DOCSLIB.ORG

January 2008 Checker

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
January 2008 Checker Official Publication of the Central Florida Region Sports Car Club of America Volume 50, Issue 1 January 2008 Governors and Officials Race Board Trophies — Tucker and Amy Alford 941-473-0708 BOG Chair — Fran Martin Chair — Robin Langlotz 3116 Indian [email protected] 2504 Overlake Av. Orlando 32806 Drive, Orlando 32812 407-851-2232, 407- 407-851-7157 ph. 407-855-4134 fax 850-2055 fax, [email protected] Novice Permits [email protected] Assistant Chair — Robin Ragaglia Joyce Hayward, 407-884-7889 District 1 — Sammi Marlis-Ronshausen 19214 Timber Pine Lane, Orlando, 32833, 457 Drage Drive, Apopka 32703 1317 11th Ave N, St. Petersburg, 33705 407-568-6902 [email protected] [email protected] 727-821-4407 no calls after 9pm [email protected] Beverage — Ted & Jean Garrod SOLO II Board 407-847-4454 District 2— Craig Pearce Solo II Chairperson — Tim Reardon 16132 Ivy Lake Dr. Odessa 33556 Chaplain — Steve Kearney 863-425- 1550 Silk Oaks Ave Titusville 32796 321- 813-920-3463 hm, 813-253-0111 wk 5684 [email protected] 268-2940 [email protected] [email protected] Course Marshal — Bob Anthony 863- Registrar — Tim Reardon 533-9525 [email protected] District 3 — Bill Martin Safety Steward — Gary Merideth 407- 2504 Overlake Av. Orlando 32806 Daytona Event Chair — Bill Cannons 299-0708 407-851-7157 ph. 407-855-4134 fax 386-322-3663 [email protected] Trophy — Glenn Forrester Driver Instructor — David Boles 321- District 4 — Lyn Watts 254-8014 [email protected] Timing and Scoring — Dat Nguyen 17141 NE 37 Street Silver Springs 34488 352-625-2540 [email protected] Driver’s Rep — Beau Gabel West Coast Coordinator — Albert 407-365-7219 Popalis 813-986-5722 District 5 — Peter E. Lier 2502 Pine Ave. Vero Beach 32960 Driver’s Rep SARRC — Mike Schmidt West Coast Registrar — Jim Bledsoe 772-473-2001 [email protected] (407) 438-9676 Home (407) 353-7574 [email protected] — Christy Adams Cell [email protected] [email protected] District 6 — Chuck Dawson 5505 US 27S, Sebring 33870 Driver’s Rep Vintage— Bob Shafer 863- Gainesville Coordinator — Bock 863-314-9200 (Bus) [email protected] 465-5565 [email protected] Folken 352-332-9365 [email protected] District 7 — Art Trier Equipment/Flagging — Richard RallyCross 3010 Butler Ridge Rd., Deltona, 32738 Kasson 727-254-4313 [email protected] Chairman — Brad Gooch 338 Shadow 407 324-1874 [email protected] Blvd N Longwood 32779 407-718-4629 District 8 — Ron Camacho Grid Chief– Sammi Ronshausen 727- [email protected] 18172 Ackerman Ave, 821-4407 [email protected] Port Charlotte 33948 941-743-4576 Medical Director — Dave Langston Area 3/SEDiv Officials [email protected] MIS — John Giordano Area 12 Director — Kaye Fairer District 9 — David Theen 321-728-9964 145 Fenton Place 916 Bayshore Dr, Englewood 34223 941- Danville, VA 24541-3633 474-3608 [email protected] Pace Car — Jack Ragaglia 434-793-4235 407-568-6902 [email protected] [email protected] Regional Executive — Rick Balderson 123 Duncan Trail Longwood 32779 Paddock Marshal — Charlie Leonard Area 3 Director — KP Jones Wk:407-310-4397 Hm:407-788-2063 941-729-1537 [email protected] 3344 Oakdale Place [email protected] The Villages, FL 32162 (352) 751-5049 Photo ID — Patti Socher 321-223-8652 [email protected] Assistant R.E. — David Theen [email protected] (See District 9) Driver Licensing Administrator — Pits Chief — Gloria Theen 941-474- David Boles Competition Coordinator — Bill Martin 3608 [email protected] 321-254-1344 W 321-254-8014 H (See District 3) Region Points Keeper — Jack Ragaglia [email protected] Membership — Joyce Hayward 407-568-6902 [email protected] Scheduling Rep — Sharon Rollow 457 Drage Drive, Apopka 32703 Registrar — Deanna Harry 770-831-0277 [email protected] 407-884-7889 863-382-4226 [email protected] [email protected] See the SEDIV website for other SEDIV Starter — Larry Kurkowski contact information. Merchandise — Fran Martin 904-220-0160 [email protected] (see District 3) Checker & Web Sites: Sebring Event Coordinator — Charlene Race Worker Licensing — Gail Gunn 407-851-2232 Checker Editor — Harriet Watkins Kasson 3132 Bordeaux Lane [email protected] 407-323-8148 [email protected] Clearwater 33759 727-791-3871 [email protected] Steward Rep. — TBD Webmaster — Craig Zeigler 941-321-4693 Secretary — Carol Gavaletz St. Pete GP Coordinator — Gary 702 E. Gate Dr. Safety Harbor, 34695 Steffen [email protected] Solo Webmaster — Phil Barone [email protected] 727-480-1933 [email protected] Sound Control — Hollye Laplante Treasurer — Greg Bennett 727-344-0354 [email protected] Websites: www.CFRSCCA.org 711 Mellonville Ave Sanford 32771 407- Tech — Rick Henschel 407-671-6017 328-2892, 407-328-2958 fax www.CFRSCCA.net (interactive site) Home 407-314-8230 Cell www.CFRSOLO2.com [email protected] [email protected] Financial Advisor — James Magero Timing & Scoring – Lee Shafer 863- 941-365-8500 or 1-800-345-0386 465-5565 [email protected] [email protected] When & Where 2008 Event Schedule NOTE: The events listed here were copied from the SEDIV Racing site (sedivracing.org). SEDIV Racing does not notify The Checker of any updates to the calendar so you MUST refer to that site for corrections! January 3-5 Grand-Am Tests Daytona July 12-13 Regional Race/SchoolSebring, January 5-6 National Race Sebring, Long Short Course-GP Course-12hr August 9-10 Regional Race Daytona January 24-27 Rolex 24 Hours At Daytona Day- August 30-31 Regional Race Sebring, Long tona Course-12hr January 30-31 IRL Tests (Tentative) Daytona September 27-28Regional Race Daytona February 23-24 SARRC Regional RaceSebring, October 10-12 PCA Races Daytona Long Course-GP October 18-19 SARRC Regional RacesSebring, March 12-15 12 Hours At SebringSebring Long Course-GP April 4-6 St. Pete Grand Prix St. Peters- November 1-2 PBOC (Tentative) Daytona burg November 6-9 HSR Races Daytona April 19-20 Driver School (Infield Course) November 29-30 Regional Race Sebring, Long Daytona Course-12hr May 3-4 National Race Daytona December 12-14 Audi Club (Tentative) Daytona June 7-8 Regional Race/SoloSebring, Long Course-GP Sebring Codes: July 3 Brumos Porsche 250 Daytona GP = Paddock On Green Park Side 12hr = Paddock On 12 Hour Side District Information Meeting Times and Places: District 6 — 3rd Thursday, Dinner at 7:00 PM, Meeting at 7:45 Caddyshack 3122 Golfview Road, See inside front cover for contact information. Sebring. District 1 — 2nd Tuesday 7:30 p.m., Quaker District 7 — Meetings alternate between locations Steak and Lube, 10400 49 St. N. Pinellas Park, just on the 3rd Thursday of each month. Dinner at north of U.S. 19. 6:00PM, meeting at 7:00PM –Contact district District 2 — 4th Wednesday Beef O’Brady’s 5025 governor for directions. Fowler Avenue; Tampa. District 8 — 3rd Wednesday 6PM Uno’s Chicago District 3 — 2nd Monday 8:00 PM Rossi's Pizza & Grill Daniels Parkway, Fort Myers. Pasta 5919 South Orange Blossom Trail Orlando District 9 — Call Governor for details. 321-228-0430. New to the club? District 4 — Contact Governor for details. For general information on the membership or meetings District 5 — 2nd Monday Dinner at 6:30 PM, please call your district governor. Or, if you want to know Meeting at 7:30 Charlie & Jake’s 6300 N. Wickham about a specific “specialty” call the “chief” listed on the Road, Melbourne. inside cover. Club News Welcome New Members! Here is the complete list of our NEWEST MEMBERS to date — We extend a BIG welcome to you all! Please contact your Governors and start attending District Meetings. District 1 District 5 Louis P Giorgione, Clearwater Oliver Barham, Palm Bay Corey L Ryman Toni Ellis-Brown, Indialantic District 2 Ray Vega, Palm Bay Sebastian Aquino District 7 District 3 Peter Gagne, Port Orange Lloyd Lanford II, Deltona Anne DelVillana, Orlando Bret DelVillana, Orlando District 8 Carlos Hernandez, Oviedo David Pfent, Bonita Springs Rick Henschel, Oviedo District 9 Greg H Mahan, Clermont Marta Bush, Bradenton Judy Mahan, Clermont Dennis Dunsworth, Bradenton Mark Montes, Sanford Danny Pearson, Bradenton Travis Schneider, Orlando Out of Region Kevin Wright, Orlando Lewis Cooper, Jr, Grosse Pointe, MI District 4 Lewis Cooper, III, Grosse Pointe, Mi Kyle Couse, Ocala Jack R Fuller, Key West Alexis Flores Aaron Nash, Atlantic Beach Daniel T O'Brien, Roanoke, VA RE Report Rick Balderson Welcome to the start of the 2008 race season, I the CFR level of activities, and I off handedly hope you enjoyed the 22.5 minutes we had as offered that we held about 100 event days a the "off" season. If you were not careful, you year. Further review indicates that WE will host recently missed the actual start of the CFR 150 event days in 2008. This includes the Solo, season, as we staffed the Grand Am test days Club Race and Pro racing activities. Apply a and at same time hosted our January Sebring little math and we take up 41% of the year with National event, for some 300+ of our closest club activities, it's probably a good thing that friends. there are not more months available to us. So, the other day I was talking to an 'out of With Barbara Henschel at the lead, CFR has region' member and the discussion turned to implemented some information technology to club racing. We have purchased practice, qualifying and race results at Rumor has it that my work will finally let hardware that allows us to have T & S a convenient location. Having the data up, see you at the races.
Load more

Recommended publications
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • UNITED NATIONS Distr
    UNITED NATIONS Distr. SECURITY G-L s/8158* COUNCIL 2 October 1967 ORIGINAL: ENGLISH REPORTOF THE SECRETARY-GENERALUi!?DFB GENERAL Assm~ RESOLUTION2252 (ES-~) Am SEcuRrm COUNCILRESOLUTION 237 (1.967) CONTENTS Paragraphs Page INTRODUCTION.. , * . 1- 3 1 I, MISSION OF THE SPECIALREPRES~TATIVE . , . 4- 13 2 II, SAFETY,WELFARE AND SECURITYOF THE POPULATIONIN AREASUNDER ISRAEL CONTROL A. Syrian area . v . 14 - 39 5 B. Jordanian area . , . , . , . 40 - 92 12 C. The United Arab Republic qnd areas administered by the United Arab Republic . = 93 - 158 33 1X1. SITUATIONOF DISPLACEDPERSONS FROM AREAS UNDER ISRAEL CONTROLAND THE QUESTIONOF THEIR RETURN . , . 159 - 202 47 IV, TREATMENTOF PRISONERSOF WAR . 203 - 209 57 V. THE QUESTIONOF THE TREATMENTOF MINORITIES . , . 210 - 222 59 223 - 225 62 VI. CONCLUDINGREltwxs. ,‘, , . l , . :, . l , . , . * Also issued under the symbol A/6797. 67-22332 I . P CONTENTS(continued) Page ANNEXES I. ITINERARYOF THE MISSIONOF THESPECIAL REPRESENTATIVE . 63 II. AIDE-MEMOIRESUBMITTED TO THE SPECIALREPRESENTATIVE BY THE JORDANIANAUTHORITIES . T . 65 III. AIDE-MEMOIREPREPARED BY THE JORDANIANAUTHORITIES . 70 IV. STATEMENTON THE SITUATIONON THEWEST BANK BY AN OFFICIAL JORDANIANSPOKESMAN, SUBMITTED TO THE SPECIALREPRESENTATIVE BY THE JORDANIANAUTHORITIES . 74 V. FIRST AIDE-MEMOIRESUBMITTED TO THE SPECIAL REPRESENTATIVEBY THE ISRAELAUTHORITIES ON THE SITUATIONON THE NESTBANK . (_.I: ;..m 77 VI. SECONDAIDE-MEMOIRE SUBMITTED TO THE SPECIAL REPRESENTATIVEBY THE ISRAELAUTHORITIES ON THE SITUATIONON THE WESTBANK . + . 82 VII. AIDE-MEMOIRESUBMITTED TO THE SPECIALREPRESENTATIVE BY THE ISRAELAUTHORITIES ENTITLED 'FOUNDATIONS OF ISRAEL'S ECONOMICPOLICY IN THEAREAS UNDER ITS CONTROL". 86 VIII. AIDE-MEMOIRESUBMITTED TO THE SPECIALREPRESENTATIVE BY THE ISRAELAUTHORITIES ON THESITUATION IN THE GAZASTRIP AND NORTHERNSINAI . 90 IX. AIDE-MEMOIRESUBMITTED TO THE SPECIALREPRESENTATIVE BY THE ISRAELAUTHORITIES ON THESITUATION IN THE GAZASTRIP..............., .
    [Show full text]
  • Improving the Resilience of Tourism in Al-Quds: the Way Forward for a Competitive Destination Management
    Improving the Resilience of Tourism in Al-Quds: The Way Forward for a Competitive Destination Management COMCEC Coordination Office April 2021 This report was prepared under COMCEC Al-Quds Program. This report has been commissioned by the COMCEC Coordination Office to the team led by Mr. H. Melih ARAL with the contributions of Mr. Nezih İŞÇİ, Assoc. Prof. Dr. Uğur ÇALIŞKAN and Prof. Dr. Süleyman TOY. Views and opinions expressed in the report are solely those of the authors and do not represent the official views of the COMCEC Coordination Office (CCO) or the Member Countries of the Organization of Islamic Cooperation (OIC). The designations employed and the presentation of the material in this publication do not imply the expression of any opinion whatsoever on the part of the COMCEC/CCO concerning the legal status of any country, territory, city or area, or of its authorities, or concerning the delimitation of its political regime or frontiers or boundaries. Designations such as “developed,” “industrialized” and “developing” are intended for statistical convenience and do not necessarily express a judgement about the state reached by a particular country or area in the development process. The mention of firm names or commercial products does not imply endorsement by COMCEC and/or CCO. The final version of the report is available at the COMCEC website*. Excerpts from the report can be made as long as references are provided. All intellectual and industrial property rights for the report belong to the CCO. This report is for individual use and it shall not be used for commercial purposes.
    [Show full text]
  • 70000TONS of METAL Survival Guide
    www.insomniac.games/game/spider-man-ps4 PAGE 6 MASS MEDIA INK MASS MEDIA MAG PAGE 7 Volume 3 • Issue #8 PUBLISHER/EDITOR ROD BLACK WRITERS ROD BLACK MARK HENNION HEATHER MOSS AMANDA PEUKERT PHOTOGRAPHERS ROD BLACK MARK HENNION TRANSCRIBER/COPY EDITOR ROD BLACK LAYOUT & COVER DESIGN ROD BLACK, FOTO DOOR FRONT COVER FOTO DOOR, PHOTO SABINA KELLEY, MODEL SHOWOFF MAKE-UP, MUA A’QUA SWIMWEAR, BIKINI BACK COVER KEVIN MILLET, PHOTO RICK GENEST, MODEL WEB/SOCIAL MEDIA http://www.facebook.com/MassMediaMagazine http://instagram.com/MassMediaMagazine http://twitter.com/MMMmagazineTW https://www.youtube.com/channel/UCsKzCGD4EX6wqd_FTFWfPcg MASS MEDIA GROUP, LLC PO Box 22968 Portland, OR 97269 Mass Media Magazine is printed on 10% recycled (post consumer waste) paper us- ing soy-based inks. Our printer meets or exceeds all Federal Resource Conservation Act (RCRA) standards and is a certified member of the Forest Stewardship Council. Mass Media Magazine aka MMM Magazine (ISSN 2474-2368) Pub- lished Quarterly by Mass Media Group, LLC. PO Box 22968 Portland, OR 97269. Advertising rates furnished upon request. SEND ALL ADVERTISING INFORMATION AND MATERIALS TO PO Box 22968 Portland, OR 97269. DIRECT ALL SUBSCRIPTION INQUIRIES TO OUR OFFICIAL SITE AT www.MassMediaMagazine.com or via EMAIL at info@wearemmm. com. All Advertising is subject to approval before acceptance. Mass Media Group, LLC. reserves the right to refuse any ad for any reason whatsoever. Only actual pub- lication of an advertisement constitutes acceptance thereof, but does not constitute agreement for continued publication in any form. Oregon law applies to and controls all materials contained herein.
    [Show full text]
  • Leksykon Polskiej I Światowej Muzyki Elektronicznej
    Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H.
    [Show full text]
  • Seasick Steve Razorlight the Prodigy Okudaxij Sha La Das
    OKUDAXIJ THE PRODIGY RAZORLIGHT SEASICK STEVE BLESS YOU NO TOURISTS OLYMPUS SLEEPING CAN U COOK? SELF-RELEASED, OUT NOW TAKE ME TO THE HOSPITAL, BELIEVE, OUT 26 OCTOBER BMG, OUT NOW LA misfit self-releases second OUT 2 NOVEMBER Johnny Borrell’s band returns, Grizzled veteran shrugs off collection of charmed alt-rock. Flame goes out for rave’s minus the actual band. “Fake Blues!” accusations. Eric Radloff is a little known musician original firestarters. Exactly 10 years since 2008’s under- The myth of “Seasick” Steve Leach based in Hollywood who appears to Liam Howlett claims The Prodigy’s performing third Razorlight album, as a train-hopping, panhandling hobo be refreshingly unconcerned with seventh studio album is meant as a Slipway Fires, Johnny Borrell may have been busted by a 2016 traditional songwriting tropes or wake-up call for people who have reactivates his flagship ensemble, biography, but his ninth album ticking trend boxes. That doesn’t “forgotten how to explore”. Yet the despite having long driven away its is still business as usual. Like its mean he’s not a student of great trio seem in need of a new adventure long-suffering co-founders. Sprawling predecessors, the shack-shaker forebears. You can hear influences themselves. Recent single Need solo dalliances alongside French rhythms and swampy slide guitar of from Nick Drake to The Shins on the Some1 showed Howlett still knows jazzers Zazou a few years ago are long Can U Cook? aren’t so much behind likes of opener Sequoias and Such A how to please the hardcore, looping forgotten, as here he assuages his the curve as outside of it.
    [Show full text]
  • Mont Blanc in British Literary Culture 1786 – 1826
    Mont Blanc in British Literary Culture 1786 – 1826 Carl Alexander McKeating Submitted in accordance with the requirements for the degree of Doctor of Philosophy University of Leeds School of English May 2020 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Carl Alexander McKeating to be identified as Author of this work has been asserted by Carl Alexander McKeating in accordance with the Copyright, Designs and Patents Act 1988. Acknowledgements I am grateful to Frank Parkinson, without whose scholarship in support of Yorkshire-born students I could not have undertaken this study. The Frank Parkinson Scholarship stipulates that parents of the scholar must also be Yorkshire-born. I cannot help thinking that what Parkinson had in mind was the type of social mobility embodied by the journey from my Bradford-born mother, Marie McKeating, who ‘passed the Eleven-Plus’ but was denied entry into a grammar school because she was ‘from a children’s home and likely a trouble- maker’, to her second child in whom she instilled a love of books, debate and analysis. The existence of this thesis is testament to both my mother’s and Frank Parkinson’s generosity and vision. Thank you to David Higgins and Jeremy Davies for their guidance and support. I give considerable thanks to Fiona Beckett and John Whale for their encouragement and expert interventions.
    [Show full text]
  • All-Season Tourism: Analysis of Experience, Suitable Products and Clientele
    COMMISSION OF THE EUROPEAN COMMUNITIES DIRECTORATE-GENERAL XXIII- TOURISM UNIT STUDIES ALL-SEASON TOURISM: ANALYSIS OF EXPERIENCE, SUITABLE PRODUCTS AND CLIENTELE DOCUMENT 1993 This document has been prepared for use within the Commission. It does not necessarily represent the Commission's official position. Cataloguing data can be found at the end of this publication. Luxembourg: Office for Official Publications of the European Communities, 1993 ISBN 92-826-5986-0 © ECSC-EEC-EAEC, Brussels • Luxembourg, 1993 Reproduction is authorized, except for commercial purposes, provided the source is acknowledged. Printed in Belgium Commission of the European Communities I' D.G. XXIII Tourism Unit ALL-SEASON TOURISM: ,-- ANALYSIS OF EXPERIENCE, SUITABLE PRODUCTS AND CLIENTELE 1993 FITZPATRICK ASSOCIATES Economic Consultants Contents Page EXECUTIVE SUMMARY 1 Overview 1 2 Country Profiles 7 3 Clientele for Off-Season Tourism 20 4 Off-Season Tourism Products 31 5 Other Strategies for Improving Seasonal Spread 36 6 Seasonality Policies at a National Level 44 7 A Strategy for the European Community 53 EXECUTIVE SUMMARY Introduction 1 The existence of seasonal peaks in demand for, and prov1s1on of, tourism services in the European Community and elsewhere is well documented. The timing of these peaks can differ - peaks may occur on a daily or weekly basis or, as mainly discussed in this report, at different times of the year. The report examines: firstly, the factors that contribute to the seasonality of tourism arrivals; secondly, the problems which this creates; and, thirdly, the strategies which can be followed to either spread tourism to other parts of the year or ameliorate the problems seasonality causes.
    [Show full text]
  • Working Tourists: Identity Formation in a Leisure Space
    Working Tourists: Identity Formation in a Leisure Space Tara Julie Catherine Emma Duncan PhD UCL ABSTRACT Young budget travellers who work as they travel the world have often escaped academic attention. This thesis will begin to correct this omission by illustrating how the working and travelling practices of these young budget travellers affects their perception and construction of self. Taking an empirically grounded approach, this research will build these views into wider theoretical debates around identity, work, place and transnationalism. The thesis is based on an intensive period of fieldwork undertaken in Whistler, British Columbia, Canada. Drawing on data from in-depth interviews, participant observation and secondary sources, this thesis will suggest that it is through work and travel experiences that these young people construct a sense of self. It will be argued that working adds value and meaning to experiences, creating memories and stories in which to construct identity. Furthermore, company culture and ideas of adventure continuously complicate how these young people utilise their working and travelling experiences and so, how they (re)define their sense of self. Finally, the relationship between identity and place will be considered in connection to the emerging literature on backpacker enclaves. This research on these working tourists aims to provide insights into current debates on backpacker travel, identity and tourism, both within the academic community and across wider business and social arenas. The ways in which young working tourists use their experiences to increase cultural capital and gain informal qualifications in order to increase career and life chances will be explored. Thus this thesis will demonstrate the need to understand the motivations, travel patterns and travel careers of working tourists in order to better forecast future tourism demands and trends.
    [Show full text]
  • The Prodigy Invaders Must Die Full Album Zipl
    The Prodigy Invaders Must Die Full Album Zipl The Prodigy Invaders Must Die Full Album Zipl 1 / 3 2 / 3 The Prodigy Invaders Must Die Full Album Zip. e31cf57bcd. why do we put presents under the tree at christmas · lucky dube- respect retail cd full album zip. Why Must Listen Online and Download Albums? Get Invaders Must Die - EP by The Prodigy. Full supports all version of your device, includes mp3, ogg and FLAC .... The Prodigy ‎– Invaders Must Die. Invaders Must Die album cover.. The Prodigy Invaders Must Die Full Album Zip - - http://bit.ly/2EsWIQ3 4ba26513c0 THE PRODIGY INVADERS MUST DIE ALBUM DOWNLOAD .... Hell, we could say a whole fifteen years, since Invaders has a more ... Tracklist / 01. Invaders Must Die 02. Omen 03. Thunder 04. Colours 05.. The prodigy invaders must die full album zip. the prodigy are an english electronic music group from braintree, formed by liam howlett in 1990 out why we. The ... 2 CD, Album, Jewel Case . Tracklist Hide Credits . CD2-1, Invaders Must Die (Liam H Re-Amped Version). The Prodigy Invaders Must Die Full .... This item:Invaders Must Die by The Prodigy Audio CD £5.30 ... with some signature Prodigy samples and sounds (a feeling the permeates the whole album). The Prodigy New Album Leaked Free Download, The Prodigy Invaders Must Die ... Must Die FULL ALBUM, The Prodigy - Invaders Must Die zip download, The .... Prodigy Champions Black T-Shirt $25.99 ... Gradient Logo Zip Front Hoody $59.99 ... No Tourists 'Prodigy Store Exclusive' Clear Gatefold Double Vinyl $33.99. The Day Is My Enemy CD Album $12.99.
    [Show full text]
  • Case Studies of the People and Places of Route 66
    Technical Report, Volume ii Tales from the mother Road: case Studies of the people and places of Route 66 A study conducted by Rutgers, The State University of New Jersey in collaboration with the National Park Service Route 66 Corridor Preservation Program and World Monuments Fund Study funded by American Express TECHNICAL REPORT, VOLUME II Tales from the Mother Road: Case Studies of the People and Places of Route 66 A study conducted by Rutgers, The State University of New Jersey in collaboration with the National Park Service Route 66 Corridor Preservation Program and World Monuments Fund Study funded by American Express Center for Urban Policy Research Edward J. Bloustein School of Planning and Public Policy Rutgers, The State University of New Jersey New Brunswick, New Jersey June 2011 AUTHORS David Listokin and David Stanek Kaitlynn Davis with Michelle Riley Andrea Ryan Sarah Collins Samantha Swerdloff Jedediah Drolet other participating researchers include Carissa Johnson Bing Wang Joshua Jensen Center for Urban Policy Research Edward J. Bloustein School of Planning and Public Policy Rutgers, The State University of New Jersey New Brunswick, New Jersey ISBN-10 0-9841732-5-0 ISBN-13 978-0-9841732-5-9 This report in its entirety may be freely circulated; however content may not be reproduced independently without the permission of Rutgers, the National Park Service, and World Monuments Fund. Table of Contents Technical Report, Volume II INTRODUCTION TO ROUTE 66 AND TALES FROM THE MOTHER ROAD ................................................................................................ 6 CHAPTER ONE History of Route 66 and Contemporary Efforts to Preserve the Mother Road .............................................................. 21 CHAPTER TWO Tales from the Mother Road: Introduction ...................................................................................................................
    [Show full text]
  • March 24, 2021 the Success Story of the New BMG in 2008, The
    March 24, 2021 The Success Story Of The New BMG In 2008, the founding of the new BMG marked the beginning of a new era for music at Bertelsmann. A look back at major milestones in the music company’s history. 2008 The new BMG is founded in Germany The digitization of media – including music – had led to a significant decline in the sale of music CDs. Music was increasingly being downloaded from the Internet. Against this backdrop, Bertelsmann decided to set up an entirely kind of new music business. In August 2008, the group announced that it would focus on the management of music publishing and recording rights henceforth. Shortly before this, Bertelsmann had sold its 50- percent stake in the Sony BMG Music Entertainment joint venture to Sony. The goal was now to establish a “licensing and management platform for exploiting and marketing music rights” under the BMG brand. The cornerstone of the business was formed by European catalogs of music rights that had been acquired by Sony BMG, comprising the works of more than 200 artists. Hartwig Masuch was appointed CEO of Berlin-based BMG. The experienced music manager realized from the start that the new BMG would have to offer the industry’s creative professionals a new service model: “The activities of Bertelsmann’s various divisions, in conjunction with the realignment of BMG, offer countless opportunities for us to put together attractive service packages for creatives and rights owners. Our top priority will be to effectively assert the rights owners’ claims and protect their interests.” A few weeks later, BMG Rights Management, as it was then called, commenced business.
    [Show full text]