''I've Got This Feeling That He's Everywhere, Watching Me'' - a Victim Speaks After the Trial
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Thursday 15 October 11:00 an Introduction to Cinerama and Widescreen Cinema 18:00 Opening Night Delegate Reception (Kodak Gallery) 19:00 Oklahoma!
Thursday 15 October 11:00 An Introduction to Cinerama and Widescreen Cinema 18:00 Opening Night Delegate Reception (Kodak Gallery) 19:00 Oklahoma! Please allow 10 minutes for introductions Friday 16 October before all films during Widescreen Weekend. 09.45 Interstellar: Visual Effects for 70mm Filmmaking + Interstellar Intermissions are approximately 15 minutes. 14.45 BKSTS Widescreen Student Film of The Year IMAX SCREENINGS: See Picturehouse 17.00 Holiday In Spain (aka Scent of Mystery) listings for films and screening times in 19.45 Fiddler On The Roof the Museum’s newly refurbished digital IMAX cinema. Saturday 17 October 09.50 A Bridge Too Far 14:30 Screen Talk: Leslie Caron + Gigi 19:30 How The West Was Won Sunday 18 October 09.30 The Best of Cinerama 12.30 Widescreen Aesthetics And New Wave Cinema 14:50 Cineramacana and Todd-AO National Media Museum Pictureville, Bradford, West Yorkshire. BD1 1NQ 18.00 Keynote Speech: Douglas Trumbull – The State of Cinema www.nationalmediamuseum.org.uk/widescreen-weekend 20.00 2001: A Space Odyssey Picturehouse Box Office 0871 902 5756 (calls charged at 13p per minute + your provider’s access charge) 20.00 The Making of The Magnificent Seven with Brian Hannan plus book signing and The Magnificent Seven (Cubby Broccoli) Facebook: widescreenweekend Twitter: @widescreenwknd All screenings and events in Pictureville Cinema unless otherwise stated Widescreen Weekend Since its inception, cinema has been exploring, challenging and Tickets expanding technological boundaries in its continuous quest to provide Tickets for individual screenings and events the most immersive, engaging and entertaining spectacle possible. can be purchased from the Picturehouse box office at the National Media Museum or by We are privileged to have an unrivalled collection of ground-breaking phoning 0871 902 5756. -
Raja Mohan 21M.775 Prof. Defrantz from Bronx's Hip-Hop To
Raja Mohan 21M.775 Prof. DeFrantz From Bronx’s Hip-Hop to Bristol’s Trip-Hop As Tricia Rose describes, the birth of hip-hop occurred in Bronx, a marginalized city, characterized by poverty and congestion, serving as a backdrop for an art form that flourished into an international phenomenon. The city inhabited a black culture suffering from post-war economic effects and was cordoned off from other regions of New York City due to modifications in the highway system, making the people victims of “urban renewal.” (30) Given the opportunity to form new identities in the realm of hip-hop and share their personal accounts and ideologies, similar to traditions in African oral history, these people conceived a movement whose worldwide appeal impacted major events such as the Million Man March. Hip-hop’s enormous influence on the world is undeniable. In the isolated city of Bristol located in England arose a style of music dubbed trip-hop. The origins of trip-hop clearly trace to hip-hop, probably explaining why artists categorized in this genre vehemently oppose to calling their music trip-hop. They argue their music is hip-hop, or perhaps a fresh and original offshoot of hip-hop. Mushroom, a member of the trip-hop band Massive Attack, said, "We called it lover's hip hop. Forget all that trip hop bullshit. There's no difference between what Puffy or Mary J Blige or Common Sense is doing now and what we were doing…” (Bristol Underground Website) Trip-hop can abstractly be defined as music employing hip-hop, soul, dub grooves, jazz samples, and break beat rhythms. -
13Th BTM Film Festival Features World Cinema Previews, Industry
13th BTM Film Festival features World Cinema Previews, Industry Weekend, Special Guests, Slices of Mango, Focus on Partition, Documentaries www.bitethemango.org.uk CONTENT 4 Opening Night Gala: Partition 5 Closing Night: A Winter Tale This year the festival will again be bringing audiences an 6 Previews & Premieres eclectic mix of features, shorts and documentaries from 14 Kultur Cine Club Showcase: Iranian Cinema around the world and an action packed industry weekend 15 Kultur Cine Club Showcase: Latin American Cinema of seminars and masterclasses. 16 Retrospective: Jamil Dehlavi 18 TV Heaven Amongst the films from around the world, we take a 20 Events: Equity AGM. OurLives Project special look at the cinema of Iran and Latin America. With 21 Screen Yorkshire Talks a large number of submissions, Bite the Mango will be showcasing a large selection of short films in Slices of 22 Ousmane Sembene Tribute Screening Mango from countries as far flung as India, Japan and 23 Seminar on the Partition Mexico complemented by a section dedicated to the short 24 60th Anniversary of the Partition film industry of South East Asia. 26 Slices of Mango (+ South East Slices) 40 Industry Weekend Enjoy the festival! 42 Satyajit Ray Short Film Competition 2007 44 Acknowledgements/Thanks Addy Rutter, Festival Director 45 General Information 46 Diary & Index BOOKING The National Media Museum Bradford, West Yorkshire. BD1 1NQ Box Office 0870 70 10 200 10am – 8.30pm Tues–Sun (5pm – 8.30pm Monday) Calls taken 8:30am – 8:30pm daily (charged at national rate) or book online. www.bitethemango.org.uk 2 3 Friday 21 September 7.45pm Pictureville Cinema SPECIAL PRESENTATION SCREENING PARTITION OPENING Dir. -
Widescreen Weekend 2010 Brochure (PDF)
52 widescreen weekend widescreen weekend 53 2001: A SPACE ODYSSEY (70MM) REMASTERING A WIDESCREEN CLASSIC: Saturday 27 March, Pictureville Cinema WINDJAMMER GETS A MAJOR FACELIFT Dir. Stanley Kubrick GB/USA 1968 149 mins plus intermission (U) Saturday 27 March, Pictureville Cinema WIDESCREEN Keir Dullea, Gary Lockwood, William Sylvester, Leonard Rossiter, Ed Presented by David Strohmaier and Randy Gitsch Bishop and Douglas Rain as Hal The producer and director team behind Cinerama Adventure offer WEEKEND During the stone age, a mysterious black monolith of alien origination a fascinating behind-the-scenes look at how the Cinemiracle epic, influences the birth of intelligence amongst mankind. Thousands Now in its 17th year, the Widescreen Weekend Windjammer, was restored for High Definition. Several new and of years later scientists discover the monolith hidden on the moon continues to welcome all those fans of large format and innovative software restoration techniques were employed and the re- which subsequently lures them on a dangerous mission to Mars... widescreen films – CinemaScope, VistaVision, 70mm, mastering and preservation process has been documented in HD video. Regarded as one of the milestones in science-fiction filmmaking, Cinerama and IMAX – and presents an array of past A brief question and answer session will follow this event. Stanley Kubrick’s 2001: A Space Odyssey not only fascinated audiences classics from the vaults of the National Media Museum. This event is enerously sponsored by Cinerama, Inc., all around the world but also left many puzzled during its initial A weekend to wallow in the nostalgic best of cinema. release. More than four decades later it has lost none of its impact. -
Widescreen Weekend 2014 Brochure
WIDESCREEN WEEKEND 10-13 APRIL 2014 2OTH BRADFORD INTERNATIONAL FILM FESTIVAL IN PARTNERSHIP WITH NATIONAL MEDIA MUSEUM Bradford BD1 1NQ Box Office 0844 856 3797 www.nationalmediamuseum.org.uk www.bradfordfilmfestival.org.uk 20TH BRADFORD INTERNATIONAL FILM FESTIVAL 27 MARCH - 6 APRIL 2014 WIDESCREEN WEEKEND 1 ................................................................................................................. INTRODUCTION TH TICKETS 2O In 1954 the movie industry was facing fierce competition from television, and investing heavily in offering the best possible experience in the cinema. Quality counted, and that year Tickets for individual screenings and events can be a new widescreen process was launched. The words “Paramount proudly presents the first purchased from the National Media Museum Box picture in VistaVision” appeared on screen and the letter V came flying towards the audience, Office (open 10am-9pm during the festival), on the BRADFORD creating a startling 3D effect. And with this introduction yet another widescreen process was phone 0844 856 3797 (8.30am-8.30pm), or via the presented to the public, the third in as many years. Each was designed to ensure that the only website www.bradfordfilmfestival.org.uk INTERNATIONAL place you could witness vivid, exciting, detailed imagery, was in cinemas. For details of how to book a widescreen FILM FESTIVAL Hollywood had to strive continually in the 1950s to offer something which could not be weekend pass, please see the festival website 27 MARCH - 6 APRIL 2O14 rivalled in the home. Television had started gaining a foothold in American homes from 1948 www.bradfordfilmfestival.org.uk and just like today – with large screen HD TVs, home cinema and uncompressed audio – the battle between the two media was intense. -
View the Redux Book Here
1 Photo: Alex Hurst REDUX This Redux box set is on the 30 Hertz Records label, which I started in 1997. Many of the tracks on this box set originated on 30 Hertz. I did have a label in the early eighties called Lago, on which I released some of my first solo records. These were re-released on 30 Hertz Records in the early noughties. 30 Hertz Records was formed in order to give me a refuge away from the vagaries of corporate record companies. It was one of the wisest things I have ever done. It meant that, within reason, I could commission myself to make whatever sort of record took my fancy. For a prolific artist such as myself, it was a perfect situation. No major record company would have allowed me to have released as many albums as I have. At the time I formed the label, it was still a very rigid business; you released one album every few years and ‘toured it’ in the hope that it became a blockbuster. On the other hand, my attitude was more similar to most painters or other visual artists. I always have one or two records on the go in the same way they always have one or two paintings in progress. My feeling has always been to let the music come, document it by releasing it then let the world catch up in its own time. Hopefully, my new partnership with Cherry Red means that Redux signifies a new beginning as well as documenting the past. -
Mike Peden Producer/Composer/Mixer
Mike Peden Producer/Composer/Mixer British Producer and Composer Mike Peden began his career as a bass player for the Scottish dance music trio The Chimes. Since then, he has produced albums for the likes of David Bowie, The Smashing Pumpkins and Shakira. Mike has also retained a longstanding collaboration with the Lighthouse Family and has produced a number of their albums. He has currently just finished producing Jay Picton’s debut album for Decca. Jay James Picton Forthcoming Album Produce/Mix/Co-Write Emma Bunton ‘Free Me’ / Album Co-Write/Produce Lighthouse Family ‘Ocean Drive’ / Album Produce/Mix Lighthouse Family ‘Postcards From Heaven’ / Album Produce/Mix Shara Nelson ‘What Silence Knows’ / Album Produce/Mix Shara Nelson ‘Friendly Fire’ / Album Produce/Mix Will Young ‘From Now On’ / Album Co-Write/Produce/Mix Lucie Silvas ‘Breathe In’ / Album Co-Writes/Produce Daryl Hall ‘Soul Alone’ / Album Co-Writes/Produce/Mix The Chimes ‘The Chimes’ / Album Co-Writes/Produce/Mix/Remixes Estelle ‘The 18th Day’ / Album Co-Writes/Produce/Mix Smoke City ‘Underwater Love’ / Album Produce Des’ree ‘Supernatural’ / Album Produce/Mix Mica Pais ‘One’ / Album Produce David Bowie ‘Outside’ / Album Produce/Mix/Remix Shakira ‘Donde Estan Los Ladrones’ Remix Yoyo Honey Voodoo Soul’ / Album Co-Writes/Produce/Mix/Remixes Gareth Gates ‘Sunshine’ / Single Produce Liberty X ‘Jumping’ / Album Co-Write/Produce Angel Lee ‘What's Your Name’ / Album Produce For further information, please contact Sandy Dworniak or Laura Jones. Tel: +44 (0)208 2085660 (ext 2) Email: [email protected] . -
Wolfgang Tillmans Bibliography
WOLFGANG TILLMANS BIBLIOGRAPHY Selected Monographs: 2021 Holert, Tom, and Klaus Pollmeier, Saturated Light: Wolfgang Tillmans, Silver Works, published by Galerie Buchholz, Berlin, and Verlag der Buchhandlung Franz und Walther König, Cologne, Germany, 2021 2020 Tillmans, Wolfgang, Wolfgang Tillmans: Today Is The First Day, published by Irish Museum of Modern Art, Dublin, WIELS, Brussels, and Koenig Books, London, UK, 2020 2018 Biswas, Allie, and Wolfgang Tillmans, Wolfgang Tillmans: DZHK Book 2018, published by David Zwirner Books, New York, NY, 2018 Eyene, Christine, N’Goné Fall, Bart van der Heide, and Ashraf Jamal, Wolfgang Tillmans: Fragile, published by Institut für Auslandsbeziehungen, Stuttgart, Germany, 2018 2017 Tillmans, Wolfgang, and Brigitte Oetker, eds., Was ist anders? Jahresring 64, published by Sternberg Press, Berlin, Germany, 2017 Tillmans, Wolfgang, and Theodora Vischer, Wolfgang Tillmans, published by Hatje Cantz, Ostfildern, Germany, 2017 Tillmans, Wolfgang, Hamburg Süd / Nee IYaow Eow Eow, CD Digipack + artist booklet, published by Fragile, and Kunstverein Hamburg, Hamburg, Germany, 2017 Dercon, Chris, Mark Godfrey, Tom Holert, and Helen Sainsbury, Wolfgang Tillmans: 2017, published by Tate Publishing, London, UK, 2017 2016 Needham, Alex, Conor Donlon, published by Verlag der Buchhandlung Walther König, Cologne, Germany, 2016 Cotter, Suzanne, Wolfgang Tillmans: On the Verge of Visibility, published by Serralves Foundation, Porto, Portugal, 2016 McDonough, Tom, What’s wrong with redistribution?, published by Verlag -
Goethe Lieder. Dawn Upshaw, Richard Goode
musicweek STOCKING GUIDE and contributions from Dame édition features an equally VARIOUS; Goethe Lieder. VeraChurchill. Lynn Thereand Winston is a two- unreleasedstrong line-up tunes. of previously The value- DawnGoode Upshaw,(Elektra Richard butweek the campaign main promotion on Classic is FM for-money192-page book package with combinesfour LPs a 79317-2).Nonesucli/Warner Upshaw gets 7559 star magazines.through tourism-orientated WH Smith is or two CDs or tapes. 2223 billingGorecki's as Symphony"the voice of No 3" and linkingnew releases its displays in Decca's with World flve LONDON;FUTURE SOUND Lifeforms OF much-acclairaedGoode is riding high Beethoven on his Of British Classics budget ambitions(Virgin V2722). FSOL haveThe ever excelled willpaino be sonata strong cycle, interest so there in this Phil Sommerich themselvesthinking album with which this forward- collectionSchumann, of Schubert songs by Mozart,and embracesthèmes in ambientits broad and panoramic techno Itothers is supported setting Goethe's by ads in poems. the BackBRAND To NEWLove HEAVIES:(ffrr BNX4). plentysweep. ofAlready press attention, attracting it Juneand Classic issues CDof Gramophone plus POS Thisthe second breezy single and catchy to be tune is should be a strong seller. 12223 posters and browser cards. Brotherplucked fromSister the album. gold-selling The JEANtELove (Puise TRACE 8 12LOSE63). Y: If This Is PART: Fratres Auid Other obligatorykeep most remixespunters happy:should DJ Theup her ex-Weather popular It's Girl My follows Time Works.Martin TasminRoscoe, Little, provideDuke and highly Graeme effective Park houseboth powerfullysingle with deliveanother red,catchy BournemouthStudt (Classics Sinfonietta/ for Brand New Heavies: breezy and catchy Back To Love treatments,and Guru opt while for more Ray Hayden thehouse Playboys song. -
Music Genres and Corporate Cultures
Music Genres and Corporate Cultures Music Genres and Corporate Cultures explores the workings of the music industry, tracing the often uneasy relationship between entertainment cor- porations and the artists they sign. Keith Negus examines the contrasting strategies of major labels like Sony and Universal in managing different genres, artists and staff, and assesses the various myths of corporate cul- ture. How do takeovers affect the treatment of artists? Why was Poly- Gram perceived as too European to attract US artists? Why and how did EMI Records attempt to change their corporate culture? Through a study of three major genres—rap, country and salsa—Negus investigates why the music industry recognises and rewards certain sounds, and how this influences both the creativity of musicians and their audiences. He explores why some artists get international promotion while others are neglected, and how performers are packaged as ‘world music’. Negus examines the tension between rap’s image as a spontaneous ‘music of the streets’ and the practicalities of the market, asks why execu- tives from New York feel uncomfortable when they visit the country music business in Nashville, and explains why the lack of soundscan sys- tems in Puerto Rican record shops affects salsa’s position on the US Bill- board chart. Drawing on extensive research and interviews with music industry per- sonnel in Britain, the United States and Japan, Music Genres and Corpo- rate Cultures shows how the creation, circulation and consumption of popular music is shaped by record companies and corporate business style while stressing that music production takes place within a broader cul- ture, not totally within the control of large corporations. -
WAR GAMES Any Genre Is Somewhat of a Damocles Sword
OFF THE FLOOR OFF THE FLOOR Books, art, movies, etc... Words: KIRSTY ALLISON as anonymous gate-holders to all things trip-hop. much observers of the culture around them as art WAR GAMES Any genre is somewhat of a Damocles sword. The makers. So this feeds into a rich loop of creativity. This new Massive Attack book is well group’s continuing sonic warfare mirrors Bristol’s “Adam Curtis is a BBC documentary film-maker worth investigating... port, bashing with all the waves of the world’s who has challenged television quite deeply. They tides, from slavery to silks, spices and the roots/ first worked together for the 2013 Manchester history of St Pauls. We speak to Melissa Chemam, International Festival. Curtis called it a ‘gilm’: whose encyclopaedic new book Out Of The Comfort gig + film. I’m not sure it fits. The visuals and the Zone has just been translated into English from music create something very special, but it is an her French original. additional layer and, much as Curtis’ messages “For me, Massive Attack are a living organism,” are powerful, overall, it only works because it’s Chemam says. “They emerged as a collective in Massive Attack.” 1988, with 3D, Daddy G and Mushroom, but the group wouldn’t be complete without their guest Punk was an influence on Massive Attack, vocalists. First came Horace Andy, Shara Nelson you say in the book: “In 1980, Bristol was and rapper Tricky. But the latter two left, so particularly sensitive to tensions. On 2nd suddenly the ever-evolving collective became not April, riots erupted in St Pauls, when the police only a concept, but a trademark. -
STEVE HARNELL Catches up with Massive Attack's Robert Del Naja at the Band's Bristol Studios to Get the Lowdown on Their
4 www.thisisbristol.co.uk Thursday, February 4, 2010 Thursday, February 4, 2010 www.thisisbristol.co.uk 5 Music Food www.crackerjack.co.uk Warm chocolate STEVE HARNELL brownie at Review Hermanos catches up with Keeping Massive Attack’s Back on the Attack Hermanos Robert Del Naja at 55 Queens Road, Clifton, Bristol, Asia, Australia and New Zealand, the BS8 1QQ. Tel: 0117 9294323 States and Canada. South America, Massive Attack’s the band’s Bristol too. We’re even talking about going Grant “Daddy G” t was the soup that studios to get the back to the Middle East and Africa.” Marshall and Robert first caught my eye The new album sees Massive “3D” Del Naja I working with more collaborators when I walked past lowdown on their than ever before. It’s something of a it in the dream team of acclaimed vocalists Hermanos, a café bar on Clifton Triangle. which takes in Damon Albarn, much-anticipated Elbow’s Guy Garvey, former Mazzy The small menu in the window Star frontwoman Hope Sandoval, TV started with the words ‘Moro’s On The Radio’s Tunde Adebimpe, beetroot soup with black cumin’, new album a reference to a dish that appears former Tricky muse Martina at one of London’s best Heligoland Topley-Bird and the ever-present restaurants. reggae veteran Horace Andy. Great offer to And then, a few lines below it, “I’ve been banging on about I spotted ‘Homage to Stephen family making a Gothic soul album for years assive Attack have now but it just hasn’t happened.