Orange Belt Requirements
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Graderingsbestammelser Jujutsu Vuxn a Ronin Do Fight Gym 2018 07 15
1 Ronin Do Fight Gym Graderingsbestämmelser vuxna JU JUTSU 2018-07-15 Ronin Do Fight Gym Graderingsbestämmelser vuxna 2018-07-15 Ju Jutsu 2 Ronin Do Fight Gym Graderingsbestämmelser vuxna JU JUTSU 2018-07-15 Yellow Belt 5 Kyu Ju jutsu 10 push ups 10 sit ups 55 cm front split and side split Tai Sabaki (Body shifting / Body control) Tai Sabaki 1 – 8 Ukemi Waza (falling techniques) Mae Ukemi Ushiro Ukemi Nage Waza (throwing techniques) Ikkyo /Ude Gatame Nikkyo/ Kote Mawashi O soto Gari Kesa Gatame Jigo Waza (escape techniques) Uke ends up on the floor after each technique. Double wristlock frontal attack. Single wristlock frontal attack. Double wristlock attack from behind. 3 Ronin Do Fight Gym Graderingsbestämmelser vuxna JU JUTSU 2018-07-15 Orange Belt 4 Kyu Ju jutsu 15 push ups 15 sit ups 50 cm front split and side split Tai Sabaki (body shifting) Tai Sabaki 1 – 16 Dashi Waza (standing positions) Shiko Dashi Neko Ashi Dashi Ukemi Waza (falling techniques) Mae Ukemi above 2 people standing on their hands and knees. Daisharin. Nage Waza (throwing techniques) Aiki Otoshi Sankyo/ Kote Hineri Kibusa Gaeshi Kata Gatame 4 Ronin Do Fight Gym Graderingsbestämmelser vuxna JU JUTSU 2018-07-15 Jigo Waza (escape techniques) Uke ends up on the floor after each technique. Double wristlock frontal attack 2 different sets. Single wristlock frontal attack 2 different sets. Double wristlock attack from behind 2 different sets. Defense against 1 Geri. Defense against 1 Tzuki. Randori (sparring with grips, punches and kicks) 1 time x 2 minutes Ne Waza (ground wrestling). -
Technische Eisen Dan-Examens Jiu-Jitsu 2
Nationale Graden Commisie Jiu- Jitsu Eisen voor Dan-examens eerste t/m vijfde Dan Jiu- Jitsu Versie 1.0 Judo Bond Nederland |Technische Eisen Dan-examens Jiu-Jitsu 2 Ten geleide Voor u ligt de nieuwe beschrijving van de Dan-exameneisen. In deze beschrijving zijn alle wijzigingen op samenhangende wijze weergegeven. De Dan-exameneisen hebben daarmee een geheel nieuwe opzet gekregen. Naast algemene informatie met betrekking tot het Jiu-Jitsu en de eigenlijke exameneisen, bevat deze beschrijving ook de richtlijnen en aanwijzingen voor het examineren van de Nationale Gradencommissie Jiu-Jitsu, deze zijn op grond van het Dan- en Kyu-examenreglement bindend. Het examen is opgedeeld in twaalf thema’s. Deze thema’s staan voor de verschillende onderdelen van het Jiu-Jitsu die getoetst worden om te kunnen vaststellen of een Jiu-Jitsuka aan de norm voor een bepaalde Dan-graad voldoet. Binnen deze thema’s zult u uiteraard de onderwerpen terugvinden, die in het verleden ook al deel uitmaakten van een Dan-examen. Toch zijn er een aantal thema’s bijgekomen. Zo wordt het meervoudig toe kunnen passen van basistechnieken als voorkeurtechniek, apart getoetst. Het kunnen toepassen van bewegingsvormen op de grond is een apart thema geworden. Ook is een onderdeel toegevoegd waarin de Jiu-Jitsuka moet demonstreren dat hij zelf ook in staat is om aan te vallen. Een ander belangrijk verschil is dat er nu per Dan-graad telkens een aantal basistechnieken zijn toegevoegd. Het zwaartepunt hiervan ligt bij de tweede en derde Dan. Ook het vaststellen of een kandidaat is geslaagd, verschilt met de oude methodiek waarin het examen was verdeeld in drie blokken. -
WPB Judo Academy Parents and Judoka Handbook
WPB Judo Academy 2008 Parents and Judoka Handbook Nage-Waza - Throwing Techniques O-soto-otoshi O-soto-gari Ippon-seio-nage De-ashi-barai Tai-otoshi Major Outer Drop Major Outer One Arm Shoulder Advancing Foot Body Drop Throw Sweep O-uchi-gari Ko-uchi-gari Ko-uchi-gake Ko-soto-gake Ko-soto-gari Major Inner Reaping Minor Inner Reaping Minor Inner Hook Minor Outer Hook Minor Outer Reap Uki-goshi O-goshi Tsuri-goshi Floating Hip Throw Major Hip Throw Lifting Hip Throw Osae-Waza - Holding Techniques Kesa-gatame Yoko-shiho-gatame Kuzure-kesa-gatme Scarf Hold Side 4 Quarters Broken Scarf Hold Nage-Waza - Throwing Techniques Morote-seio-nage O-goshi Uki-goshi Tsuri-goshi Koshi-guruma Two Arm Shoulder Major Hip Throw Floating Hip Throw Lifting Hip Throw Hip Whirl Throw Sode-tsuri-komi-goshi Tsuri-komi-goshi Sasae-tsuri-komi-ashi Tsubame-gaeshi Okuri-ashi-barai Sleeve Lifting Pulling Lifting Pulling Hip Lifting Pulling Ankle Swallow’s Counter Following Foot Hip Throw Throw Block Sweep Shime-Waza - Strangulations Nami-juji-jime Normal Cross Choke Ko-soto-gake Ko-soto-gari Ko-uchi-gari Ko-uchi-gake Minor Outer Hook Minor Outer Reap Minor Inner Reap Minor Inner Hook Osae-Waza - Holding Techniques Kansetsu-Waza - Joint Locks Gyaku-juji-jime Reverse Cross Choke Kami-shiho-gatame Kuzure-kami-shiho-gatame Upper 4 Quarters Hold Broken Upper 4 Quarters Hold Ude-hishigi-juji-gatme Cross Arm Lock Tate-shiho-gatame Kata-juji-jime Mounted Hold Half Cross Choke Nage-Waza - Throwing Techniques Harai-goshi Kata-guruma Uki-otoshi Tsuri-komi-goshi Sode-tsuri-komi-goshi -
BJJY Technique Cross-Index Chart
BUDOSHIN JU-JITSU KATA (Professor Kirby's JB=Budoshin Jujitsu Basic Book , JI=Budoshin Jujitsu Intermediate Book, JN=Budoshin Jujitsu Nerve Techniques, V= Budoshin Jujitsu DVD Series) Attack Defense Falls & Rolls Basic Side Fall (Yoko Ukemi) JB-36/V1 Falls & Rolls Basic Back Roll/Fall (Ushiro Ukemi) JB-38/V1 Falls & Rolls Basic Forward Roll (Mae Ukemi) JB-40/V1 Falls & Rolls Basic Forward Fall (Mae Ukemi) JB-42/V1 1 Round Strike Outer Rear Sweeping Throw (Osoto Gari)-Knee Drop Body Strike (Karada Tatake) JB-70/V2-4 2 Cross Wrist Grab Wristlock Takedown (Tekubi Shimi Waza) JI-166/JI-164 3 Double Lapel Grab Double Strike Turning Throw (Ude No Tatake) With Elbow Roll Submission (Hiji Tatake Shimi Waza) JI-84 4 Aggressive Handshake Thumb Tip Press Side Throw (Ube Shioku Waza Yoko Nage) JN-180/V1-12 5 2 Hand Front Choke Throat (Trachea) Attack (Nodo Shioku Waza) JB-54/V1-6 6 Front Bear Hug (Under Arms) Nerve Wheel Throw (Karada Shioku Waza) JB-92/V2-11 7 Rear Bear Hug (Over/Under) Leg Lift (Ashi Ushiro Nage) With Groin Stomp Submission (Kinteki Tatake) JB-50/V1-8 8 Side Sleeve Grab Elbow Lift (Hiji Waza) JB-114/V4-12 9 Straight Knife Lunge Basic Hand Throw (Te Nage) With Wrist or Elbow-Snap Submission (Te/Hiji Maki) JB-58/V1-5, JI-128 Participate in The Weekly Pad Drills/Fundamental Karate & Ju-Jitsu Self-Defense Techniques (10 Week Rotation) 1 Round Strike Basic Drop Throw (Tai-Otoshi) With Wrist-Press Knee-Drop Submission (Tekubi Shimi Waza/Shioku Waza) JB-48/V1-3 2 Double Front Wrist Grab Wrist Side Throw (Haiai Nage or Tekubi Yoko Nage) -
By Peter Dell ' O Rto and S Ean Punch
BY P ETER D ELL’ORTO AND S EAN P UNCH Written by PETER DELL’ORTO and SEAN PUNCH Additional Material by VOLKER BACH and C.J. CARELLA Edited by SEAN PUNCH Cover Art by BOB STEVLIC Illustrated by ABRAR AJMAL and BOB STEVLIC ISBN 978-1-55634-762-7 1 2 3 4 5 6 7 8 9 10 STEVE JACKSON GAMES Committed Attack . 99 Defensive Attack. 100 Evaluate . 100 Feint . 100 ONTENTS Ready . 101 C Who Draws First?. 103 Move . 105 Realism Level . 29 INTRODUCTION . 4 Move and Attack . 107 Beginning Students as PCs. 30 Publication History . 4 Wait . 108 About the Authors . 4 CHARACTER TEMPLATES . 31 ADDITIONAL COMBAT OPTIONS . 109 Del Duque (350 points) . 33 Melee Attack Options . 109 1. HISTORY . 5 Frauds . 35 A Matter of Inches . 110 Adrian Froste (200 points) . 37 TIMELINE . 6 Untrained Fighters . 113 Kai Lian (250 points) . 39 ASIA . 8 Close-Combat Options. 114 China . 8 ADVANTAGES, DISADVANTAGES, Teeth. 115 Xia . 8 AND SKILLS . 42 Grab and Smash! . 118 Monks and Martial Arts . 9 Advantages . 42 Ranged Attack Options . 119 India . 10 Desirable Advantages . 43 Rapid Fire with Thrown Weapons. 120 Northern vs. Southern Kung Fu . 10 Chi Powers for Martial Artists . 46 Active Defense Options . 121 Religion, Philosophy, and Fists . 11 Perks . 49 Harsh Realism for Indonesian Archipelago. 12 Disadvantages. 53 Unarmed Fighters . 124 Japan . 12 Common Disadvantages. 53 CINEMATIC COMBAT . 125 Ryu . 12 Skills . 54 Multiple Attacks . 126 Ninja: Legend vs. History . 13 Combat Skills . 55 Chambara Fighting . 128 Korea. 14 Wildcard Skills for Styles . 60 Mind Games . 130 Other Nations. -
1 1. Rolling During the Landing of a Throw Will Be Considered Ippon, ONLY If There Is No Break During the Throwing Action!
October 16, 2019 Richard Celotto (page) indicates page in the IJF 32-page official document 01.19.2018 Detailed Explanation of the 2018 IJF Judo Refereeing Rules. 1. Rolling during the landing of a throw will be considered Ippon, ONLY if there is no break during the throwing action! (page 9b) 2. Two waza-ari are equivalent to one ippon (waza-ari awasete ippon) and the contest will be ended. (page 11) 3. All situations of “voluntarily” landing in the Bridge position will be considered Ippon. (page 17) 4. Head Defense (Head Post - “voluntarily” use of the head for defense to avoid landing in/escaping from a score will be given hansoku make. Matte, conference, unanimous with (page 17) supervisors’ approval. In these cases, uke would land on their stomach, front side or knees. 5. Involuntary Head Defense (Head Plant)– no penalty -for tori or uke. Special attention will be given where tori attempts to throw his opponent during tachi waza and uke’s head impacts the tatami involuntarily. (page 18) 6. Immobilization Kata shiho gatame (arm out) - no osaekomi (page 26) 7. Golden score can only be won by a technical score (waza-ari or ippon) or hansoku make (direct or cumulative shido). (page 9) 8. Shime waza with leg stretch - Shime waza or kansetsu waza while over stretching a straight leg is forbidden. Matte must be called immediately and shido will be given unless injury, then hansoku make may be called. (page 26) Gripping behind knee and above-o.k., below the knee to ankle illegal. 9. Leg grabbing or blocking or grabbing the trousers will be given shido, EACH TIME. -
Sag E Arts Unlimited Martial Arts & Fitness Training
Sag e Arts Unlimited Martial Arts & Fitness Training Grappling Intensive Program - Basic Course - Sage Arts Unlimited Grappling Intensive Program - Basic Course Goals for this class: - To introduce and acclimate students to the rigors of Grappling. - To prepare students’ technical arsenal and conceptual understanding of various formats of Grappling. - To develop efficient movement skills and defensive awareness in students. - To introduce students to the techniques of submission wrestling both with and without gi’s. - To introduce students to the striking aspects of Vale Tudo and Shoot Wrestling (Shooto) and their relationship to self-defense, and methods for training these aspects. - To help students begin to think tactically and strategically regarding the opponent’s base, relative position and the opportunities that these create. - To give students a base of effective throws and breakfalls, transitioning from a standing format to a grounded one. Class Rules 1. No Injuries 2. Respect your training partner, when they tap, let up. 3. You are 50% responsible for your safety, tap when it hurts. 4. An open mind is not only encouraged, it is mandatory. 5. Take Notes. 6. No Whining 7. No Ego 8. No Issues. Bring Every Class Optional Equipment Notebook or 3-ring binder for handouts and class notes. Long or Short-sleeved Rashguard Judo or JiuJitsu Gi and Belt Ear Guards T-shirt to train in (nothing too valuable - may get stretched out) Knee Pads Wrestling shoes (optional) Bag Gloves or Vale Tudo Striking Gloves Mouthguard Focus Mitts or Thai Pads Smiling Enthusiasm and Open-mindedness 1 Introduction Grappling Arts from around the World Nearly every culture has its own method of grappling with a unique emphasis of tactic, technique and training mindset. -
Estilos De Luta Com Bastão Intimamente Relacionados
“Eu ensinei a vocês os segredos do Karatê Shotokan, e vocês se tornaram verdadeiros guerreiros. Vocês agora carregam consigo a arte viva do Karatê Shotokan, pois todas as artes marciais são artes vivas. Elas crescem e mudam, se adaptando às necessidades de cada nova geração, Sensei e discípulos. Como acontece com todas as coisas vivas, algumas gerações podem ser mais fortes ou mais fracas que seus ancestrais. Vocês devem garantir que a antiga arte do Shotokan nunca enfraqueça. Para que nosso estilo continue, um dia vocês, como eu, deverão compartilhar seus segredos com alguém. Primeiro, porém, devem provar serem dignos de carregar meu nome e o estilo Shotokan. Saiam pelo mundo, testem seu conhecimento com sangue. Se sobreviverem o bastante, para que suas barbas fiquem brancas com a idade, terão a prova de que seu Karatê Shotokan é forte. Então serão dignos de ensinar a arte. Mas se caírem pelo caminho, não tragam desonra ao meu nome ensinando uma versão fraca da arte. É melhor que o estilo do Karatê Shotokan morra a tornar-se uma arvore que parece imponente por sua idade, mas é apodrecida e frágil por dentro.” - Gouken, falando aos seus estudantes Ken e Ryu Nada define mais um artista marcial do que seu estilo. O estilo de um artista marcial determina como ele luta e qual conhecimento marcial ele adquiriu. Seus pontos fortes e seus pontos fracos. Um pouco de sua personalidade e seu modo de vida. Tudo isto caracteriza o seu estilo. Alguns lutadores tentam treinar vários estilos ao mesmo tempo, mas eles raramente chegam ao nível de serem mestres de um estilo. -
Lmacurriculum (Pdf)
Student:___________________________________________________ Belt Test:________________________________ Blue Yellow White Red Green WHITE Shrimp Jab Same side wrist release Front breakfall Hands and feet Bridge Cross 2 hand wrist release Back breakfall Rocky Hook punch Side breakfall Uppercut Forward roll Front kick Backward roll Round kick Side kick Beg Ph1 Bump & roll Parry Circle-8 O Soto Gari "Counter jab" Elbow-knee escape Salute block Krav-lock "Counter cross" Beg Ph2 Paintbrush up 8 angles of attack Rear double wrist grab Ippon Seoi Nage Shake your Hips Paintbrush out Sliding side kick Front to Back Paintbrush down Int Ph1 Scissor sweep Knee Circle push O Goshi Get off me Flower sweep Horizontal elbow SS TD Wrist lock Superfoot Diagonal elbow Vertical elbow Int Ph2 Armbar from guard Leg kick Chicken Wing Arm Lock Tani Otoshi "Hide the step" Armbar from mount Defense from leg kick "Hide the pivot" Stepover armbar "Hide the kick" Int Ph3 breaking guard Elbow parry punches Full nelson Tai Otoshi "Linear counter" Knee slide pass Elbow parry linear kick Rear bear hug over arms "Circular counter" Stack pass Elbow parry circular kick Int Ph4 Mata Leon Spinning side kick X-grip fish over the log O Uchi Gari Side Kicker Single collar choke Defense #1 (jam) Same side fish over the log Ko Uchi Gari Defense #2 (avoid) Adv Ph1 Keyturn escape Hook kick Stand up in base Kuzuri Morote Gari Crazy Legs Swing escape Crescent kick Sprawl Defense Windshield Wiper Adv Ph2 Shrimp Escape Kesa Slip Two hand choke Sumi Gaeshi "Slip shot" Bob & weave Standing front headlock "Head shot" Fade "Between the eyes" Adv Ph3 Kimura Pummel Rear bear hug under arms Morote Gari Bully Defense Hip bump sweep Double Under-hooks Front bear hug under arms Tawara Gaeshi Triangle choke Thai clinch Single Collar Tie Adv Ph4 Sweep from standup Superman punch Escape side head lock Uki Waza Hook and Switch Achilles lock Rolling head lock escape BBP Lockdown Oblique kick Koto Gaeshi Harai Goshi Knee Stomp Electric chair sweep Deashi Harai Escape back choke BBP Ph3 INSTRUCTORS CHOICE Other Notes:. -
Dojo Etiquette: Sensei Teacher Or Instructor Dojo School Or Training Hall Gi Training Uniform Seiza Kneeling Position Anza Sitti
General terms used across most Japanese Martial Arts Japanese / English Terms Dojo Etiquette: Sensei Teacher or Instructor Dojo School or training hall Gi Training uniform Seiza Kneeling position Anza Sitting position with legs crossed Ritsurei Standing bow Zarei Kneeling bow Sensei Ni Rei! Bow! ( to Sensei) Kiotsuke! (come to) Attention! Rei! Bow! Hagime! Begin or Start Uke/Nage Person receiving the technique Tori Person performing the technique Ukemi Safe falling practice Uchi Komi Repetitive practice (no throwing) Randori Free Practice Onegai Shimasu I am ready to be train/be trained Domo Arigato (Sensei) Gozaimashita Thank-you (Sensei) for the training Japanese Ordinal Numbers 1. Ichi (Sho) 2. Ni 3. San 4. Shi (Yon) 5. Go 6. Roku 7. Shichi 8. Hachi 9. Ku 10. Ju Ukemi Waza -Safe Falling Techniques Mae Ukemi Forward Breakfalls Yoko Ukemi Side Breakfalls Ushiro Ukemi Back Breakfalls Shintai Waza- Posture and Stance Shizen Hontai Basic Natural Posture Migi/Hidari Shizentai Right/Left Natural Posture Jigo Hontai Basic Defensive Posture Migi/Hidari Jigotai Right/Left Defensive Posture Tai Sabaki Body Control (5 types) Kuzushi Break Opponent's Balance Tsukuri Fitting In/ Body Position Kake Execute the Throw Zen Philosophy Jiko No Kansei Strive for perfection Jita Kyoei Mutual Benefit and Welfare Mushin No Mind Vocabulary Related to Names of: Judo/Jujitsu/Aikido Techniques Ashi Foot or Leg Okuri Ashi Harai Barai (Harai) Sweeping action (leg or foot) Deashi Barai Dori Grab Kata Dori Eri Lapel of the Gi Okuri Eri Jime Gaeshi (Kaeshi) Counter -
USJA Rank Examination for Senior 1St - 5Th Dan Ranks
USJA Rank Examination for Senior 1st - 5th Dan Ranks Name: __________________________________ Age: __________________ Current Rank: _____________________ Rank testing for: _______________ Date of current rank: _______________ USJA Membership #: ___________ Number of classes attended: _________________ Promotion points earned: ____________ Time in grade: ____________________ Date of Exam: ____________________ Name of Examiner: ________________________________ Rank of Examiner: ______________ In order to be examined for a USJA Judo rank the following requirements must be met as set forth in the USJA Judo Manual. 1. You must be a current member of the United States Judo Association. 2. You must have obtained the required age, time in grade, and promotion points for the rank being tested, as indicated in the table below. 3. Must have passed a Background Screen report and have a current Concussion Training and Safe Sport certificate. 4. Once all requirements have been completed, forward the Activity Log, RFP with signatures, and other required documentation (photo, bio, Heads-Up, Safe Sport, Background screen, etc.) to the USJA National Office/Promotion Board. 1st to 5th Age A B C D Sign off # Dan Recommendation TIG/points TIG/points TIG/points TIG/points Rank or Rank/Belt above 1 15 1/60 2/50 3/40 5/0 (1) 2D Dan/Black 2 17 2/120 3/100 4/80 7/0 (1) 3D Dan/Black 3 20 4/200 5/180 6/150 9/0 (1) 4D Dan/Black 4 Dan/ 24 5/300 6/280 7/250 10/200 (1) 5D Black&Red 5 Dan/ 29 6/360 7/350 8/320 11/220 (1) 6D Black&Red Instructors/Coaches: You can copy & utilize the following testing exams or print exams on USJA.net. -
The Second Eight Judo Throws
DC JUDO The Second Eight Judo Throws (Dai Nikkyo from the Gokyo No Waza) DC JUDO Second Eight Throws Page 1 of 5 KOSOTO GARI Tori breaks uke’s balance towards his rear or his right rear corner, then he reaps uke’s right heel (which carries his weight) from behind with his left foot so that he falls on his back. KOUCHI GARI Tori reaps the inside of uke’s right heel with the sole of his right foot so that he falls backwards. DC JUDO Second Eight Throws Page 2 of 5 KOSHI GURUMA Tori holds and controls uke’s neck with his right (left) arm, enters his waist deep, and, loading uke onto it, throws him in a circle around the fulcrum of his torso. (Illustrated on the right side) TSURIKOMI GOSHI Tori breaks uke’s balance straight forward, or to his right (left) front corner, lifts and pulls him onto the back of his waist, and throws him. (Illustrated on the right side in the picture) DC JUDO Second Eight Throws Page 3 of 5 OKURI ASHI HARAI Tori sweeps (or sends) uke’s right (left) foot to uke’s left (right) with his left (right) foot, and sweeps both legs up to complete the throw. (Illustrated on the left side) TAI OTOSHI Tori breaks uke’s balance to his right (or left) front corner, opens his body to the left, steps his right (left) foot in front of uke’s right (left) foot, pulls uke forward, and throws him down. (Illustrated on the right side) DC JUDO Second Eight Throws Page 4 of 5 HARAI GOSHI Tori breaks uke’s balance straight forwards, or to his right (left) front corner, pulls him onto the back of his his right (left) hip, and sweeps him up with the right (left) leg.