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Stephen Frears Par Eithne O'neill
STEPHEN FREARS PAR EITHNE O'NEILL Collection dirigée par Francis Bordat RIVAGES Du même auteur: Lubitsch ou la satire romanesque, en collaboration avec Jean-Loup Bourget, Stock, 1987; rééd. Flammarion, coll. «Champs Contre-Champs », 1990. Crédits photographiques : British Film Institute (pages 15, 17, 26, 28, 29, 35, 37, 39, 41, 43, 77, 79, 81, 84, 87, 90, 92, 103 haut, 105, 109, 135), archives Cahiers du cinéma (couverture, pages 47, 50, 101, 129), collection Michel Ciment (pages 12, 14, 16, 18, 20, 21, 23, 25, 31, 44, 45, 52, 55, 57, 58, 59, 60, 62, 64, 65, 66, 67, 69, 70, 71, 72, 97, 99, 102, 103 bas, 104, 106, 107, 108 bas, 111, 116, 126, 128, 131, 134, 136, 137, 164, 166, 167, 178, 182, 184, 187, 190, 191, 199, 204, 208, 209, 211), ITC Entertainment (pages 82, 83), Neville Smith (pages 108 haut, 143). © Éditions Payot & Rivages, 1994 106, bd Saint-Germain 75006 PARIS ISBN: 2 - 86930 - 844 - 2 ISSN: 0298 - 0088 A Joëlle Pour leur aide et leur collaboration, je tiens à remercier les personnes suivantes: Neville Smith, romancier, scénariste, acteur et musicien ; Hanif Kureishi, qui m'a autorisée à reproduire son «Intro- duction à My Beautiful Laundrette » ; Christian Bourgois, qui m'a autorisée à reproduire le texte de Hanif Kureishi dans sa traduction française; Patrick O'Byrne, sans qui ce livre n'aurait pas pu être écrit; Reinbert Tabbert; Michael Dwyer, critique de cinéma, The Irish Times ; Michel Ciment ; Hubert Niogret ; Jon Keeble (ITC), qui a organisé pour moi une projection de Bloody Kids ; Maria Stuff, independent film resear- cher, Londres ; Kathleen Norrie ; Maeve Murphy ; Kate Lenehan; Jacques Bover; et Neville Smith, qui a bien voulu me prêter les photos prises par lui. -
Dive 010 - Sea Docs
Dive 010 - Sea Docs Our last collection of Sea Genre films focusing on the watery realms of The Soundtrack Zone may be classified as films in the Sea Documentary genre or, for short, Sea Docs. Two early examples of scores for a Sea Doc film were those composed by Paul J. Smith for two Walt Disney’s True-Life Adventures films: Beaver Valley (1950) and Prowlers of the Everglades (1953). A Disneyland LP (WDL-4011 – released in 1975) included the following tracks from those two films: Beaver Valley (7:15) - Beaver Valley Theme - Baby Ducks - Beaver Romance - Salmon Run – Otters Prowlers of the Everglades (4:09) - Alligators - Swamp Deluge - Otters And Gators LP In 1956, Walt Disney’s Disneyland WDL-4006 LP presented Paul J. Smith’s score for another True-Life Adventure film, Secrets of Life. One of the album’s suites, “Under The Sea And Along The Shore,” includes several underwater-related tracks: Decorator Crab, Jellyfish, Angler Fish, and Fiddler Crabs (04:21) LP Three years later, in 1959, Walt Disney released a short film titled Mysteries of the Deep (23:55). Three of these films – Beaver Valley, Prowlers of the Everglades, and Mysteries of the Deep are available on DVD (see DVD 1 photo below). Secrets of Life is included on DVD 2 (see photo below). DVD 1 DVD 2 Unfortunately none of the scores for these Walt Disney underwater-related films have been commercially issued on CD. Fortunately, the scores of many subsequent Sea Docs films have been released over the years on LP and/or CD. -
African Cats Study Notes
African Cats Directed by: Keith Scholey and Alastair Fothergill Certificate: U (contains documentary footage of animals hunting and fighting) Running time: 89 mins Release Date: 27th April 2012 Suitable for: The activities in these study notes address aspects of the curriculum for literacy, science and geography for pupils between ages 5–11. www.filmeducation.org 1 ©Film Education 2012. Film Education is not responsible for the content of external sites Synopsis An epic true story set against the backdrop of one of the wildest places on Earth, African Cats captures the real-life love, humour and determination of the majestic kings of the Savannah. The story features Mara, an endearing lion cub who strives to grow up with her mother’s strength, spirit and wisdom; Sita, a fearless cheetah and single mother of five mischievous newborns; and Fang, a proud leader of the pride who must defend his family from a rival lion and his sons. Genre African Cats is a nature documentary, referred to by its producers as a ‘true life adventure’. It was filmed in the Maasai Mara National Reserve, a major game region in southwestern Kenya. The film uses real-life footage to tell the true story of two families of wild animals, both fighting to survive in the Savannah. African Cats features a voiceover narration by the actor Samuel L. Jackson and a portion of the money made from ticket sales went to the African Wildlife Foundation. Before SeeinG the film Review pupils’ understanding of the documentary genre. How are they different to other films they watch? Make two lists, one of nature documentaries children have seen (e.g. -
Remembrance African Activist Archive Project Documenting
Remembrance African Activist Archive Project Documenting Apartheid: 30 Years of Filming South Africa By Peter Davis During April 2004 and beyond we were constantly reminded that this is the tenth anniversary of the first democratic all-race elections in South Africa. I was shocked by the realization that last year also marked the thirtieth anniversary of my first visit to that country, of my first experience with apartheid. After that first trip in 1974 as part of an African tour I was doing for the American NGO, Care, I was to devote a large part of my working life to the anti-apartheid struggle. For those of us who were involved in that struggle, it was such an everyday part of life that it is hard to grasp that there is already a generation out there that does not know the meaning of “apartheid”. The struggle against apartheid took many forms, from protests, strikes, sabotage, defiance, guerrilla warfare within the country to boycotts, bans, United Nations resolutions, rock concerts, and arms and money smuggling and espionage outside. Apartheid, which was institutionalized by the coming to power of the white National Party in 1948, lasted as long as it did, against the condemnation of the world, because it had powerful friends. Chief among these were the United States, which saw a South Africa governed by whites as a useful ally in the Cold War; a Britain whose ruling class had close links with South African capital; and German, French, Israeli and Taiwanese commercial interests that extended even to sales of weapons and nuclear technology to the apartheid regime. -
Lesleywalker
(3/10/21) LESLEY WALKER Editor FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “MILITARY WIVES” Peter Cattaneo 42 Rory Aitken Tempo Productions Ltd. Ben Pugh “THE MAN WHO KILLED DON Terry Gilliam Amazon Studios Mariela Besuievsky QUIXOTE” Recorded Picture Co. Amy Gilliam Gerardo Herrero Gabriele Oricchio “THE DRESSER” Richard Eyre BBC Suzan Harrison Playground Ent. Colin Callender “MOLLY MOON: THE Christopher N. Rowley Amber Ent. Lawrence Elman INCREDIBLE HYPNOTIST” Lipsync Prods. Ileen Maisel “HOLLOW CROWN: HENRY IV”Richard Eyre BBC Rupert Ryle-Hodges Neal Street Prods. Sam Mendes “I AM NASRINE” Tina Gharavi Bridge and Tunnel Prods James Richard Baille (Supervising Editor) David Raedeker “WILL” Ellen Perry Strangelove Films Mark Cooper Ellen Perry Taha Altayli “MAMMA MIA” Phyllida Lloyd Playtone Gary Goetzman Nomination: American Cinema Editors (ACE) Award Universal Pictures Tom Hanks Rita Wilson “CLOSING THE RING” Richard Attenborough Closing the Ring Ltd. Jo Gilbert “BROTHERS GRIMM” Terry Gilliam Miramax Daniel Bobker Charles Roven “TIDELAND” Terry Gilliam Capri Films Gabriella Martinelli Recorded Picture Co. Jeremy Thomas “NICHOLAS NICKLEBY” Douglas McGrath Cloud Nine Ent. S. Channing Williams Hart Sharp Entertainment John Hart MGM/United Artists Jeffery Sharp “ALL OR NOTHING” Mike Leigh Cloud Nine Entertainment Simon Channing Williams Le Studio Canal “SLEEPING DICTIONARY” Guy Jenkin Fine Line Simon Bosanquet "FEAR AND LOATHING IN Terry Gilliam Rhino Patrick Cassavetti LAS VEGAS" Stephen Nemeth "ACT WITHOUT WORDS I" Karel Reisz Parallel -
•K HIGH SCHOOL PLANS PAGEANT DR. KEMMERER WILL SPEAK ON
^ g i ESTABLISHED I l l t t •k COMPLETE COVERAGE OF MILL BURN TOWNSHIP INCLUDING WYOMING VOL XLVII.—NO. 20 Millburn, New Jersey, Friday, May 1 7, 1935 PRICE FIVE CENTS Millburn Leading League, Will HIGH SCHOOL Commonwealth Water Offer 1 FRANK WRIGHT, Open Home Season Here Saturday PLANS PAGEANT FORMER ITEM Of Settlement Is Refused Chairman Barker Will Toss First Ball As Blues To Celebrate Anniver Six Per Cent Reduction on Grots Bills is Consid Take Up Pennant March—Knothe sary of First Free Pub OWNER, DEAD ered Too Small— Three Towns :*-.i« Batting Star of Opener lic School Bought and Ran Paper „ i U ■ ■ ■ O P P OSO # ^ ^ ..... ’’M B M ............... ..... ; , - ^, J' J#*S» I I I ■■ ; V V : w 'j ~ V '-1; — '• ‘ Stephen 0w*»r. ehalnneo ai th e LACKAWANNA BASEBALL w JttUburnf ...... I ! Mere Forty Yean P erhaps wearying of the litigation, too, perhaps warped by the finding* a n htie of the most spectacular pageants Ago In-recent cases by the State Public Utility Commission the Commonwealth toss up the first hall here tomorrow produced in the Bute wttUn recent Standing of the Teams Water Company last week made an offer of settlement of the fight of five years. The thrCe^TiundreaHt anni afternoon as the Millburn Blues open w . L. P t t Funeral *erviees for Frank Wright municipalities, of which Millburn Is one, for lower water rates. , . „ versary of the founding of the Boston 'JkM their home season In the Lackawanna Millburn ... 0 1.000 were held Monday evening at the Latin School, (he first free high school i f ■ The proposal of the company was that the five towns accept a flat six Chatham .. -
Disneynature Penguins Activity Packet
ACTIVITY PACKET Created in Partnership with Disney’s Animals, Science and Environment IN THEATERS EARTH DAY 2019 arrated by Ed Helms (The Office, The Hangover trilogy, The Daily Show with NJon Stewart), Disneynature’s all-new feature filmPenguins is a coming-of-age story about an Adélie penguin named Steve who joins millions of fellow males in the icy Antarctic spring on a quest to build a suitable nest, find a life partner and start a family. None of it comes easily for him, especially considering he’s targeted by everything from killer whales to leopard seals, who unapologetically threaten his happily ever after. From the filmmaking team behindBears and Chimpanzee, Disneynature’s Penguins opens in theaters and in IMAX® April 17, 2019. Acknowledgments Disney’s Animals, Science and Environment would like to take this opportunity to thank the amazing teams that came together to develop the Disneynature Penguins Activity Packet. It was created with great care, collaboration and the talent and hard work of many incredible individuals. A special thank you to Dr. Mark Penning for his ongoing support in developing engaging educational materials that connect families with nature. These materials would not have happened without the diligence and dedication of Kyle Huetter and Lacee Amos who worked side by side with the filmmakers and educators to help create these compelling activities and authored the unique writing found throughout each page. A big thank you to Hannah O’Malley and Michelle Mayhall whose creative thinking and artistry developed games and crafts into a world of outdoor exploration. Special thanks to director Jeff Wilson, director/producer Alastair Fothergill and producers Mark Linfield, Keith Scholey and Roy Conli for creating such an amazing story that inspired the activities found within this packet. -
American Music Research Center Journal
AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301. -
Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (Eds) Environmental Conflict and the Media, New York: Peter Lang
Morgan Richards (forthcoming 2013) ‘Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (eds) Environmental Conflict and the Media, New York: Peter Lang. GREENING WILDLIFE DOCUMENTARY Morgan Richards The loss of wilderness is a truth so sad, so overwhelming that, to reflect reality, it would need to be the subject of every wildlife film. That, of course, would be neither entertaining nor ultimately dramatic. So it seems that as filmmakers we are doomed either to fail our audience or fail our cause. — Stephen Mills (1997) Five years before the BBC’s Frozen Planet was first broadcast in 2011, Sir David Attenborough publically announced his belief in human-induced global warming. “My message is that the world is warming, and that it’s our fault,” he declared on the BBC’s Ten O’Clock News in May 2006. This was the first statement, both in the media and in his numerous wildlife series, in which he didn’t hedge his opinion, choosing to focus on slowly accruing scientific data rather than ruling definitively on the causes and likely environmental impacts of climate change. Frozen Planet, a seven-part landmark documentary series, produced by the BBC Natural History Unit and largely co-financed by the Discovery Channel, was heralded by many as Attenborough’s definitive take on climate change. It followed a string of big budget, multipart wildlife documentaries, known in the industry as landmarks1, which broke with convention to incorporate narratives on complex environmental issues such as habitat destruction, species extinction and atmospheric pollution. David Attenborough’s The State of the Planet (2000), a smaller three-part series, was the first wildlife documentary to deal comprehensively with environmental issues on a global scale. -
Europacinema
EUROPACINEMA Estratti dalla Rassegna stampa “La Nazione”, “La Repubblica”, Corriere della Sera” Edizione 2009, l’ultima del fondatore EUROPACINEMA STANDING OVATION PER IL DIRETTORE LAUDADIO SOMMERSO DAGLI APPLAUSI Felice Laudadio festeggiato nella serata conclusiva ULTIMA serata di EuropaCinema in un teatro Politeama gremito e soprattutto compatto nell'ovazione a Felice Laudadio: quando l'ideatore e direttore del festival cinematografico, approdato a Viareggio ventuno anni fa, saluta il pubblico per l'ultima volta, l'applauso sembra non voler finire. Laudadio è costretto a rialzarsi dalla platea per due volte e alla seconda esclama: «Siete esagerati, ma non mi dimenticherò mai questo momento». POCO prima era salito sul palco per consegnare a Laura Morante il Premio Fellini, ideato da Laudadio insieme al grande regista, "un dono personale di Fellini che porterò con me", aveva detto il direttore di EuropaCinema, annunciando l'abbandono del festival viareggino per il 2010 (una manifestazione affine sarà diretta da Laudadio il prossimo anno a Bari). Il sindaco Lunardini ha consegnato invece il Premio Fellini al regista livornese Paolo Virzì, a cui in questi giorni era stata dedicata una retrospettiva. Simpatico e affabile Virzì ha catturato il pubblico viareggino, anche quello più giovane, presentandosi in compagnia della sua bella moglie, Micaela Ramazzotti, in dolce attesa. Chiusura con il film horror "Orphan" e poi cena di addio al bagno Balena per Laudadio e i suoi ospiti. LA NAZIONE, 22 SETTEMBRE Il fondatore di EuropaCinema Felice Laudadio lascia Viareggio Si è rotto l'idillio tra il 'patron' del festival e la città di Viareggio che adesso dovrà proseguire senza il fondatore della manifestazione di fama internazionale Viareggio, 3 novembre 2009 - Felice Laudadio divorzia da Viareggio. -
1 the Association for Diplomatic Studies and Training Foreign Affairs
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project AMBASSADOR THOMAS N. HULL III Interviewed by: Daniel F. Whitman Initial Interview Date: January 8, 2010 Copyri ht 2012 ADST TABLE OF CONTENTS Background Born in New York, raised in Massachusetts Educated at Dickinson College and Columbia University Sierra Leone: Peace Corps Volunteer; Primary school teacher 19681c1.22 ,illage environment Living conditions Ambassador Robert Miner Fellow Peace Corps volunteers Fianc5e Columbia (niversity: Student, Education and International Affairs 1.2211.23 Degrees: International Education and International Affairs African studies ew York City, NY- Institute of International Education 8IIE9 1.2311.26 Fulbright Program Senator Fulbright :oined the Foreign Service: (SIA 1.26 Kinshasa, Democratic Republic of Congo: Public Affairs Trainee 1.2611.22 Mobutu and Mama Mobutu Program officers (SIA staff and operations (SAID Security Belgians Environment Closeing Consulate Kisangani 8former Stanleyville9 Brazzaville, Republic of the Congo- TDY Public Affairs Officer 1.22 Communist government 1 Concerts Kinshasa, 8Continued9 1.2211.20 Environment Mobuto’s Zairian art collection Feccan Fair Personnel issues Pretoria, South Africa: Assistant Cultural Affairs Officer 1.2011.00 Effects of Soweto riots Apartheid Afrikaners on1Afrikaner whites Cleveland International Program Crossroads Africa (S policy International ,isitors Program Ambassador Edmonson Ambassador Bowdler Personnel Black entrepreneurs Official entertainment Foreign -
Filmography V6.Indd
a filmography Foreword by The Irish Film Institute For over 60 years, the Irish Film Institute has been dedicated to the promotion of film culture in Ireland and therefore is proud to present this filmography of Samuel Beckett’s work. Beckett remains one of Ireland’s most important and influential artists and Samuel Beckett – A Filmography provides a snapshot of the worldwide reach and enduring nature of his creativity. As part of the Beckett centenary celebrations held in April 2006, the Irish Film Institute organised a diverse programme of films relating to the work of Beckett, including a tour of the line-up to cinemas around the country. Prior to this, the Irish Film Institute provided the unique opportunity to view all 19 films in the ‘Beckett on Film’ series by screening the entire selection in February 2001. This filmography provides the perfect accompaniment to these previous programmes and it illustrates that Beckett’s work will continue to be adapted for film and television worldwide for years to come. Photograph by Richard Avedon Samuel Beckett – A Filmography was made possible though the kind support of the Department of Arts, Sport and Tourism and the Beckett Centenary Council and Festival Committee. Mark Mulqueen Director, The Irish Film Institute An Introduction Compiling a filmography of Beckett’s work is both a challenging and daunting prospect. It was important, from the outset, to set some parameters for this filmography. Therefore, to this end, I decided to focus on the key area of direct adaptations of Beckett’s work filmed for cinema or television.