Goethe Lieder. Dawn Upshaw, Richard Goode
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''I've Got This Feeling That He's Everywhere, Watching Me'' - a Victim Speaks After the Trial
' ''I've got this feeling that he's everywhere, watching me'' - a victim speaks after the trial hooded rapist who inflicted a lack of repentance. r eign of terror on Leeds By Rosa Prince "There's times when I want to students was jailed for 12 take a knife to him and shout 'It's A my turn now'," she continued. "I years this week after a jury at Leeds Offenses such as these should be Crown Court convicted him of a punished by a substantial period of don't think there will ever be a man series of sexual assaults. imprisonment." I could trust now." David Martin Jackson, who over Jackson remained expressionless Jackson continues to deny he is the course of a year and a half came as, watched by family and friends,, the Moor rapist, and is backed by to be known as 'The Woodhouse be was found guilty of the rape and his family and friends who Moor Rapist', was described after series of assaults, four of which were supported him in court throughout the case as "evil" by one of the made on students from Leeds the fourteen day trial. Jennifer senior police officers in charge of the University and Leeds Metropolitan Jackson, who married the convicted man two weeks before the final hunt. University. David Jackson, who wore a Jackson, who taunted the police attack, provided her husband with balaclava as he attacked his victims, with a letter signed ' Jack the alibis for the nights of four of the targeted lone females as they walked Stripper', was later described by a five attacks. -
Raja Mohan 21M.775 Prof. Defrantz from Bronx's Hip-Hop To
Raja Mohan 21M.775 Prof. DeFrantz From Bronx’s Hip-Hop to Bristol’s Trip-Hop As Tricia Rose describes, the birth of hip-hop occurred in Bronx, a marginalized city, characterized by poverty and congestion, serving as a backdrop for an art form that flourished into an international phenomenon. The city inhabited a black culture suffering from post-war economic effects and was cordoned off from other regions of New York City due to modifications in the highway system, making the people victims of “urban renewal.” (30) Given the opportunity to form new identities in the realm of hip-hop and share their personal accounts and ideologies, similar to traditions in African oral history, these people conceived a movement whose worldwide appeal impacted major events such as the Million Man March. Hip-hop’s enormous influence on the world is undeniable. In the isolated city of Bristol located in England arose a style of music dubbed trip-hop. The origins of trip-hop clearly trace to hip-hop, probably explaining why artists categorized in this genre vehemently oppose to calling their music trip-hop. They argue their music is hip-hop, or perhaps a fresh and original offshoot of hip-hop. Mushroom, a member of the trip-hop band Massive Attack, said, "We called it lover's hip hop. Forget all that trip hop bullshit. There's no difference between what Puffy or Mary J Blige or Common Sense is doing now and what we were doing…” (Bristol Underground Website) Trip-hop can abstractly be defined as music employing hip-hop, soul, dub grooves, jazz samples, and break beat rhythms. -
View the Redux Book Here
1 Photo: Alex Hurst REDUX This Redux box set is on the 30 Hertz Records label, which I started in 1997. Many of the tracks on this box set originated on 30 Hertz. I did have a label in the early eighties called Lago, on which I released some of my first solo records. These were re-released on 30 Hertz Records in the early noughties. 30 Hertz Records was formed in order to give me a refuge away from the vagaries of corporate record companies. It was one of the wisest things I have ever done. It meant that, within reason, I could commission myself to make whatever sort of record took my fancy. For a prolific artist such as myself, it was a perfect situation. No major record company would have allowed me to have released as many albums as I have. At the time I formed the label, it was still a very rigid business; you released one album every few years and ‘toured it’ in the hope that it became a blockbuster. On the other hand, my attitude was more similar to most painters or other visual artists. I always have one or two records on the go in the same way they always have one or two paintings in progress. My feeling has always been to let the music come, document it by releasing it then let the world catch up in its own time. Hopefully, my new partnership with Cherry Red means that Redux signifies a new beginning as well as documenting the past. -
Mike Peden Producer/Composer/Mixer
Mike Peden Producer/Composer/Mixer British Producer and Composer Mike Peden began his career as a bass player for the Scottish dance music trio The Chimes. Since then, he has produced albums for the likes of David Bowie, The Smashing Pumpkins and Shakira. Mike has also retained a longstanding collaboration with the Lighthouse Family and has produced a number of their albums. He has currently just finished producing Jay Picton’s debut album for Decca. Jay James Picton Forthcoming Album Produce/Mix/Co-Write Emma Bunton ‘Free Me’ / Album Co-Write/Produce Lighthouse Family ‘Ocean Drive’ / Album Produce/Mix Lighthouse Family ‘Postcards From Heaven’ / Album Produce/Mix Shara Nelson ‘What Silence Knows’ / Album Produce/Mix Shara Nelson ‘Friendly Fire’ / Album Produce/Mix Will Young ‘From Now On’ / Album Co-Write/Produce/Mix Lucie Silvas ‘Breathe In’ / Album Co-Writes/Produce Daryl Hall ‘Soul Alone’ / Album Co-Writes/Produce/Mix The Chimes ‘The Chimes’ / Album Co-Writes/Produce/Mix/Remixes Estelle ‘The 18th Day’ / Album Co-Writes/Produce/Mix Smoke City ‘Underwater Love’ / Album Produce Des’ree ‘Supernatural’ / Album Produce/Mix Mica Pais ‘One’ / Album Produce David Bowie ‘Outside’ / Album Produce/Mix/Remix Shakira ‘Donde Estan Los Ladrones’ Remix Yoyo Honey Voodoo Soul’ / Album Co-Writes/Produce/Mix/Remixes Gareth Gates ‘Sunshine’ / Single Produce Liberty X ‘Jumping’ / Album Co-Write/Produce Angel Lee ‘What's Your Name’ / Album Produce For further information, please contact Sandy Dworniak or Laura Jones. Tel: +44 (0)208 2085660 (ext 2) Email: [email protected] . -
Wolfgang Tillmans Bibliography
WOLFGANG TILLMANS BIBLIOGRAPHY Selected Monographs: 2021 Holert, Tom, and Klaus Pollmeier, Saturated Light: Wolfgang Tillmans, Silver Works, published by Galerie Buchholz, Berlin, and Verlag der Buchhandlung Franz und Walther König, Cologne, Germany, 2021 2020 Tillmans, Wolfgang, Wolfgang Tillmans: Today Is The First Day, published by Irish Museum of Modern Art, Dublin, WIELS, Brussels, and Koenig Books, London, UK, 2020 2018 Biswas, Allie, and Wolfgang Tillmans, Wolfgang Tillmans: DZHK Book 2018, published by David Zwirner Books, New York, NY, 2018 Eyene, Christine, N’Goné Fall, Bart van der Heide, and Ashraf Jamal, Wolfgang Tillmans: Fragile, published by Institut für Auslandsbeziehungen, Stuttgart, Germany, 2018 2017 Tillmans, Wolfgang, and Brigitte Oetker, eds., Was ist anders? Jahresring 64, published by Sternberg Press, Berlin, Germany, 2017 Tillmans, Wolfgang, and Theodora Vischer, Wolfgang Tillmans, published by Hatje Cantz, Ostfildern, Germany, 2017 Tillmans, Wolfgang, Hamburg Süd / Nee IYaow Eow Eow, CD Digipack + artist booklet, published by Fragile, and Kunstverein Hamburg, Hamburg, Germany, 2017 Dercon, Chris, Mark Godfrey, Tom Holert, and Helen Sainsbury, Wolfgang Tillmans: 2017, published by Tate Publishing, London, UK, 2017 2016 Needham, Alex, Conor Donlon, published by Verlag der Buchhandlung Walther König, Cologne, Germany, 2016 Cotter, Suzanne, Wolfgang Tillmans: On the Verge of Visibility, published by Serralves Foundation, Porto, Portugal, 2016 McDonough, Tom, What’s wrong with redistribution?, published by Verlag -
Music Genres and Corporate Cultures
Music Genres and Corporate Cultures Music Genres and Corporate Cultures explores the workings of the music industry, tracing the often uneasy relationship between entertainment cor- porations and the artists they sign. Keith Negus examines the contrasting strategies of major labels like Sony and Universal in managing different genres, artists and staff, and assesses the various myths of corporate cul- ture. How do takeovers affect the treatment of artists? Why was Poly- Gram perceived as too European to attract US artists? Why and how did EMI Records attempt to change their corporate culture? Through a study of three major genres—rap, country and salsa—Negus investigates why the music industry recognises and rewards certain sounds, and how this influences both the creativity of musicians and their audiences. He explores why some artists get international promotion while others are neglected, and how performers are packaged as ‘world music’. Negus examines the tension between rap’s image as a spontaneous ‘music of the streets’ and the practicalities of the market, asks why execu- tives from New York feel uncomfortable when they visit the country music business in Nashville, and explains why the lack of soundscan sys- tems in Puerto Rican record shops affects salsa’s position on the US Bill- board chart. Drawing on extensive research and interviews with music industry per- sonnel in Britain, the United States and Japan, Music Genres and Corpo- rate Cultures shows how the creation, circulation and consumption of popular music is shaped by record companies and corporate business style while stressing that music production takes place within a broader cul- ture, not totally within the control of large corporations. -
WAR GAMES Any Genre Is Somewhat of a Damocles Sword
OFF THE FLOOR OFF THE FLOOR Books, art, movies, etc... Words: KIRSTY ALLISON as anonymous gate-holders to all things trip-hop. much observers of the culture around them as art WAR GAMES Any genre is somewhat of a Damocles sword. The makers. So this feeds into a rich loop of creativity. This new Massive Attack book is well group’s continuing sonic warfare mirrors Bristol’s “Adam Curtis is a BBC documentary film-maker worth investigating... port, bashing with all the waves of the world’s who has challenged television quite deeply. They tides, from slavery to silks, spices and the roots/ first worked together for the 2013 Manchester history of St Pauls. We speak to Melissa Chemam, International Festival. Curtis called it a ‘gilm’: whose encyclopaedic new book Out Of The Comfort gig + film. I’m not sure it fits. The visuals and the Zone has just been translated into English from music create something very special, but it is an her French original. additional layer and, much as Curtis’ messages “For me, Massive Attack are a living organism,” are powerful, overall, it only works because it’s Chemam says. “They emerged as a collective in Massive Attack.” 1988, with 3D, Daddy G and Mushroom, but the group wouldn’t be complete without their guest Punk was an influence on Massive Attack, vocalists. First came Horace Andy, Shara Nelson you say in the book: “In 1980, Bristol was and rapper Tricky. But the latter two left, so particularly sensitive to tensions. On 2nd suddenly the ever-evolving collective became not April, riots erupted in St Pauls, when the police only a concept, but a trademark. -
STEVE HARNELL Catches up with Massive Attack's Robert Del Naja at the Band's Bristol Studios to Get the Lowdown on Their
4 www.thisisbristol.co.uk Thursday, February 4, 2010 Thursday, February 4, 2010 www.thisisbristol.co.uk 5 Music Food www.crackerjack.co.uk Warm chocolate STEVE HARNELL brownie at Review Hermanos catches up with Keeping Massive Attack’s Back on the Attack Hermanos Robert Del Naja at 55 Queens Road, Clifton, Bristol, Asia, Australia and New Zealand, the BS8 1QQ. Tel: 0117 9294323 States and Canada. South America, Massive Attack’s the band’s Bristol too. We’re even talking about going Grant “Daddy G” t was the soup that studios to get the back to the Middle East and Africa.” Marshall and Robert first caught my eye The new album sees Massive “3D” Del Naja I working with more collaborators when I walked past lowdown on their than ever before. It’s something of a it in the dream team of acclaimed vocalists Hermanos, a café bar on Clifton Triangle. which takes in Damon Albarn, much-anticipated Elbow’s Guy Garvey, former Mazzy The small menu in the window Star frontwoman Hope Sandoval, TV started with the words ‘Moro’s On The Radio’s Tunde Adebimpe, beetroot soup with black cumin’, new album a reference to a dish that appears former Tricky muse Martina at one of London’s best Heligoland Topley-Bird and the ever-present restaurants. reggae veteran Horace Andy. Great offer to And then, a few lines below it, “I’ve been banging on about I spotted ‘Homage to Stephen family making a Gothic soul album for years assive Attack have now but it just hasn’t happened. -
1 Giant Leap Dreadlock Holiday -- 10Cc I'm Not in Love
Dumb -- 411 Chocolate -- 1975 My Culture -- 1 Giant Leap Dreadlock Holiday -- 10cc I'm Not In Love -- 10cc Simon Says -- 1910 Fruitgum Company The Sound -- 1975 Wiggle It -- 2 In A Room California Love -- 2 Pac feat. Dr Dre Ghetto Gospel -- 2 Pac feat. Elton John So Confused -- 2 Play feat. Raghav & Jucxi It Can't Be Right -- 2 Play feat. Raghav & Naila Boss Get Ready For This -- 2 Unlimited Here I Go -- 2 Unlimited Let The Beat Control Your Body -- 2 Unlimited Maximum Overdrive -- 2 Unlimited No Limit -- 2 Unlimited The Real Thing -- 2 Unlimited Tribal Dance -- 2 Unlimited Twilight Zone -- 2 Unlimited Short Short Man -- 20 Fingers feat. Gillette I Want The World -- 2Wo Third3 Baby Cakes -- 3 Of A Kind Don't Trust Me -- 3Oh!3 Starstrukk -- 3Oh!3 ft Katy Perry Take It Easy -- 3SL Touch Me, Tease Me -- 3SL feat. Est'elle 24/7 -- 3T What's Up? -- 4 Non Blondes Take Me Away Into The Night -- 4 Strings Dumb -- 411 On My Knees -- 411 feat. Ghostface Killah The 900 Number -- 45 King Don't You Love Me -- 49ers Amnesia -- 5 Seconds Of Summer Don't Stop -- 5 Seconds Of Summer She Looks So Perfect -- 5 Seconds Of Summer She's Kinda Hot -- 5 Seconds Of Summer Stay Out Of My Life -- 5 Star System Addict -- 5 Star In Da Club -- 50 Cent 21 Questions -- 50 Cent feat. Nate Dogg I'm On Fire -- 5000 Volts In Yer Face -- 808 State A Little Bit More -- 911 Don't Make Me Wait -- 911 More Than A Woman -- 911 Party People.. -
PDF Download
July 2008 | Volume VII, Issue III www.boeing.com/frontiers July 2008 Volume VII, Issue III BOEING FRONTIERS ON THE COVER: The London landmark Big Ben. SHUTTERSTOCK.COM PHOTO; COVER DESIGN BY BRANDON LUONG COVER STORY SHUTTERSTOCK.COM PHOTO BRILLIANT! | 12 Boeing has a wide-ranging presence in the United Kingdom. The company operates The Portal, a decision-support center in Farnborough, with partner QinetiQ. Many British entities contribute to the 787 Dreamliner airplane. And Boeing’s partners are helping develop technologies that support Boeing products. Here’s a look at why the UK matters to Boeing—and vice versa. FEATURE STORY | 42 A clean shave Welcome to the Boeing Portland facility in Oregon, where huge hunks of metal are machined into airplane parts. The rate at which this site strips away metal to form a new part is the baseline on which Boeing measures its performance against the machining industry—and Port- land has one of the best metal-removal rates in the world. BOEING FRONTIERS JULY 2008 3 Contents BOEING FRONTIERS Proud bird | 25 With a flawless combat deployment in Iraq that included 1,500 successful sorties and 3,600 flight hours, the Bell Boeing V-22 tiltrotor is proving itself to be what the U.S. Marines have said all along it would be: an aircraft that will transform military operations. Looking 30 years ahead | 26 Maintaining its technological edge is a matter the Super Hornet program at Boeing takes seriously. The program is following a strategy—the F/A-18E/F Super Hornet “Fight Plan”—that charts the course for improving this aircraft’s combat capability over the next three decades. -
FEATURES BEST of 2019 Lynne Cooke Nicole Eisenman Jack
DECEMBER 2019 COLUMNS FEATURES Film: Best of 2019 28 158 BEST OF 2019 John Waters, Amy Taubin, James Quandt, Lynne Cooke Melissa Anderson, J. Hoberman Nicole Eisenman Jack Bankowsky Music: Best of 2019 42 Naima J. Keith Jace Clayton, Polly Watson, Byron Coley, Susanne Pfeffer Sarah Hennies Ara Osterweil Johanna Fateman The Year in Performance 55 Christina Li Jennifer Krasinski Christopher Glazek Ruth Estévez Books: Best of 2019 64 Sohrab Mohebbi Terry Castle, Pamela M. Lee, Gary Lutz, Imani Perry, 29 Ken Okiishi Douglas Crase, Harry Dodge, Elvia Wilk, Mac Wellman, Miriam Katzeff Zeynep Çelik Alexander, Marina Vishmidt, Henriette Huldisch Marwa Helal, Morgan Bassichis 192 THE YEAR IN FRIENDSHIP The Artists’ Artists 78 David Velasco Art & Language, Natalie Ball, Danica Barboza, Hannah Black Ellen Berkenblit, Andrea Blum, DeForrest Brown Jr., Greg Zuccolo and Sarah Michelson Judy Chicago, TM Davy, Andrej Dubravsky, Roe Ethridge, Hamishi Farah, Ellie Ga, Nicholas Galanin, REVIEWS Beatriz González, Rodney Graham, Hugh Hayden, Elizabeth Jaeger, Xylor Jane, Jane Kaplowitz, 212 Andy Campbell on Nayland Blake Helmut Lang, Monica Majoli, Marlene McCarty, 213 Kaelen Wilson-Goldie on Helen Frankenthaler Alan Michelson, Ima-Abasi Okon, Greg Parma Smith, Suellen Rocca, Pieter Schoolwerth, Tuesday Smillie, 214 From New York, Buffalo, Chicago, Austin, San Francisco, Los Angeles, Toronto, Mexico City, São Paulo, Rio de Janeiro, Valeska Soares, Patrick Staff, Diamond Stingily, 88 Christine Sun Kim, Sarah Sze, Bernadette Van-Huy London, Dublin, Paris, Rome, Zurich, Vienna, Berlin, Hamburg, Munich, Warsaw, Prague, Athens, Istanbul, Mumbai, Kolkata, Nanjing, and Auckland 180 Cover: Nan Goldin, Picnic on the Esplanade, 1 Boston (detail), 1973, Cibachrome, 27 ⁄2 × 40". -
Mike Peden CV
Mike Peden Producer/Composer British Producer and Composer Mike Peden began his career as a bass player for the Scottish dance music trio The Chimes. Since then, he has produced albums for the likes of David Bowie, The Smashing Pumpkins and Shakira. Mike has also retained a longstanding collaboration with the Lighthouse Family and has produced a number of their albums. He has currently just finished producing Jay Picton’s debut album for Decca. Emma Free Me Album and Singles Co-write / Produced Lighthouse Family Ocean Drive Album and Singles Produced/Mix Lighthouse Family Postcards From Heaven Produced/Mix Shara Nelson What Silence Knows Produced/Mix Shara Nelson Friendly Fire Album and Singles Produced/Mix Will Young From Now On Album Tracks Co-write/Produced/Mix Will Young You and I / Single Co-write/Produced/Mix Lucie Silvas Breathe In / Album and Singles Co-writes/Produced Daryl Hall Soul Alone / Album and Singles Co-writes/Produced/Mix The Chimes The Chimes / Album and Singles Co-writes/Produced/Mix/Remixes Estelle The 18th Day /Album and Singles Co-writes/Produced/Mix Smoke City Underwater Love / Single Produced Des’ree Supernatural / Album and Singles Produced/Mix Mica Paris One / Single Produced David Bowie Outside / Album Track Produced/Mix/Remix Shakira Donde Estan Los Ladrones?/Single Remix Yoyo Honey Voodoo Soul / Album and Singles Co-writes/Produced/Mix/Remixes Gareth Gates Sunshine/Single Produced Liberty X Jumping / Single Co-write/Produced Angel Lee What's your name? / Single Produced Jay James Picton Album Forthcoming Produced/Mix/Co-write For Further information, please contact Sandy Dworniak or Laura Jones.