Triangle Reorganizes Board Elects New Officers
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Japanese Cinema at the Digital Turn Laura Lee, Florida State University
1 Between Frames: Japanese Cinema at the Digital Turn Laura Lee, Florida State University Abstract: This article explores how the appearance of composite media arrangements and the prominence of the cinematic mechanism in Japanese film are connected to a nostalgic preoccupation with the materiality of the filmic image, and to a new critical function for film-based cinema in the digital age. Many popular Japanese films from the early 2000s layer perceptually distinct media forms within the image. Manipulation of the interval between film frames—for example with stop-motion, slow-motion and time-lapse techniques—often overlays the insisted-upon interval between separate media forms at these sites of media layering. Exploiting cinema’s temporal interval in this way not only foregrounds the filmic mechanism, but it in effect stages the cinematic apparatus, displaying it at a medial remove as a spectacular site of difference. In other words, cinema itself becomes refracted through these hybrid media combinations, which paradoxically facilitate a renewed encounter with cinema by reawakening a sensuous attachment to it at the very instant that it appears to be under threat. This particular response to developments in digital technologies suggests how we might more generally conceive of cinema finding itself anew in the contemporary media landscape. The advent of digital media and the perceived danger it has implied for the status of cinema have resulted in an inevitable nostalgia for the unique properties of the latter. In many Japanese films at the digital turn this manifests itself as a staging of the cinematic apparatus, in 1 which cinema is refracted through composite media arrangements. -
Greek Week Positions to Be Contested in USGA Elections
^y \ Indtx Les CaDtaiaJjCt Ed-Op 10 Datebook 13 C r u W P ^ Comics 15 Classifieds 16 IHE1RUNGU Entertainment 20 Page 20 Volume 73. Numbef ,^6 May 1,1998 rtitlitielphia, Pennsylv«nw The Student Newspaper at Drexel University Copyright 01‘»8 The Tiungle U SG A , O in e ris c o n s id e r n e w $ 1 5 fe e fo r u n d e rg ra d s , . .............................................................................................. ^ Anh Dang be included as a University-wide Getter, said they are “shocked’ EDITOR-IN-CHIEF referendum on the May 5-7 to hear Caneris’s last-minute The Undergraduate Student Undergraduate Student decision to postpone the referen Government Association is con Government Association elec dum. Ryan said Student Life had sidering a proposed $15 annual tions, but it was withdrawn on supported the proposal for the fee for all full-time undergradu April 30. Senior Vice President past two weeks, up until 3:30 ate students, to renovate the gym for Student Life and p.m. on April 30. facility and to expand recreation Administrative Services Tony Getter said, “I ’m personally al and wellness programs. Caneris said he supports the pro upset that he [Caneris] pulled The Recreation Membership posal, but decided to hold off the out at this late in time. It hurt the Fee, which would be matched by plan in order to work out the relationship we had.” Getter said the Division for Student Life, details. he suspects that the administra would be used to renovate the USGA members, including tion wants a higher fee from the Physical Education Athletic USGA President Edwardo students. -
Ventas, Inc. V. HCP, Inc. Page 2
RECOMMENDED FOR FULL-TEXT PUBLICATION Pursuant to Sixth Circuit Rule 206 File Name: 11a0130p.06 UNITED STATES COURT OF APPEALS FOR THE SIXTH CIRCUIT _________________ VENTAS, INC., X Plaintiff-Appellee/Cross-Appellant, - - - Nos. 09-6385/6413 v. - > , HCP, INC., fka Health Care Property - Investors, Inc., - Defendant-Appellant/Cross-Appellee. - - N Appeal from the United States District Court for the Western District of Kentucky at Louisville. No. 07-00238—John G. Heyburn II, District Judge. Argued: March 10, 2011 Decided and Filed: May 17, 2011 Before: MERRITT, CLAY, and GRIFFIN, Circuit Judges. _________________ COUNSEL ARGUED: Jeffrey A. Lamken, MOLOLAMKEN LLP, Washington, D.C., for Appellant. David J. Bradford, JENNER & BLOCK LLP, Chicago, Illinois, for Appellee. ON BRIEF: Jeffrey A. Lamken, MOLOLAMKEN LLP, Washington, D.C., Sheryl G. Snyder, FROST BROWN TODD LLC, Louisville, Kentucky, Matthew C. Blickensderfer, FROST BROWN TODD LLC, Cincinnati, Ohio, Mark C. Hansen, Aaron M. Panner, KELLOGG, HUBER, HANSEN, TODD, EVANS & FIGEL, PLLC, Washington, D.C., for Appellant. David J. Bradford, Terri L. Mascherin, Daniel J. Weiss, JENNER & BLOCK LLP, Chicago, Illinois, Paul M. Smith, JENNER & BLOCK LLP, Washington, D.C., Eric L. Ison, Holland N. McTyeire V, GREENEBAUM DOLL & McDONALD PLLC, Louisville, Kentucky, for Appellee. CLAY, J., delivered the opinion of the court, in which GRIFFIN, J., joined. MERRITT, J. (p. 54), delivered a separate opinion concurring in the result and much of the reasoning of the majority opinion. 1 Nos. 09-6385/6413 Ventas, Inc. v. HCP, Inc. Page 2 _________________ OPINION _________________ CLAY, Circuit Judge. In this diversity action, Defendant HCP, Inc. appeals a $101,672,807.00 judgment entered by the district court for Plaintiff Ventas, Inc. -
… … Mushi Production
1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod. -
Genshiken Season Two 1 Free
FREE GENSHIKEN SEASON TWO 1 PDF Kio Shimoku | 200 pages | 04 Sep 2012 | Kodansha America, Inc | 9781612622378 | English | New York, United States Genshiken - The series has Genshiken Season Two 1 been adapted into an anime directed by Tsutomu Mizushima. The manga originally ran in Kodansha 's monthly manga anthology Afternoon from April to Mayand has been reprinted in nine bound volumes. The ninth and final volume was released in Japan in December The series, being focused on the otaku lifestyle, contains numerous references to other mangaanimevideo games, and other aspects of otaku culture. Because the anime is co-produced by Sega Sammy Holdingsthe Guilty Gear video game series is heavily referenced, with actual gameplay sequences being shown multiple times, Ohno cosplaying as Kuradoberi Jamand other minor references. The Sega puzzle game Puyo Puyo [a] also serves as an important plot point as Kasukabe tries to gain Kousaka's attention. Discussion of erogeGenshiken Season Two 1 video games usually of the visual novel genre, also occurs often. Genshiken usually avoids referring to these series so in-depth that it would require the use of names and lines from their real-world counterparts, with several notable exceptions: in the model-building chapter of the manga but not the animeactual Gundam mecha and characters are referred to throughout, while the dialogue quoted by Sue except for one "Neko Yasha! These cultural references have remained intact for the English adaption of the manga, which include a section for translation notes. However, due to the number of allusions made and the inability for a translator to always know what is being referred to, many explanations of otaku references are still absent. -
Sunrise Fire Rescue Operations and Policy Manual
UPDATED ON 6/21/2016 OPERATIONS AND POLICIES MANUAL Sunrise Fire Rescue Operations & Policies Manual Index June 21, 2016 SECTION 1 ORGANIZATION 100.00 Mission Statement August 4, 2003 100.01 Organizational Structure October 1, 2013 100.02 Operations & Policies Manual (OPM) February 3, 2014 SECTION 2 HUMAN RESOURCES 200.00 Duties & Responsibilities 200.01 Firefighter/EMT December 23, 2014 200.02 Firefighter/Paramedic December 23, 2014 200.03 Fire Inspector December 23, 2014 200.04 Driver Operator December 23, 2014 200.05 Rescue Lieutenant – Section 1 Shift December 23, 2014 200.05 Rescue Lieutenant – Section 2 Non Shift December 23, 2014 200.06 Fire Captain December 23, 2014 Sect. 1 Fire Captain EMS Shift Supervisor December 23, 2014 Sect. 2 Fire Captain EMS Non Shift December 23, 2014 Sect. 3 Fire Captain Fire Life Safety December 23, 2014 Sect. 4 Fire Captain Plan Review December 23, 2014 Sect. 5 Fire Captain Logistics December 23, 2014 Sect. 6 Fire Captain Special Operations July 28, 2010 Sect. 7 Fire captain Training April 30, 2013 200.07 Fire Marshal April 27, 2011 200.08 Battalion Chief April 30, 2013 Sect. 1 Support Battalion Chief April 30, 2013 Sect 2 Emergency Management Battalion Chief April 30, 2013 200.09 Fire Division Chief April 30, 2013 201.00 Promotional Qualifications 201.01 Entry Level/Firefighter December 23, 2014 201.02 Driver Operator December 23, 2014 201.03 Rescue Lieutenant December 23, 2014 201.04 Fire Captain December 23, 2014 201.06 Battalion Chief December 23, 2014 201.07 Special Operations Team Member April -
Columbus North High School 2021-2022 Bcsc Calendar
COLUMBUS NORTH HIGH SCHOOL Principal’s Office/Administration 812/376-4431 Deans Office/Discipline & Attendance 812/376-4251 Counseling Center 812/376-4292 Athletic Office 812/376-4265 C4 Office 812/376-4240 Columbus North Web Page www.bcsc.k12.in.us/northhs BCSC Crisis Hotline 812/379-7710 2021-2022 BCSC CALENDAR August 2 ................................................ Freshman Orientation 6 ....................................... First Student Day (full day) September 6 .................................................................. Labor Day October 11-15 .......................................................... Fall Recess November 24-26 .......................................... Thanksgiving Recess December 22 ................................................. First Semester Ends 23 ..............................................Winter Recess Begins January 5 ........................................................... Staff Meetings 6 ........................................... Second Semester Begins 17 .........Martin Luther King Day Holiday (no school) March 14 - 18 ..................................................... Spring Break April 15 ......................................... Good Friday (no school) May 20 .............................................. Last Day for Students May 28 .................................. Commencement (10:00 a.m.) Regular Schedule Start End Day one/two Minutes Time Time Period 1 88 7:45 9:13 Passing 6 9:13 9:19 Advisory 30 9:19 9:49 Passing 6 9:49 9:55 Period 2 88 9:55 11:23 Passing 6 11:23 11:29 A Lunch 44 11:29 12:13 Period 3A 88 11:29 12:57 B Lunch 44 12:57 1:41 Period 3B 88 12:13 1:41 Passing 6 1:41 1:47 Period 4 88 1:47 3:15 Two-hour Delay Day one/two Minutes Start Time End Time Period 1 67 9:45 10:52 Passing 6 10:52 10:58 A Lunch 44 10:58 11:42 Period 2A 67 10:58 12:05 B Lunch 44 12:05 12:49 Period 2B 67 11:42 12:49 Passing 6 12:49 12:55 Period 3 67 12:55 2:02 Passing 6 2:02 2:08 Period 4 67 2:08 3:15 Dear Bull Dog Student: Welcome to the 2021-22 school year at Columbus North High School. -
The Posture Triangle a New Framework for U.S
CHILDREN AND FAMILIES The RAND Corporation is a nonprofit institution that helps improve policy and EDUCATION AND THE ARTS decisionmaking through research and analysis. ENERGY AND ENVIRONMENT HEALTH AND HEALTH CARE This electronic document was made available from www.rand.org as a public service INFRASTRUCTURE AND of the RAND Corporation. TRANSPORTATION INTERNATIONAL AFFAIRS LAW AND BUSINESS Skip all front matter: Jump to Page 16 NATIONAL SECURITY POPULATION AND AGING PUBLIC SAFETY Support RAND SCIENCE AND TECHNOLOGY Purchase this document TERRORISM AND Browse Reports & Bookstore HOMELAND SECURITY Make a charitable contribution For More Information Visit RAND at www.rand.org Explore the RAND Corporation View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non- commercial use only. Unauthorized posting of RAND electronic documents to a non-RAND website is prohibited. RAND electronic documents are protected under copyright law. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents for commercial use. For information on reprint and linking permissions, please see RAND Permissions. This report is part of the RAND Corporation research report series. RAND reports present research findings and objective analysis that address the challenges facing the public and private sectors. All RAND reports undergo rigorous peer review to ensure high standards for research quality and objectivity. Research Report The Posture Triangle A New Framework for U.S. Air Force Global Presence Stacie L. -
San Luis Obispo County Jail Findings Letter 8.31.2021
U.S. Department of Justice United States Attorney’s Office Civil Rights Division Central District of California U.S. Mail: 300 North Los Angeles Street, Suite 7516 U.S. Mail: Office of the Assistant Attorney General Los Angeles, California 90012 950 Pennsylvania Avenue, NW - RFK Telephone: (213) 894-2400 Washington, DC 20530 Telephone: (202) 514-2151 August 31, 2021 Wade Horton County Administrative Officer County of San Luis Obispo 1055 Monterey Street D430 San Luis Obispo, California 93408 Sheriff Ian Parkinson San Luis Obispo County Sheriff’s Office 1585 Kansas Avenue San Luis Obispo, California 93405 Re: Investigation of the San Luis Obispo County Jail Dear Officer Horton and Sheriff Parkinson: The Civil Rights Division and the United States Attorney’s Office for the Central District of California have completed the investigation into the conditions of confinement at the San Luis Obispo County Jail (the Jail), conducted under the Civil Rights of Institutionalized Persons Act (CRIPA), 42 U.S.C. § 1997, and Title II of the Americans with Disabilities Act (ADA), 42 U.S.C. § 12132. We thank Jail leadership, administrators, and staff for accommodating our investigation and providing access to the Jail’s facilities, staff, documents, data, and prisoners. After carefully reviewing the evidence, we conclude that there is reasonable cause to believe that conditions at the San Luis Obispo County Jail violate the Eighth and Fourteenth Amendments to the United States Constitution and the Americans with Disabilities Act. Specifically, we have -
Genshiken: Second Season 6 Free
FREE GENSHIKEN: SECOND SEASON 6 PDF Shimoku Kio | 208 pages | 26 Mar 2015 | Kodansha America, Inc | 9781612629872 | English | New York, United States Genshiken: Second Season 6 by Shimoku Kio: | : Books The series has also been adapted into an anime directed by Tsutomu Mizushima. The manga originally ran in Kodansha 's monthly manga anthology Afternoon from April to Mayand has been reprinted in nine bound volumes. The ninth and final volume was released in Japan in December The series, being focused on the otaku lifestyle, contains numerous references to other mangaanimevideo games, and other aspects of otaku culture. Because the anime is co-produced by Sega Sammy Holdingsthe Guilty Gear video game series is heavily referenced, with actual gameplay sequences being shown multiple times, Ohno cosplaying as Kuradoberi Jamand other minor references. The Sega puzzle game Puyo Puyo [a] also serves as an important plot point as Kasukabe tries to gain Kousaka's attention. Discussion of erogeerotic video games usually of the visual novel genre, also occurs often. Genshiken usually avoids referring to these series so in- depth that it would require the use of names and lines from their real-world counterparts, with several notable exceptions: in the model-building chapter of Genshiken: Second Season 6 manga but not the animeactual Gundam mecha and characters are referred to throughout, while the dialogue quoted by Sue except for one "Neko Yasha! These cultural references have remained intact for the English adaption of the manga, which include a section for translation notes. However, due to the number of allusions made and the inability for a translator to always know what is being referred to, many explanations of otaku references are still absent. -
El Anime De Los Noventa Como Un Reflejo De La Interacción Entre El Hombre/Usuario E Internet
UNIVERSIDAD JUAN AGUSTÍN MAZA FACULTAD DE PERIODISMO LICENCIATURA EN COMUNICACIÓN SOCIAL DE LO FANTÁSTICO A LO REAL: EL ANIME DE LOS NOVENTA COMO UN REFLEJO DE LA INTERACCIÓN ENTRE EL HOMBRE/USUARIO E INTERNET Alumna: Lourdes Micaela Arrieta Tutor disciplinario: Lic. Andrea Ginestar Tutor metodológico: Lic. Guillermo Gallardo MENDOZA 2016 Mediante la presente tesina y la defensa del mismo aspiro al título de Licenciatura en Comunicación Social. Alumno: Lourdes Micaela Arrieta DNI: 37.298.417 Matrícula: 2.029 Fecha del examen final: Docentes del Tribunal Evaluador: Calificación: Lourdes Micaela Arrieta I DEDICATORIA “Entonces, cuando aprendió a navegar por la Red, nuestro mundo se derrumbó. Se dejó llevar por los signos calientes y empezó conocer sin caras. Los perfiles adúlteros de los espectros femeninos (y si es que los eran), condujeron a desconocernos. Fue, cuando como espías cibergálacticos, incursionamos (los tres) a engañar a las maestras de la seducción virtual. ¡Qué fácil era embaucar con datos falsos las ilusiones de las destructoras de familias! Parece ser, son las mujeres de entre 40 y 50 años de viejas, las que se registran para jugar a los detestables clicks en los “gatos” (o chats) y las redes sociales (no lo sé, me imagino una red pesquera y alrededor cientos de individuos, en un mismo bote, todos hablándole a la mar) y pretenden, quizá, escapar de sus maridos, sus hijos u otro contacto ‘romántico’. No le hallo la gracia… De adolescente me pasaba un largo rato en Internet; indagaba cómo burlar los datos, aunque no son conocimientos de un hacker, es más básico. Pensándolo bien, no logro comprender el dolor de ella, ante semejantes artimañas de él, y tampoco de él, el querer abandonarnos por signos efímeros y ¿reales? Lo cierto, es que con mi hermano llorábamos muy mucho. -
South Korea and the Sub- Empire of Anime
JOON YANG KIM South Korea and the Sub- Empire of Anime: Kinesthetics of Subcontracted Animation Production Th e relationship in the animation industry between Japan and South Korea has been as close as the geographic distance between the two countries. Since the mid- 1960s, South Korean studios and workers have manufactured Japa- nese animation in a mode of production referred to as hacheong in Korean and shitauke in Japanese, both of which mean “to subcontract.” In the global anime wave that started in the 1990s, this material condition of production has often been neglected or ignored, by academics as well as fans. Meanwhile in South Korea, since the mid- 1990s when the government started to promote fi lm and animation as a new national industry, the Korean term hacheong has been replaced by the English acronym OEM (original equipment manufacturing), despite no substantional changes in the condition of subcontracted produc- tion, as the former term seemed likely to off end many South Koreans’ national pride. Indeed, the issue of internationally subcontracted animation production in South Korea has long been viewed and spoken of from a nationalist perspec- tive. While intentionally ignoring the material reality of subcontracted work that has acted on the majority of the country’s animation industry, the South Korean mass media has not hesitated to propagate the notion that South Korea is the third-largest producer of animation in the world. 90 Subcontracted production in the Japanese animation industry, which I will explore in the main part of this essay, was encouraged by politico- economic factors that included location, diplomatic agreements, wage levels, and ex- change rates, and then materialized by a Taylorist work organization that went along with technologies of celluloid animation.