37622 Care2 Signatures to Shut Down Indian Point
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Official U.S. Bulletin
: — : : : : k PVBLISHEn BJilLY under order of THE PRESIDENT of THE UNITED STATES by COMMITTEE on PUBLIC INFORMATION GEORGE CREEL, Chairman -k * ic COMPLETE Record of U. S, GOVERNMENT Activities VoL. 3 WASHINGTON, TUESDAY, FEBRUAEY 11, 1919. No. 535 TRADE WITH FINLAND MAY BE ORDERS TO COMPLETE PAY Army Post Exchanges RESUMED UNDER REGULATION OF SOLDIERS IN ARREARS Are Forbidden to Sell Unauthorized Insignia SAYS THE WAR TRADE BOARD ARRIVING AT CAMPS WITH The War Department authorizes OUTLINE OF PROCEDURE IS GIVEN A “CONVALESCENT CENTER” publication of the following Under direction of the Secretary List of Commodities Which Do Not of War an order has been issued as INSTRUCTIONS ALSO follows Require Import Certificates From 1. “ It has been brought to the Inter-Allied Trade Committee SENT ARMY HOSPITALS attention of the War Department if that post exchanges and similar Applications Are in Order. Detachment Commanders places are selling unauthorized in- signia such as service ribbons and The War Trade Board announces, in a and Disbursing Officers gold and silver stars to be worn on new ruling (W. T. B. R. 590), supple- the uniform.” Required to See That En- menting AV. T. B. R. 577, issued February 2. “ Responsible officers will take 5, 1919, that arrangements have now been immediate steps to have such listed Men Are Promptly made whereby both export shipments to practice discontinued by post ex- and import shipments from Finland may Paid Reports to changes and stores under their im- — Be Made be resumed. mediate jurisdiction. At the same All shipments for export to tlie above- by Wire Direct to Director time every effort will be made to mentioned country must be covered by an influence stores located near posts, of Finance, War Depart- import certificate issued by the interallied camps, or cantonments, discon- to trade committee, at Helsingfors, except tinue the practice.” ment, Washington. -
Downloaded Is a VH1 Rockdoc About Napster and the Digital Revolution
MAGNOLIA PICTURES AND GREAT POINT MEDIA A TROUPER PRODUCTION IN ASSOCIATION WITH ZIPPER BROS FILMS AND ROXBOURNE MEDIA LIMITED Present ZAPPA A film by Alex Winter USA – 129 minutes THE FIRST ALL-ACCESS DOCUMENTARY ON THE LIFE AND TIMES OF FRANK ZAPPA Official Selection 2020 SXSW – World Premiere 2020 CPH:DOX FINAL PRESS NOTES Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: George Nicholis Tiffany Malloy Sara Tehrani Rebecca Fisher Tiffical Public Relations DDA PR Magnolia Pictures [email protected] [email protected] (212) 924-6701 201.925.1122 [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com SYNOPSIS With unfettered access to the Zappa Vault, and the archival footage contained within, ZAPPA explores the private life behind the mammoth musical career that never shied away from the political turbulence of its time. Alex Winter's assembly features appearances by Frank's widow Gail Zappa and several of Frank's musical collaborators including Mike Keneally, Ian Underwood, Steve Vai, Pamela Des Barres, Bunk Gardner, David Harrington, Scott Thunes, Ruth Underwood, Ray White and others. 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com DIRECTOR’S STATEMENT – ALEX WINTER It seemed striking to me and producer Glen Zipper that there had yet to be a definitive, all-access documentary on the life and times of Frank Zappa. We set out to make that film, to tell a story that is not a music doc, or a conventional biopic, but the dramatic saga of a great American artist and thinker; a film that would set out to convey the scope of Zappa’s prodigious and varied creative output, and the breadth of his extraordinary personal and political life. -
Sign of the Librarian in the Cinema of Horror: an Exploration of Filmic Function Antoinette G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Sign of the Librarian in the Cinema of Horror: An Exploration of Filmic Function Antoinette G. Graham Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION AND INFORMATION SIGN OF THE LIBRARIAN IN THE CINEMA OF HORROR: AN EXPLORATION OF FILMIC FUNCTION By ANTOINETTE G. GRAHAM A Dissertation submitted to the School of Library and Information Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2010 Copyright © 2010 Antoinette G. Graham All Rights Reserved The members of the committee approve the dissertation of Antoinette G. Graham defended on October 5, 2010. _____________________________ Gary Burnett Professor Directing Dissertation _____________________________ Valliere Richard Auzenne University Representative _____________________________ Lisa Tripp Committee Member _____________________________ Eliza T. Dresang Committee Member Approved: _____________________________________ Larry Dennis, Dean College of Communication & Information _____________________________________ Corinne Jörgensen, Director School of Library & Information Studies The Graduate School has verified and approved the above-named committee members. ii TABLE OF CONTENTS Abstract ................................................................................................................ -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Bamcinématek Presents Joe Dante at the Movies, 18 Days of 40 Genre-Busting Films, Aug 5—24
BAMcinématek presents Joe Dante at the Movies, 18 days of 40 genre-busting films, Aug 5—24 “One of the undisputed masters of modern genre cinema.” —Tom Huddleston, Time Out London Dante to appear in person at select screenings Aug 5—Aug 7 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Jul 18, 2016/Brooklyn, NY—From Friday, August 5, through Wednesday, August 24, BAMcinématek presents Joe Dante at the Movies, a sprawling collection of Dante’s essential film and television work along with offbeat favorites hand-picked by the director. Additionally, Dante will appear in person at the August 5 screening of Gremlins (1984), August 6 screening of Matinee (1990), and the August 7 free screening of rarely seen The Movie Orgy (1968). Original and unapologetically entertaining, the films of Joe Dante both celebrate and skewer American culture. Dante got his start working for Roger Corman, and an appreciation for unpretentious, low-budget ingenuity runs throughout his films. The series kicks off with the essential box-office sensation Gremlins (1984—Aug 5, 8 & 20), with Zach Galligan and Phoebe Cates. Billy (Galligan) finds out the hard way what happens when you feed a Mogwai after midnight and mini terrors take over his all-American town. Continuing the necessary viewing is the “uninhibited and uproarious monster bash,” (Michael Sragow, New Yorker) Gremlins 2: The New Batch (1990—Aug 6 & 20). Dante’s sequel to his commercial hit plays like a spoof of the original, with occasional bursts of horror and celebrity cameos. In The Howling (1981), a news anchor finds herself the target of a shape-shifting serial killer in Dante’s take on the werewolf genre. -
UNITED NATIONS Distr
UNITED NATIONS Distr. SECURITY G-L s/8158* COUNCIL 2 October 1967 ORIGINAL: ENGLISH REPORTOF THE SECRETARY-GENERALUi!?DFB GENERAL Assm~ RESOLUTION2252 (ES-~) Am SEcuRrm COUNCILRESOLUTION 237 (1.967) CONTENTS Paragraphs Page INTRODUCTION.. , * . 1- 3 1 I, MISSION OF THE SPECIALREPRES~TATIVE . , . 4- 13 2 II, SAFETY,WELFARE AND SECURITYOF THE POPULATIONIN AREASUNDER ISRAEL CONTROL A. Syrian area . v . 14 - 39 5 B. Jordanian area . , . , . , . 40 - 92 12 C. The United Arab Republic qnd areas administered by the United Arab Republic . = 93 - 158 33 1X1. SITUATIONOF DISPLACEDPERSONS FROM AREAS UNDER ISRAEL CONTROLAND THE QUESTIONOF THEIR RETURN . , . 159 - 202 47 IV, TREATMENTOF PRISONERSOF WAR . 203 - 209 57 V. THE QUESTIONOF THE TREATMENTOF MINORITIES . , . 210 - 222 59 223 - 225 62 VI. CONCLUDINGREltwxs. ,‘, , . l , . :, . l , . , . * Also issued under the symbol A/6797. 67-22332 I . P CONTENTS(continued) Page ANNEXES I. ITINERARYOF THE MISSIONOF THESPECIAL REPRESENTATIVE . 63 II. AIDE-MEMOIRESUBMITTED TO THE SPECIALREPRESENTATIVE BY THE JORDANIANAUTHORITIES . T . 65 III. AIDE-MEMOIREPREPARED BY THE JORDANIANAUTHORITIES . 70 IV. STATEMENTON THE SITUATIONON THEWEST BANK BY AN OFFICIAL JORDANIANSPOKESMAN, SUBMITTED TO THE SPECIALREPRESENTATIVE BY THE JORDANIANAUTHORITIES . 74 V. FIRST AIDE-MEMOIRESUBMITTED TO THE SPECIAL REPRESENTATIVEBY THE ISRAELAUTHORITIES ON THE SITUATIONON THE NESTBANK . (_.I: ;..m 77 VI. SECONDAIDE-MEMOIRE SUBMITTED TO THE SPECIAL REPRESENTATIVEBY THE ISRAELAUTHORITIES ON THE SITUATIONON THE WESTBANK . + . 82 VII. AIDE-MEMOIRESUBMITTED TO THE SPECIALREPRESENTATIVE BY THE ISRAELAUTHORITIES ENTITLED 'FOUNDATIONS OF ISRAEL'S ECONOMICPOLICY IN THEAREAS UNDER ITS CONTROL". 86 VIII. AIDE-MEMOIRESUBMITTED TO THE SPECIALREPRESENTATIVE BY THE ISRAELAUTHORITIES ON THESITUATION IN THE GAZASTRIP AND NORTHERNSINAI . 90 IX. AIDE-MEMOIRESUBMITTED TO THE SPECIALREPRESENTATIVE BY THE ISRAELAUTHORITIES ON THESITUATION IN THE GAZASTRIP..............., . -
Improving the Resilience of Tourism in Al-Quds: the Way Forward for a Competitive Destination Management
Improving the Resilience of Tourism in Al-Quds: The Way Forward for a Competitive Destination Management COMCEC Coordination Office April 2021 This report was prepared under COMCEC Al-Quds Program. This report has been commissioned by the COMCEC Coordination Office to the team led by Mr. H. Melih ARAL with the contributions of Mr. Nezih İŞÇİ, Assoc. Prof. Dr. Uğur ÇALIŞKAN and Prof. Dr. Süleyman TOY. Views and opinions expressed in the report are solely those of the authors and do not represent the official views of the COMCEC Coordination Office (CCO) or the Member Countries of the Organization of Islamic Cooperation (OIC). The designations employed and the presentation of the material in this publication do not imply the expression of any opinion whatsoever on the part of the COMCEC/CCO concerning the legal status of any country, territory, city or area, or of its authorities, or concerning the delimitation of its political regime or frontiers or boundaries. Designations such as “developed,” “industrialized” and “developing” are intended for statistical convenience and do not necessarily express a judgement about the state reached by a particular country or area in the development process. The mention of firm names or commercial products does not imply endorsement by COMCEC and/or CCO. The final version of the report is available at the COMCEC website*. Excerpts from the report can be made as long as references are provided. All intellectual and industrial property rights for the report belong to the CCO. This report is for individual use and it shall not be used for commercial purposes. -
Where the Heck Is My Google Fiber? Mixing NES, Comcast, AT&T, FCC Makes for Slow Walk to High-Speed Internet
TENNESSEE TITANS ‘It’s attack, attack, attack’ Players are warming to the speed, complexity of Dean Pees’ new defensive scheme. VIEW FROM THE HILL Election winners in a landslide TV stations are the clear P23 victor with $45 million spent on GOP primary alone. DAVIDSON • WILLIAMSON • RUTHERFORD • CHEATHAM WILSON SUMNER• ROBERTSON • MAURY • DICKSON • MONTGOMERY LedgerP3 August 3 – 9, 2018 The power of information.NASHVILLE Vol. 44 EDITION | Issue 31 www.TNLedger.com Where the heck FORMERLY WESTVIEW SINCE 1978 is my Google Fiber? Page 13 Mixing NES, Comcast, AT&T, FCC Dec.: Dec.: Keith Turner, Ratliff, Jeanan Mills Stuart, Resp.: Kimberly Dawn Wallace, Atty: Mary C Lagrone, 08/24/2010, 10P1318 makes for slow walk to In re: Jeanan Mills Stuart, Princess Angela Gates, Jeanan Mills Stuart, Princess Angela Gates,Dec.: Resp.: Kim Prince Patrick, Angelo Terry Patrick, Gates, Atty: Monica D Edwards, 08/25/2010, 10P1326 In re: Keith Turner, TN Dept Of Correction, www.westviewonline.com TN Dept Of Correction, Resp.: Johnny Moore,Dec.: Melinda Atty: Bryce L Tomlinson, Coatney, Resp.: Pltf(s): Rodney A Hall, Pltf Atty(s): n/a, 08/27/2010, 10P1336 In re: Kim Patrick, Terry Patrick, Pltf(s): Sandra Heavilon, Resp.: Jewell Tinnon, Atty: Ronald Andre Stewart, 08/24/2010,Dec.: Seton Corp 10P1322 high-speed internet Insurance Company, Dec.: Regions Bank, Resp.: Leigh A Collins, In re: Melinda L Tomlinson, Def(s): Jit Steel Transport Inc, National Fire Insurance Company, Elizabeth D Hale, Atty: William Warner McNeilly, 08/24/2010, Def Atty(s): J Brent Moore, -
Southern California Public Radio- FCC Quarterly Programming Report July 1- September 30,2016 KPCC-KUOR-KJAI-KVLA-K227BX-K210AD S
Southern California Public Radio- FCC Quarterly Programming Report July 1- September 30,2016 KPCC-KUOR-KJAI-KVLA-K227BX-K210AD START TIME DURATION ISSUE TITLE AND NARRATIVE 7/1/2016 Take Two: Border Patrol: Yesterday, for the first time, the US Border patrol released the conclusions of that panel's investigations into four deadly shootings. Libby Denkmann spoke with LA Times national security correspondent, Brian Bennett, 9:07 9:00 Foreign News for more. Take Two: Social Media Accounts: A proposal floated by US Customs and Border Control would ask people to voluntarily tell border agents everything about their social media accounts and screen names. Russell Brandom reporter for The Verge, spoke 9:16 7:00 Foreign News to Libby Denkmann about it. Law & Order/Courts/Polic Take Two: Use of Force: One year ago, the LAPD began training officers to use de-escalation techniques. How are they working 9:23 8:00 e out? Maria Haberfeld, professor of police science at John Jay College of Criminal Justice spoke to A Martinez about it. Take Two: OC Refugee dinner: After 16 hours without food and water, one refugee family will break their Ramadan fast with mostly strangers. They are living in Orange County after years of going through the refugee process to enter the United States. 9:34 4:10 Orange County Nuran Alteir reports. Take Two: Road to Rio: A Martinez speaks with Desiree Linden, who will be running the women's marathon event for the US in 9:38 7:00 Sports this year's Olympics. Take Two: LA's best Hot dog: We here at Take Two were curious to know: what’s are our listeners' favorite LA hot dog? They tweeted and facebooked us with their most adored dogs, and Producers Francine Rios, Lori Galarreta and host Libby Denkmann 9:45 6:10 Arts And Culture hit the town for a Take Two taste test. -
Pay to Play: Video Game Monetization Patents and the Doctrine of Moral Utility
GEORGETOWN LAW TECHNOLOGY REVIEW PAY TO PLAY: VIDEO GAME MONETIZATION PATENTS AND THE DOCTRINE OF MORAL UTILITY Kirk A. Sigmon* CITE AS: 5 GEO. L. TECH. REV. 72 (2021) TABLE OF CONTENTS I. INTRODUCTION ...................................................................................... 72 II. THE GROWING COST OF VIDEO GAMES ................................................. 74 III. CONTROVERSIAL VIDEO GAME PATENTS ON DLC AND MICROTRANSACTIONS ................................................................................... 81 IV. THE CONTROVERSY BEHIND THE PSYCHOLOGY OF DLC AND MICROTRANSACTIONS ................................................................................... 86 V. A BRIEF HISTORY OF PATENTS AND “MORAL UTILITY” ........................ 89 VI. WHY MORAL UTILITY SHOULD NOT BE REVIVED FOR VIDEO GAMES .. 94 VII. CONCLUSION .......................................................................................... 98 I. INTRODUCTION Video games are now more complex and realistic than they ever have been—but making those games is not cheap. Video game development and marketing costs are sky high.1 To help recoup these costs, game developers and publishers have begun inventing increasingly clever ways to encourage users to spend more money on video games—and they are pursuing patents for those inventions. One recently granted patent seeks to drive in-game purchases by making multiplayer matches difficult for a player, encouraging that player to buy an item and, once that item is purchased and used, subtly rewarding the spending by making multiplayer matches easier.2 Another recently granted patent targets players more likely to spend money in-game by presenting them with exclusive spending opportunities, maximizing value * Shareholder, Banner Witcoff. Thanks to Ross A. Dannenberg, Scott M. Kelly, and Carlos Goldie for their invaluable input and assistance with this Article. 1 See infra Part II. 2 See U.S. Patent No. 9,789,406 (filed Oct. 17, 2017) [hereinafter Marr]. -
70000TONS of METAL Survival Guide
www.insomniac.games/game/spider-man-ps4 PAGE 6 MASS MEDIA INK MASS MEDIA MAG PAGE 7 Volume 3 • Issue #8 PUBLISHER/EDITOR ROD BLACK WRITERS ROD BLACK MARK HENNION HEATHER MOSS AMANDA PEUKERT PHOTOGRAPHERS ROD BLACK MARK HENNION TRANSCRIBER/COPY EDITOR ROD BLACK LAYOUT & COVER DESIGN ROD BLACK, FOTO DOOR FRONT COVER FOTO DOOR, PHOTO SABINA KELLEY, MODEL SHOWOFF MAKE-UP, MUA A’QUA SWIMWEAR, BIKINI BACK COVER KEVIN MILLET, PHOTO RICK GENEST, MODEL WEB/SOCIAL MEDIA http://www.facebook.com/MassMediaMagazine http://instagram.com/MassMediaMagazine http://twitter.com/MMMmagazineTW https://www.youtube.com/channel/UCsKzCGD4EX6wqd_FTFWfPcg MASS MEDIA GROUP, LLC PO Box 22968 Portland, OR 97269 Mass Media Magazine is printed on 10% recycled (post consumer waste) paper us- ing soy-based inks. Our printer meets or exceeds all Federal Resource Conservation Act (RCRA) standards and is a certified member of the Forest Stewardship Council. Mass Media Magazine aka MMM Magazine (ISSN 2474-2368) Pub- lished Quarterly by Mass Media Group, LLC. PO Box 22968 Portland, OR 97269. Advertising rates furnished upon request. SEND ALL ADVERTISING INFORMATION AND MATERIALS TO PO Box 22968 Portland, OR 97269. DIRECT ALL SUBSCRIPTION INQUIRIES TO OUR OFFICIAL SITE AT www.MassMediaMagazine.com or via EMAIL at info@wearemmm. com. All Advertising is subject to approval before acceptance. Mass Media Group, LLC. reserves the right to refuse any ad for any reason whatsoever. Only actual pub- lication of an advertisement constitutes acceptance thereof, but does not constitute agreement for continued publication in any form. Oregon law applies to and controls all materials contained herein. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H.