Letra Del Año 2013-2014 Nigeria
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P E E L C H R Is T Ian It Y , Is L a M , an D O R Isa R E Lig Io N
PEEL | CHRISTIANITY, ISLAM, AND ORISA RELIGION Luminos is the open access monograph publishing program from UC Press. Luminos provides a framework for preserving and rein- vigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Christianity, Islam, and Orisa Religion THE ANTHROPOLOGY OF CHRISTIANITY Edited by Joel Robbins 1. Christian Moderns: Freedom and Fetish in the Mission Encounter, by Webb Keane 2. A Problem of Presence: Beyond Scripture in an African Church, by Matthew Engelke 3. Reason to Believe: Cultural Agency in Latin American Evangelicalism, by David Smilde 4. Chanting Down the New Jerusalem: Calypso, Christianity, and Capitalism in the Caribbean, by Francio Guadeloupe 5. In God’s Image: The Metaculture of Fijian Christianity, by Matt Tomlinson 6. Converting Words: Maya in the Age of the Cross, by William F. Hanks 7. City of God: Christian Citizenship in Postwar Guatemala, by Kevin O’Neill 8. Death in a Church of Life: Moral Passion during Botswana’s Time of AIDS, by Frederick Klaits 9. Eastern Christians in Anthropological Perspective, edited by Chris Hann and Hermann Goltz 10. Studying Global Pentecostalism: Theories and Methods, by Allan Anderson, Michael Bergunder, Andre Droogers, and Cornelis van der Laan 11. Holy Hustlers, Schism, and Prophecy: Apostolic Reformation in Botswana, by Richard Werbner 12. Moral Ambition: Mobilization and Social Outreach in Evangelical Megachurches, by Omri Elisha 13. Spirits of Protestantism: Medicine, Healing, and Liberal Christianity, by Pamela E. -
A Musical Analysis of Afro-Cuban Batá Drumming
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2019 Meaning Beyond Words: A Musical Analysis of Afro-Cuban Batá Drumming Javier Diaz The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2966 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MEANING BEYOND WORDS: A MUSICAL ANALYSIS OF AFRO-CUBAN BATÁ DRUMMING by JAVIER DIAZ A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts, The City University of New York 2019 2018 JAVIER DIAZ All rights reserved ii Meaning Beyond Words: A Musical Analysis of Afro-Cuban Batá Drumming by Javier Diaz This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor in Musical Arts. ——————————— —————————————————— Date Benjamin Lapidus Chair of Examining Committee ——————————— —————————————————— Date Norman Carey Executive Officer Supervisory Committee Peter Manuel, Advisor Janette Tilley, First Reader David Font-Navarrete, Reader THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Meaning Beyond Words: A Musical Analysis of Afro-Cuban Batá Drumming by Javier Diaz Advisor: Peter Manuel This dissertation consists of a musical analysis of Afro-Cuban batá drumming. Current scholarship focuses on ethnographic research, descriptive analysis, transcriptions, and studies on the language encoding capabilities of batá. -
“YORUBA's DON't DO GENDER”: a CRITICAL REVIEW of OYERONKE OYEWUMI's the Invention of Women
“YORUBA’S DON’T DO GENDER”: A CRITICAL REVIEW OF OYERONKE OYEWUMI’s The Invention of Women: Making an African Sense of Western Gender Discourses By Bibi Bakare-Yusuf Discourses on Africa, especially those refracted through the prism of developmentalism, promote gender analysis as indispensable to the economic and political development of the African future. Conferences, books, policies, capital, energy and careers have been made in its name. Despite this, there has been very little interrogation of the concept in terms of its relevance and applicability to the African situation. Instead, gender functions as a given: it is taken to be a cross-cultural organising principle. Recently, some African scholars have begun to question the explanatory power of gender in African societies.1 This challenge came out of the desire to produce concepts grounded in African thought and everyday lived realities. These scholars hope that by focusing on an African episteme they will avoid any dependency on European theoretical paradigms and therefore eschew what Babalola Olabiyi Yai (1999) has called “dubious universals” and “intransitive discourses”. Some of the key questions that have been raised include: can gender, or indeed patriarchy, be applied to non- Euro-American cultures? Can we assume that social relations in all societies are organised around biological sex difference? Is the male body in African societies seen as normative and therefore a conduit for the exercise of power? Is the female body inherently subordinate to the male body? What are -
Embodying Black Religions in Africa and Its Diasporas Yolanda Covington-Ward & Jeanette S
embodying black religions in africa and its diasporas yolanda covington-ward & jeanette s. jouili, editors Embodying Black Religions in Africa and Its Diasporas religious cultures of african and african diaspora people Series editors: Jacob K. Olupona, Harvard University, Dianne M. Stewart, Emory University, and Terrence L. Johnson, Georgetown University This book series examines the religious, cultural, and politi cal expressions of African, African American, and African Ca rib bean traditions. Through transnational, cross- cultural, and multidisciplinary approaches to the study of religion, the series investigates the epis- temic bound aries of continental and diasporic religious practices and thought and explores the diverse and distinct ways African- derived religions inform culture and politics. The series aims to establish a forum for imagining the centrality of Black religions in the for- mation of the “New World.” Embodying Black Religions in Africa and Its Diasporas Yolanda Covington- Ward and Jeanette S. Jouili, editors Duke University Press Durham and London 2021 © 2021 duke university press Cover art: Frank Wimberley, All rights reserved Siempre (Always), 1998. Printed in the United States of Amer i ca on acid- free paper ∞ Collage of cut painted paper Proj ect editor: Lisa Lawley with pastel, 22¼ × 27Ð Designed by Courtney Leigh Richardson inches. © Frank Wimberley. Typeset in Whitman and Helvetica Neue by Westchester Courtesy of the artist and Publishing Services. the Saint Louis Art Museum, The Thelma and Bert Ollie Library of Congress Cataloging- in- Publication Data Memorial Collection, Gift of Names: Covington-Ward, Yolanda, [date] editor. | Jouili, Ronald and Monique Ollie. Jeanette Selma, editor. Title: Embodying Black religions in Africa and its diasporas / Yolanda Covington-Ward and Jeanette S. -
Santería: from Slavery to Slavery
Santería: From Slavery to Slavery Kent Philpott This, my second essay on Santería, is necessitated for two reasons. One, requests came in for more information about the religion; and two, responses to the first essay indicated strong disagreement with my views. I will admit that my exposure to Santería,1 at that point, was not as thorough as was needed. Now, however, I am relying on a number of books about the religion, all written by decided proponents, plus personal discussions with a broad spectrum of people. In addition, I have had more time to process what I learned about Santería as I interacted with the following sources: (1) Santería the Religion,by Migene Gonzalez-Wippler, (2) Santería: African Spirits in America,by Joseph M. Murphy, (3) Santería: The Beliefs and Rituals of a Growing Religion in America, by Miguel A. De La Torre, (4) Yoruba-Speaking Peoples, by A. B. Ellis, (5) Kingdoms of the Yoruba, 3rd ed., by Robert S. Smith, (6) The Good The Bad and The Beautiful: Discourse about Values in Yoruba Culture, by Barry Hallen, and (7) many articles that came up in a Google search on the term "Santería,” from varying points of view. My title for the essay, "From Slavery to Slavery," did not come easily. I hope to be as accepting and tolerant of other belief systems as I can be. However, the conviction I retained after my research was one I knew would not be appreciated by those who identified with Santería. Santería promises its adherents freedom but succeeds only in bringing them into a kind of spiritual, emotional, and mental bondage that is as devastating as the slavery that originally brought West Africans to the New World in the first place. -
Legba No Brasil – Transformações E Continuidades De Uma Divindade
http://dx.doi.org/10.1590/2238-38752019v925 1 Universidade de São Paulo (USP), Departamento de Antropologia, São Paulo, SP, Brasil [email protected] https://orcid.org/0000-0002-1253-5681 Vagner Gonçalves da silva i Legba NO BRASIL – transformaçõES E continuidades DE UMA divindade ExU Legba DEMÔNIO – VISÕES CRUzadas 1 Exu, Elegbara e Legba são, entre os povos iorubas e fon-ewe situados na África Ocidental, divindades mensageiras, dinâmicas, temidas e respeitadas, que de- vem ser saudadas em primeiro lugar para não atrair confusão ou vingança. São deuses tricksters que questionam, invertem ou quebram regras e comportamen- tos. São associados aos processos de fertilidade e, sob a forma de um falo ere- to, cultuados em altares públicos localizados na frente das casas, nos mercados ago., 2019 ago., – e nas encruzilhadas. Quando seu culto foi “descoberto” pelos europeus iniciou- se um processo no qual essas divindades foram associadas ao imaginário do mal, da desordem e da repressão sexual (ao demônio cristão e muçulmano) e, 468, mai. 468, – posteriormente ao mundo pré-moderno (primitivo), ao imaginário das forças antagônicas da modernidade, entre as quais estava, sobretudo, o pensamento mágico presente nas religiões que não passaram pelo processo da secularização ou burocratização. A associação entre o falus no altar de Exu-Legba e o das iconografias do diabo pode ser revelador desse processo. Os ritos pagãos, assim vistos e con- denados pela Igreja católica na Europa e entre os povos catequizados fora dela, incluíam as cerimônias de fertilidade nas quais era comum o uso de emblemas associados aos órgãos sexuais masculinos e femininos. -
ALAIANDÊ Xirê DESAFIOS DA CULTURA RELIGIOSA AFRO-AMERICANA NO SÉCULO XXI ORGANIZAÇÃO VAGNER GONÇALVES DA SILVA ROSENILTON SILVA DE OLIVEIRA JOSÉ PEDRO DA SILVA NETO
ORGANIZAÇÃO VAGNER GONÇALVES DA SILVA ROSENILTON SILVA DE OLIVEIRA JOSÉ PEDRO DA SILVA NETO ALAIANDÊ XirÊ DESAFIOS DA CULTURA RELIGIOSA AFRO-AMERICANA NO SÉCULO XXI ORGANIZAÇÃO VAGNER GONÇALVES DA SILVA ROSENILTON SILVA DE OLIVEIRA JOSÉ PEDRO DA SILVA NETO ALAIANDÊ XIRÊ DESAFIOS DA CULTURA RELIGIOSA AFRO-AMERICANA NO SÉCULO XXI ORGANIZAÇÃO VAGNER GONÇALVES DA SILVA ROSENILTON SILVA DE OLIVEIRA JOSÉ PEDRO DA SILVA NETO DOI: 10.11606/9786550130060 ALAIANDÊ XIRÊ DESAFIOS DA CULTURA RELIGIOSA AFRO-AMERICANA NO SÉCULO XXI São Paulo 2019 Os autores autorizam a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fns de estudo e pesquisa, desde que citada a fonte. Universidade de São Paulo Reitor: Vahan Agopyan Vice-reitor: Antonio Carlos Hernandes Faculdade de Educação Diretor: Prof. Dr. Marcos Garcia Neira Vice-Diretor: Prof. Dr. Vinicio de Macedo Santos Direitos desta edição reservados à FEUSP Avenida da Universidade, 308 Cidade Universitária – Butantã 05508-040 – São Paulo – Brasil (11) 3091-2360 e-mail: [email protected] http://www4.fe.usp.br/ Catalogação na Publicação Serviço de Biblioteca e Documentação Faculdade de Educação da Universidade de São Paulo A316 Alaiandê Xirê: desafos da cultura religiosa afro-americana no Século XXI / Vagner Gonçalves da Silva, Rosenilton Silva de Oliveira, José Pedro da Silva Neto (Organizadores). São Paulo: FEUSP, 2019. 382 p. Vários autores ISBN: 978-65-5013-006-0 (E-book) DOI: 10.11606/9786550130060 1. Candomblé. 2. Cultura afro. 3. Religião. 4. Religiões africanas. I. Silva, Vagner Gonçalves da. II. Oliveira, Rosenilton Silva de. III. Silva Neto, José Pedro. IV. Título. -
86 Position of Women in Igbo Traditional Religion Gladys I. Udechukwu Abstract Human Beings Are Remarkable and Extra-Ordinary Co
Position of Women in Igbo Traditional Religion Gladys I. Udechukwu Abstract Human beings are remarkable and extra-ordinary complex species and adaptable beings that have ever existed on the planet. Among the things God created, man is special and highly esteemed, valued and honoured. For this reason, man in the time past has always tried to maintain the honorary position God has kept him during the creation. He tries to do everything within his power to make sure that he does not bring himself down to the level of other creatures. It is then not surprise why Igbo people have been so religious in keeping the rules of this creator. There have been so many assumptions that Igbo women are being discriminated in Igbo traditional worship. In the Igbo traditional worship, everybody participates but in the level he or she belongs. This paper aspires to show that Igbo women are recognized in the Igbo traditional religion. Several interviews were conducted and the findings showed that Igbo women participate in the Igbo Traditional worship but in their own level. Introduction Almost everybody in our generation was subjected to a school system that gave us the ideas that: the Igbo (and most African societies) were savage and primitive, and had inferior cultures. The major beliefs of the Igbo religion are shared by all Igbo-speaking people. However, many of its practices are locally organized, with 86 Position of Women in Igbo Traditional Religion - Udechukwu the most effective unit of religious worship being the extended family. Periodic rituals and ceremonies may activate the lineage (larger kinship unit) or the village, which is the widest political community. -
UC Irvine Journal for Learning Through the Arts
UC Irvine Journal for Learning through the Arts Title UNITY IN DIVERSITY: THE PRESERVED ART WORKS OF THE VARIED PEOPLES OF ABEOKUTA FROM 1830 TO DATE Permalink https://escholarship.org/uc/item/2fp9m1q6 Journal Journal for Learning through the Arts, 16(1) Authors Ifeta, Chris Funke Idowu, Olatunji Adenle, John et al. Publication Date 2020 DOI 10.21977/D916138973 eScholarship.org Powered by the California Digital Library University of California Unity in Diversity: Preserved Art Works of Abeokuta from 1830 to Date and Developmental Trends * Chris Funke Ifeta, **Bukola Odesiri Ochei, *John Adenle, ***Olatunji Idowu, *Adekunle Temu Ifeta * Tai Solarin University of Education, Ijagun, Ijebu-Ode, Ogun State, Nigeria. **Faculty of Law, University of Ibadan, Ibadan, Oyo State, Nigeria ** *University of Lagos, Lagos State Please address correspondence to funkeifeta @gmail.com additional contacts: [email protected] (Ochei); [email protected] (Adenle); [email protected] (Ifeta, A.) Abstract Much has been written on the history of Abeokuta and their artworks since their occupation of Abeokuta. Yoruba works of art are in museums and private collections abroad. Many museums in the Western part of Nigeria including the National Museum in Abeokuta also have works of art on display; however, much of these are not specific to Abeokuta. Writers on Abeokuta works of art include both foreign and Nigerian scholars. This study uses historical theory to study works of art collected and preserved on Abeokuta since inception of the Egba, Owu and Yewa (Egbado) occupation of the town and looks at implications for development in the 21st century. The study involved the collection of data from primary sources within Abeokuta in addition to secondary sources of information on varied works of art including Ifa and Ogboni paraphernalia. -
"Atotô Obalua Yê Ajuberu"
SAMUEL ABRANTES "ATOTÔ OBALUAYÊ AJUBERU" UM OLHAR SEMIOLÓGICO SOBRE A INDUMENTÁRIA DE OBALUAYÊ. DISSERTAÇÃO DE MESTRADO EM HISTÓRIA DA ARTE . ORIENTADOR: PROF. Dr. FREDERICO AUGUSTO L. DE GÓES . UNIVERSIDADE FEDERAL DO RIO DE JANEIRO CENTRO DE LETRAS E ARTES ESCOLA DE BELAS ARTES RIO DE JANEIRO 1996 ABRANTES, Samuel Sampaio ATOTÔ, Obaluayê Ajuberu. Um olhar semiológico sobre a indumentária de Obaluayê Rio de Janeiro, UFRJ, EBA, 1996. IX, (222 F) Dissertação: Mestrado em História da Arte (Antropologia da Arte) 1 - A arte de vestir o santo 2 - Os signos contidos na Indumentária do Orixá Obaluayê 3 - Cantigas para Obaluayê 4 - A tradição do Candomblé de Ketu na Bahia e no Rio de Janeiro. 1 - Universidade Federal do Rio de Janeiro Orientador: Prof. Dr. Frederico Augusto L. de Góes li - Título III Samuel Sampaio Abrantes ATOTÔ OBALUAYÊ AJUBERU Um olhar semiológico sobre a indumentária de Obaluayê Dissertação submetida à Banca Examinadora da Escola de Belas Artes da Universidade Federal do Rio de Janeiro, como parte dos requisitos necessários à obtenção do Grau do Mestre. Universidade Federal rof8. Dr8 Liana Silveira Universidade Federal do Rio de Janeiro j�ProfB.Dr8��AJ�Virginia de Almeida· {U!_ Universidade Federal de Santa Catarina Rio de Janeiro 1996 IV Ao meu pai V AGRADECIMENTOS - Ao Prof. Frederico Augusto L. de Góes, o estímulo primeiro, a orientação e a liberdade de pesquisa; - A Prof& Liana Silveira, o exemplo e a iniciação do olhar Antropológico sobre a cultura afro-brasileira; - A Prof& Teresa Virgínia de Almeida, o apoio de todas as horas e a capacidade de vislumbrar a temporalidade do tema e da pesquisa; - Ao Corpo Docente do Mestrado da UFRJ, em especial às professoras Helenise Guimarães, Sonia Gomes Pereira, Ana Maria Alencar e ao Prof. -
The Yoruba Trickster God Author(S): John Pemberton Source: African Arts, Vol
Regents of the University of California Eshu-Elegba: The Yoruba Trickster God Author(s): John Pemberton Source: African Arts, Vol. 9, No. 1 (Oct., 1975), pp. 20-27+66-70+90-92 Published by: UCLA James S. Coleman African Studies Center Stable URL: http://www.jstor.org/stable/3334976 Accessed: 27-10-2016 14:24 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Regents of the University of California, UCLA James S. Coleman African Studies Center are collaborating with JSTOR to digitize, preserve and extend access to African Arts This content downloaded from 141.213.142.215 on Thu, 27 Oct 2016 14:24:20 UTC All use subject to http://about.jstor.org/terms Eshu-Elegba: TheYoruba Trickster God saying cited by Fadipe that "every head of mound of cement about two feet high A t the entrance of almost every com- pound in the Yoruba town of Ila- a compound must have an Eshu outside painted with vertical red stripes. A chunk Orangun, a chunk of red laterite rock his compound and the baale who does not of laterite rock is embedded in the top. It (yangi) protrudes from a hollow in the will have to give account to Eshu" (1970: is the palace shrine for Eshu to which of- base of the wall on the right side of the 285-6). -
The Influence of Yoruba Religion and Gastronomy on the Yoruba Diaspora of Cuba and Brazil: a Transnational Analysis
The Influence of Yoruba Religion and Gastronomy on the Yoruba Diaspora of Cuba and Brazil: A Transnational Analysis Maryam Ogunbiyi TC 660H Plan II Honors Program The University of Texas at Austin December 8, 2016 Omoniyi Afolabi, Ph.D. Department of African & African Diaspora Studies Supervising Professor Michael R. Anderson, Ph.D. Director in the Department of International Relations and Global Studies Second Reader Ogunbiyi 2 ABSTRACT Author: Maryam Ogunbiyi Title: The Influence of Yoruba Religion and Gastronomy on the Yoruba Diaspora of Cuba and Brazil: A Transnational Analysis Supervising Professor: Omoniyi Afolabi, Ph.D. Second Reader: Michael R. Anderson, Ph.D. The forced integration of the Yoruba into the Atlantic World has led to gastronomic and religious influences on the diaspora in Cuba and Brazil. Both nations are linguistically different but the combined diaspora of Cuba and Brazil have been influenced by the cultural preservation of Yoruba norms transposed in Latin America via the trans-Atlantic slave trade. The implication of this assertion is that Yoruba influence is not limited by borders; rather, the influence of the Yoruba ethnic group is transnational. The cultural manifestation of the Yoruba is found in the religious and gastronomic practices of their diaspora in Cuba and Brazil. Ogunbiyi 3 ACKNOWLEDGMENTS Ọwọ́ ọmọdé ò tó pẹpẹ, tàgbàlagbà ò wọ akèrègbè A child's hand can't reach the shelf as an elder's can't enter a gourd. -Yoruba Proverb I would like to extend my sincere gratitude to my supervisor, Dr. Omoniyi Afolabi, and my second reader, Dr. Michael R. Anderson for providing me with their endless support, patience, and guidance throughout this thesis writing process.