B.RG.S. Young Engineers the 'Engineering in Education' Scheme
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The Journal of Dress History
The Journal of Dress History Volume 3, Issue 2, Summer 2019 Editor–in–Chief Jennifer Daley Proofreader Georgina Chappell Editorial Assistant Irene Calvi Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 3, Issue 2, Summer 2019 [email protected] www.dresshistorians.org Copyright © 2019 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians (ADH) through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The ADH supports and promotes the study and professional practice of the history of dress, textiles, and accessories of all cultures and regions of the world, from before classical antiquity to the present day. The ADH is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is circulated solely for educational purposes and is non– commercial: journal issues are not for sale or profit. The Journal of Dress History is run by a team of unpaid volunteers and is published on an Open Access platform distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is cited properly. Complete issues of The Journal of Dress History are freely available on the ADH website: www.dresshistorians.org/journal. The Editorial Board of The Journal of Dress History encourages the unsolicited submission for publication consideration of academic articles on any topic of the history of dress, textiles, and accessories of all cultures and regions of the world, from before classical antiquity to the present day. -
Extended Interview with Vanessa Denza
Industry Insight: extended Vanessa Denza, buyer for the 21 Shop at Woollands, founder of Denza International consultancy and founder of Graduate Fashion Week, complete interview. Vanessa’s interview appears in abridged form in Chapter 1, page 29. How did you get into Fashion? I took my ‘A’ levels early and there was nothing in those days at all for somebody like me to study unless I was going to do an academic subject and I knew that I wanted to go into something much more creative, although I am not a designer. And it so happened that my Godfather was the head of Condé Nast, Reggie Williams, so he said why don’t you go and do six months in Paris with Vogue, we will set it up. So I arrived and one of those wonderful French women met me and she said “your typing is disgraceful, we cannot have you,” so that was it, I was out. She said “I think you sell very well,” so she arranged for me to go unpaid as an intern to Jacques Fath, after Jacques Fath had died. The designer there was Phillipe Giborgé who became very well known, and I was put into the new boutique with the ready-to-wear collection and that was being run by the woman who had been head of fashion at Galleries Lafayette, the Princesse de Polignac. Because I had been to a French school in England, my French was pretty fluent, so that was fine, and I was selling to all and sundry including ballerinas who would say things like “don’t put me in front of that mirror I look so fat.” So at the age of 18 I had to learn all about that kind of thing. -
SHOPPING MAP SHOPPING Inn T S Restaurants and Arcades
Retail destinations, Streets Major stores Independents Banks Hotels stores & restaurants & arcades Bullring H5 Grand Central G5 Mailbox D6 Corporation Street G3 High Street H4 New Street G4 Apple F4 Bennetts Hill E3 B Bank G4 AC Hotel B7 COS I5 Cath Kidston F5 Côte Brasserie D6 Easy Gym G4 Burger King H3 Adidas G4 Boots H3 Burlington Arcade F4 Barclays H4 Brittania Hotel G4 Debenhams H6 Fat Face F5 Everyman Cinema D6 Mothercare G4 Currys / PC World H4 Boots E4 Debenhams H6 Cannon Street F3 Halifax G2, H5 Easyhotel E6 Jamie's Italian H6 Hobbs F5 Harvey Nichols C6 New Era Caps G4 Footasylum H4 Jack Wills F4 Harvey Nichols C6 Church Street E1 HSBC G4 Hotel Indigo B7 Karen Millen I5 Jo Malone F5 Hugo Boss D6 New Look G4 Levi H4 Hotel Chocolat F4 House of Fraser G2 City Arcade G3 Lloyds F4, G3 Macdonald Burlington F4 River Island H6 John Lewis F5 Jaeger D6 Poundland H3 Pandora H4 Moss Bros F4 John Lewis F5 Great Western Arcade G2 Natwest F5, G2, G4 Malmaison D6 Selfridges I5 L'Occitane F5 Miller & Carter D6 Superdrug G3 The Fragrance Shop H4 Odeon Cinema G4 Marks & Spencer H4 North Western Arcade G2 RBS G4 Premier Inn F3, G4 Superdry H6 Monsoon F5 Paul Smith C6 Rex Johnson G4 The Gym H4 Piccadilly Jewellers F4 Primark G4 Piccadilly Arcade E4 Santander E4, G3, H5 Staybridge Suites G3 Ted Baker I5 TM Lewin F5 Tommy Hilfiger D6 Roberts Jewellers G2, G4 Thorntons H4 Wagamama E4 Selfridges I5 Temple Row West F3 TSB G4 Staying Cool H4 Topshop H6 White Company F5 Tom's Kitchen C6 Urban Outfitters G4 Waterstones H4 Watches of Switzerland F4 The Minories -
The National Life Story Collection
IN PARTNERSHIP WITH AN ORAL HISTORY OF BRITISH FASHION Tommy Roberts Interviewed by Anna Dyke C1046/12 IMPORTANT Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road London NW1 2DB United Kingdom +44 [0]20 7412 7404 [email protected] Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators. NATIONAL LIFE STORY COLLECTION INTERVIEW SUMMARY SHEET Title Page Ref. No.: C1046/12/01-39 Wav file Refs.: Collection title: Oral History of British Fashion Interviewee’s surname: Roberts Title: Mr Interviewee’s forenames: Thomas Stephen Sex: Male Occupation: Boutique Owner Date of birth: 1942 Mother’s occupation: Housewife Father’s occupation: Businessman Date(s) of recording and tracks (from-to): 01.08.2005 (track 1-8), 19.08.2005 (track 9-13), 30.08.2005 (14-21), 12.09.05 (track 22-32), 21.09.05 (track 32-39) Location of interview: Interviewee’s home, Dover; except 19.08.05 at Interviewee’s shop, Hackney Name of interviewer: Anna Dyke Type of recorder: Marantz PMD660 Total no. of tracks: 39 Recording Format: Wav 16bit 48khz Mono or stereo: Stereo Burned to DVD(s) Duration: 16 hours 25 minutes Additional material: Copyright/Clearance: Interview finished, full clearance given. Interviewer’s comments: Background noise from interviewee’s shop/customers 19.08.05 Tommy Roberts Page 1 C1046/12/01 [Track 1] Okay, are you ready? Okay. -
Caryn Franklin Is the Former I-D Fashion Editor Who Helped Bridge
i-d live.qxd:Layout 2 29/01/2009 15:26 Page 232 i-D LIVE Caryn Franklin is the former i-D Fashion Editor who helped bridge the avant garde with the mainstream, when she took the role as presenter of The Clothes Show in 1986, a role she continues to this day with The Clothes Show Live. Interview Tricia Jones Introduction Ben Reardon WITH HER HEAD WRAPS and crazy clothes, Caryn Franklin blended cultures in one fashion look and represented London street fashion, the catwalk and the experimental, always in a cerebral and conscious way. Like a fashion superhero, Caryn used her powers for the greater good of mankind using her lofty fashion kudos and second to none knowledge to help raise awareness for worthwhile causes including Breast Cancer, eating disorders and size issues. Turning 50 this year, Caryn is looking better than ever, with her streak of grey hair and strong sense of style empowering women up and down the land. To prove the point, we asked some of Britain’s most important designers and editors what Caryn means to them and why she is important for British Fashion and caught up with the fantastic lady herself to speak about Jeff Banks, shaved heads and plastic surgery. When did you first become aware of fashion? I was aware of the power of clothes quite early on, because my mum was a great dressmaker and she occasionally dressed us all in identical clothes. I am the oldest of four sisters, and at nine, I would wear the same as my little sister who was still in nappies! In my passive aggressive way I would sabotage the look by wearing black plimsoles while all the others wore neat white sandals with their dresses. -
Debenhams User Guide
Debenhams User Guide Welcome to the Debenhams annual Report 09.This interactive pdf allows you to easily access the information that you want, whether printing, searching for a specific item or going directly to another page, section or website.The different features are detailed below. Document controls Use the document controls located in the top margin to navigate through this report. Section navigation search Use the links on the Contents page to navigate to the start of a section. Print Contents Previous page next page Links Throughout this report there are links to pages, other sections and web addresses for additional information. examples: This is an example of how the links appear within this document.They are recognisable by the blue underline, simply click to go to the relevant page or web URL (www.debenhams.com) ANNUAL REPORT PG2/3 AND ACCOUNTS Debenhams at a Glance 2009 Our strategy, vision and values, key events, international presence PG6/18 ANNUAL REPORT AND ACCOUNTS Chief Executive’s Review Rob Templeman explains how our strategy is moving forward PG11/14 Design, Quality,Value See how our principles run through our organisation THE IMPORTANCE OF DETAIL IN RETAIL –– Attention to detail in all aspects of our business is critical for us to succeed: from the design, quality and value of our products to our focus on customer experience in our stores to our responsibilities to our stakeholders. 2009 conTenTs —What’s Inside? secTion 1 —Overview 1 Debenhams 2 Debenhams at a glance 4 chairman’s statement secTion 2 —The Business -
Union Leaders Warn Compulsory Identity Card Scheme Threatens Civil
Union leaders warn compulsory identity card scheme threatens civil liberties I BIG BROTHER' WATCHING YOU A NEW identity card scheme seriously threatens students’ individual rights in a university move that smacks of ‘Big Brother’, students union leaders have warned. RAIN DAMPENS DEMO SPIRITS The measure is said to represent a dangerous attack on civil liberties, and has sparked PROTESTORS against the comparisons between Leeds University and the police state of Orwell's 1984. ■ M M m Criminal Justice Bill gathered in All students will this year be forced to carry the , CRIMINAL JUSTICE Leeds last Saturday, but hopes of a cards, and may have to wear them in certain DAVID SMITH large attendance were dashed by the university departments. There are also fears that in pouring rain so that only 150 people the future ID cards may be used to store personal not say they were against the idea.” turned up, writes Paul Greenough. information - including an individual's political But Clement responded: “That is completely The march was the latest in a line beliefs and sexual preference. untrue. Some former Exec members may have given of protests both in Leeds and across “These caids are the beginning of a very serious their tacit support but most spoke out strongly the country aimed at drawing public movement to tie you down,” said Elliot Reuben, against it. The university completely ignored attention to the Bill. It attracted former Financial Affairs Secretary at Leeds anything we said. It was a stitch-up.” demonstrators from all sections of University Union. “The next step from here is credit Elliot Reuben, who resigned in protest from his the community to the front of the cards which cany every bit of information about you role as student representative on the university’s ID City Art Gallery. -
2006 UTEP Football Media Guide
2006 UTEP FOO T B A L L M E D I A G U ID E 1 2006 Miner Football UTEP Football A Message From Coach Price _______________ 1 Table of Contents _________________________ 2 Quick Facts ______________________________ 3 Conference USA __________________________ 4 El Paso, Texas __________________________ 6-9 UTEP ________________________________ 10-13 UTEP Academic Excellence _____________ 14-17 Miner Village _________________________ 18-19 Larry K. Durham Sports Center _________ 20-21 The Sun Bowl _________________________ 22-25 State of the Art Facilities _______________ 26-27 UTEP in the Community ________________ 28-29 UTEP in the National Spotlight __________ 30-31 Miner Athletic Excellence _______________ 32-33 Miners in the NFL _____________________ 34-36 Strength & Conditioning ___________________ 37 UTEP Compliance ________________________ 38 2006 Preview 2006 Outlook ________________________ 40-42 Preseason Honors _______________________ 42 Preseason Depth Chart ___________________ 43 Alphabetical Roster ____________________ 44-45 Numerical Roster _____________________ 46-47 Where They Are From _____________________ 48 Coaching Staff Quarterback Jordan Palmer Mike Price (Head Coach) _______________ 50-57 Q&A With Mike Price ______________________ 55 2005 Review Tim Hundley (Def. Coordinator) _____________ 58 2005 Statistics _____________________116-117 Credits Managing Editors: Jeff Darby, Charles Staniszewski Eric Price (Off. Coordinator) ________________ 59 2005 Individual Game-By-Game _______118-119 Cover Design: Charles Staniszewski, Angela Olivas Jeff Banks (RB/P/Recruiting Coord.) ________ 60 2005 Recaps _______________________120-123 (inside front cover) Jim Clark (CB) ___________________________ 61 2005 Recap and Honors _________________124 Special Thanks: Steve Hill Kirk Davis (Strength & Conditioning) ________ 62 Photography: The PGA Tour, Rhonda Alexander, Bruce Tim Duffie (DE) __________________________ 63 Berman, Christ Chavez, El Paso Convention & Visitors Lawrence Livingston, Sr. -
Women, Uniforms and Brand Identity in Barclays Bank
Women, uniforms and brand identity in Barclays bank Article Published Version Creative Commons: Attribution-Noncommercial-No Derivative Works 4.0 Open Access Newton, L. and Barnes, V. (2020) Women, uniforms and brand identity in Barclays bank. Business History. ISSN 1743-7938 doi: https://doi.org/10.1080/00076791.2020.1791823 Available at http://centaur.reading.ac.uk/91026/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/00076791.2020.1791823 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Business History ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/fbsh20 Women, uniforms and brand identity in Barclays Bank Victoria Barnes & Lucy Newton To cite this article: Victoria Barnes & Lucy Newton (2020): Women, uniforms and brand identity in Barclays Bank, Business History, DOI: 10.1080/00076791.2020.1791823 To link to this article: https://doi.org/10.1080/00076791.2020.1791823 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. Published online: 06 Sep 2020. Submit your article to this journal Article views: 220 View -
Revolutions: Records and Rebels Exhibition 4.9
Items being borrowed by Museums Victoria from the Victoria and Albert Museum, London, United Kingdom for inclusion in the exhibition Revolutions: Records and Rebels at Melbourne Museum, 11 Nicholson Street, Carlton, AUSTRALIA, 27 April to 25 August 2019 MUSEUMSVICTOR MV ID Lender ID Object Image Provenance Information Height Length Width Depth Unit LN 66551 REV001 Mosaic - Mystic Eye mosaic - Artist after John Lennon Loaned courtesy of Bernard Cochrane and Bjorn and Birgitta Hallenius 1556 3660 32 mm design, 1967 LN 66555 REV002 Photograph - Christine Keeler Contact Sheet - Lewis Given by the American Friends of the V&A through the generosity of David 413 506 mm Morley, 1963 Knauss LN 66554 REV003 Furniture - Chair - Fritz Hansens, 1960 Owned by Lewis Morley from ca. 1963 - 2013. This object was previously on 800 455 460 mm long-term loan the V&A from 2001-2013 [2001/760]. In 2013, it was acquired as a gift from Lewis Morley and Dr and Mrs. John V. Knaus [2013/394]. Page 1 of 81 Museums Victoria MV ID Lender ID Object Image Provenance Information Height Length Width Depth Unit LN 66552 REV005 Magazine (CLOSED) - Private Eye Magazine - Harold Courtesy Philippe Garner 288 228 5 mm MacMillan - Private Eye, 1963 LN 66553 REV006 Document (OPEN) - Christine Keeler's personal copy of Courtesy Philippe Garner 250 161 15 mm Lord Denning's Report - N/A, 1963 LN 66559 REV008 3D Object - Beatles talcum powder - Margo of Mayfair, Owned since new by Geoff Marsh (exhibition co-curator) 180 115 55 mm c.1963 LN 66560 REV009A Costume - Beatles Stockings Packaging - Ballito, 1962 Given by Nan Beecher-Moore 215 180 mm Page 2 of 81 Museums Victoria MV ID Lender ID Object Image Provenance Information Height Length Width Depth Unit LN 66561 REV009B Costume - Beatles Stockings - Ballito, 1962 Given by Nan Beecher-Moore 216 200 mm LN 66562 REV010 Costume - Glasses worn by John Lennon - Maker Donated to the V&A in 1980 by Albert Fremlin-Bailey (of the British and Overseas 39 107 mm Unknown, c.1960s Optical Missions), given to him by Patti Harrison in the late 1960s. -
Style City How London Became a Fashion Capital Style City How London Became a Fashion Capital
STYLE CITY HOW LONDON BECAME A FASHION CAPITAL STYLE CITY HOW LONDON BECAME A FASHION CAPITAL Robert O’Byrne CONSULTANT Annette Worsley-Taylor FrANCES LINCOLN LIMITED PUBLISHErS The Publishers wish to thank Wendy Dagworthy and CONTENTS the Royal College of Art, and also the British Fashion Council, for their help and support in the production of this book. Introduction: THE WAY THINGS WERE 6 Frances Lincoln Limited 4 Torriano Mews PUNK EXPLOSION Torriano Avenue & NEW WAVE London NW5 2RZ www.franceslincoln.com 26 Style City: How London Became a Fashion Capital THE NEW Copyright © Frances Lincoln Limited 2009 Text copyright © Robert O’Byrne 2009 ROMANTICS For copyright in the photographs and illustrations 64 see page 247 All rights reserved. No part of this publication may be THE BUSINESS reproduced, stored in a retrieval system, or transmitted, OF FASHION in any form, or by any means, electronic, mechanical, 98 photocopying, recording or otherwise, without either prior permission in writing from the Publishers or a licence permitting restricted copying. In the United Kingdom such A TIME OF CRISIS licences are issued by the Copyright Licensing Agency, 142 Saffron House, 6–10 Kirby Street, London ECN1 8TS. British Library Cataloguing in Publication Data COOL BRitANNIA A catalogue record for this book is available from 180 the British Library ISBN 978-0-7112-2895-5 Postscript: THE NEW MILLENNIUM Picture research Sian Lloyd Fashion picture editor Kathryn Samuel 230 Designed by Maria Charalambous Printed and bound in China Bibliography 246 Picture credits 247 9 8 7 6 5 4 3 2 1 Index 248 Introduction: THE WAY THINGS WERE n the evening of 15 September 2008, 10 Downing Street, headquar- ters of the British government and home of the Prime Minister, was O the setting for a reception celebrating a national industry annually worth more than £40 billion and a twice-yearly event worth £100 million to the capital’s economy. -
Spectacular Entertainment
en wi ildr th C h an C 2017 c e e h r T AN EVENING OF SPECTACULAR ENTERTAINMENT SATURDAY 11TH NOVEMBER 2017 THE GREAT ROOM, THE GROSVENOR HOUSE HOTEL PARK LANE, LONDON W1K 7TN PRIZE BROCHURE 1 Contents Grand Auction: Lots 101 – 110 Pages 3 - 7 Silent Auction: Hotels and holidays Lots 201 – 207 Pages 8 - 11 Outings and experiences Lots 208 – 218 Pages 12 - 16 For you, your family and your home Lots 219 – 233 Pages 17 - 22 Signed memorabilia Lots 234– 240 Pages 23 - 24 Sport Lots 241 – 251 Pages 25 - 28 Hot Tickets Lots 252 – 260 Pages 29 - 32 Work Experience Lots 261 – 264 Pages 33 - 34 £20 Draw & Heads & Tails Page 35 - 36 Acknowledgements Page 38 2 Contents LOT 101 Grand Auction: A private booking with Jean-Christophe Novelli for up to Lots 101 – 110 eight people, at the Novelli Cookery School in Tea Green, Pages 3 - 7 Hertfordshire Kindly donated by Michelle and Jean-Christophe Novelli This prize offers up to eight people a private and exclusive Silent Auction: day with 5 out of 5 AA Rosette and multi-Michelin Star chef, Jean-Christophe Novelli, who will welcome you to his award- Hotels and holidays winning cookery school, voted amongst the top 25 cookery Lots 201 – 207 schools in the world and voted one of the top 10 in Britain, set Pages 8 - 11 in the beautiful Hertfordshire countryside. During the morning, Jean-Christophe will showcase his Outings and experiences exciting dishes in a fun, hugely interactive and informative Lots 208 – 218 way, creating wonderful, healthy food, cutting out salts, Pages 12 - 16 sugar and saturated fat without compromising on flavour.