Robertson Davies Fifth Business Fifth Business Definition: Those Roles Which, Being Neither Those of Hero Nor Heroine, Confidant

Total Page:16

File Type:pdf, Size:1020Kb

Load more

Robertson Davies
Fifth Business

Fifth Business Definition: Those roles which, being neither those of Hero nor Heroine, Confidante nor
Villain, but which were nonetheless essential to bring about the Recognition or the denouement, were called the Fifth Business in drama and opera companies organized according to the old style; the player who acted these parts was often referred to as Fifth Business.

—Tho. Overskou, Den Daaske Skueplads

I. Mrs. Dempster
1

My lifelong involvement with Mrs. Dempster began at 8 o’clock p.m. on the

27th of December, 1908, at which time I was ten years and seven months old.
I am able to date the occasion with complete certainty because that afternoon I had been sledding with my lifelong friend and enemy Percy Boyd Staunton, and we had quarrelled, because his fine new Christmas sled would not go as fast as my old one. Snow was never heavy in our part of the world, but this Christmas it had been plentiful enough almost to cover the tallest spears of dried grass in the fields; in such snow his sled with its tall runners and foolish steering apparatus was clumsy and apt to stick, whereas my low-slung old affair would almost have slid on grass without snow.

The afternoon had been humiliating for him, and when Percy as humiliated he was vindictive. His parents were rich, his clothes were fine, and his mittens were of skin and came from a store in the city, whereas mine were knitted by my mother; it was manifestly wrong, therefore, that his splendid sled should not go faster than mine, and when such injustice showed itself Percy became cranky. He slighted my sled, scoffed at my mittens, and at last came right out and said that his father was better than my father. Instead of hitting him, which might have started a fight that could have ended in a draw or even a defeat for me, I said, all right, then, I would go home and he could have the field to himself. This was crafty of me, for I knew it was getting on for suppertime, and one of our home rules was that nobody, under any circumstances, was to be late for a meal. So I was keeping the home rule, while at the same time leaving Percy to himself.

As I walked back to the village he followed me, shouting fresh insults. When I walked, he taunted, I staggered like an old cow; my woollen cap was absurd beyond all belief; my backside was immense and wobbled when I walked; and more of the same sort, for his invention was not lively. I said nothing, because I knew that this spited him more than any retort, and that every time he shouted at me he lost face.

Our village was so small that you came on it at once; it lacked the dignity of outskirts. I darted up our street, putting on speed, for I had looked ostentatiously at my new Christmas dollar watch (Percy had a watch but was not let wear it because it was too good) and saw that it was 5:57; just time to get indoors, wash my hands in the noisy, splashy way my parents seemed to like, and be in my place at six, my head bent for grace. Percy was by this time hopping mad, and I knew I had spoiled his supper and probably his whole evening. Then the unforeseen took over.

Walking up the street ahead of me were the Reverend Amasa Dempster and his wife; he had her arm tucked in his and was leaning towards her in the protective way he had. I was familiar with this sight, for they always took a walk at this time, after dark and when most people were at supper, because Mrs. Dempster was going to have a baby, and it was not the custom in our village for pregnant women to show themselves boldly in the streets—not if they had any position to keep up, and

of course the Baptist minister’s wife had a position. Percy had been throwing snowballs at me, from time to time, and I had ducked them all; I had a boy’s sense

of when a snowball was coming, and I knew Percy. I was sure that he would try to land one last, insulting snowball between my shoulders before I ducked into our house. I stepped briskly—not running, but not dawdling—in front of the Dempsters just as Percy threw, and the snowball hit Mrs. Dempster on the back of the head. She gave a cry and, clinging to her husband, slipped to the ground; he might have caught her if he had not turned at once to see who had thrown the snowball.

I had meant to dart into our house, but I was unnerved by hearing Mrs.
Dempster; I had never heard an adult cry in pain before and the sound was terrible to me. Falling, she burst into nervous tears, and suddenly there she was, on the ground, with her husband kneeling beside her, holding her in his arms and speaking to her in terms of endearment that were strange and embarrassing to me; I had never heard married people—or any people—speak unashamedly loving words

before. I knew that I was watching a “scene”, and my parents had always warned

against scenes as very serious breaches of propriety. I stood gaping, and then Mr. Dempster became conscious of me.

“Dunny,” he said—I did not know he knew my name—”lend us your sleigh to get my wife home.”

I was contrite and guilty, for I knew that the snowball had been meant for me, but the Dempsters did not seem to think of that. He lifted his wife on my sled, which was not hard because she was a small, girlish woman, and as I pulled it towards their house he walked beside it, very awkwardly bent over her, supporting her and uttering soft endearment and encouragement, for she went on crying, like a child.

Their house was not far away—just around the corner, really—but by the time I had been there, and seen Mr. Dempster take his wife inside, and found myself unwanted outside, it was a few minutes after six, and I was late for supper. But I pelted home (pausing only for a moment at the scene of the accident), washed my hands, slipped into my place at table, and made my excuse, looking straight into

my mother’s sternly interrogative eyes. I gave my story a slight historical bias,

leaning firmly but not absurdly on my own role as the Good Samaritan. I suppressed any information or guesswork about where the snowball had come from, and to my relief my mother did not pursue that aspect of it. She was much more interested in Mrs. Dempster, and when supper was over and the dishes

washed she told my father she thought she would just step over to the Dempsters’

and see if there was anything she could do.
On the face of it this was a curious decision of my mother’s, for of course we were Presbyterians, and Mrs. Dempster was the wife of the Baptist parson. Not that there was any ill-will among the denominations in our village, but it was understood that each looked after its own, unless a situation got too big, when outside help might be called in. But my mother was, in a modest way, a specialist in matters relating to pregnancy and childbirth; Dr. McCausland had once paid her

the great compliment of saying that “Mrs. Ramsay had her head screwed on straight”; she was ready to put this levelness of head at the service of almost

anybody who needed it. And she had a tenderness, never obviously displayed, for poor, silly Mrs. Dempster, who was not twenty-one yet and utterly unfit to be a

preacher’s wife.
So off she went, and I read my Christmas annual of the Boy’s Own Paper, and

my father read something that looked hard and had small print, and my older

brother Willie read The Cruise of the “Cachalot”,all of us sitting round the base-

burner with our feet on the nickel guard, till half-past eight, and then we boys were sent to bed. I have never been quick to go to sleep, and I lay awake until the clock downstairs struck half-past nine, and shortly after that I heard my mother return. There was a stovepipe in our house that came from the general living-room into the upstairs hall, and it was a fine conductor of sound. I crept out into the hall—Willie slept like a bear—put my ear as near to it as the heat permitted and heard my mother say:

“I’ve just come back for a few things. I’ll probably be all night. Get me all the baby blankets out of the trunk, and then go right down to Ruckle’s and make him

get you a big roll of cotton wool from the store—the finest he has—and bring it to

the Dempsters’. The doctor says if it isn’t a big roll to get two.”
“You don’t mean it’s coming now?” “Yes. Away early. Don’t wait up for me.”

But of course he did wait up for her, and it was four in the morning when she came home, self-possessed and grim, as I could tell from her voice as I heard them

talking before she returned to the Dempsters’—why, I did not know. And I lay

awake too, feeling guilty and strange.
That was how Paul Dempster, whose reputation is doubtless familiar to you
(though that was not the name under which he gained it), came to be born early on the morning of December 28 in 1908.
2In making this report to you, my dear Headmaster, I have purposely begun with the birth of Paul Dempster, because this is the cause of so much that is to follow. But why, you will ask, am I writing to you at all? Why, after a professional association of so many years, during which I have been reticent about my personal affairs, am I impelled now to offer you such a statement as this?

It is because I was deeply offended by the idiotic piece that appeared in the
College Chronicle in the issue of midsummer 1969. It is not merely its illiteracy of tone that disgusts me (though I think the quarterly publication of a famous Canadian school ought to do better), but its presentation to the public of a portrait of myself as a typical old schoolmaster doddering into retirement with tears in his eyes and a drop hanging from his nose. But it speaks for itself, and here it is, in all its inanity:

Farewell to the Cork

A feature of “break-up” last June was the dinner given in honour of Dunstan
(“Corky”) Ramsay, who was retiring after forty-five years at the school, and

Assistant Head and Senior History Master for the last twenty-two. More than 168 Old Boys, including several MPs and two Cabinet Ministers, were present, and our able dietician Mrs. Pierce surpassed herself in providing a truly fine spread for the

occasion. “Corky” himself was in fine form despite his years and the coronary that

laid him up following the death of his lifelong friend, the late Boy Staunton, D.S.O, C.B.E., known to us all as an Old Boy and Chairman of the Board of Governors of this school. He spoke of his long years as a teacher and friend to innumerable boys, many of whom now occupy positions of influence and prominence, in firm tones that many a younger man might envy.

“Corky’s” career may serve both as an example and a warning to young masters

for, as he said, he came to the school in 1924 intending to stay only a few years and now he has completed his forty-fifth. During that time he has taught history, as he sees it, to countless boys, many of whom have gone on to a more scientific study of the subject in the universities of Canada, the U.S., and the U.K. Four

heads of history departments in Canadian universities, former pupils of “Corky’s”,

were head-table guests at the dinner, and one of them, Dr. E. S. Warren of the University of Toronto, paid a generous, non-critical tribute to “The Cork,” praising his unfailing enthusiasm and referring humorously to his explanations of the borderland between history and myth.

This last subject was again slyly hinted at in the gift presented to “Corky” at the

close of the evening, which was a fine tape recorder, by means of which it is hoped he may make available some of his reminiscences of an earlier and undoubtedly

less complicated era of the school’s history. Tapes recording the Headmaster’s fine tribute to “Corky” were included and also one of the School Choir singing what must be “The Cork’s” favourite hymn—never more appropriate than on this occasion!—”For all the saints. Who from their labours rest.” And so the school

says, “Good-bye and good luck, Corky! You served the school well according to

your lights in your day and generation! Well done, thou good and faithful servant!”

There you have it. Headmaster, as it came from the pen of that ineffable jackass
Lorne Packer, M.A. and aspirant to a Ph.D. Need I anatomize my indignation? Does it not reduce me to what Packer unquestionably believes me to be—a senile, former worthy who has stumbled through forty-five years of teaching armed only

with a shallow, Boy’s Book of Battles concept of history, and a bee in his bonnet

about myth—whatever the dullard Packer imagines myth to be?
I do not complain that no reference was made to my V.C.; enough was said about that at the school in the days when such decorations were thought to add to the prestige of a teacher. However, I think something might have been said about my ten books, of which at least one has circulated in six languages and has sold over three-quarters of a million copies, and another exerts a widening influence in the realm of mythic history about which Packer attempts to be jocose. The fact that I am the only Protestant contributor to Analecta Bonandiana, and have been so for thirty-six years, is ignored, though Hippolyte Delehaye himself thought well of my work and said so in print. But what most galls me is the patronizing, dismissive tone of the piece—as if I had never had a life outside the classroom, had never risen to the full stature of a man, had never rejoiced or sorrowed or known love or hate, had never, in short, been anything except what lies within the comprehension of the donkey Packer, who has known me slightly for four years. Packer, who pushes me towards oblivion with tags of Biblical quotation, the gross impertinence of which he is unable to appreciate, religious illiterate that he is! Packer and his scientific view of history! Oh God! Packer, who cannot know and could not conceive that I have been cast by Fate and my own character for the vital though never glorious role of Fifth Business! Who could not, indeed, comprehend what Fifth Business is, even if he should meet the player of that part in his own trivial life-drama!

So, as I feel my strength returning in this house among the mountains—a house that itself holds the truths behind many illusions, I am driven to explain myself to you, Headmaster, because you stand at the top of that queer school world in which I seem to have cut such a meagre figure. But what a job it is!

Look at what I wrote at the beginning of this memoir. Have I caught anything at all of that extraordinary night when Paul Dempster was born? I am pretty sure that my little sketch of Percy Boyd Staunton is accurate, but what about myself? I have always sneered at autobiographies and memoirs in which the writer appears at the beginning as a charming, knowing little fellow, possessed of insights and perceptions beyond his years. Yet offering these with a false naivete to the reader,

as though to say, “What a little wonder I was, but All Boy.” Have the writers any

notion or true recollection of what a boy is?
I have, and I have reinforced it by forty-five years of teaching boys. A boy is a man in miniature, and though he may sometimes exhibit notable virtue, as well as characteristics that seem to be charming because they are childlike, he is also schemer, self-seeker, traitor, Judas, crook, and villain—in short, a man. Oh, these autobiographies in which the writer postures and simpers as a David Copperfield

or a Huck Finn! False, false as harlots’ oaths!

Can I write truly of my boyhood? Or will that disgusting self-love which so

often attaches itself to a man’s idea of his youth creep in and falsify the story? I

can but try. And to begin I must give you some notion of the village in which Percy Boyd Staunton and Paul Dempster and I were born.

3Village life has been so extensively explored by movies and television during recent years that you may shrink from hearing more about it. I shall be as brief as I can, for it is not by piling up detail that I hope to achieve my picture, but by putting the emphasis where I think it belongs.
Once it was the fashion to represent villages as places inhabited by laughable, lovable simpletons, unspotted by the worldliness of city life, though occasionally shrewd in rural concerns. Later it was the popular thing to show villages as rotten with vice, and especially such sexual vice as Krafft-Ebing might have been surprised to uncover in Vienna; incest, sodomy, bestiality, sadism, and masochism were supposed to rage behind the lace curtains and in the haylofts, while a rigid piety was professed in the streets. Our village never seemed to me to be like that. It was more varied in what it offered to the observer than people from bigger and more sophisticated places generally think, and if it had sins and follies and roughnesses, it also had much to show of virtue, dignity, and even of nobility.

It was called Deptford and lay on the Thames River about fifteen miles east of
Pittstown, our county town and nearest big place. We had an official population of about five hundred, and the surrounding farms probably brought the district up to eight hundred souls. We had five churches: the Anglican, poor but believed to have some mysterious social supremacy; the Presbyterian, solvent and thought—chiefly by itself—to be intellectual; the Methodist, insolvent and fervent; the Baptist, insolvent and saved; the Roman Catholic, mysterious to most of us but clearly solvent, as it was frequently and, so we thought, quite needlessly repainted. We supported one lawyer, who was also the magistrate, and one banker in a private bank, as such things still existed at that time. We had two doctors: Dr. McCausland

who was reputed to be clever, and Dr. Staunton, who was Percy’s father and who

was also clever, but in the realm of real estate—he was a great holder of mortgages and owned several farms. We had a dentist, a wretch without manual skill, whose wife underfed him, and who had positively the dirtiest professional premises I have ever seen; and a veterinarian who drank but could rise to an occasion. We had a canning factory, which operated noisily and feverishly when there was anything to can; also a sawmill and a few shops.

The village was dominated by a family called Athelstan, who had done well out

of lumber early in the nineteenth century; they owned Deptford’s only three-storey

house, which stood by itself on the way to the cemetery; most of our houses were of wood, and some of them stood on piles, for the Thames had a trick of flooding. One of the remaining Athelstans lived across the street from us, a poor demented old woman who used from time to time to escape from her nurse-housekeeper and rush into the road, where she threw herself down, raising a cloud of dust like a hen

having a dirt-bath, shouting loudly, “Christian men, come and help me!” It usually

took the housekeeper and at least one other person to pacify her; my mother often assisted in this way, but I could not do so for the old lady disliked me—I seemed to remind her of some false friend in the past. But I was interested in her madness and longed to talk with her, so I always rushed to the rescue when she made one of her breaks for liberty.

My family enjoyed a position of modest privilege, for my father was the owner and editor of the local weekly paper, The Deptford Banner. It was not a very prosperous enterprise, but with the job-printing plant it sustained us and we never wanted for anything. My father, as I learned later, never did a gross business of $5000 in any year that he owned it. He was not only publisher and editor, but chief mechanic and printer as well, helped by a melancholy youth called Jumper Saul and a girl called Nell Bullock. It was a good little paper, respected and hated as a proper local paper should be; the editorial comment, which my father composed directly on the typesetting machine, was read carefully every week. So we were, in a sense, the literary leaders of the community, and my father had a seat on the Library Board along with the magistrate.

Our household, then, was representative of the better sort of life in the village, and we thought well of ourselves. Some of this good opinion arose from being

Scots; my father had come from Dumfries as a young man, but my mother’s family

had been three generations in Canada without having become a whit less Scots than when her grandparents left Inverness. The Scots, I believed until I was aged at least twenty-five, were the salt of the earth, for although this was never said in our household it was one of those accepted truths which do not need to be laboured. By far the majority of the Deptford people had come to Western Ontario from the south of England, so we were not surprised that they looked to us, the Ramsays, for common sense, prudence, and right opinions on virtually everything.

Cleanliness, for example. My mother was clean—oh, but she was clean! Our privy set the sanitary tone of the village. We depended on wells in Deptford, and

water for all purposes was heated in a tank called a “cistern” on the side of the

kitchen range. Every house had a privy, and these ranked from dilapidated, noisome shacks to some quite smart edifices, of which our own was clearly among the best. There has been much hilarity about privies in the years since they became rarities, but they were not funny buildings, and if they were not to become disgraceful they needed a lot of care.

As well as this temple of hygiene we had a “chemical closet” in the house, for

use when someone was unwell; it was so capricious and smelly, however, that it merely added a new misery to illness and was rarely set going.

That is all that seems necessary to say about Deptford at present; any necessary additional matter will present itself as part of my narrative. We were serious people, missing nothing in our community and feeling ourselves in no way inferior to larger places. We did, however, look with pitying amusement on Bowles Corners, four miles distant and with a population of one hundred and fifty. To live in Bowles Corners, we felt, was to be rustic beyond redemption.

4

The first six months of Paul Dempster’s life were perhaps the most exciting and pleasurable period of my mother’s life, and unquestionably the most miserable of

mine. Premature babies had a much poorer chance of surviving in 1908 than they

have now, but Paul was the first challenge of this sort in my mother’s experience

of childbirth, and she met it with all her determination and ingenuity. She was not, I must make clear, in any sense a midwife or a trained person—simply a woman of good sense and kindness of heart who enjoyed the authority of nursing and the mystery which at that time still hung about the peculiarly feminine functions. She spent a great part of each day and not a few nights at the Dempsters’ during that six months; other women helped when they could, but my mother was the acknowledged high priestess, and Dr. McCausland was good enough to say that without her he could never have pulled little Paul safely up onto the shores of this world.

I learned all the gynaecological and obstetrical details as they were imparted piecemeal to my father; the difference was that he sat comfortably beside the living-room stove, opposite my mother, while I stood barefoot and in my nightshirt beside the stovepipe upstairs, guilt-ridden and sometimes nauseated as I heard things that were new and terrible to my ears.

Recommended publications
  • Deadlands: Reloaded Core Rulebook

    This electronic book is copyright Pinnacle Entertainment Group. Redistribution by print or by file is strictly prohibited. This pdf may be printed for personal use. The Weird West Reloaded Shane Lacy Hensley and BD Flory Savage Worlds by Shane Lacy Hensley Credits & Acknowledgements Additional Material: Simon Lucas, Paul “Wiggy” Wade-Williams, Dave Blewer, Piotr Korys Editing: Simon Lucas, Dave Blewer, Piotr Korys, Jens Rushing Cover, Layout, and Graphic Design: Aaron Acevedo, Travis Anderson, Thomas Denmark Typesetting: Simon Lucas Cartography: John Worsley Special Thanks: To Clint Black, Dave Blewer, Kirsty Crabb, Rob “Tex” Elliott, Sean Fish, John Goff, John & Christy Hopler, Aaron Isaac, Jay, Amy, and Hayden Kyle, Piotr Korys, Rob Lusk, Randy Mosiondz, Cindi Rice, Dirk Ringersma, John Frank Rosenblum, Dave Ross, Jens Rushing, Zeke Sparkes, Teller, Paul “Wiggy” Wade-Williams, Frank Uchmanowicz, and all those who helped us make the original Deadlands a premiere property. Fan Dedication: To Nick Zachariasen, Eric Avedissian, Sean Fish, and all the other Deadlands fans who have kept us honest for the last 10 years. Personal Dedication: To mom, dad, Michelle, Caden, and Ronan. Thank you for all the love and support. You are my world. B.D.’s Dedication: To my parents, for everything. Sorry this took so long. Interior Artwork: Aaron Acevedo, Travis Anderson, Chris Appel, Tom Baxa, Melissa A. Benson, Theodor Black, Peter Bradley, Brom, Heather Burton, Paul Carrick, Jim Crabtree, Thomas Denmark, Cris Dornaus, Jason Engle, Edward Fetterman,
  • English-Spanish (Dictionnaire)

    English-Spanish (Dictionnaire)

    English−spanish (dictionnaire) English−spanish Dictionary éditions eBooksFrance www.ebooksfrance.com English−spanish Dictionary 1 English−spanish (dictionnaire) Adapted from : http://www.freedict.com/dictionary/index.
  • Walt Whitman, Where the Future Becomes Present, Edited by David Haven Blake and Michael Robertson

    Walt Whitman, Where the Future Becomes Present, Edited by David Haven Blake and Michael Robertson

    7ALT7HITMAN 7HERETHE&UTURE "ECOMES0RESENT the iowa whitman series Ed Folsom, series editor WALTWHITMAN WHERETHEFUTURE BECOMESPRESENT EDITEDBYDAVIDHAVENBLAKE ANDMICHAELROBERTSON VOJWFSTJUZPGJPXBQSFTTJPXBDJUZ University of Iowa Press, Iowa City 52242 Copyright © 2008 by the University of Iowa Press www.uiowapress.org All rights reserved Printed in the United States of America Design by Richard Hendel No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The University of Iowa Press is a member of Green Press Initiative and is committed to preserving natural resources. Printed on acid-free paper issn: 1556–5610 lccn: 2007936977 isbn-13: 978-1-58729–638-3 (cloth) isbn-10: 1-58729–638-1 (cloth) 08 09 10 11 12 c 5 4 3 2 1 Past and present and future are not disjoined but joined. The greatest poet forms the consistence of what is to be from what has been and is. He drags the dead out of their coffins and stands them again on their feet .... he says to the past, Rise and walk before me that I may realize you. He learns the lesson .... he places himself where the future becomes present. walt whitman Preface to the 1855 Leaves of Grass { contents } Acknowledgments, ix David Haven Blake and Michael Robertson Introduction: Loos’d of Limits and Imaginary Lines, 1 David Lehman The Visionary Whitman, 8 Wai Chee Dimock Epic and Lyric: The Aegean, the Nile, and Whitman, 17 Meredith L.
  • I a DYNAMO of VIOLENT STORIES: READING the FEMINICIDIOS of CIUDAD JUÁREZ AS NARRATIVES

    I a DYNAMO of VIOLENT STORIES: READING the FEMINICIDIOS of CIUDAD JUÁREZ AS NARRATIVES

    A DYNAMO OF VIOLENT STORIES: READING THE FEMINICIDIOS OF CIUDAD JUÁREZ AS NARRATIVES by Roberto Ponce-Cordero Bachelor in History, Literature, and Media Theory, University of Hamburg, 2003 Master of Arts in Hispanic Languages and Literatures University of Pittsburgh, 2009 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Hispanic Languages and Literatures University of Pittsburgh 2016 i UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES DEPARTMENT OF HISPANIC LANGUAGES AND LITERATURES This dissertation was presented by Roberto Ponce-Cordero It was defended on December 8, 2016 and approved by Hermann Herlinghaus, Ph.D., University of Freiburg Juan Duchesne-Winter, Ph.D., University of Pittsburgh John Beverley, Ph.D., University of Pittsburgh Dissertation Director: Áurea María Sotomayor-Miletti, Ph.D., University of Pittsburgh ii Copyright © by Roberto Ponce-Cordero 2016 iii A DYNAMO OF VIOLENT STORIES: READING THE FEMINICIDIOS OF CIUDAD JUÁREZ AS NARRATIVES Roberto Ponce-Cordero, Ph.D. University of Pittsburgh, 2016 Over the past twenty-three years, several hundreds of women have been kidnapped, tortured and murdered with absolute impunity in Ciudad Juárez, an urban Moloch on the Mexican- American border. Because of these crimes, the city has become a symbol for all of what is wrong with globalization, transnational exploitation and the Latin American form of masculine domination known as machismo. Terms like femicidios or feminicidios have been coined in order to express that women, far from being this crime wave’s collateral damage, are rather their specific target, and that their sex is the factor that gives this vortex of violence its inner logic and coherence.
  • A Will and Two Ways the Ambivalence of Evil in Robertson Davies's the Deptford Trilogy

    A Will and Two Ways the Ambivalence of Evil in Robertson Davies's the Deptford Trilogy

    David Lucking A Will and Two Ways The Ambivalence of Evil in Robertson Davies's The Deptford Trilogy Orthodox Christianity has always had for me the difficulty that it really won't come ... to grips with the problem of evil. It knows an enormous amount about evil, it discusses evil in fascinating terms, but evil is always the other thing: it is something which is apart from perfection, and man's duty is to strive for perfection. I could not reconcile that with such experience of life as I had, and the Jungian feeling that things tend to run into one another, that what looks good can be pushed to the point where it becomes evil, and that evil very frequently bears what can only be regarded as good fruit—this was the first time I'd ever seen that sort of thing given reasonable consideration, and it made enormous sense to me. I feel now that I am a person of strongly religious temperament, but when I say "religious" I mean immensely con- scious of powers of which I can have only the dimmest appre- hension, which operate by means that I cannot fathom, in directions which I would be a fool to call either good or bad. Robertson Davies, Interview with Donald Silver Cameron (Davis 82) Vi/hile it might seem something of an exaggeration to ascribe anything so elaborate as a systematic theology to Robertson Davies's The Deptford Trilogy, there is such a large component in it of metaphysical speculation as to the role of the sacred in temporal affairs that it would be difficult to think of a more appropriate term.
  • Papéis Normativos E Práticas Sociais

    Papéis Normativos E Práticas Sociais

    Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs.
  • Chronologically Lewis Joel D

    Chronologically Lewis Joel D

    Chronologically Lewis Joel D. Heck All notes are done in the present tense of the verb for consistency. Start and end dates of term are those officially listed in the Oxford calendar. An email from Robin Darwall-Smith on 11/26/2008 explains the discrepancies between official term dates and the notes of C. S. Lewis in his diary and letters: “Term officially starts on a Thursday, but then 1st Week (out of 8) starts on the following Sunday (some might say Saturday, but it ought to be Sunday). The week in which the start of term falls is known now as „0th Week‟. I don‟t know how far back that name goes, but I‟d be surprised if it wasn‟t known in Lewis‟s day. The system at the start of term which I knew in the 1980s - and which I guess was there in Lewis‟s time too - was that the undergraduates had to be in residence by the Thursday of 0th Week; the Friday was set aside for start of term Collections (like the ones memorably described in Lewis‟s diary at Univ.!), and for meetings with one‟s tutors. Then after the weekend lectures and tutorials started in earnest on the Monday of 1st Week.” Email from Robin Darwall-Smith on 11/27/2008: “The two starts to the Oxford term actually have names. There‟s the start of term, in midweek, and then the start of „Full Term‟, on the Sunday - and is always Sunday. Lectures and tutorials start up on the following day.
  • Tori Amos to Venus and Back Mp3, Flac, Wma

    Tori Amos to Venus and Back Mp3, Flac, Wma

    Tori Amos To Venus And Back mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: To Venus And Back Country: Canada Released: 1999 Style: Alternative Rock MP3 version RAR size: 1170 mb FLAC version RAR size: 1558 mb WMA version RAR size: 1433 mb Rating: 4.5 Votes: 128 Other Formats: APE MP1 VQF DXD MP3 MMF MP1 Tracklist Venus Orbiting A1 Bliss A2 Juárez A3 Concertina A4 Glory Of The 80's A5 Lust A6 Suede B1 Josephine B2 Riot Poof B3 Dātura B4 Spring Haze B5 1000 Oceans Venus Live, Still Orbiting C1 Precious Things C2 Cruel C3 Cornflake Girl C4 Bells For Her C5 Girl C6 Cooling C7 Mr. Zebra C8 Cloud On My Tongue D1 Sugar D2 Little Earthquakes D3 Space Dog D4 Waitress D5 Purple People Companies, etc. Record Company – Time Warner Phonographic Copyright (p) – Atlantic Recording Corporation Phonographic Copyright (p) – WEA International Inc. Copyright (c) – Atlantic Recording Corporation Copyright (c) – WEA International Inc. Recorded At – Martian Engineering Made By – Warner Music Manufacturing Europe Credits Producer, Written-By – Tori Amos Recorded By [Assisted], Mixed By [Assisted] – Rob van Tuin Recorded By, Mixed By – Marcel van Limbeek, Mark Hawley Notes Double cassette release in card slipcase. [On slipcase]: 'Made in Germany by Warner Music Manufacturing Europe'. Barcode and Other Identifiers Barcode (Text): 0 -7567-83230-4 1 Label Code: LC00121 Other versions Category Artist Title (Format) Label Category Country Year To Venus And Tori 83230-2 Back (2xCD, Atlantic 83230-2 US 1999 Amos Album, Tri) Tori Amos = 토리 에이 Tori
  • Climate Anxiety 24 Michelle Rivero ’94 Shapes How Facing Fears About a Warming the City Supports Immigrants Planet, Macalester Students and Refugees

    Climate Anxiety 24 Michelle Rivero ’94 Shapes How Facing Fears About a Warming the City Supports Immigrants Planet, Macalester Students and Refugees

    MACALESTER WINTER 2020 Today CL I M AT E ANXIETY How the looming threat of global catastrophe is galvanizing today’s students to take action and seek solutions. SEE PAGE 24 MACALESTER Today WINTER 2020 12 14 20 FEATURES Welcome to Minneapolis 12 Climate Anxiety 24 Michelle Rivero ’94 shapes how Facing fears about a warming the city supports immigrants planet, Macalester students and refugees. are responding with education, organizing, and growing activism. Second Act 14 How alumni are finding meaningful How Macalester work and service in the second half Made Me the Republican TURNER; J. DAVID LEFT: FROM of their lives. I am Today 30 RJ Laukitis ’02 parlayed debates Curtain Call 20 on campus into bipartisan Before he retires, Dan Keyser collaboration on Capitol Hill. ON THE COVER: walks us through more than a MARIA SIRIANO; Generation Z grew up century of Mac theater. Lecture Notes 32 worrying about what will We asked Michael Griffin how happen to our warming news has changed in the twenty- ARCHIVES COLLEGE MACALESTER planet. Now channeling their climate anxiety into first century. action, these activists seek solutions to halt climate change. PHOTO ILLUSTRATION BY CHARLES JISCHKE STAFF EDITOR Rebecca DeJarlais Ortiz ’06 [email protected] ART DIRECTION The ESC Plan / theESCplan.com CLASS NOTES EDITOR Robert Kerr ’92 PHOTOGRAPHER David J. Turner CONTRIBUTING WRITER Julie Hessler ’85 ASSISTANT VICE PRESIDENT FOR MARKETING AND COMMUNICATIONS Julie Hurbanis 24 30 CHAIR, BOARD OF TRUSTEES Jerry Crawford ’71 PRESIDENT DEPARTMENTS Brian Rosenberg VICE PRESIDENT FOR ADVANCEMENT Household Words 2 D. Andrew Brown Correspondence 3 ASSISTANT VICE PRESIDENT FOR ENGAGEMENT 1600 Grand 4 Katie Ladas A new magazine, a hoops milestone, MACALESTER TODAY (Volume 108, Number 1) and the microbiology of beer is published by Macalester College.
  • Christopher Lee 李名顺

    Christopher Lee 李名顺

    CHRISTOPHER LEE 李名顺 Race 种族 Chinese Height 身高 1.82m Weight 体重 74kg Hair 头发 Black Eyes 眼睛 Dark Brown Languages Mandarin Spoken 使用语言 Teochew Cantonese Other Talents Singing 其他才艺 Modelling Wakeboarding Horse Riding This model-turned-actor has risen through the ranks to reach his stellar status today at MediaCorp Studios. He was in Star Search ‘95, a bi-annual nationwide talent search, and came in second in the male category. That secured him an acting contract and he has not looked back since. With his chiselled good looks and awesome physique, he is without a doubt a natural choice when it comes to casting the leading man in a drama serial. His acting career soared to greater heights when he bagged the Best Actor Award in Star Awards ’97, an annual award ceremony for TV personalities, for his dramatic performance in Price Of Peace. In 1998, his portrayal of Yang Guo in Singapore’s version of Louis Cha’s Return Of The Condor Heroes was so successful that he was voted Taiwan’s Most Popular MediaCorp Male Artiste. Since then, he has been in a number of co-productions, acting alongside with regional actors like Jordan Chan. Not satisfied with just acting, this soulful crooner added another feather to his cap by releasing a solo album in 1999. He also recorded a compilation album for MediaCorp Music along with the rest of the MediaCorp artistes. Christopher is a hardworking artiste who has no complaints when it comes to work. His professionalism is definitely admirable. 28/12/06 CHRISTOPHER LEE 李名顺 电视剧 TV SERIAL 1995 甜甜屋 Love Knows No Bounds
  • Exploring Films About Ethical Leadership: Can Lessons Be Learned?

    Exploring Films About Ethical Leadership: Can Lessons Be Learned?

    EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging.
  • HARRY POTTER and the Order of the Phoenix

    HARRY POTTER and the Order of the Phoenix

    HARRY POTTER and the Order of the Phoenix J.K. ROWLING All rights reserved; no part of this publication may be reproduced or transmitted by any means, electronic, mechan- ical, photocopying or otherwise, without the prior permission of the publisher This digital edition first published by Pottermore Limited in 2012 First published in print in Great Britain in 2003 by Bloomsbury Publishing Plc Copyright © J.K. Rowling 2003 Cover illustrations by Claire Melinsky copyright © J.K. Rowling 2010 Harry Potter characters, names and related indicia are trademarks of and © Warner Bros. Ent. The moral right of the author has been asserted A CIP catalogue record of this book is available from the British Library ISBN 978-1-78110-011-0 www.pottermore.com by J.K. Rowling The unique online experience built around the Harry Potter books. Share and participate in the stories, showcase your own Potter-related creativity and discover even more about the world of Harry Potter from the author herself. Visit pottermore.com To Neil, Jessica and David, who make my world magical CONTENTS ONE Dudley Demented TWO A Peck of Owls THREE The Advance Guard FOUR Number Twelve, Grimmauld Place FIVE The Order of the Phoenix SIX The Noble and Most Ancient House of Black SEVEN The Ministry of Magic EIGHT The Hearing NINE The Woes of Mrs Weasley TEN Luna Lovegood ELEVEN The Sorting Hat’s New Song TWELVE Professor Umbridge THIRTEEN Detention with Dolores FOURTEEN Percy and Padfoot FIFTEEN The Hogwarts High Inquisitor SIXTEEN In the Hog’s Head SEVENTEEN Educational Decree Number