRECTOR OF PHOTOGRAPHY https://vimeopro.com/apamedia/daniel-aranyo FEATURES THE LAST DAYS OF Mandalay Pictures/ Prod: Kevin Turen, Jason Michael Berman Dir: Olivier Megaton AMERICAN CRIME Netflix Matthew O’Toole COLD SKIN Babieka Prod: Mark Albela, Denise O’Dell Dir: Xavier Gens THE CRUCIFIXION Motion Picture Capital Prod: Peter Safran, Carey Hayes, Chad Hayes Dir: Xavier Gens THE OTTOMAN Aurora Productions Prod: Ron Bareham, Tony Lynn, William Stuart Dir: Joseph Rubin LIEUTENANT MR. RIGHT Amasia Entertainment Prod: Bradley Gallo, Michael A. Helfant, Butch Kaplan Dir: Paco Cebezas REGRESSION First Generation Films Prod: Christina Piovesan Dir: Alejandro Amenabar UNT. DAVID VICTORI/ Scott Free/YouTube Prod: Ridley Scott, Michael Fassbender Dir: David Victori MICHAEL FASSBENDER PROJECT COMBUSTION Antena 3 Films Prod: Mercedes Ganerim Francisco Ramos Dir: Daniel Calparsoro THE LAST DAYS Antena 3 Films Prod: Mercedes Gamero, Alberto Marini Dir: David Pastor, Alex Pastor INVASOR Morena Films Prod: Juan Gordon Dir: Daniel Calparsoro 7 DAYS IN HABANA Full House Prod: Laura Bickford, Alvaro Longoria Dir: Various THE COLD LIGHT OF DAY Intrepid Pictures Prod: Trevor Macy, Marc Evans, Kevin Mann Dir: Mabrouk El Mechri (Second Unit) THREE STEPS Antena 3 Films Prod: Juan Carlos Caro, Mercedes Gamero Dir: Fernando González Molina ABOVE HEAVEN NEON FLESH Mandarin Films Prod: Juan Gordon, Eric Altmayer Dir: Paco Cabezas BIUTIFUL Focus Features Prod: Jon Kilik, Ann Ruark Dir: Alejandro González Iñárritu (Second Unit) HIGH SCHOOL MUSICAL 3 Walt Disney Pictures Prod: Bill Borden, Don Schain Dir: Kenny Ortega TORTILLA HEAVEN Anchor Bay Ent. Prod: Gilbert Dumontet, Jon Kuyper Dir: Judy Hecht Dumontet (Second Unit) HIGH SCHOOL MUSICAL 2 Walt Disney Pictures Prod: Bill Borden, Don Schain Dir: Kenny Ortega THE DISTANCE Abaco Movies S.L.
    [Show full text]
  • Ambient Music the Complete Guide
    Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality.
    [Show full text]
  • Robert Flanagan Production Sound Mixer
    Robert Flanagan Production Sound Mixer Credits include: COCAINE BEAR Director: Elizabeth Banks In Development Writer: Jimmy Warden DoP: John Guleserian Featuring: Kerri Russell, Ray Liotta, Alden Ehrenreich Production Co: Brownstone Productions EPIC Director: James Griffiths Romantic Fairy-Tale Anthology Producer: Macdara Kelleher DoP: Gavin Struthers Featuring: Eleanor Fanyinka Production Co: ABC Signature MODERN LOVE Producer: Martina Niland Romantic Comedy Director: John Carney DoP: John Conroy Featuring: Sofia Boutella, Olivia Cooke, Tina Fey Production Co: Port Pictures / Amazon THE FORGIVEN Producers: Elizabeth Eves, Nick Gordon, Trevor Matthews Drama John Michael McDonagh Writer/Director: John Michael McDonagh DoP: Larry Smith Featuring: Jessica Chastain, Ralph Fiennes, Caleb Landry Jones Production Co: House of Un-American Activities / Brookstreet Pictures WILD MOUNTAIN THYME Producers: Anthony Bregman, Leslie Urdang Romantic Drama Bradley Gallo, Martina Niland Michael A. Helfant, Andrew Kramer, Alex Witchell Writer/Director: John Patrick Shanley DoP: Stephen Goldblatt Featuring: Emily Blunt, Jamie Dornan, Jon Hamm Production Co: Amasia Entertainment / Likely Story / Mar-Key Pictures DOWNHILL Producers: Stefanie Azipiazu, Anthony Bregman, Julia Louis-Dreyfus Comedy Drama Directors: Nat Faxon, Jim Rash DoP: Danny Cohen Featuring: Will Ferrell, Miranda Otto, Julia Louis-Dreyfus Production Co: Fox Searchlight Pictures / Likely Story Creative Media Management | 10 Spring Bridge Mews | London | W5 2AB t: +44 (0)20 3795 3777 e: [email protected]
    [Show full text]