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Cig Post Office London 1534 Cigarette Manufacturers
CIG POST OFFICE LONDON 1534 CIGARETTE MANUFACTURERS. Roar Robt. Hy. & Oo. 6 Princes st. Caven Shipman Jacob, 15 Warren st. Fitzroy sq W Wills W. D. & H. 0. Branch of the Imperial ABDULLA& eo. LTD; 168 New Bond st W; dish sq W; sole makers of the "Parascho Simmons Henry, 8 Great Pultenev street W Tobacco Company (of Great Britain & factory & offices, 48 & 49 Wells street, Club" cigarette, registered-T A '"Para SMITH FORBES t.UGARD, 10 Burlington Ireland) Ltd. 53, 54 & 65HolbornviaductE C Oxford street W & 32, 33,34 & 35 Union scho, Wesdo"; T N 3153 Mayfair gardens W; factory, 30 & 32 Foubert's pi. (T N 2616 Holborn [2 lines]) & 31, 32 & SS street, Oxford street W Hodgson George Wm. 4 Holies st. Oxford st W Regent st W; warehouses, Xanthi, Turkey Snow hill EC Telegrams, " Abdul, Ox, London " Hopton M. & · Oo. Ltd. 29 Colvestone cres in Europe-T A " Cigarranda" ; T N's 1588 Wilson,Windham&Co.Ltd.50&51Hi.HlbnWC Tel. Nos. 1663, 1664 & 1665 Gerrard cent, Dalston NE & 5155 Mayfair Wix J. & Sons, 30A, Commercial road east E Adkin & Sons, Branch of the Imperial To. Hovenden R .. & Sons Ltd. 29, 30, 31, 32 & 33 Smith Philip & Co. 20 Piccadilly arcade SW & 175 & 176 PiccadillyW bacco Oo. (of Great Britain & Ireland)Ltd. Berners st W & 89, 91, 93 & 95 City road E C Societe Job (incorporating Bardou, Job & Wood John & Son (Cigar& Tobacco Importers) Yorkrd. factory, Dingley rd.St.Luke'sE C Ionides & Co. 2 Royal Opera arcade SW Pauilhac), 3 Denman st Ltd. 23 & 25 Queen Victoria street E C ; TA' 'Nutbrown,Isling";TN1502London Wall Janizaries & Cie. -
C H R I S T Y &
C h r i s t y & C ooC Since 1773 History and Legacy by Irra K With special thanks to The Stockport library and hat museum FamilyFamily Six reigns of Royals, and Eight generations of the Christy family have forged the brand of Christys London since it’s foundation by Miller Christy in 1773, 237 years ago Following his apprenticeship to a Hatter in Edinburgh, Miller Christy created a company that would survive for generations, outliving thousands of hat makers across the former British Empire: by 1864 for example there were 53 hatting firms in Stockport alone. Throughout hundreds of years, the factory was still managed by direct descendants of the founder of the Firm ValuesValues 1919 Christys readily registered their own The Christy Collection in Stockport is appreciation testament to the influence the company of workers’ had. At its height, it employed 3000 excellent local people leaving a valuable legacy service < - During World War II, hats were not rationed in order to boost morale, and Christys supported the effort within their family-run company, effectively running it like an extended family Celebrating Victory as well as mourning the fallen at the -> end of World War I Trade MarksTrade Marks The Stockport Collection With business of Christy Papers includes a expanding to 500 page booklet detailing foreign lands, trade marks registered safeguarding around the world at the the insignia in height of the British Empire. all it’s forms These involve registering the full name, letters 'C', it’s became vital – insignia, shape, and colours as we shall see In the early days, < - several variations - > of company marks and insignia were circulated, later consolidating into the Christy crown and heraldry which is now recognised the world over Trade Marks iiiiTrade In many territories, Trade Marks were either disputed or had to be re-registered. -
Supernova Rates from the SUDARE VST-Omegacam Search I
A&A 584, A62 (2015) Astronomy DOI: 10.1051/0004-6361/201526712 & c ESO 2015 Astrophysics Supernova rates from the SUDARE VST-OmegaCAM search I. Rates per unit volume?;?? E. Cappellaro1, M. T. Botticella2, G. Pignata3;4, A. Grado2, L. Greggio1, L. Limatola2, M. Vaccari5;6, A. Baruffolo1, S. Benetti1, F. Bufano7, M. Capaccioli8, E. Cascone2, G. Covone8, D. De Cicco8, S. Falocco8, M. Della Valle2, M. Jarvis9;5, L. Marchetti10, N. R. Napolitano2, M., Paolillo8;11, A. Pastorello1, M. Radovich1, P. Schipani2, S. Spiro1, L. Tomasella1, and M. Turatto1 1 INAF, Osservatorio Astronomico di Padova, vicolo dell’Osservatorio 5, 35122 Padova, Italy e-mail: [email protected] 2 INAF, Osservatorio Astronomico di Capodimonte, Salita Moiariello 16, 80131 Napoli, Italy 3 Departemento de Ciencias Fisicas, Universidad Andres Bello, 037-0134 Santiago, Chile 4 Millennium Institute of Astrophysics, Santiago, Chile 5 Astrophysics Group, Physics Department, University of the Western Cape, Private Bag X17, 7535 Bellville, Cape Town, South Africa 6 INAF–Istituto di Radioastronomia, via Gobetti 101, 40129 Bologna, Italy 7 INAF, Osservatorio Astronomico di Catania, via S. Sofia 78, 95123 Catania, Italy 8 Dipartimento di Fisica, Universitá Federico II, 80126 Napoli, Italy 9 Astrophysics, University of Oxford, Denys Wilkinson Building, Keble Road, Oxford OX1 3RH, UK 10 Department of Physical Sciences, The Open University, Milton Keynes, MK7 6AA, UK 11 ASI Science Data Center, via del Politecnico snc, 00133 Roma, Italy Received 9 June 2015 / Accepted 14 September 2015 ABSTRACT Aims. We describe the observing strategy, data reduction tools, and early results of a supernova (SN) search project, named SUDARE, conducted with the ESO VST telescope, which is aimed at measuring the rate of the different types of SNe in the redshift range 0:2 < z < 0:8. -
The Blue Review Literature Drama Art Music
Volume I Number III JULY 1913 One Shilling Net THE BLUE REVIEW LITERATURE DRAMA ART MUSIC CONTENTS Poetry Rupert Brooke, W.H.Davies, Iolo Aneurin Williams Sister Barbara Gilbert Cannan Daibutsu Yone Noguchi Mr. Bennett, Stendhal and the ModeRN Novel John Middleton Murry Ariadne in Naxos Edward J. Dent Epilogue III : Bains Turcs Katherine Mansfield CHRONICLES OF THE MONTH The Theatre (Masefield and Marie Lloyd), Gilbert Cannan ; The Novels (Security and Adventure), Hugh Walpole : General Literature (Irish Plays and Playwrights), Frank Swinnerton; German Books (Thomas Mann), D. H. Lawrence; Italian Books, Sydney Waterlow; Music (Elgar, Beethoven, Debussy), W, Denis Browne; The Galleries (Gino Severini), O. Raymond Drey. MARTIN SECKER PUBLISHER NUMBER FIVE JOHN STREET ADELPHI The Imprint June 17th, 1913 REPRODUCTIONS IN PHOTOGRAVURE PIONEERS OF PHOTOGRAVURE : By DONALD CAMERON-SWAN, F.R.P.S. PLEA FOR REFORM OF PRINTING: By TYPOCLASTES OLD BOOKS & THEIR PRINTERS: By I. ARTHUR HILL EDWARD ARBER, F.S.A. : By T. EDWARDS JONES THE PLAIN DEALER: VI. By EVERARD MEYNELL DECORATION & ITS USES: VI. By EDWARD JOHNSTON THE BOOK PRETENTIOUS AND OTHER REVIEWS: By J. H. MASON THE HODGMAN PRESS: By DANIEL T. POWELL PRINTING & PATENTS : By GEO. H. RAYNER, R.P.A. PRINTERS' DEVICES: By the Rev.T. F. DIBDIN. PART VI. REVIEWS, NOTES AND CORRESPONDENCE. Price One Shilling net Offices: 11 Henrietta Street, Covent Garden, W.G. JULY CONTENTS Page Post Georgian By X. Marcel Boulestin Frontispiece Love By Rupert Brooke 149 The Busy Heart By Rupert Brooke 150 Love's Youth By W. H. Davies 151 When We are Old, are Old By Iolo Aneurin Williams 152 Sister Barbara By Gilbert Cannan 153 Daibutsu By Yone Noguchi 160 Mr. -
Prue Acton Youth Fashion and the Emergence of the Celebrity Designer Brand
ã 2017 dharn.org.au, All Rights Reserved http://dharn.org.au/prue-acton-youth-fashion-and-the-emergence-of-the-celebrity-designer-brand-1964-1972/ Prue Acton: Youth fashion and the Emergence of the Celebrity Designer Brand, 1964-1972 By Denise Whitehouse Prue Acton on route for discussions with Hoechst Germany. c.1970. Press Photograph. Prue Acton Archives, FBTRC. Fashion and business entrepreneur Prue Acton established her signature label in the 1960s. She was one of the new wave of designers who, in shaping the new youth fashion market, led the democratisation of fashion and laid the foundations for today’s fashion industry. This case study focuses on the early years of Prue Acton’s career from 1964-1972 when she established herself as Australia’s leading celebrity designer, in the process converting her young girl’s fashion label into a national and international brand enterprise with an annual turnover of around $6 million. (1) RemarKably Acton and her family built this pioneer fashion brand in the short span of eight years by promoting the idea of the Total Look as the key to the fashion game, designing and producing not only a constantly changing range of clothes but also a wide range of brand extension products including hosiery, underwear and cosmetics. By 1972 Acton was recognised not only as a fashion leader but also an astute businesswoman as evident in the following headline in Melbourne’s Sun newspaper: “The Australian Woman as Business Tycoon: Pert and Petty, Prue Acton, fashion and cosmetic leader stands alone as one of the few women who made it to the top of the business ladder in Australia”. -
The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves. -
Hackney Archives - History Articles in Hackney Today by Subject
Hackney Archives - History Articles in Hackney Today by Subject These articles are published every fortnight in Hackney Today newspaper. They are usually on p.25. They can be downloaded from the Hackney Council website at http://www.hackney.gov.uk/w-hackneytoday.htm. Articles prior to no.158 are not available online. Issue Publication Subject Topic no. date 207 11.05.09 125-130 Shoreditch High Street Architecture: Business 303 25.03.13 4% Industrial Dwellings Company Social Care: Jewish Housing 357 22.06.15 50 years of Hackney Archives Research 183 12.05.08 85 Broadway in Postcards Research Methods 146 06.11.06 Abney Park Cemetery Open Spaces 312 12.08.13 Abney Park Cemetery Registers Local History: Records 236 19.07.10 Abney Park chapel Architecture: Ecclesiastical 349 23.02.15 Activating the Archive Local Activism: Publications 212 20.07.09 Air Flight in Hackney Leisure: Air 158 07.05.07 Alfred Braddock, Photographer Business: Photography 347 26.01.15 Allen's Estate, Bethune Road Architecture: Domestic 288 13.08.12 Amateur sport in Hackney Leisure: Sport 227 08.03.10 Anna Letitia Barbauld, 1743-1825 Literature: Poet 216 21.09.09 Anna Sewell, 1820-1878 Literature: Novelist 294 05.11.12 Anti-Racism March Anti-Racism 366 02.11.15 Anti-University of East London Radicalism: 1960s 265 03.10.11 Asylum for Deaf and Dumb Females, 1851 Social Care 252 21.03.11 Ayah's Home: 1857-1940s Social Care: Immigrants 208 25.05.09 Barber's Barn 1: John Okey, 1650s Commonwealth and Restoration 209 08.06.09 Barber's Barn 2: 16th to early 19th Century Architecture: -
Carnaby History
A / W 1 1 Contents Introduction C S W T S C A RN A BY IS KNO W N FOR UNIQUE INDEPENDENT BOUTIQUES , C ON C EPT STORES , GLOBA L FA SHION C F & D N Q BR A NDS , awa RD W INNING RESTAUR A NTS , ca FÉS A ND BA RS ; M A KING IT ONE OF L ONDON ' S MOST H POPUL A R A ND DISTIN C TIVE SHOPPING A ND LIFESTYLE DESTIN ATIONS . T K C S TEP UNDER THE IC ONIC C A RN A BY A R C H A ND F IND OUT MORE A BOUT THE L ATEST EXPERIEN C E THE C RE ATIVE A ND UNIQUE VIBE . C OLLE C TIONS , EVENTS , NE W STORES , T HE STREETS TH AT M A KE UP THIS STYLE VILL AGE RESTAUR A NTS A ND POP - UP SHOPS AT I F’ P IN C LUDE C A RN A BY S TREET , N E W BURGH S TREET , ca RN A BY . C O . UK . M A RSH A LL S TREET , G A NTON S TREET , K INGLY S TREET , M F OUBERT ’ S P L ac E , B E A K S TREET , B ROA D W IC K S TREET , M A RLBOROUGH C OURT , L O W NDES C OURT , G RE AT M A RLBOROUGH S TREET , L EXINGTON S TREET A ND THE VIBR A NT OPEN A IR C OURTYA RD , K INGLY C OURT . C A RN A BY IS LO caTED JUST MINUTES awaY FROM O XFORD C IR C US A ND P Icca DILLY C IR C US IN THE C ENTRE OF L ONDON ’ S W EST E ND . -
B.RG.S. Young Engineers the 'Engineering in Education' Scheme
B.RG.S. Young Engineers The 'Engineering in Education' scheme is a nation-wide organisation, founded 0 to enable LVI students in Great Britain the opportunity to gain engineering experience in typical industrial situations. Due to the popularity and the demands of such a scheme, both the schools and students who wished to take part were selected to fonn a team rich in motivation, practicality and initiative. For the first time in the school's history, B.R.G.S. was fortunate enough to be one of the nine establishments in Lancashire to be( selected to fonn a young engineers team, sponsored by Lucas Automotive, BumIey. The team was comprised of four individuals who, in order to be selected, underwent rigorous selection processes and eventually comprised Helen 'the vice' Ashton, Philip 'hacksaw' Ham, Chris 'electronics' Lord and Richard 'the tool' Seedhouse. The team was asked to solve a problem which was occuning at the Lucas Plant in Burnley. During the assembly of relays, one of the components - the resistors - which are mounted on feed paper, occasionallyjams the 'Dixon 6' assembly machines. This is caused by folds created in the feed paper due to their packaging. Machine stoppages are costly, time wasting and a nuisan~e, and it was therefore desirable to prevent this from happening. In light of this brief: the team, with the aid of professional advice from on-site engineers at Lacas set out to tackle the problem. After many hours of research, planning, development and gruelling labour, the result was a sophisticated. prototype reeling mechanism, which removed the kinks created in the resistor feed paper by tension createrl through rollers. -
1 Before London Started Swinging: Representing the British Beatniks David Buckingham This Essay Is Part of a Larger Project
Before London started swinging: representing the British beatniks David Buckingham This essay is part of a larger project, Growing Up Modern: Childhood, Youth and Popular Culture Since 1945. More information about the project, and illustrated versions of all the essays can be found at: https://davidbuckingham.net/growing-up-modern/. In his autobiography, Personal Copy, the journalist and broadcaster Ray Gosling describes a feeling of imminent change that was shared by many young people at the very end of the 1950s: There was just this feeling… that we were important, that something was going to happen. How, and in what direction, we didn’t know. And we didn’t much care. It was a very, very, very odd feeling, but we felt it. Gosling himself came from a frugal working-class background in the provincial English city of Northampton. In 1959, he dropped out of university and set up a youth centre in Leicester that was run autonomously by a committee of young people. The academic Richard Hoggart – the author of The Uses of Literacy, who was soon to become the founding director of the Centre for Contemporary Cultural Studies (CCCS) at Birmingham University – was on his management committee. Although Gosling’s youth centre collapsed, he developed the argument for youth-led welfare provision in a pamphlet for the Fabian Society; and he went on to build a career as a writer and public speaker, offering an insider’s perspective on the emerging youth culture of the time. He became associated with the New Left, and began to mix in the more cosmopolitan culture of London’s coffee bars, making friends with Stuart Hall (then the editor of the New Left Review) and the novelist Colin MacInnes, whom he described as his ‘mentor’. -
The Look Presents at Topman Submitted By: Pr-Sending-Enterprises Friday, 4 July 2008
The Look Presents at Topman Submitted by: pr-sending-enterprises Friday, 4 July 2008 Spring 08 sees Topman introduce an exciting new label with rock & roll fashion in its DNA: The Look Presents. Drawing on acclaimed style bible The Look: Adventures in Rock & Pop Fashion, The Look Presents is a creative hub for the legendary designers inspired by the combustion that occurs when great music meets fantastic style. With three separate collaborative collections produced exclusively for Topman in 08, The Look Presents premieres in stores in May with the animalistic designs of classic 70s label Wonder Workshop, originally worn by such rock icons as Iggy Pop, Sid Vicious, Mick Jagger, Marc Bolan and Led Zeppelin. Wonder Workshop designers John Dove and Molly White have reinvented the range for the 21st century, all the while maintaining their original aesthetic. Available in full colour and monotone, the Wonder Workshop mens tees (http://www.topman.com/webapp/wcs/stores/servlet/StaticPageDisplay?storeId=12555&catalogId=17551&identifier=tm1%20the%20look%20landing%20page) designs feature tattoo-inspired prints as well as the incredible Wild Thing graphic of a snarling leopard’s head (as worn by Iggy on the cover of the Stooges glam-punk masterpiece Raw Power), a snake which wraps around the torso of the mens tees (http://www.topman.com/webapp/wcs/stores/servlet/CategoryDisplay?catalogId=17551&storeId=12555&categoryId=38973&langId=-1&top=Y) and prints featuring two hawks and a dove. The Look Presents is the brainchild of The Look author/music fashion historian Paul Gorman and Soho boutique owner Max Karie. -
The Unreal Estate Guide to Detroit
The Unreal Estate Guide to Detroit Digitalculturebooks, an imprint of the University of Michigan Press, is dedicated to publishing work in new media studies and the emerging field of digital humanities. The Unreal Estate Guide to Detroit Andrew Herscher The University of Michigan Press Ann Arbor Copyright © by Andrew Herscher 2012 Some rights reserved This work is licensed under the Creative Commons Attribution-Noncommercial- No Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2015 2014 2013 2012 4 3 2 1 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-03521-2 (pbk. : alk. paper) ISBN 978-0-472-02917-4 (e-book) “Precisely because physical devastation on such a huge scale boggles the mind, it also frees the imagination … to perceive reality anew; to see vacant lots not as eyesores but as empty spaces inviting the viewer to fill them in with other forms, other structures that presage a new kind of city which will embody and nurture new life-affirming values in sharp contrast to the values of materialism, individualism and competition that have brought us to this denouement.” —Grace Lee Boggs, The Next American Revolution “The world of capitalist culture, economy,