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Robertson Davies Fifth Business Fifth Business Definition: Those Roles Which, Being Neither Those of Hero Nor Heroine, Confidant
Robertson Davies Fifth Business Fifth Business Definition: Those roles which, being neither those of Hero nor Heroine, Confidante nor Villain, but which were nonetheless essential to bring about the Recognition or the denouement, were called the Fifth Business in drama and opera companies organized according to the old style; the player who acted these parts was often referred to as Fifth Business. —Tho. Overskou, Den Daaske Skueplads I. Mrs. Dempster 1 My lifelong involvement with Mrs. Dempster began at 8 o’clock p.m. on the 27th of December, 1908, at which time I was ten years and seven months old. I am able to date the occasion with complete certainty because that afternoon I had been sledding with my lifelong friend and enemy Percy Boyd Staunton, and we had quarrelled, because his fine new Christmas sled would not go as fast as my old one. Snow was never heavy in our part of the world, but this Christmas it had been plentiful enough almost to cover the tallest spears of dried grass in the fields; in such snow his sled with its tall runners and foolish steering apparatus was clumsy and apt to stick, whereas my low-slung old affair would almost have slid on grass without snow. The afternoon had been humiliating for him, and when Percy as humiliated he was vindictive. His parents were rich, his clothes were fine, and his mittens were of skin and came from a store in the city, whereas mine were knitted by my mother; it was manifestly wrong, therefore, that his splendid sled should not go faster than mine, and when such injustice showed itself Percy became cranky. -
I a DYNAMO of VIOLENT STORIES: READING the FEMINICIDIOS of CIUDAD JUÁREZ AS NARRATIVES
A DYNAMO OF VIOLENT STORIES: READING THE FEMINICIDIOS OF CIUDAD JUÁREZ AS NARRATIVES by Roberto Ponce-Cordero Bachelor in History, Literature, and Media Theory, University of Hamburg, 2003 Master of Arts in Hispanic Languages and Literatures University of Pittsburgh, 2009 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Hispanic Languages and Literatures University of Pittsburgh 2016 i UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES DEPARTMENT OF HISPANIC LANGUAGES AND LITERATURES This dissertation was presented by Roberto Ponce-Cordero It was defended on December 8, 2016 and approved by Hermann Herlinghaus, Ph.D., University of Freiburg Juan Duchesne-Winter, Ph.D., University of Pittsburgh John Beverley, Ph.D., University of Pittsburgh Dissertation Director: Áurea María Sotomayor-Miletti, Ph.D., University of Pittsburgh ii Copyright © by Roberto Ponce-Cordero 2016 iii A DYNAMO OF VIOLENT STORIES: READING THE FEMINICIDIOS OF CIUDAD JUÁREZ AS NARRATIVES Roberto Ponce-Cordero, Ph.D. University of Pittsburgh, 2016 Over the past twenty-three years, several hundreds of women have been kidnapped, tortured and murdered with absolute impunity in Ciudad Juárez, an urban Moloch on the Mexican- American border. Because of these crimes, the city has become a symbol for all of what is wrong with globalization, transnational exploitation and the Latin American form of masculine domination known as machismo. Terms like femicidios or feminicidios have been coined in order to express that women, far from being this crime wave’s collateral damage, are rather their specific target, and that their sex is the factor that gives this vortex of violence its inner logic and coherence. -
Tori Amos to Venus and Back Mp3, Flac, Wma
Tori Amos To Venus And Back mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: To Venus And Back Country: Canada Released: 1999 Style: Alternative Rock MP3 version RAR size: 1170 mb FLAC version RAR size: 1558 mb WMA version RAR size: 1433 mb Rating: 4.5 Votes: 128 Other Formats: APE MP1 VQF DXD MP3 MMF MP1 Tracklist Venus Orbiting A1 Bliss A2 Juárez A3 Concertina A4 Glory Of The 80's A5 Lust A6 Suede B1 Josephine B2 Riot Poof B3 Dātura B4 Spring Haze B5 1000 Oceans Venus Live, Still Orbiting C1 Precious Things C2 Cruel C3 Cornflake Girl C4 Bells For Her C5 Girl C6 Cooling C7 Mr. Zebra C8 Cloud On My Tongue D1 Sugar D2 Little Earthquakes D3 Space Dog D4 Waitress D5 Purple People Companies, etc. Record Company – Time Warner Phonographic Copyright (p) – Atlantic Recording Corporation Phonographic Copyright (p) – WEA International Inc. Copyright (c) – Atlantic Recording Corporation Copyright (c) – WEA International Inc. Recorded At – Martian Engineering Made By – Warner Music Manufacturing Europe Credits Producer, Written-By – Tori Amos Recorded By [Assisted], Mixed By [Assisted] – Rob van Tuin Recorded By, Mixed By – Marcel van Limbeek, Mark Hawley Notes Double cassette release in card slipcase. [On slipcase]: 'Made in Germany by Warner Music Manufacturing Europe'. Barcode and Other Identifiers Barcode (Text): 0 -7567-83230-4 1 Label Code: LC00121 Other versions Category Artist Title (Format) Label Category Country Year To Venus And Tori 83230-2 Back (2xCD, Atlantic 83230-2 US 1999 Amos Album, Tri) Tori Amos = 토리 에이 Tori -
PDF (1.01 Mib)
.Two long-awaitetj albums from Lilith f aves MATTHEW CARDINALE contributing writer The latest from Tori Amos and Paula Cole are journeys: Tori's journey deep- er into planet electronica and Paula's al growth in "Pearl," kindness in affirmation of love and divinity. "Amen" and love in "God is Watch- Together, they're just perfect to take ing Us." us into the new millennium. Paula's music has become fuller, more I'm not sure if To Venus and Back When consistent and more complete. Sure, can You're is the correct title for Tori's new desig a rock she's not doing the verse/ chorus repeat n Your o,,, star like li . P1tli "fl double-disc album, because I don't vvn Ug/ on Arn Oro thing anymore, but who is these days think she's really come back at ry Shirts os, You besides Ricky Martin. "I Wanna be Some- 0 . too. all. Disc one is a forest of brand l'v7. n her third body" features T-Boz from TLC, just new material, while disc two is Sh:rylanc1, p 。 オ セ 。 ケ lost in th Flt gets pretty, one example of Paula's objective to inte- Tori live in concert during her Lilith セ 。 ウ later rea Cofe sto'P e Woods Of liI>lforo the rhymes are work- grate Lilith Fair pop with R&B. She . th air st. I scued b 'Ped t d e hetic a Warts .S: a er. 0 take a ing and it's lovely. The last track, sounds a bit like Mary Blige as she , recent Plugge tour: our own pn- 0 ry J. -
Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Berköz, Levent Donat (2012). A gendered musicological study of the work of four leading female singer-songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1235/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] A Gendered Musicological Study of the Work of Four Leading Female Singer-Songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos Levent Donat Berköz Thesis Submitted in Fulfilment of the Requirements for the Degree of Doctor of Philosophy City University London Centre for Music Studies June 2012 1 TABLE OF CONTENTS TABLE OF CONTENTS ………………………………………………………… 2 LIST OF FIGURES ……………………………………………………………… 5 ACKNOWLEDGEMENTS ……………………………………………………… 7 DECLARATION ………………………………………………………………… 9 ABSTRACT ……………………………………………………………………… 10 INTRODUCTION ……………………………………………………………….. 11 Aim of the thesis…………………………………………………………………. -
Aania Aanien Takaa 2006.Pdf (1.214Mt)
Toni Lahtinen & Markku Lehtimäki (toim.) Sähköinen julkaisu ISBN 951-44-6660-8 Copyright ©2006 Tampere University Press ja Toni Lahtinen & Markku Lehtimäki Myynti Tiedekirjakauppa TAJU PL 617 33014 Tampereen yliopisto puhelin (03) 3551 6055 fax (03) 3551 7685 taju@uta.fi www.uta.fi/taju http://granum.uta.fi Kansi ja taitto Iris Puusti ISBN 951-44-6626-8 Tampereen Yliopistopaino Oy - Juvenes Print Tampere 2006 SISÄLLYS Alkusanat ................................................................... 9 Intro Markku Lehtimäki & Toni Lahtinen Rock, lyriikka, tulkinta ................................................ 17 A-osa Jussi Willman Mursun uni ................................................................. 41 John Lennonin ja Lewis Carrollin intertekstuaalisista yhteyksistä Markku Lehtimäki The Doors of Perception ............................................. 69 Jim Morrisonin lyyrinen visio Atte Oksanen Särkyneen ihmisen muotokuva ................................... 95 Nine Inch Nails ja industriaalimusiikki teknologisen maiseman ruumiillistumana B-osa Anna Byckling Törkyä vai terävää ironiaa? ....................................... 123 Eminem räppää tulkinnan rajamailla Heini Strand & Toni Lahtinen Tuuppa Rolloon! ........................................................ 147 Tulenkantajien paikallinen identiteetti Toni Lahtinen Sika joka osasi lentää ............................................... 169 Karnevalistinen groteski Gösta Sundqvistin sanoituksissa C-osa Antti Nylén Thank God for the Public Image ............................... 201 -
Tori Amos on Listening to Your Muses
August 21, 2017 - Tori Amos is an American singer-songwriter, pianist, and composer. She is a classically trained musician who has released 15 solo records over the past 25 years. Her most recent album, Native Invader, is set for release on September 8th. In describing the impetus behind it, Amos says, "We have to out-create the destructiveness that is all around us." As told to T. Cole Rachel, 2213 words. Tags: Music, Inspiration, Process, Independence, Success, Identity. Tori Amos on listening to your muses You’ve always spoken openly about your songwriting process. As someone who seems receptive to whatever energy’s floating around out in the atmosphere, how has it been to write and record songs over the past year when the world feels particularly crazy? Intention is something that has come up a lot in the last year or so. I took a road trip in June of last year and part of what I got out of that was the question, “What is your intention?” I really sat with that for many days. I said to the universe, “Well, I’m open. I need to be guided and directed. Tell me.” That’s a very different place to be, creatively speaking, than when you’re on a cycle of putting out records, particularly when you’re in the pop music hamster wheel and you’re trapped in the album/touring cycle. Not everybody chose to keep up with that cycle. Some artists I knew would release a record every four or five years, but I was every other year with a tour in between. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
List: 44 When Your Heart Stops Beating ...And You Will Know Us By
List: 44 When Your Heart Stops Beating ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead So Divided ...And You Will Know Us By The Trail Of Dead Worlds Apart 10,000 Maniacs In My Tribe 10,000 Maniacs Our Time In Eden 10,000 Maniacs The Earth Pressed Flat 100% Funk 100% Funk 3 Doors Down Away From The Sun 3 Doors Down The Better Life 30 Seconds To Mars 30 Seconds To Mars 30 Seconds To Mars A Beautiful Lie 311 311 311 Evolver 311 Greatest Hits '93-'03 311 Soundsystem 504 Plan Treehouse Talk 7:22 Band 7:22 Live 80's New Wave 80's New Wave (Disc1) 80's New Wave 80's New Wave (Disc2) A Day Away Touch M, Tease Me, Take Me For Granted A Day To Remember And Their Name Was Treason A New Found Glory Catalyst A New Found Glory Coming Home A New Found Glory From The Screen To Your Stereo A New Found Glory Nothing Gold Can Stay A New Found Glory Sticks And Stones Aaron Spiro Sing Abba Gold Aberfeldy Young Forever AC/DC AC/DC Live: Collector's Edition (Disc 1) AC/DC AC/DC Live: Collector's Edition (Disc 2) AC/DC Back In Black AC/DC Ballbreaker AC/DC Blow Up Your Video AC/DC Dirty Deeds Done Dirt Cheap AC/DC Fly On The Wall AC/DC For Those About To Rock We Salute You AC/DC High Voltage AC/DC Highway To Hell AC/DC If You Want Blood You've Got I AC/DC Let There Be Rock AC/DC Powerage AC/DC Stiff Upper Lip AC/DC T.N.T. -
Council Candidates Speak at MIT Rally
MIT's The Weather Oldest and Largest Today: Sunny, windy, 30°f (-1°C) Tonight: Clear, cold, OaF (-l7°C) Newspaper Tomorrow: Cloudy, 20°F (-7°C) Details, Page 2 Volume 119, Number 42 Cambridge, Massachusetts 02139 Friday, September 17, 1999 Council Candidates Speak at MIT Rally By Naveen Sunkavally Snowberg, who spoke a few NEWS EDITOR minutes after noon, said: "I'm try- With punk rock music playing ing to give students a reason to , ::~ in the backgr.ound and classes vote, Local government deals with notwithstanding, a small but vocal everything you deal with on a group of students held a noon-time daily basis," from transportation political rally on the Student and better bike lanes to affordable Center steps Tuesday. housing and keeping bars open The rally, sponsored by the stu- later. dent group Swass Distribution, Kathleen Born '77. currently an 'featured several Massachusetts incumbent and a candidate for politicians, including state repre- Cambridge City Council, said she sentative Paul Demakis and six was elected six years ago by a candidates for Cambridge City margin of only twelve votes. She ' .. Council, including current MIT said that Cambridge's proportional OMAR ROUSIiDY - THE TECII student Erik C. Snowberg '99, representation voting scheme is In preparation for the expected arrival of Hurricane Floyd, Department of Facilities workers "The purpose of the event was especially favorable to minority ~ l dropped the Tennis Bubble yesterday. ,The department also worked to address possible flooding to attract attention to student par- interests, issues throughout the week, according to an email sent to facilities staff by Manager For Repair ticipation in local government and Ken Reeves, another council and Maintenance Steve P.