View of the Colony Itself (Being on the Top Floor of the Security Building Has Its Rewards, If Only That One Reward Was a Nice Sunset Every Now and Again)
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The Language of Narrative Drawing: a Close Reading of Contemporary Graphic Novels
The Language of Narrative Drawing: a close reading of contemporary graphic novels Abstract: The study offers an alternative analytical framework for thinking about the contemporary graphic novel as a dynamic area of visual art practice. Graphic narratives are placed within the broad, open-ended territory of investigative drawing, rather than restricted to a special category of literature, as is more usually the case. The analysis considers how narrative ideas and energies are carried across specific examples of work graphically. Using analogies taken from recent academic debate around translation, aspects of Performance Studies, and, finally, common categories borrowed from linguistic grammar, the discussion identifies subtle varieties of creative processing within a range of drawn stories. The study is practice-based in that the questions that it investigates were first provoked by the activity of drawing. It sustains a dominant interest in practice throughout, pursuing aspects of graphic processing as its primary focus. Chapter 1 applies recent ideas from Translation Studies to graphic narrative, arguing for a more expansive understanding of how process brings about creative evolutions and refines directing ideas. Chapter 2 considers the body as an area of core content for narrative drawing. A consideration of elements of Performance Studies stimulates a reconfiguration of the role of the figure in graphic stories, and selected artists are revisited for the physical qualities of their narrative strategies. Chapter 3 develops the grammatical concept of tense to provide a central analogy for analysing graphic language. The chapter adapts the idea of the graphic „confection‟ to the territory of drawing to offer a fresh system of analysis and a potential new tool for teaching. -
The Web That Has No Weaver
THE WEB THAT HAS NO WEAVER Understanding Chinese Medicine “The Web That Has No Weaver opens the great door of understanding to the profoundness of Chinese medicine.” —People’s Daily, Beijing, China “The Web That Has No Weaver with its manifold merits … is a successful introduction to Chinese medicine. We recommend it to our colleagues in China.” —Chinese Journal of Integrated Traditional and Chinese Medicine, Beijing, China “Ted Kaptchuk’s book [has] something for practically everyone . Kaptchuk, himself an extraordinary combination of elements, is a thinker whose writing is more accessible than that of Joseph Needham or Manfred Porkert with no less scholarship. There is more here to think about, chew over, ponder or reflect upon than you are liable to find elsewhere. This may sound like a rave review: it is.” —Journal of Traditional Acupuncture “The Web That Has No Weaver is an encyclopedia of how to tell from the Eastern perspective ‘what is wrong.’” —Larry Dossey, author of Space, Time, and Medicine “Valuable as a compendium of traditional Chinese medical doctrine.” —Joseph Needham, author of Science and Civilization in China “The only approximation for authenticity is The Barefoot Doctor’s Manual, and this will take readers much further.” —The Kirkus Reviews “Kaptchuk has become a lyricist for the art of healing. And the more he tells us about traditional Chinese medicine, the more clearly we see the link between philosophy, art, and the physician’s craft.” —Houston Chronicle “Ted Kaptchuk’s book was inspirational in the development of my acupuncture practice and gave me a deep understanding of traditional Chinese medicine. -
LOYALISTS CRUSH COUP Philippine Rebels Eppeared to Have Little Support
anrhrfitrrManchester — A City ol Village Charm Hrralft Saturday. Aug. 29.1987 LOYALISTS CRUSH COUP Philippine rebels eppeared to have little support MANILA, Philippines (AP) — Loyal troops backed by helicopter gunships and low-level bombing seized strongholds of mutineers Friday to crush the bloodiest coup attempt yet against President Corazon Aquino. Her only son was wounded. On Saturday morning, 500 rebel troops surrendered at Camp Aguinaldo, the military headquarters that was the scene of the heaviest fighting, themilitary said. On Friday night, it said other 402 rebels had been captured. Gen. Fidel V. Ramos, the military chief of staff, had told his subordinates Friday morning that only about 800 troops had taken part in the mutiny. It was not known how many still might be holding out. Ramos had said "mopping up operations” were under way aiid he expected full order to be restored in Manila by Saturday. ' The uprising centered in Manila but the commander of paramilitary national police in Cebu City, 350 miles southeast, backed the rebels, putting the mayor and provincial governor under house arrest. Military and hospital sources said at least 25 people had been killed and 275 wounded, including Benigno Aquino III. Mrs. Aquino, 54. said her 27:year-oId son was seriously hurt and three companions were killed when gunfire riddled their car near the presidential palace early Friday. The mutiny began at 1 a.m. Friday with attacks on the Malacanang presidential palace compound and other targets. The rebels did not appear to have widespread, popular support. When one group was chased away from the tall transmitter tower of government-run Channel 4 television station, hundreds of people poured into the streets, cheering the loyal defenders and shouting, “Cory! Cory! “ the nickname of the popular president. -
Sprague Ted in North East
Sprague Ted in North East 2 Freeport Rd, North East, PA 16428 Cross Streets: Near the intersection of Freeport Rd and Freeport Ln (814) 725-2319 We found Ted Sprague in 17 states. See Ted's 1) contact info 2) public records 3) Twitter & social profiles 4) background check. Search free at BeenVerified. Seen As: Ted Sprague IV. Addresses: 11078 Freeport Ln, North East, PA. View Profile. Ted G Sprague. As a child growing up in North Korea, Hyeonseo Lee thought her country was "the best on the planet." It wasn't until the famine of the 90s that she began to wonder. She escaped the country at 14, to begin a life in hiding, as a refugee in China. Hers is a harrowing, personal tale of survival and hope â” and a powerful reminder of those who face constant danger, even when the border is far behind. Ted Sprague was a resident of Los Angeles, CA. He was the son of Mindy Sprague and the husband of Karen Sprague. He was an evolved human who had the ability to emit radiation from his body. He was killed by Sylar. Matt and Audrey are investigating the murder of Robert Fresco, an oncologist at UCLA. His body was found burned to a char and emitting 1,800 curies of radiation. A fingerprint found seared into the man's bone is matched using the FBI's CODIS system to Theodore Sprague. Ted Sprague has the ability of radiation. He was mistaken as Sylar a several times. He previously teamed-up with Matt Parkman and Wireless in order to bring down the Company. -
Copyrighted Material
PART ON E F IS FOR FORTUNE COPYRIGHTED MATERIAL CCH001.inddH001.indd 7 99/18/10/18/10 77:13:28:13:28 AAMM CCH001.inddH001.indd 8 99/18/10/18/10 77:13:28:13:28 AAMM LOST IN LOST ’ S TIMES Richard Davies Lost and Losties have a pretty bad reputation: they seem to get too much fun out of telling and talking about stories that everyone else fi nds just irritating. Even the Onion treats us like a bunch of fanatics. Is this fair? I want to argue that it isn ’ t. Even if there are serious problems with some of the plot devices that Lost makes use of, these needn ’ t spoil the enjoyment of anyone who fi nds the series fascinating. Losing the Plot After airing only a few episodes of the third season of Lost in late 2007, the Italian TV channel Rai Due canceled the show. Apparently, ratings were falling because viewers were having diffi culty following the plot. Rai Due eventually resumed broadcasting, but only after airing The Lost Survivor Guide , which recounts the key moments of the fi rst two seasons and gives a bit of background on the making of the series. Even though I was an enthusiastic Lostie from the start, I was grateful for the Guide , if only because it reassured me 9 CCH001.inddH001.indd 9 99/18/10/18/10 77:13:28:13:28 AAMM 10 RICHARD DAVIES that I wasn’ t the only one having trouble keeping track of who was who and who had done what. -
Heroes (TV Series) - Wikipedia, the Free Encyclopedia Pagina 1 Di 20
Heroes (TV series) - Wikipedia, the free encyclopedia Pagina 1 di 20 Heroes (TV series) From Wikipedia, the free encyclopedia Heroes was an American science fiction Heroes television drama series created by Tim Kring that appeared on NBC for four seasons from September 25, 2006 through February 8, 2010. The series tells the stories of ordinary people who discover superhuman abilities, and how these abilities take effect in the characters' lives. The The logo for the series featuring a solar eclipse series emulates the aesthetic style and storytelling Genre Serial drama of American comic books, using short, multi- Science fiction episode story arcs that build upon a larger, more encompassing arc. [1] The series is produced by Created by Tim Kring Tailwind Productions in association with Starring David Anders Universal Media Studios,[2] and was filmed Kristen Bell primarily in Los Angeles, California. [3] Santiago Cabrera Four complete seasons aired, ending on February Jack Coleman 8, 2010. The critically acclaimed first season had Tawny Cypress a run of 23 episodes and garnered an average of Dana Davis 14.3 million viewers in the United States, Noah Gray-Cabey receiving the highest rating for an NBC drama Greg Grunberg premiere in five years. [4] The second season of Robert Knepper Heroes attracted an average of 13.1 million Ali Larter viewers in the U.S., [5] and marked NBC's sole series among the top 20 ranked programs in total James Kyson Lee viewership for the 2007–2008 season. [6] Heroes Masi Oka has garnered a number of awards and Hayden Panettiere nominations, including Primetime Emmy awards, Adrian Pasdar Golden Globes, People's Choice Awards and Zachary Quinto [2] British Academy Television Awards. -
9/11 Report”), July 2, 2004, Pp
Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
The Prism of Laughter: Antebellum Humorists in Regional Perspective
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1997 The rP ism of Laughter: Antebellum Humorists in Regional Perspective. Henry O. Robertson Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Robertson, Henry O. Jr, "The rP ism of Laughter: Antebellum Humorists in Regional Perspective." (1997). LSU Historical Dissertations and Theses. 6443. https://digitalcommons.lsu.edu/gradschool_disstheses/6443 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
An Interview with John Jakes, Chronicler of the American Epic
Civil War Book Review Spring 2000 Article 1 'Unrelenting Suspense': An Interview With John Jakes, Chronicler Of The American Epic Katie L. Theriot Follow this and additional works at: https://digitalcommons.lsu.edu/cwbr Recommended Citation Theriot, Katie L. (2000) "'Unrelenting Suspense': An Interview With John Jakes, Chronicler Of The American Epic," Civil War Book Review: Vol. 2 : Iss. 2 . Available at: https://digitalcommons.lsu.edu/cwbr/vol2/iss2/1 Theriot: 'Unrelenting Suspense': An Interview With John Jakes, Chronicler Interview 'UNRELENTING SUSPENSE': AN INTERVIEW WITH JOHN JAKES, CHRONICLER OF THE AMERICAN EPIC Theriot, Katie L. Spring 2000 Civil War Book Review (cwbr): You have achieved prominence as a writer of historical fiction. Do you see your role as primarily literary or historical -- or both? John Jakes (jj): From the time I made my first sale (a 1500-word short story in 1950), writing an entertaining narrative was my chief goal. It was, that is, until the 1970s, when I began to research and write the first of The Kent Family Chronicles. At that point something new intruded: before starting to write the first volume, The Bastard (Jove, ISBN 0515099279, $7.99 softcover), I decided to think of the novels as perhaps the only books about a given period that someone might read. The history therefore had to be as correct as conscientious research could make it without devoting a lifetime to it. I have followed that path ever since, with two goals for every novel: the entertaining story and the accurate history. Readers have come to appreciate and expect that duality, and indeed some have said that people have probably learned more history from me than from all the teachers, texts, and scholarly tomes in existence. -
Cassville, Georgia 1850 - 1880
CREATORS OF COMMUNITY: CASSVILLE, GEORGIA 1850 - 1880 by ALEXA ILENE CLAREMONT (Under the Direction of Thomas G. Dyer) ABSTRACT The question of what makes and destroys a community is part of human curiosity. Although current scholarship points to a persistence of community, Cassville, Georgia would seem to be an exception. Antebellum Cassville was wealthy, educated, and slaveowning, but in 1864, Union troops occupied and destroyed it. In the Civil War’s aftermath, railroad towns like neighboring Cartersville flourished while Cassville increasingly resembled an economic and social backwater. However, after the war, Cassville was spared some of the social trauma that rocked other Upcountry communities. During the 1870s, the economic instability which ruined many benefited Cassville. Merchants benefited from the increase in single-crop cultivation and many freedmen became landowners. The economic resurgence allowed white residents to fashion an identity based on the Lost Cause, while the growing black community founded organizations strengthening their own bonds. Although after the town’s destruction the community was irrevocably changed, a new Cassville emerged and flourished. INDEX WORDS: Community, Civil War, Georgia, Piedmont, Bartow county, Cassville, Slavery, Reconstruction CREATORS OF COMMUNITY: CASSVILLE, GEORGIA 1850 - 1880 by ALEXA ILENE CLAREMONT B.A. History, Emory University, 1998 B.A. Political Science, Emory University, 1998 A Thesis Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2005 © 2005 Alexa Ilene Claremont All Rights Reserved CREATORS OF COMMUNITY: CASSVILLE, GEORGIA 1850 - 1880 by ALEXA ILENE CLAREMONT Major Professor: Thomas G. Dyer Committee: John C. -
Roadside Picnic
ROADSIDE PICNIC Arkady and Boris Strugatsky Translated from the Russian by Antonina W. Bouis Cryptomaoist Editions FROM AN INTERVIEW BY A SPECIAL CORRESPONDENT FROM HARMONT RADIO WITH DOCTOR VALENTINE PILMAN, RECIPIENT OF THE NOBEL PRIZE IN PHYSICS FOR 19.. "I suppose that your first serious discovery, Dr. Pilman, should be considered what is now called the Pilman Radiant?" "I don't think so. The Pilman Radiant wasn't the first, nor was it serious, nor was it really a discovery. And it wasn't completely mine, either." "Surely you're joking, doctor. The Pilman Radiant is a concept known to every schoolchild." "That doesn't surprise me. According to some sources, the Pilman Radiant was discovered by a schoolboy. Unfortunately, I don't remember his name. Look it up in Stetson's History of the Visitation -- it's described in full detail there. His version is that the radiant was discovered by a schoolboy, that a college student published the coordinates, but that for some unknown reason it was named after me." "Yes, many amazing things can happen with a discovery. Would you mind explaining it to our listeners, Dr. Pilman?" "The Pilman Radiant is simplicity itself. Imagine that you spin a huge globe and you start firing bullets into it. The bullet holes would lie on the surface in a smooth curve. The whole point of what you call my first serious discovery lies in the simple fact that all six Visitation Zones are situated on the surface of our planet as though someone had taken six shots at Earth from a pistol located some- where along the Earth-Deneb line. -
Furry by Sean Mcgann © 2019, RN
Furry By Sean McGann © 2019, RN: PAu 3-960-188 [email protected] or [email protected] OPEN TO: BLACK. TAILS (V.O.) It rained heavily that morning. EXT. WINDSHIELD OF TAILS’ TRUCK - MORNING Rain falls upon a truck's windshield. TAILS, a teenage boy with dark brown hair, drives the truck. He wears a purple jacket with a dark blue T-shirt underneath. He has an irritated look in his eyes, and breathes quite heavily. TAILS (V.O.) I woke up at 6:35, and had to use the small amount of driver's ed knowledge that somehow got me a driver’s license to rush to school. Dad drove Mom to work, which meant I would be home alone till about 5:30 after school. For reasons I’ll get into later, I was nothing short of ecstatic. CUT TO: BLACK. CAPTION: A BOATS AGAINST THE CURRENT PRODUCTION CAPTION: A SEAN MCGANN FILM CUT TO: EXT. SCHOOL PARKING LOT - MORNING Tails parks his truck. CAPTION: FURRY INT. HIGH SCHOOL - MORNING Tails walks into school, disheveled and carrying a backpack. He walks through the front entrance, around a corner, up some stairs and through two corridors. TAILS (V.O.) My name is Miles Steadman, but (MORE) (CONTINUED) 2. CONTINUED: (2) TAILS (CONT'D) everyone called me Tails, if anyone ever talked to me. To be perfectly honest, I think I gave myself that dumbass nickname because I was a hardcore Sonic the Hedgehog fanboy back in middle school, when it was acceptable. A Dr. Pepper Sonic lover, as Dave the Bastard once put it.