New Area Code in Southeastern Wisconsin
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Robertson Davies Fifth Business Fifth Business Definition: Those Roles Which, Being Neither Those of Hero Nor Heroine, Confidant
Robertson Davies Fifth Business Fifth Business Definition: Those roles which, being neither those of Hero nor Heroine, Confidante nor Villain, but which were nonetheless essential to bring about the Recognition or the denouement, were called the Fifth Business in drama and opera companies organized according to the old style; the player who acted these parts was often referred to as Fifth Business. —Tho. Overskou, Den Daaske Skueplads I. Mrs. Dempster 1 My lifelong involvement with Mrs. Dempster began at 8 o’clock p.m. on the 27th of December, 1908, at which time I was ten years and seven months old. I am able to date the occasion with complete certainty because that afternoon I had been sledding with my lifelong friend and enemy Percy Boyd Staunton, and we had quarrelled, because his fine new Christmas sled would not go as fast as my old one. Snow was never heavy in our part of the world, but this Christmas it had been plentiful enough almost to cover the tallest spears of dried grass in the fields; in such snow his sled with its tall runners and foolish steering apparatus was clumsy and apt to stick, whereas my low-slung old affair would almost have slid on grass without snow. The afternoon had been humiliating for him, and when Percy as humiliated he was vindictive. His parents were rich, his clothes were fine, and his mittens were of skin and came from a store in the city, whereas mine were knitted by my mother; it was manifestly wrong, therefore, that his splendid sled should not go faster than mine, and when such injustice showed itself Percy became cranky. -
I a DYNAMO of VIOLENT STORIES: READING the FEMINICIDIOS of CIUDAD JUÁREZ AS NARRATIVES
A DYNAMO OF VIOLENT STORIES: READING THE FEMINICIDIOS OF CIUDAD JUÁREZ AS NARRATIVES by Roberto Ponce-Cordero Bachelor in History, Literature, and Media Theory, University of Hamburg, 2003 Master of Arts in Hispanic Languages and Literatures University of Pittsburgh, 2009 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Hispanic Languages and Literatures University of Pittsburgh 2016 i UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES DEPARTMENT OF HISPANIC LANGUAGES AND LITERATURES This dissertation was presented by Roberto Ponce-Cordero It was defended on December 8, 2016 and approved by Hermann Herlinghaus, Ph.D., University of Freiburg Juan Duchesne-Winter, Ph.D., University of Pittsburgh John Beverley, Ph.D., University of Pittsburgh Dissertation Director: Áurea María Sotomayor-Miletti, Ph.D., University of Pittsburgh ii Copyright © by Roberto Ponce-Cordero 2016 iii A DYNAMO OF VIOLENT STORIES: READING THE FEMINICIDIOS OF CIUDAD JUÁREZ AS NARRATIVES Roberto Ponce-Cordero, Ph.D. University of Pittsburgh, 2016 Over the past twenty-three years, several hundreds of women have been kidnapped, tortured and murdered with absolute impunity in Ciudad Juárez, an urban Moloch on the Mexican- American border. Because of these crimes, the city has become a symbol for all of what is wrong with globalization, transnational exploitation and the Latin American form of masculine domination known as machismo. Terms like femicidios or feminicidios have been coined in order to express that women, far from being this crime wave’s collateral damage, are rather their specific target, and that their sex is the factor that gives this vortex of violence its inner logic and coherence. -
Tori Amos to Venus and Back Mp3, Flac, Wma
Tori Amos To Venus And Back mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: To Venus And Back Country: Canada Released: 1999 Style: Alternative Rock MP3 version RAR size: 1170 mb FLAC version RAR size: 1558 mb WMA version RAR size: 1433 mb Rating: 4.5 Votes: 128 Other Formats: APE MP1 VQF DXD MP3 MMF MP1 Tracklist Venus Orbiting A1 Bliss A2 Juárez A3 Concertina A4 Glory Of The 80's A5 Lust A6 Suede B1 Josephine B2 Riot Poof B3 Dātura B4 Spring Haze B5 1000 Oceans Venus Live, Still Orbiting C1 Precious Things C2 Cruel C3 Cornflake Girl C4 Bells For Her C5 Girl C6 Cooling C7 Mr. Zebra C8 Cloud On My Tongue D1 Sugar D2 Little Earthquakes D3 Space Dog D4 Waitress D5 Purple People Companies, etc. Record Company – Time Warner Phonographic Copyright (p) – Atlantic Recording Corporation Phonographic Copyright (p) – WEA International Inc. Copyright (c) – Atlantic Recording Corporation Copyright (c) – WEA International Inc. Recorded At – Martian Engineering Made By – Warner Music Manufacturing Europe Credits Producer, Written-By – Tori Amos Recorded By [Assisted], Mixed By [Assisted] – Rob van Tuin Recorded By, Mixed By – Marcel van Limbeek, Mark Hawley Notes Double cassette release in card slipcase. [On slipcase]: 'Made in Germany by Warner Music Manufacturing Europe'. Barcode and Other Identifiers Barcode (Text): 0 -7567-83230-4 1 Label Code: LC00121 Other versions Category Artist Title (Format) Label Category Country Year To Venus And Tori 83230-2 Back (2xCD, Atlantic 83230-2 US 1999 Amos Album, Tri) Tori Amos = 토리 에이 Tori -
PDF (1.01 Mib)
.Two long-awaitetj albums from Lilith f aves MATTHEW CARDINALE contributing writer The latest from Tori Amos and Paula Cole are journeys: Tori's journey deep- er into planet electronica and Paula's al growth in "Pearl," kindness in affirmation of love and divinity. "Amen" and love in "God is Watch- Together, they're just perfect to take ing Us." us into the new millennium. Paula's music has become fuller, more I'm not sure if To Venus and Back When consistent and more complete. Sure, can You're is the correct title for Tori's new desig a rock she's not doing the verse/ chorus repeat n Your o,,, star like li . P1tli "fl double-disc album, because I don't vvn Ug/ on Arn Oro thing anymore, but who is these days think she's really come back at ry Shirts os, You besides Ricky Martin. "I Wanna be Some- 0 . too. all. Disc one is a forest of brand l'v7. n her third body" features T-Boz from TLC, just new material, while disc two is Sh:rylanc1, p 。 オ セ 。 ケ lost in th Flt gets pretty, one example of Paula's objective to inte- Tori live in concert during her Lilith セ 。 ウ later rea Cofe sto'P e Woods Of liI>lforo the rhymes are work- grate Lilith Fair pop with R&B. She . th air st. I scued b 'Ped t d e hetic a Warts .S: a er. 0 take a ing and it's lovely. The last track, sounds a bit like Mary Blige as she , recent Plugge tour: our own pn- 0 ry J. -
Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Playlists for 2002
THE MENACE’S ATTIC Playlists 2002 PLAYLISTS FOR 2002 THE MENACE’S ATTIC ON KUSF: SHOW #1 JANUARY 4, 2002 SET 1: “I’m Going To New York, I’m Goin’ If I Have To Walk” Loco D’Amour – David Byrne N.Y. Doll – David Johansen From “Fear City) Good Guys Bad Guys/Streets of Your Town – Country Joe and The Fish Rockaway Beach – Ramones SET #2 “Sex, Drugs, Rock and Roll and Did I Mention Sex?” Are You Ready for the Sex Girls? – Gleaming Spires NO INTRO! (Rhythm section of Sparks…one member went on to Devo…on soundtrack of Revenge of the Nerds) All You Ever Think About Is Sex – Sparks Discovering Japan – Graham Parker (From Putting Out Sparks, get it? ) Eugene – Crazy Joe and The Variable Speed Band SET #3 “You Gotta Walk the Walk And Talk the Talk” Mambo Italiano – Rosemary Clooney and the Melloman Orchestra (Married to the Mob) Peter Percival Patterson – Monkees Across 110th Street – Bobby Womack (Jackie Brown) SOPRANO’S DIALOGUE Livin’ On A Thin Line – Kinks SET #4 “It’s Called Love – Punk!” Ca Plan Pour Moi – Plastic Bertrand (MIX EM UP) Jet Boy Jet Girl -Elton Motello Alone Again (Or) – Damned Always See Your Face – Love SHOW # 1 THE MENACE’S ATTIC Playlists 2002 THE MENACE’S ATTIC EPISODE #2 Broadcast 1/11/2002 SET 1: Soundtracks without a Celion Dion Song on ‘Em Lively Set – James Darren Ma Nah Mah Nah – (Sweden Heaven and Hell) Kalasnjikov Soundtrack of Underground My Coo Ca Choo – Alvin Stardust (Love Serenade) SET #2 – Mom Can I Be A Singer When I Grow Up? My Baby’s Crazy ‘Bout Elvis – Mike Sarne Viva Las Vegas – Elvis Lust for Life – Tom Jones RoadRunner – Jonathan Richman SET #3 – Pop and Glam! Everywhere At Once - Plimsouls Metal Guru – T. -
Winter Session Dropped from Schedule
Harry News............ ....... 2-3 Potter a Food........... .......... 4 Mediocre A rts.............. ....... 5-7 Success Opinion..............8-io Review Sports.......... .......11 Page 5 Calendar...... ........12 http://www.csusmpride.com TheCalifornia State UniversityPride San Marcos Vol. IX No. 13/ Tuesday, November 27,2001 Winter Session Dropped from Schedule By JAMES NEWELL offer more opportunities for associate vice presi As registration and advise Pride Staff Writer students.” Although the change dent and co-chair of “ More students will benefitment continue and students look will affect the current focus of the YRO Committee. by the new summer semester to future semesters, they should Although this year’s winter Extended Studies, “ ... we will Worden contends that than will be hurt by the loss now plan for a summer session session is the last at Cal State San find other ways to generate fund the increased longer and more involved than Marcos and marks a change in ing,” said Stakes. availability of classes o f winter session the prior winter and summer the vision of the Extended Stud Cancelling winter session is offered in summer sessions offered by Extended ies program, members from both a step toward the implementa will outweigh the loss —Pat Worden Studies. Year Round Operations (YRO) tion of YRO, which utilizes reg of the four-week win Associate Vice President Although Extended Studies and Extended Studies are opti ular state funding to reduce stu ter session. Co-Chair for Year Round Operations will continue to operate, the focus mistic about the opportunities the dent costs, which are less expen “It (coursework) will switch to non-credit pro new year-round schedule will pro sive than the Extended Studies should now take less time,” said “The only complaint we fessional and community educa vide for matriculated students. -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Berköz, Levent Donat (2012). A gendered musicological study of the work of four leading female singer-songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1235/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] A Gendered Musicological Study of the Work of Four Leading Female Singer-Songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos Levent Donat Berköz Thesis Submitted in Fulfilment of the Requirements for the Degree of Doctor of Philosophy City University London Centre for Music Studies June 2012 1 TABLE OF CONTENTS TABLE OF CONTENTS ………………………………………………………… 2 LIST OF FIGURES ……………………………………………………………… 5 ACKNOWLEDGEMENTS ……………………………………………………… 7 DECLARATION ………………………………………………………………… 9 ABSTRACT ……………………………………………………………………… 10 INTRODUCTION ……………………………………………………………….. 11 Aim of the thesis…………………………………………………………………. -
Sessions Work Samples I Currently Offer High-Quality Remote Sessions, Specializing Alex Wiley - Very Close (Hip Hop/Rap) in String Arrangements (All Styles)
Luke Cissell [email protected] lukecissell.com tel 812 989 3999 Recording sessions Work samples I currently offer high-quality remote sessions, specializing Alex Wiley - Very Close (hip hop/rap) in string arrangements (all styles). I use only real wooden Imparcial - Imaginando... (folk/latin) instruments and am fully equipped to deliver tracks to you Bree Sharp - David Duchovny (pop) for your mix. All I require is an audio file of your mix-in- Daniel Isaac Miller - I (ambient) Russ Michaels - Berkeley Girl (folk) progress. Every project is different and I work to the unique The Dixons - Still Your Fool (country) needs of each client. I accept PayPal or Venmo and will Silver Tongues - Warsaw (alt/postrock) give an accurate quote before undertaking any project, but I Luke Cissell - String Quintet (classical) have created the following guideline to help with budgeting projections. (Prices in USD.) Scenario 1: SINGLE INSTRUMENT SOLO / BREAKS Hank & the Hee-Haws need a fiddle solo in the middle of their 3 - 4 minute country slowjam, as well as some basic fills throughout. They have some basic ideas about the style that they want that they communicate to me, but otherwise hire me to listen to the current mix they provide and play what I feel would fit. I throw in a couple alternate takes of the instrumental break so Hank can pick. $200 Scenario 2: FULL STRING SECTION FILLS / BREAKS Ferocious T-Flex needs a rich, orchestral string section to layer into a single verse- chorus section on this summer’s dance single. Multiple individual from-scratch parts will be recorded to create an authentic orchestra / string section sound. -
Audio Mastering for Stereo & Surround
AUDIO MASTERING FOR STEREO & SURROUND 740 BROADWAY SUITE 605 NEW YORK NY 10003 www.thelodge.com t212.353.3895 f212.353.2575 EMILY LAZAR, CHIEF MASTERING ENGINEER EMILY LAZAR CHIEF MASTERING ENGINEER Emily Lazar, Grammy-nominated Chief Mastering Engineer at The Lodge, recognizes the integral role mastering plays in the creative musical process. Combining a decisive old-school style and sensibility with an intuitive and youthful knowledge of music and technology, Emily and her team capture the magic that can only be created in the right studio by the right people. Founded by Emily in 1997, The Lodge is located in the heart of New York City’s Greenwich Village. Equipped with state-of-the art mastering, DVD authoring, surround sound, and specialized recording studios, The Lodge utilizes cutting-edge technologies and attracts both the industry’s most renowned artists and prominent newcomers. From its unique collection of outboard equipment to its sophisticated high-density digital audio workstations, The Lodge is furnished with specially handpicked pieces that lure both analog aficionados and digital audio- philes alike. Moreover, The Lodge is one of the few studios in the New York Metropolitan area with an in-house Ampex ATR-102 one-inch two-track tape machine for master playback, transfer and archival purposes. As Chief Mastering Engineer, Emily’s passion for integrating music with technology has been the driving force behind her success, enabling her to create some of the most distinctive sounding albums released in recent years. Her particular attention to detail and demand for artistic integrity is evident through her extensive body of work that spans genres and musical styles, and has made her a trailblazer in an industry notably lack- ing female representation.