Union Leaders Warn Compulsory Identity Card Scheme Threatens Civil
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WTC SUMMER HOMEWORK Read Charting the History of British Music Video (MM66), by Emily Caston. (BELOW) Answer the Following Quest
WTC SUMMER HOMEWORK Read Charting the History of British Music Video (MM66), by Emily Caston. (BELOW) Answer the following questions, drawing on the article for information and ideas. 1. According to the article’s writer, Emily Caston, how significant was MTV in the development of British music video production? 2. What criteria did Emily Caston and her team use for selecting music videos for their 6-DVD box set? What are your thoughts about the criteria? What music videos do you know that you would include in such a selection? 3. Bohemian Rhapsody is often quoted as being the first British music video. The article argues otherwise. Why is that? Why was ‘Bo-Rhap’ not included in the box set? 4. The box set is made up of six different categories: performance; concept; dance; stories; wit; portraits. If you were putting together a selection of videos, what categories would you choose to use? 5. The article ends by noting that videos are now consumed by millions globally, ‘uncurated on mobile platforms’. What might be the significance of a curated collection in light of these consumption patterns? Curating your own collection Imagine that you have been given the chance to curate a selection of music videos to represent your experience of secondary school, from the moment you joined until the end of Year 11. Select five videos that you want to include in your selection. Outline in writing what is significant about each video, both as an art form in its own right, and in relation to your time at secondary school. -
Marc Brennan Thesis
Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia Marc Brennan, BA (Hons) Creative Industries Research and Applications Centre (CIRAC) Thesis Submitted for the Completion of Doctor of Philosophy (Creative Industries), 2005 Writing to Reach You Keywords Journalism, Performance, Readerships, Music, Consumers, Frameworks, Publishing, Dialogue, Genre, Branding Consumption, Production, Internet, Customisation, Personalisation, Fragmentation Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia The music press and music journalism are rarely subjected to substantial academic investigation. Analysis of journalism often focuses on the production of news across various platforms to understand the nature of politics and public debate in the contemporary era. But it is not possible, nor is it necessary, to analyse all emerging forms of journalism in the same way for they usually serve quite different purposes. Music journalism, for example, offers consumer guidance based on the creation and maintenance of a relationship between reader and writer. By focusing on the changing aspects of this relationship, an analysis of music journalism gives us an understanding of the changing nature of media production, media texts and media readerships. Music journalism is dialogue. It is a dialogue produced within particular critical frameworks that speak to different readers of the music press in different ways. These frameworks are continually evolving and reflect the broader social trajectory in which music journalism operates. Importantly, the evolving nature of music journalism reveals much about the changing consumption of popular music. Different types of consumers respond to different types of guidance that employ a variety of critical approaches. -
Backlash Over Blair's School Revolution
Section:GDN BE PaGe:1 Edition Date:050912 Edition:01 Zone:S Sent at 11/9/2005 19:33 cYanmaGentaYellowblack Chris Patten: How the Tories lost the plot This Section Page 32 Lady Macbeth, four-letter needle- work and learning from Cate Blanchett. Judi Dench in her prime Simon Schama: G2, page 22 Amy Jenkins: America will never The me generation be the same again is now in charge G2 Page 8 G2 Page 2 £0.60 Monday 12.09.05 Published in London and Manchester guardian.co.uk Bad’day mate Aussies lose their grip Column five Backlash over The shape of things Blair’s school to come revolution Alan Rusbridger elcome to the Berliner Guardian. No, City academy plans condemned we won’t go on calling it that by ex-education secretary Morris for long, and Wyes, it’s an inel- An acceleration of plans to reform state education authorities as “commissioners egant name. education, including the speeding up of of education and champions of stan- We tried many alternatives, related the creation of the independently funded dards”, rather than direct providers. either to size or to the European origins city academy schools, will be announced The academies replace failing schools, of the format. In the end, “the Berliner” today by Tony Blair. normally on new sites, in challenging stuck. But in a short time we hope we But the increasingly controversial inner-city areas. The number of acade- can revert to being simply the Guardian. nature of the policy was highlighted when mies will rise to between 40 and 50 by Many things about today’s paper are the former education secretary Estelle next September. -
Key Player Remains out of Game
-FEATURES- -SPORTS- The groundhog did not see Bo Larragan and the Red his shadow. What does Foxes had a rough time this mean for us? pg. 5 controlling Loyola's Jason Rowe, pg. 16 the student newspaper of diarist College VOLUME #52 ISSUE #10 Welcome Back!! FEBRUARY 4,1999 Key player remains out of game byJEFFDAHNCKE John Ritschdorff and others re- StaffWriter viewed Eligibility questions surround Cielebak's ing one of their best players status. have brought the Marist mens Cielebak was basketball season to a screech ruled offi ing halt. cially ineli On Jan. 15, Manst learned that gible to play, the NCAA was investigating their report was sent to Cinl-ploD/JocSu) i> Toihasz Cielebak, a junior for International flags in the Rotunda represent countries where students are studying ward from Poland, for his in the NCAA volvement in basketball over- and .the NCAA must.-.. Flags represent growing In a statement released by the school after learning of the in "I just feel like we interest in studying abroad vestigation, athletic director Tim Murray briefly described the are operating with by CHRIS GROG AN now Surprisingly, Sydney. Aus tcrnational Education office situation. News Fditnr tralia is also a populai destina encourages students who "There have been some ques one hand behind II you are like many heie at tion foi Marist students want to study in foreign lands tions raised about Tomasz's par-, our back." Marist who pass thiough the According to Whalen, Marist do lor the entire school ycai ticipation in the European club Rotunda at least once a day. -
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''I've Got This Feeling That He's Everywhere, Watching Me'' - a Victim Speaks After the Trial
' ''I've got this feeling that he's everywhere, watching me'' - a victim speaks after the trial hooded rapist who inflicted a lack of repentance. r eign of terror on Leeds By Rosa Prince "There's times when I want to students was jailed for 12 take a knife to him and shout 'It's A my turn now'," she continued. "I years this week after a jury at Leeds Offenses such as these should be Crown Court convicted him of a punished by a substantial period of don't think there will ever be a man series of sexual assaults. imprisonment." I could trust now." David Martin Jackson, who over Jackson remained expressionless Jackson continues to deny he is the course of a year and a half came as, watched by family and friends,, the Moor rapist, and is backed by to be known as 'The Woodhouse be was found guilty of the rape and his family and friends who Moor Rapist', was described after series of assaults, four of which were supported him in court throughout the case as "evil" by one of the made on students from Leeds the fourteen day trial. Jennifer senior police officers in charge of the University and Leeds Metropolitan Jackson, who married the convicted man two weeks before the final hunt. University. David Jackson, who wore a Jackson, who taunted the police attack, provided her husband with balaclava as he attacked his victims, with a letter signed ' Jack the alibis for the nights of four of the targeted lone females as they walked Stripper', was later described by a five attacks. -
Raja Mohan 21M.775 Prof. Defrantz from Bronx's Hip-Hop To
Raja Mohan 21M.775 Prof. DeFrantz From Bronx’s Hip-Hop to Bristol’s Trip-Hop As Tricia Rose describes, the birth of hip-hop occurred in Bronx, a marginalized city, characterized by poverty and congestion, serving as a backdrop for an art form that flourished into an international phenomenon. The city inhabited a black culture suffering from post-war economic effects and was cordoned off from other regions of New York City due to modifications in the highway system, making the people victims of “urban renewal.” (30) Given the opportunity to form new identities in the realm of hip-hop and share their personal accounts and ideologies, similar to traditions in African oral history, these people conceived a movement whose worldwide appeal impacted major events such as the Million Man March. Hip-hop’s enormous influence on the world is undeniable. In the isolated city of Bristol located in England arose a style of music dubbed trip-hop. The origins of trip-hop clearly trace to hip-hop, probably explaining why artists categorized in this genre vehemently oppose to calling their music trip-hop. They argue their music is hip-hop, or perhaps a fresh and original offshoot of hip-hop. Mushroom, a member of the trip-hop band Massive Attack, said, "We called it lover's hip hop. Forget all that trip hop bullshit. There's no difference between what Puffy or Mary J Blige or Common Sense is doing now and what we were doing…” (Bristol Underground Website) Trip-hop can abstractly be defined as music employing hip-hop, soul, dub grooves, jazz samples, and break beat rhythms. -
Lord Sumption and the Values of Life, Liberty and Security: Before and Since the COVID-19 Outbreak John Coggon
Extended essay J Med Ethics: first published as 10.1136/medethics-2021-107332 on 12 July 2021. Downloaded from Lord Sumption and the values of life, liberty and security: before and since the COVID-19 outbreak John Coggon Correspondence to ABSTRACT In public spheres beyond government, values Professor John Coggon, Centre Lord Sumption, a former Justice of the Supreme Court, have been raised and debated. Perhaps inevitably, for Health, Law, and Society, University of Bristol Law School, has been a prominent critic of coronavirus restrictions given the nature and prominence of different plat- Bristol, BS8 1HH, UK; regulations in the UK. Since the start of the pandemic, he forms for public discourse, particular voices and john. coggon@ bristol. ac. uk has consistently questioned both the policy aims and the views have found particularly privileged place in regulatory methods of the Westminster government. He critical discussions of pandemic responses in the Received 15 February 2021 UK. Among these are the arguments of Lord Sump- Accepted 19 May 2021 has also challenged rationales that hold that all lives are of equal value. In this paper, I explore and question Lord tion, a former Justice of the Supreme Court. Lord Sumption’s views on morality, politics and law, querying Sumption is an eloquent and vocal critic of the the coherence of his broad philosophy and his arguments restrictions regulations (and related points of offi- regarding coronavirus regulations with his judicial cial guidance) that have been implemented since decision in the assisted- dying case of R (Nicklinson) v March 2020. These regulations have significantly Ministry of Justice. -
Master Bibliography
SELECTED ITEMS OF MEDIA COVERAGE Selected Broadcast Comment Witness on BBC Radio 4 the Moral Maze, broadcast live at 2000 Wednesday 16th June 2010 Debate chaired by Quentin Cooper with Sir David King, Chris Whitty and Richard Davis, Material World, Radio 4 1630 Thursday 3rd January 2008 [on directions for science and innovation] Debate chaired by Sarah Montague with Tom Shakespeare, Today Programme, Radio 4 0850-0900, Friday Tuesday 4th September 2007 [on role of public in consultation on new technologies] D. Coyle, et al, Risky Business, Radio 4 ‘Analysis’ documentary, broadcast 11 December 2030, 14 December 2130, 2003 [interview on the precautionary principle] Tom Feilden, Political Interests in Biotechnology Science, Today Programme, Radio 4 0834-0843, Friday 19th September 2003 [on exercise of pressure in relation to GM Science Review Panel]. Roger Harrabin, Science Scares, Interview on the Today Programme, BBC Radio 4 0832, 10th January 2002 [on EEA report on risk and precaution]. ‘Sci-Files’, Australian National Radio, October 2000 [interview on risk, uncertainty and GM]. ‘Risk and Society’, The Commission, BBC Radio 4, 2000, 11 October 2000 [commission witness on on theme of risk and society] Selected Press Coverage of Work Andrew Jack, Battle Lines, Financial Times Magazine, 24th June 2011 [on need for tolerance of scepticism about science] Paul Dorfman, Who to Trust on Nuclear, Guardian, 14th April 2011 Charles Clover, Britain’s nuclear confidence goes into meltdown, Sunday Times, 20th March 2011 [on potential for a global sustainable -
B.RG.S. Young Engineers the 'Engineering in Education' Scheme
B.RG.S. Young Engineers The 'Engineering in Education' scheme is a nation-wide organisation, founded 0 to enable LVI students in Great Britain the opportunity to gain engineering experience in typical industrial situations. Due to the popularity and the demands of such a scheme, both the schools and students who wished to take part were selected to fonn a team rich in motivation, practicality and initiative. For the first time in the school's history, B.R.G.S. was fortunate enough to be one of the nine establishments in Lancashire to be( selected to fonn a young engineers team, sponsored by Lucas Automotive, BumIey. The team was comprised of four individuals who, in order to be selected, underwent rigorous selection processes and eventually comprised Helen 'the vice' Ashton, Philip 'hacksaw' Ham, Chris 'electronics' Lord and Richard 'the tool' Seedhouse. The team was asked to solve a problem which was occuning at the Lucas Plant in Burnley. During the assembly of relays, one of the components - the resistors - which are mounted on feed paper, occasionallyjams the 'Dixon 6' assembly machines. This is caused by folds created in the feed paper due to their packaging. Machine stoppages are costly, time wasting and a nuisan~e, and it was therefore desirable to prevent this from happening. In light of this brief: the team, with the aid of professional advice from on-site engineers at Lacas set out to tackle the problem. After many hours of research, planning, development and gruelling labour, the result was a sophisticated. prototype reeling mechanism, which removed the kinks created in the resistor feed paper by tension createrl through rollers. -
Radio 4 Extra Listings for 15 – 21 May 2021 Page 1 of 10 SATURDAY 15 MAY 2021 Producer: Jill Waters Comedy Chat Show About Shame and Guilt
Radio 4 Extra Listings for 15 – 21 May 2021 Page 1 of 10 SATURDAY 15 MAY 2021 Producer: Jill Waters comedy chat show about shame and guilt. First broadcast on BBC Radio 4 in June 1998. Each week Stephen invites a different eminent guest into his SAT 00:00 Planet B (b00j0hqr) SAT 03:00 Mrs Henry Wood - East Lynne (m0006ljw) virtual confessional box to make three 'confessions' are made to Series 1 5. The Yearning of a Broken Heart him. This is a cue for some remarkable storytelling, and 5. The Smart Money No sooner has Lady Isabel been betrayed by the wicked Francis surprising insights. John and Medley are transported to a world of orgies and Levison than she is left unrecognisably disfigured by a terrible We’re used to hearing celebrity interviews where stars are circuses, where the slaves seek a new leader. train crash. persuaded to show off about their achievements and talk about Ten-part series about a mystery virtual world. What is to become of her? their proudest moments. Stephen isn't interested in that. He Written by Paul May. Mrs Henry Wood's novel dramatised by Michael Bakewell. doesn’t want to know what his guests are proud of, he wants to John ...... Gunnar Cauthery Mrs Henry Wood ... Rosemary Leach know what makes them ashamed. That’s surely the way to find Lioba ...... Donnla Hughes Lady Isabel ... Moir Leslie out what really makes a person tick. Stephen and his guest Medley ...... Lizzy Watts Mr Carlyle ... David Collings reflect with empathy and humour on things like why we get Cerberus ..... -
The Production of Religious Broadcasting: the Case of The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository The Production of Religious Broadcasting: The Case of the BBC Caitriona Noonan A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy. Centre for Cultural Policy Research Department of Theatre, Film and Television University of Glasgow Glasgow G12 8QQ December 2008 © Caitriona Noonan, 2008 Abstract This thesis examines the way in which media professionals negotiate the occupational challenges related to television and radio production. It has used the subject of religion and its treatment within the BBC as a microcosm to unpack some of the dilemmas of contemporary broadcasting. In recent years religious programmes have evolved in both form and content leading to what some observers claim is a “renaissance” in religious broadcasting. However, any claims of a renaissance have to be balanced against the complex institutional and commercial constraints that challenge its long-term viability. This research finds that despite the BBC’s public commitment to covering a religious brief, producers in this style of programming are subject to many of the same competitive forces as those in other areas of production. Furthermore those producers who work in-house within the BBC’s Department of Religion and Ethics believe that in practice they are being increasingly undermined through the internal culture of the Corporation and the strategic decisions it has adopted. This is not an intentional snub by the BBC but a product of the pressure the Corporation finds itself under in an increasingly competitive broadcasting ecology, hence the removal of the protection once afforded to both the department and the output.