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Stephen Frears Par Eithne O'neill
STEPHEN FREARS PAR EITHNE O'NEILL Collection dirigée par Francis Bordat RIVAGES Du même auteur: Lubitsch ou la satire romanesque, en collaboration avec Jean-Loup Bourget, Stock, 1987; rééd. Flammarion, coll. «Champs Contre-Champs », 1990. Crédits photographiques : British Film Institute (pages 15, 17, 26, 28, 29, 35, 37, 39, 41, 43, 77, 79, 81, 84, 87, 90, 92, 103 haut, 105, 109, 135), archives Cahiers du cinéma (couverture, pages 47, 50, 101, 129), collection Michel Ciment (pages 12, 14, 16, 18, 20, 21, 23, 25, 31, 44, 45, 52, 55, 57, 58, 59, 60, 62, 64, 65, 66, 67, 69, 70, 71, 72, 97, 99, 102, 103 bas, 104, 106, 107, 108 bas, 111, 116, 126, 128, 131, 134, 136, 137, 164, 166, 167, 178, 182, 184, 187, 190, 191, 199, 204, 208, 209, 211), ITC Entertainment (pages 82, 83), Neville Smith (pages 108 haut, 143). © Éditions Payot & Rivages, 1994 106, bd Saint-Germain 75006 PARIS ISBN: 2 - 86930 - 844 - 2 ISSN: 0298 - 0088 A Joëlle Pour leur aide et leur collaboration, je tiens à remercier les personnes suivantes: Neville Smith, romancier, scénariste, acteur et musicien ; Hanif Kureishi, qui m'a autorisée à reproduire son «Intro- duction à My Beautiful Laundrette » ; Christian Bourgois, qui m'a autorisée à reproduire le texte de Hanif Kureishi dans sa traduction française; Patrick O'Byrne, sans qui ce livre n'aurait pas pu être écrit; Reinbert Tabbert; Michael Dwyer, critique de cinéma, The Irish Times ; Michel Ciment ; Hubert Niogret ; Jon Keeble (ITC), qui a organisé pour moi une projection de Bloody Kids ; Maria Stuff, independent film resear- cher, Londres ; Kathleen Norrie ; Maeve Murphy ; Kate Lenehan; Jacques Bover; et Neville Smith, qui a bien voulu me prêter les photos prises par lui. -
•K HIGH SCHOOL PLANS PAGEANT DR. KEMMERER WILL SPEAK ON
^ g i ESTABLISHED I l l t t •k COMPLETE COVERAGE OF MILL BURN TOWNSHIP INCLUDING WYOMING VOL XLVII.—NO. 20 Millburn, New Jersey, Friday, May 1 7, 1935 PRICE FIVE CENTS Millburn Leading League, Will HIGH SCHOOL Commonwealth Water Offer 1 FRANK WRIGHT, Open Home Season Here Saturday PLANS PAGEANT FORMER ITEM Of Settlement Is Refused Chairman Barker Will Toss First Ball As Blues To Celebrate Anniver Six Per Cent Reduction on Grots Bills is Consid Take Up Pennant March—Knothe sary of First Free Pub OWNER, DEAD ered Too Small— Three Towns :*-.i« Batting Star of Opener lic School Bought and Ran Paper „ i U ■ ■ ■ O P P OSO # ^ ^ ..... ’’M B M ............... ..... ; , - ^, J' J#*S» I I I ■■ ; V V : w 'j ~ V '-1; — '• ‘ Stephen 0w*»r. ehalnneo ai th e LACKAWANNA BASEBALL w JttUburnf ...... I ! Mere Forty Yean P erhaps wearying of the litigation, too, perhaps warped by the finding* a n htie of the most spectacular pageants Ago In-recent cases by the State Public Utility Commission the Commonwealth toss up the first hall here tomorrow produced in the Bute wttUn recent Standing of the Teams Water Company last week made an offer of settlement of the fight of five years. The thrCe^TiundreaHt anni afternoon as the Millburn Blues open w . L. P t t Funeral *erviees for Frank Wright municipalities, of which Millburn Is one, for lower water rates. , . „ versary of the founding of the Boston 'JkM their home season In the Lackawanna Millburn ... 0 1.000 were held Monday evening at the Latin School, (he first free high school i f ■ The proposal of the company was that the five towns accept a flat six Chatham .. -
1 the Association for Diplomatic Studies and Training Foreign Affairs
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project AMBASSADOR THOMAS N. HULL III Interviewed by: Daniel F. Whitman Initial Interview Date: January 8, 2010 Copyri ht 2012 ADST TABLE OF CONTENTS Background Born in New York, raised in Massachusetts Educated at Dickinson College and Columbia University Sierra Leone: Peace Corps Volunteer; Primary school teacher 19681c1.22 ,illage environment Living conditions Ambassador Robert Miner Fellow Peace Corps volunteers Fianc5e Columbia (niversity: Student, Education and International Affairs 1.2211.23 Degrees: International Education and International Affairs African studies ew York City, NY- Institute of International Education 8IIE9 1.2311.26 Fulbright Program Senator Fulbright :oined the Foreign Service: (SIA 1.26 Kinshasa, Democratic Republic of Congo: Public Affairs Trainee 1.2611.22 Mobutu and Mama Mobutu Program officers (SIA staff and operations (SAID Security Belgians Environment Closeing Consulate Kisangani 8former Stanleyville9 Brazzaville, Republic of the Congo- TDY Public Affairs Officer 1.22 Communist government 1 Concerts Kinshasa, 8Continued9 1.2211.20 Environment Mobuto’s Zairian art collection Feccan Fair Personnel issues Pretoria, South Africa: Assistant Cultural Affairs Officer 1.2011.00 Effects of Soweto riots Apartheid Afrikaners on1Afrikaner whites Cleveland International Program Crossroads Africa (S policy International ,isitors Program Ambassador Edmonson Ambassador Bowdler Personnel Black entrepreneurs Official entertainment Foreign -
6 February 1992 Greenbelt News Review
What Goes On jrttnbdt Nrws lleuiew Mon., Feb. 10, 8 p.m. Oilty Office Hours Counci'l Meeting, Municipal Monday 2- 4 p.m. copy, ads Bui~ding 8-10 p.m. copy, ads Th111'8., Feb. 13, 8 p.m. Gm Tuesday - 8-10 p.m. copy, ads Board of o;.xectors Meeting, Hami1ton Place Dews lltuitw 16 Parkway It,"' INnFPFNnFNT NEWSPAPER 474-'131 Volume 55, Number 12 P.O. Box 68, Greenbelt, Maryland 20768-0068 1992 New Pool Customers Praise Facility, Revenues Now Exceed Expectations by James Giese asked the same question, She stay in Greenbelt the rest of my and her sister Jessica and friends life." Mangum likes his job "The whole facility is run were enjoying an afternoon off there as well, because he gets ning fantastically, now," re from classes at St. Hugh's by to see many of his friends and swimming at the pool. his mother's friends. "It's a sponded Aquatics Supervisor "Terrific," summed it up for neighborly type of job.'' George Rogal-a when asked Terry Mangum, a resident of Dee Downs of Ridge Road, who how the new indoor pool fa Greenbriar and part-time cash swims at the pool regularly cility was doing after the ier. As a handicapped individual along with husband Jack, de who must use a wheelchair, Mans scribed the new pool as "our first three months of opera gum considers swimming to be winter vacation resort." She has tion. an -important form of exercise. enrolled in the arthritic aquatics "I was thinking that I should program held three afternoons a "I love it, it's great," replied move to Florida so that I could week. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Stephen Frears: Moje Piękne Kino
Bartosz Kazana Stephen Frears: moje piękne kino W jedynej dotychczas w Polsce próbie podsumowania twórczości Stephena Fre- arsa Ewa Mazierska przywołuje naszkicowany przez André Bazina podział reżyse rów filmowych „na tych, którzy wierzą w rzeczywistość i tych, którzy wierzą w obraz (czyli nierzeczywistość)”1. I choć Bazin opowiada się po stronie tych pierwszych, schemat ten nie ma hierarchizować ani wartościować twórczości filmowej, a jedynie ułatwiać jej spójne ujęcie. Frears należy do tych reżyserów, w przypadku których nie jest to jednak możliwe. Jego twórczość jest zbyt eklektyczna - obok filmów o niemal reporterskim zapisie rzeczywistości nie brakuje obrazów, w których jest ona efektem aktu kreacji. W owej dychotomii wielu badaczy upatruje słabość i brak zdecydowania, uznając twórczość Frearsa za mało autorską. Niechętny kategoryzowaniu i podsumo wywaniu swoich dokonań, reżyser ripostuje, podkreślając, że nie czuje się „autorem” w rozumieniu ukutym przez zwolenników polityki autorskiej, ponieważ przytaczana przez nich definicja tożsama jest raczej z definicją „artysty”, a za takiego się nie uważa. Chcąc potwierdzić swoje słowa przywołuje francuskich teoretyków: „Kiedy francuscy twórcy skupieni wokół «Cahiers du cinéma» odkryli kino amerykańskie, zorientowali się, że twórczość takich reżyserów, jak Minnelli, Hitchcock i Ford, realizujących filmy dla dużych wytwórni, cechuje określona spójność. Trudno było im się do tego usto sunkować, ponieważ reżyserzy ci nigdy nawet nie montowali swoich filmów. Dlatego też wprowadzono pojęcie «autora» dla określenia sytuacji, w której ów «pracownik fabryki», odciska na produkcie własne piętno”2. Kino amerykańskie jest zatwm bli skie Frearsowi nie tylko w kwestii postrzegania roli reżysera, ale przede wszystkim ze względu na klasyczne kino gatunków. Obok tradycji Royal Court Theatre i kina „młodych gniewnych” głównym źródłem inspiracji dla twórczości filmowej Frearsa są tacy reżyserzy, jak choćby Howard Hawks, John Ford, Ernst Lubitsch i wspomnia ny Hitchcock. -
George Fenton
GEORGE FENTON AWARDS AND NOMINATIONS INTERNATIONAL FILM MUSIC EARTH CRITICS ASSOCIATIONS AWARD (2007) Best Original Score-Documentary Feature EMMY AWARD PLANET EARTH - POLE TO POLE Outstanding Music Composition for a Series EMMY NOMINATION PRIDE Outstanding Music Composition For a Miniseries, Movie or a Special EMMY AWARD BLUE PLANET: SEAS OF LIFE Outstanding Music Composition for a Series GOLDEN GLOBE Nomination ANNA AND THE KING Best Score and Song IVOR NOVELLO AWARD Nomination Best Film Score IVOR NOVELLO Nomination EVER AFTER Best Film Score BAFTA Nomination THE MADNESS OF KING GEORGE IVOR NOVELLO Award SHADOWLANDS Best Film Score OSCAR Nomination THE FISHER KING Best Score IVOR NOVELLO Nomination FINAL ANALYSIS Best Film Score BAFTA Nomination MEMPHIS BELLE OSCAR Nomination-Best Score DANGEROUS LIAISONS BAFTA Nomination The Gorfaine/ Schwartz Agency, Inc. (818) 260-8500 1 GEORGE FENTON GOLDEN GLOBE Nomination CRY FREEDOM STANDARD Nomination BAFTA Nomination GRAMMY Nomination OSCARS Nomination-Best Score, Best Song IVOR NOVELLO Award IVOR NOVELLO Nomination THE COMPANY OF WOLVES GRAMMY Nomination GANDHI BAFTA Nomination OSCAR Nomination-Best Score IVAR NOVELLO Award Best Film Score BAFTA Award THE BLUE PLANET IVOR NOVELLO Nomination EMMY Award BEYOND THE CLOUDS BAFTA Nomination LIFE IN THE FREEZER BAFTA Nomination THE TRIALS OF LIFE BAFTA Nomination TALKING HEADS Best Original TV Music BAFTA Award THE MONOCLED MUTINEER Best Original TV Music IVOR NOVELLO Award BAFTA Nomination THE JEWEL IN THE CROWN IVOR NOVELLO Award BAFTA Award WALTER Best Original TV Music IVOR NOVELLO Nomination NO COUNTRY FOR OLD MEN BAFTA Award Best Original TV Music D& DA Award IVOR NOVELLO Nomination OMNIBOUS D & DA Award The Gorfaine/ Schwartz Agency, Inc. -
British Films 1971-1981
Preface This is a reproduction of the original 1983 publication, issued now in the interests of historical research. We have resisted the temptations of hindsight to change, or comment on, the text other than to correct spelling errors. The document therefore represents the period in which it was created, as well as the hard work of former colleagues of the BFI. Researchers will notice that the continuing debate about the definitions as to what constitutes a “British” production was topical, even then, and that criteria being considered in 1983 are still valid. Also note that the Dept of Trade registration scheme ceased in May 1985 and that the Eady Levy was abolished in the same year. Finally, please note that we have included reminders in one or two places to indicate where information could be misleading if taken for current. David Sharp Deputy Head (User Services) BFI National Library August 2005 ISBN: 0 85170 149 3 © BFI Information Services 2005 British Films 1971 – 1981: - back cover text to original 1983 publication. What makes a film British? Is it the source of its finance or the nationality of the production company and/or a certain percentage of its cast and crew? Is it possible to define a British content? These were the questions which had to be addressed in compiling British Films 1971 – 1981. The publication includes commercial features either made and/or released in Britain between 1971 and 1981 and lists them alphabetically and by year of registration (where appropriate). Information given for each film includes production company, studio and/or major location, running time, director and references to trade paper production charts and Monthly Film Bulletin reviews as source of more detailed information. -
The Ocean Road
The Ocean Road Megan Clark Volume 1 Thesis submitted for the degree of Doctor of Philosophy in Creative Writing School of English University of Adelaide November 2014 Chapters As they are ordered in this book. Chapter One Port Noarlunga, Tuesday, November 9th, 1999 Page 1 Chapter Two Melbourne, Friday, December 1st, 1972 Page 39 Chapter Two Port Noarlunga, Wednesday, November 10th, 1999 Page 82 Chapter Three Port Noarlunga, Monday, August 4th, 1986 Page 118 Chapter Three Port Noarlunga, Thursday, November 11th, 1999 Page 156 Chapter One Adelaide, Monday, November 7th 1938 Page 194 The Last Chapter Port Noarlunga, Friday, November 12th, 1999 Page 236 1 1 Chapter One Port Noarlunga, Tuesday, November 9th, 1999 This is not her. I'll tell you what I told the cops - this is not her. I don't care what my Aunties told them, what Nana said; she'll just agree with the last person who spoke. I'm not being mean, she'd say this herself. I can imagine them talking about Mum. Unreliable. What’s she done now? Calling the cops though? Whose idea was that? I can't imagine where she is, I mean, that's true, but it is only one day and I am practically an adult now. I'm not in high school. I can look after myself. Maybe she.....I don't know, all right, but the cops? I'd already decided that I wasn't going into TAFE this morning - so I was in bed. I was in Mum's bed actually, I slept there last night. -
Las Amistades Peligrosas
Las Amistades Peligrosas (DANGEROUS LIAISONS) Nº 250 (OCTUBRE 2008) SINOPSIS Francia, siglo XVIII. La perversa y fascinante Marquesa de Merteuil planea vengarse de su último amante con la ayuda de su viejo amigo, el Vizconde de Valmont, un seductor tan amoral y depravado como ella. Una virtuosa mujer casada, Madame de Tourvel, de la que Val- mont se enamora, se verá involucrada en las insidiosas maquinacio- nes de la marquesa. FICHA ARTÍSTICA Marquesa Isabel de Merteuil......................................... GLENN CLOSE Vizconde Sébastien de Valmont ............................. JOHN MALKOVICH Madame Marie de Tourvel ..................................MICHELLE PFEIFFER Madame de Volanges................................................ SWOOSIE KURTZ Rápale Danceny .........................................................KEANU REEVES Cécile de Volanges...................................................... UMA THURMAN Madame de Rosemonde........................................ MILDRED NATWICK ICHA ÉCNICA F T Duración....................... 119 min. Dirección ........ STEPHEN FREARS Fotografía ........... P. ROUSSELOT Nacionalidad............ Reino Unido Productora .......... WARNER BROS. Montaje ............. MICK AUDSLEY ........................... Estados Unidos Productor.......... NORMA HEYMAN Música ...........GEORGE FENTON Año de Producción .............. 1988 ....................... HANK MOONJEAN Dir. Artística ...... STUART CRAIG (Color) Guión ..CHRISTOPHER HAMPTON ........................ GÉRARD JAMES (Basado en la obra de Choderlos -
Regional Oral History Office University of California the Bancroft Library Berkeley, California
University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Evelyn Danzig Haas FINE ARTS AND FAMILY: THE SAN FRANCISCO MUSEUM OF MODERN ART, PHILANTHROPY, WRITING, AND HAAS FAMILY MEMORIES With Introductions by Eugene E. Trefethen and Elizabeth Haas Eisenhardt Interviews Conducted by Suzanne B. Riess in 1995 Copyright 1997 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well- informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Evelyn Danzig Haas dated March 6, 1995. The manuscript is thereby made available for research purposes. -
Downloaded to It from Head Office, Will Know This Is Not the Correct Course and Will Steer You Away from It
The Strange Potential Of Ordinary Things Novel and Critical Exegesis William Pascoe BA University of Sydney, BA (Hons) University of Newcastle Submitted in fulfillment of the requirement of the degree of Doctor of Philosophy March 2015 Faculty of Education and Arts School of Humanities and Social Science University of Newcastle William Pascoe The Strange Potential Of Ordinary Things 2 Statement of Originality This thesis contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to this copy of my thesis, when deposited in the University Library**, being made available for loan and photocopying subject to the provisions of the Copyright Act 1968. ** Unless an Embargo has been approved for a determined period. ……………………………………………… William Pascoe The Strange Potential Of Ordinary Things 3 Acknowledgements I would like to gratefully acknowledge the support and advice of my supervisors Dr Keri Glastonbury and Dr Patricia Pender. For their insights and advice I would also like to thank Evonne Irwin, Ryan O'Neill, Erol Engin and Nicholas Faiz. William Pascoe The Strange Potential Of Ordinary Things 4 Contents Statement of Originality ............................................................................................................... 2 Acknowledgements ......................................................................................................................