Downloaded to It from Head Office, Will Know This Is Not the Correct Course and Will Steer You Away from It

Total Page:16

File Type:pdf, Size:1020Kb

Downloaded to It from Head Office, Will Know This Is Not the Correct Course and Will Steer You Away from It The Strange Potential Of Ordinary Things Novel and Critical Exegesis William Pascoe BA University of Sydney, BA (Hons) University of Newcastle Submitted in fulfillment of the requirement of the degree of Doctor of Philosophy March 2015 Faculty of Education and Arts School of Humanities and Social Science University of Newcastle William Pascoe The Strange Potential Of Ordinary Things 2 Statement of Originality This thesis contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to this copy of my thesis, when deposited in the University Library**, being made available for loan and photocopying subject to the provisions of the Copyright Act 1968. ** Unless an Embargo has been approved for a determined period. ……………………………………………… William Pascoe The Strange Potential Of Ordinary Things 3 Acknowledgements I would like to gratefully acknowledge the support and advice of my supervisors Dr Keri Glastonbury and Dr Patricia Pender. For their insights and advice I would also like to thank Evonne Irwin, Ryan O'Neill, Erol Engin and Nicholas Faiz. William Pascoe The Strange Potential Of Ordinary Things 4 Contents Statement of Originality ............................................................................................................... 2 Acknowledgements ....................................................................................................................... 3 Abstract ............................................................................................................................................... 7 Ordinary Things ................................................................................................................................ 8 Travelling Home ........................................................................................................................... 9 Corn .............................................................................................................................................. 21 Batz And Chouen ................................................................................................................... 21 The Lords of Xibalba ............................................................................................................. 23 One Hunahpu and Seven Hunahpu ..................................................................................... 23 One Death and Seven Death ................................................................................................ 24 Lady Blood ............................................................................................................................... 25 Lord Blood ............................................................................................................................... 25 Lady Blood ............................................................................................................................... 26 One Death and Seven Death ................................................................................................ 27 Grandma .................................................................................................................................. 28 Batz And Chouen ................................................................................................................... 29 A Flat Tire .................................................................................................................................... 30 Kongo Is Not Kongo ................................................................................................................. 36 Accelerator ................................................................................................................................... 44 Ash Child ...................................................................................................................................... 54 A History of Rubber Tires ......................................................................................................... 57 Japanese Graphic Design ........................................................................................................... 62 Hungry Ghost .............................................................................................................................. 67 Pacman ..................................................................................................................................... 67 Words and Stone ..................................................................................................................... 68 Silkworm .................................................................................................................................. 68 Pampas Reeds .......................................................................................................................... 71 Mushroom and Sweet Potato ................................................................................................ 73 Unrin-In ................................................................................................................................... 75 Tales of Ise ............................................................................................................................... 76 Vending Machine ........................................................................................................................ 82 Chilli .............................................................................................................................................. 89 William Pascoe The Strange Potential Of Ordinary Things 5 Xbalanque and Hunahpu ....................................................................................................... 89 Batz And Chouen ................................................................................................................... 89 The Rat In The Field .............................................................................................................. 90 Xbalanque and Hunahpu ....................................................................................................... 92 Grandma .................................................................................................................................. 93 Hands ............................................................................................................................................ 95 Observing The Chicotte ........................................................................................................ 95 Bath Of Sand ........................................................................................................................... 97 Talking ...................................................................................................................................... 99 The Bridge .............................................................................................................................. 101 Bath Of Gold......................................................................................................................... 101 Canned Beef........................................................................................................................... 103 Site Inspection ........................................................................................................................... 104 Ukiyo ........................................................................................................................................... 116 Fordlandia .............................................................................................................................. 116 Kitchen ................................................................................................................................... 117 Ukiyo ....................................................................................................................................... 122 Sweet Potato .......................................................................................................................... 127 In Wood ................................................................................................................................. 130 Master's Will ............................................................................................................................... 132 Depreciation .............................................................................................................................. 140 Two Pines ................................................................................................................................... 152 Burning Mansion ................................................................................................................... 152 Tokyo National Museum ..................................................................................................... 161 Quitting Smoking .................................................................................................................. 163 Surfaces ................................................................................................................................... 167 Authentic Peruvian Cuisine ................................................................................................
Recommended publications
  • Stephen Frears Par Eithne O'neill
    STEPHEN FREARS PAR EITHNE O'NEILL Collection dirigée par Francis Bordat RIVAGES Du même auteur: Lubitsch ou la satire romanesque, en collaboration avec Jean-Loup Bourget, Stock, 1987; rééd. Flammarion, coll. «Champs Contre-Champs », 1990. Crédits photographiques : British Film Institute (pages 15, 17, 26, 28, 29, 35, 37, 39, 41, 43, 77, 79, 81, 84, 87, 90, 92, 103 haut, 105, 109, 135), archives Cahiers du cinéma (couverture, pages 47, 50, 101, 129), collection Michel Ciment (pages 12, 14, 16, 18, 20, 21, 23, 25, 31, 44, 45, 52, 55, 57, 58, 59, 60, 62, 64, 65, 66, 67, 69, 70, 71, 72, 97, 99, 102, 103 bas, 104, 106, 107, 108 bas, 111, 116, 126, 128, 131, 134, 136, 137, 164, 166, 167, 178, 182, 184, 187, 190, 191, 199, 204, 208, 209, 211), ITC Entertainment (pages 82, 83), Neville Smith (pages 108 haut, 143). © Éditions Payot & Rivages, 1994 106, bd Saint-Germain 75006 PARIS ISBN: 2 - 86930 - 844 - 2 ISSN: 0298 - 0088 A Joëlle Pour leur aide et leur collaboration, je tiens à remercier les personnes suivantes: Neville Smith, romancier, scénariste, acteur et musicien ; Hanif Kureishi, qui m'a autorisée à reproduire son «Intro- duction à My Beautiful Laundrette » ; Christian Bourgois, qui m'a autorisée à reproduire le texte de Hanif Kureishi dans sa traduction française; Patrick O'Byrne, sans qui ce livre n'aurait pas pu être écrit; Reinbert Tabbert; Michael Dwyer, critique de cinéma, The Irish Times ; Michel Ciment ; Hubert Niogret ; Jon Keeble (ITC), qui a organisé pour moi une projection de Bloody Kids ; Maria Stuff, independent film resear- cher, Londres ; Kathleen Norrie ; Maeve Murphy ; Kate Lenehan; Jacques Bover; et Neville Smith, qui a bien voulu me prêter les photos prises par lui.
    [Show full text]
  • The Origins of the Magical Girl Genre Note: This First Chapter Is an Almost
    The origins of the magical girl genre Note: this first chapter is an almost verbatim copy of the excellent introduction from the BESM: Sailor Moon Role-Playing Game and Resource Book by Mark C. MacKinnon et al. I took the liberty of changing a few names according to official translations and contemporary transliterations. It focuses on the traditional magical girls “for girls”, and ignores very very early works like Go Nagai's Cutie Honey, which essentially created a market more oriented towards the male audience; we shall deal with such things in the next chapter. Once upon a time, an American live-action sitcom called Bewitched, came to the Land of the Rising Sun... The magical girl genre has a rather long and important history in Japan. The magical girls of manga and Japanese animation (or anime) are a rather unique group of characters. They defy easy classification, and yet contain elements from many of the best loved fairy tales and children's stories throughout the world. Many countries have imported these stories for their children to enjoy (most notably France, Italy and Spain) but the traditional format of this particular genre of manga and anime still remains mostly unknown to much of the English-speaking world. The very first magical girl seen on television was created about fifty years ago. Mahoutsukai Sally (or “Sally the Witch”) began airing on Japanese television in 1966, in black and white. The first season of the show proved to be so popular that it was renewed for a second year, moving into the era of color television in 1967.
    [Show full text]
  • The American Poetry Review
    “As soon as we subscribe to a hierarchy, we circumscribe ourselves within a value system. This is perhaps the great conundrum AMERICAN of art—once we define a term, we impose a limit, thereby inviting both orthodoxy and transgression. Our concept of ‘art’ or ‘poem’ or ‘novel’ is, then, always in flux, and I think we’d agree that this is how art renews itself—through those who dare to challenge those terms. The making of art, and the evaluation of it, is always an act POETRY REVIEW of self-definition.” —KITANO, p. 37 MAY/JUNE 2021 VOL. 50/NO. 3 $5 US/$7 CA MEGAN FERNANDES MAGICAL REALISM IN AMERICA & OTHER POEMS FORREST GANDER OWNING YOURSELF: AN INTERVIEW WITH JACK GILBERT SALLY WEN MAO PARIS SYNDROME & OTHER POEMS ALSO IN THIS ISSUE: ALISON C. ROLLINS MAGGIE SMITH NATALIE EILBERT PHOTO: APRWEB.ORG RIVKAH GEVINSON 2 THE AMERICAN POETRY REVIEW The American Poetry Review (issn 0360-3709) is published bimonthly by World Poetry, Inc., a non-profit corporation, and Old City Publishing, Inc. Edi torial offices: 1906 Rittenhouse Square, Philadelphia, PA 19103-5735. Subscription rates: U.S.: 3 years, $78.00; 2 years, $56.00; 1 year, $32.00. Foreign rates: 3 years, $129.00; 2 years, $92.00; 1 year, $49.00. Single copy, $5.00. Special classroom adoption rate per year per student: MAY/JUNE 2021 VOL. 50/NO. 3 $14.00. Free teacher’s subscription with classroom adoption. Subscription mail should be addressed to The American IN THIS ISSUE Poetry Review, c/o Old City Publishing, 628 N.
    [Show full text]
  • An African Basketry of Heterogeneous Variables Kongo-Kikongo-Kisankasa
    ISSN 2394-9694 International Journal of Novel Research in Humanity and Social Sciences Vol. 8, Issue 2, pp: (2-31), Month: March - April 2021, Available at: www.noveltyjournals.com An African Basketry of Heterogeneous Variables Kongo-Kikongo-Kisankasa Rojukurthi Sudhakar Rao (M.Phil Degree Student-Researcher, Centre for African Studies, University of Mumbai, Maharashtra Rajya, India) e-mail:[email protected] Abstract: In terms of scientific systems approach to the knowledge of human origins, human organizations, human histories, human kingdoms, human languages, human populations and above all the human genes, unquestionable scientific evidence with human dignity flabbergasted the European strong world of slave-masters and colonialist- policy-rulers. This deduces that the early Europeans knew nothing scientific about the mankind beforehand unleashing their one-up-man-ship over Africa and the Africans except that they were the white skinned flocks and so, not the kith and kin of the Africans in black skin living in what they called the „Dark Continent‟! Of course, in later times, the same masters and rulers committed to not repeating their colonialist racial geo-political injustices. The whites were domineering and weaponized to the hilt on their own mentality, for their own interests and by their own logic opposing the geopolitically distant African blacks inhabiting the natural resources enriched frontiers. Those „twists and twitches‟ in time-line led to the black‟s slavery and white‟s slave-trade with meddling Christian Adventist Missionaries, colonialists, religious conversionists, Anglican Universities‟ Missions , inter- sexual-births, the associative asomi , the dissociative asomi and the non-asomi divisions within African natives in concomitance.
    [Show full text]
  • Christianity and the Formation of the Ideology of Power in Soyo in the 17Th Century
    Studies in African Languages and Cultures, No 53, 2019 ISSN 2545-2134; e-ISSN 2657-4187 DOI: https://doi.org/10.32690/SALC53.6 Robert Piętek Siedlce University of Natural Sciences and Humanities Christianity and the formation of the ideology of power in Soyo in the 17th century Abstract The aim of the article is to present the role of the Christian elements in the formation of the ideology of power in Soyo in the mid of the 17th century. Thanks to its location, the province of Soyo played an important role in Kongo’s relations with Europe. Its location also meant that European influences in this province were stronger than in the rest of the Kingdom of Kongo. A permanent mission of the Capuchin order in Soyo was established as early as 1645. The province became virtually independent from Kongo in the 1640s. By that time, the political elite had formed an ideology of power largely based on the traditional elements of the Kongo culture. While it contained references to Christianity, the emphasis was put on the separateness and uniqueness of Soyo gained in victorious military conflicts with Kongo. The use of the Christian elements in rituals caused occasional conflicts between the secular authorities and the Capuchins. Keywords: Soyo, Kongo, Christianity, ideology of power 1. Introduction During the early modern period, Kongo constituted a fascinating example of an African state whose ruler and a considerable amount of political elites were in- terested in maintaining close relations with Europe, from the very first contacts established with the Portuguese toward the end of the 15th century.
    [Show full text]
  • UNIVERSIDADE DO ESTADO DA BAHIA - UNEB DEPARTAMENTO DE EDUCAÇÃO - DEDC/CAMPUS I PROGRAMA DE PÓS-GRADUAÇÃO EM EDUCAÇÃO E CONTEMPORANEIDADE - Ppgeduc
    1 UNIVERSIDADE DO ESTADO DA BAHIA - UNEB DEPARTAMENTO DE EDUCAÇÃO - DEDC/CAMPUS I PROGRAMA DE PÓS-GRADUAÇÃO EM EDUCAÇÃO E CONTEMPORANEIDADE - PPGEduc MILLE CAROLINE RODRIGUES FERNANDES DE ANGOLA À NILO PEÇANHA: TRAÇOS DA TRAJETÓRIA HISTÓRICA E DA RESISTÊNCIA CULTURAL DOS POVOS KONGO/ANGOLA NA REGIÃO DO BAIXO SUL Salvador 2020 2 MILLE CAROLINE RODRIGUES FERNANDES DE ANGOLA À NILO PEÇANHA: TRAÇOS DA TRAJETÓRIA HISTÓRICA E DA RESISTÊNCIA CULTURAL DOS POVOS KONGO/ANGOLA NA REGIÃO DO BAIXO SUL Tese apresentada ao Programa de Pós-Graduação em Educação e Contemporaneidade/PPGEduc- UNEB, no âmbito da Linha de Pesquisa I - Processos Civilizatórios: Educação, Memória e Pluralidade Cultural, como requisito para a obtenção do Título de Doutora em Educação e Contemporaneidade. Orientadora: Profa. Dra. Jaci Maria Ferraz de Menezes Co-orientador: Prof. Dr. Abreu Castelo Vieira dos Paxe Salvador 2020 3 4 5 Disêsa Ngana! (Licença Senhores/as!) Às pessoas mais velhas e às crianças, peço Nsuá (Licença). À minha Avó Mariazinha, à Minha Mãe e Madrinha Valdice Herculana (Mamãe Didi) e à minha Mãe biológica Maria José (Mamãe Zezé), as primeiras mulheres com quem aprendi a reverenciar os antepassados, a benzer com as folhas e a encantar o alimento. À Angola por ter sido acalento e cura para minh’alma. Aos Reis, Rainhas, Jindembo, Osoma, N’gola e Sekulos, por terem reconhecido minha origem angolana, pelo doce acolhimento, por me (re)ensinar a importância da nossa ancestralidade e por verem em mim ‘Makyesi’ (Felicidade). 6 AGRADECIMENTOS Agradecer às pessoas que trilharam conosco os caminhos mais difíceis e, muitas vezes, até improváveis, é uma singela forma de tentar retribuir, recompensar em palavras e gestos, mas é também tentar tornar-se digna de tanta generosidade encontrada nesta intensa e maravilhosa travessia.
    [Show full text]
  • REVISTA DE HISTÓRIA COMPARADA 2011 Ano 5 Volume
    ISSN: 1981-383X Programa de Pós-graduação em História Comparada / UFRJ REVISTA DE HISTÓRIA COMPARADA 2011 Ano 5 Volume 5 Número 1 1 Revista de História Comparada (2011) – Ano 5 – Volume 5 – Número 1 – ISSN: 1981-383X Copyright© by Silvio de Almeida Carvalho Filho, Andréia Cristina Lopes Frazão da Silva, Fábio de Souza Lessa e Leila Rodrigues da Silva (editores) et alii , 2011. Revista de História Comparada. Programa de Pós-graduação em História Comparada/UFRJ. Ano 5, v. 5, n. 1. Rio de Janeiro: PPGHC, 2011. Semestral ISSN: 1981-383X História Comparada. Universidade Federal do Rio de Janeiro. Programa de Pós-graduação em História Comparada. Programa de Pós-graduação de História Comparada Endereço: Largo de São Francisco de Paula n 1o., sala 311 – Centro – Rio de Janeiro – RJ BRASIL – CEP 20051-070 Tel.: 0 XX 21 2221-4049 Tel e Fax : 0 XX 21 22214049 Fax: 0 XX 21 2221-1470 E-mail: [email protected] Site : http://www.hcomparada.ifcs.ufrj.br Revisão: Edson Moreira Guimarães Neto Apoio Técnico: Edson Moreira Guimarães Neto, Marcelo Fernandes de Paula, Rafael Pinheiro de Araújo, Rodrigo Ballasteiro Pereira Thomaz 2 REVISTA DE HISTÓRIA COMPARADA Número 1 - Volume 5 – 08 - 2011 UNIVERSIDADE FEDERAL DO RIO DE JANEIRO Reitor: Prof. Dr. Aloísio Teixeira INSTITUTO DE HISTÓRIA Diretor: Prof. Dr. Fábio de Souza Lessa PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA COMPARADA Coordenador: Profa. Dra. Gracilda Alves COMITÊ EDITORIAL Prof. Dr. Silvio de Almeida Carvalho Filho Profª. Dra. Andréia Cristina Lopes Frazão da Silva Prof. Dr. Fábio de Souza Lessa. Profª. Dra. Leila Rodrigues da Silva COMITÊ DE APOIO TÉCNICO Prof.
    [Show full text]
  • The Prism of Laughter: Antebellum Humorists in Regional Perspective
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1997 The rP ism of Laughter: Antebellum Humorists in Regional Perspective. Henry O. Robertson Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Robertson, Henry O. Jr, "The rP ism of Laughter: Antebellum Humorists in Regional Perspective." (1997). LSU Historical Dissertations and Theses. 6443. https://digitalcommons.lsu.edu/gradschool_disstheses/6443 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • View of the Colony Itself (Being on the Top Floor of the Security Building Has Its Rewards, If Only That One Reward Was a Nice Sunset Every Now and Again)
    The Bright Garden by Alex Puncekar Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in the Northeast Ohio Master of Fine Arts Program YOUNGSTOWN STATE UNIVERSITY May, 2017 The Bright Garden Alex Puncekar I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: Alex Puncekar, Student Date Approvals: Christopher Barzak, Thesis Advisor Date Imad Rahman, Committee Member Date Eric Wasserman, Committee Member Date Dr. Salvatore A. Sanders, Dean of Graduate Studies Date ABSTRACT Calli Hayford lives on Kipos, a recently colonized planet far from Earth. Amongst the jungles and ravenous animals that threaten the various settlements across the planet’s surface, Calli is dealing with something much more dire: her sick mother, who is slowly dying from an unknown sickness. With funds scarce, Calli decides to do the impossible: to locate auracite, a rare mineral native to Kipos, in the hopes that it will provide her with the money to afford a cure. She leaves home with her friend, the sly and scruffy Sera, and encounters a whole new world outside of her own, one that will force her to answer questions she never knew she needed to answer: how far is she willing to go for someone she loves? iii Table of Contents Prologue 1 Chapter 1 6 Chapter 2 21 Chapter 3 35 Chapter 4 57 Chapter 5 80 Chapter 6 92 Chapter 7 123 Chapter 8 136 Chapter 9 156 Chapter 10 165 Chapter 11 192 Chapter 12 220 Chapter 13 245 Chapter 14 260 Chapter 15 279 Chapter 16 296 Chapter 17 313 Chapter 18 333 Chapter 19 358 Chapter 20 374 Chapter 21 387 iv Chapter 22 397 Epilogue 403 v Prologue Diana Hayford remembers Autumn.
    [Show full text]
  • Show #1321 --- Week of 5/4/20-5/10/20
    Show #1321 --- Week of 5/4/20-5/10/20 HOUR ONE--SEGMENTS 1-3 SONG ARTIST LENGTH ALBUM LABEL________________ SEGMENT ONE: "Million Dollar Intro" - Ani DiFranco :55 in-studio n/a "Can You Get to That"-Funkadelic 2:45 Maggot Brain Westbound "Grew Apart"-Donovan Woods 2:50 single only Meant Well "Stay Away"-Randy Newman 2:00 single only Nonesuch "Cloak Of The Night"-EOB w/Laura Marling 2:30 Earth Capitol "Held Down"-Laura Marling (in-studio) 3:50 in-studio n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** USA Songwriting Competition/"Registration" (:30) Outcue: " Songwriting.net." TOTAL TRACK TIME: 17:30 ***PLAY CUSTOMIZED STATION ID INTO: SEGMENT TWO: "Devil May Care"-Kandace Springs 3:00 The Women Who Raised Me Blue Note ***INTERVIEW & MUSIC: SIERRA HULL (at home in Nashville) ("25 Trips," "Everybody’s Talking") in-studio interview/performance n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** The Ark/"COVID-19 Update" (:30) Outcue: " TheArk.org." TOTAL TRACK TIME: 19:10 SEGMENT THREE: "A Couple Broken Windows"-Aaron Burdett (USASC winner) 4:25 Refuge self-released "I Want You To Love Me"-Fiona Apple 4:00 Fetch The Bolt Cutters Epic "I Contain Multitudes"-Bob Dylan 4:35 single only Columbia "Count On Me"-The Lone Bellow (in-studio) 3:00 in-studio n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** Leon Speakers/"The Leon Loft" (:30) Outcue: " at LeonSpeakers.com." TOTAL TRACK TIME: 18:21 TOTAL TIME FOR HOUR ONE - 55:01 acoustic café · p.o. box 7730 · ann arbor, mi 48107-7730 · 734/761-2043 · fax 734/761-4412 [email protected]
    [Show full text]
  • Nisekoi: False Love: Whats in a Name? Free
    FREE NISEKOI: FALSE LOVE: WHATS IN A NAME? PDF Naoshi Komi | 192 pages | 22 May 2014 | Viz Media, Subs. of Shogakukan Inc | 9781421564494 | English | San Francisco, United States Nisekoi - False Love (manga) - Anime News Network:W So don't worry. Kosaki Onodera formerlyChitoge. Claude spying on his relationship with Chitoge Kirisaki. Being called "Bean sprout" By Chitoge. One summer ten years ago, Raku made a promise to a girl to marry her once they reunite. The promise girl exchanged a pendant with Raku and held on to a key that would unlock it once they meet again. Ten years had passed and Raku has no memory of the girl's name or what she looks like but remembers the promise he made. After he started his fake relationship with Chitoge Kirisakihe encounters a series of events where he learns that Chitoge KirisakiKosaki OnoderaMarika Tachibanaand Yui Kanakura all possess keys that are connected to his pendant and that they all met each other ten years ago. They all seemed to have made a promise with a boy ten years ago too. This makes all four of the girls be the possible promised girl until Yui returned to Raku and confirmed herself that she is not one of the possible promised girls, despite having a key. His interest in the keys that Chitoge, Onodera, Marika, and Yui possess can get him in trouble for certain situations. He will go to great lengths for his pendant and freaks out if he loses it. Nisekoi: False Love: Whats in a Name? and Raku had tried opening the pendant with her key but it broke in the process.
    [Show full text]