Couzens Hall Remodeling Crisis
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xylem i xylem2018-2019 ii iii editorial board Xylem Literary Magazine is a publication of the Editor-in-Chief Undergraduate English Association at the University of Allison Chu Michigan. Advertising and PR Chair Camille Gazoul SPONSORS Arts at Michigan Editing Chair Undergraduate English Association Henry Milek Events Chair Simran Malik Finance Chair Manasvini Rao Layout and Design Chair Stephanie Sim PRINTED BY Submissions Chair University Lithoprinters Angela Chen COVER ARTIST Phoebe Danaher Staff Clare Godfryd Aviva Klein Roman Knapp Olivia Lesh Matt Lujan Juhui Oh Sarah Salman Rachel Schonbaum Maya Simonte Jill Stecker iv v Dear reader, Thank you for picking up this issue of Xylem Literary Magazine. Xylem Literary Magazine has been in operation since the 1990s, annually publishing and promoting student creative work on the campus of the University of Michigan. The magazine is created, curated, and published annually by undergraduates, forming a unique opportunity for student voices to be heard throughout the publication process. We are proud to be a part of the strong Xylem, n. Collective term for the cells, vessels, and fibres literary tradition of both the university and the Ann Arbor forming the harder portion of the fibrovascular tissue; the community, catering to and supporting the dedication, talent, wood, as a tissue of the plant-body. and creativity of our communities. —OXFORD ENGLISH DICTIONARY This year’s resulting magazine is particularly exemplary of the voices we hope to promote. We received submissions ranging from Xylem is a literary arts magazine that annually publishes clerihews to excerpts of longer stories, image collages to pencil the original creative work of University of Michigan drawings. -
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P.O. Box 1235 Chapel Hill, NC 27514 USA Phone: 919.688.9969 x125 www.mergerecords.com International Sales: Lauren Brown- [email protected] TRACK LISTING: SIDE A SIDE B 1. The Majestic 5. A Small Definition 2. Reg 6. Dance Lessons 3. Her Royal Fisticuffs 7. Basement Life 4. The Mine Has Been Returned 8. Still Feed Myself to Its Original Owner SIDE A SIDE B 9. Fader Rules 13. Everyone Gets Crushed 10. Never Too Young to Smoke 14. Beat My Guest 11. Detroit Has A Skyline [Acoustic] 15. With Bells On 12. Does Your Hometown Care? 16. Clover MRG 221 17. Sexy Ankles Record Store Day SIDE A SIDE B 18. White Noise 23. The Length of Las Ramblas Exclusive 19. Thin Air 24. Becoming a Speck 20. Scary Monsters (and Super 25. The Hot Break Creeps) 26. A Collection of Accounts 21. 1,000 Pounds (Duck Kee 27. Freaks in Charge Style) 28. Blending In Superchunk 22. Anything Could Happen Cup of Sand **NOTE: Track 13, 22, and 27 not previously available on Cup of Sand 2CD I’ll be honest: this compilation came out 14 years ago, and I still don’t recognize the titles (reissue) of 60% of these songs, despite drumming on all but one of them. You think Alan Alda remembers every M*A*S*H episode? I’m sure he can give a scene-by-scene breakdown of the show’s now-legendary final installment (“Goodbye, Farewell and Amen”) and yet have no memory whatsoever of the episode where they help an injured cow give birth (“The Birthday Girls”). -
Nightlight: Tradition and Change in a Local Music Scene
NIGHTLIGHT: TRADITION AND CHANGE IN A LOCAL MUSIC SCENE Aaron Smithers A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Folklore. Chapel Hill 2018 Approved by: Glenn Hinson Patricia Sawin Michael Palm ©2018 Aaron Smithers ALL RIGHTS RESERVED ii ABSTRACT Aaron Smithers: Nightlight: Tradition and Change in a Local Music Scene (Under the direction of Glenn Hinson) This thesis considers how tradition—as a dynamic process—is crucial to the development, maintenance, and dissolution of the complex networks of relations that make up local music communities. Using the concept of “scene” as a frame, this ethnographic project engages with participants in a contemporary music scene shaped by a tradition of experimentation that embraces discontinuity and celebrates change. This tradition is learned and communicated through performance and social interaction between participants connected through the Nightlight—a music venue in Chapel Hill, North Carolina. iii ACKNOWLEDGEMENTS Any merit of this ethnography reflects the commitment of a broad community of dedicated individuals who willingly contributed their time, thoughts, voices, and support to make this project complete. I am most grateful to my collaborators and consultants, Michele Arazano, Robert Biggers, Dave Cantwell, Grayson Currin, Lauren Ford, Anne Gomez, David Harper, Chuck Johnson, Kelly Kress, Ryan Martin, Alexis Mastromichalis, Heather McEntire, Mike Nutt, Katie O’Neil, “Crowmeat” Bob Pence, Charlie St. Clair, and Isaac Trogden, as well as all the other musicians, employees, artists, and compatriots of Nightlight whose combined efforts create the unique community that define a scene. -
The Michigan Review Page December 6, 2005 the Michigan Review the Campus Affairs Journal at the University of Michigan Volume XXIV, Number 6 December 6, 2005 MR
THE MICHIGAN REVIEW Page December 6, 2005 THE MICHIGAN REVIEW The Campus Affairs Journal at the University of Michigan Volume XXIV, Number 6 December 6, 2005 MR DPS: What have you done for me lately? Cover Story.......................Page 3 Ludacris Losses................Page 5 Ailing Auto Industry.......Page 11 Editorials..........................Page 4 Columns...........................Page 6 Lassiter Interview...........Page 12 www.michiganreview.com THE MICHIGAN REVIEW Page 2 Serpent’s Tooth December 6, 2005 ■ The Serpent’s Tooth THE MICHIGAN REVIEW way mESSAgE OF the week: lion reward to the next person who kid- The Campus Affairs Journal of A“Ford Field looks like my fraternity naps a young, white female. Fox News Jewish groups demanded an apology the University of Michigan house after a party: It reeks of booze and Anchor greta Van Sustren has indicated from Michael Jackson last month after vomit, and everybody’s pissed because we she will take matters into her own hands he allegedly referred to Jews as “leech- James David Dickson didn’t score.” if needed. es” on an answering machine message. Editor in Chief Michael, sleeping with little boys is one The montreal gazette reports that Andre Last month’s election results yielded vic- thing, but when you start making fun of Paul Teske Boisclair, a gay Quebec politician, recent- tories by 18-year-olds in Michigan and the Jews… ly saw his approval rating among voters Iowa, an inmate in a California jail elected Publisher jump 11 points after he admitted using to a school board, and Kwame Kilpatrick. A member of Canada’s Parliament wants cocaine while serving in the provincial Democracy quickly surrendered. -
Split Single Announces New Album, Amplificado, out June 25Th on Inside Outside Records
April 27, 2021 For Immediate Release Split Single Announces New Album, Amplificado, Out June 25th on Inside Outside Records Watch Video for Lead Single, "(Nothing You Can Do To) End This Love" Split Single, the collective project of Chicago-based musician Jason Narducy (Bob Mould Band, Superchunk, Verbow), announces their new album, Amplificado, out June 25th on Inside Outside Records. Recorded at Electrical Audio in Chicago by Narducy (guitar/vocals), REM’s Mike Mills (bass), Jon Wurster (drums), Amplificado is a tight collection of rock songs dealing with the anxiety of living through a chaotic and cruel Republican majority rule and under the limitations of a worldwide pandemic. The new album comes nearly five years aer the release of Split Single’s 2016 album, Metal Frames, “a powerhouse pop record that prides itself on tenacious vocals and resolute rhythm guitar” (Stereogum) recorded with Wurster and Wilco’s John Sitrratt, and last year’s acclaimed, Jeff Award-nominated production of Verböten, a musical inspired by Narducy’s now-seminal childhood punk rock band of the same name. In conjunction with today’s announcement, Split Single presents the album’s lead single, “(Nothing You Can Do To) End This Love,” a message of love and support to the LGBTQ+ community. “The chords and melody for this song sounded like defiance to me,” says Narducy. “I wanted to write a lyric that matched this sonic mood. The first words that came into my head were ‘She loves her and he loves him.’ So it ended up being an unconventional love song. I’m expressing support and joy for diverse couples everywhere, including but not only my friends that appear in the video.” The charming accompanying video was directed by Jamie Fleischel. -
A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century
A SCENE WITHOUT A NAME: INDIE CLASSICAL AND AMERICAN NEW MUSIC IN THE TWENTY-FIRST CENTURY William Robin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2016 Approved by: Mark Katz Andrea Bohlman Mark Evan Bonds Tim Carter Benjamin Piekut © 2016 William Robin ALL RIGHTS RESERVED ii ABSTRACT WILLIAM ROBIN: A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century (Under the direction of Mark Katz) This dissertation represents the first study of indie classical, a significant subset of new music in the twenty-first century United States. The definition of “indie classical” has been a point of controversy among musicians: I thus examine the phrase in its multiplicity, providing a framework to understand its many meanings and practices. Indie classical offers a lens through which to study the social: the web of relations through which new music is structured, comprised in a heterogeneous array of actors, from composers and performers to journalists and publicists to blog posts and music venues. This study reveals the mechanisms through which a musical movement establishes itself in American cultural life; demonstrates how intermediaries such as performers, administrators, critics, and publicists fundamentally shape artistic discourses; and offers a model for analyzing institutional identity and understanding the essential role of institutions in new music. Three chapters each consider indie classical through a different set of practices: as a young generation of musicians that constructed itself in shared institutional backgrounds and performative acts of grouping; as an identity for New Amsterdam Records that powerfully shaped the record label’s music and its dissemination; and as a collaboration between the ensemble yMusic and Duke University that sheds light on the twenty-first century status of the new-music ensemble and the composition PhD program. -
'Flush with Punky Guitars and Grabby Pop Melodies.'
NOVEMBER 2010 ISSUE MMUSICMAG.COM REVIEWS HOLE SNobody’sUPERCHUNK Daughter [Universal] Majesty Shredding [Merge Records] The first album released under the Hole moniker since 1998’s Celebrity Skin is Superchunkreally doesn’t aspire to be Merge Records’ most innovative frontwoman Courtney Love’s second solo album—co-founder,or best-selling act. Mac McCaughan and Laura Ballance—founders songwriter and lead guitarist Eric Erlandson isn’t involved,of both Superchunk and Merge—leave that to the Arcade Fire, whose nor is any other previous Hole member. So it’s Love andSuburbs three album recently became the venerable North Carolina indie ringers on 11 new songs—10 of which Love wroteimprint’s with first-ever chart-topper. The decidedly less ambitiousMajesty collaborators like Billy Corgan,Shredding Linda ,Perry Superchunk’s and new first full-length in nine years, is a gift to fans guitarist Micko Larkin. (Perry gets full credit on one tune, “Letter to God.”) who have been following the group since its Clinton-era heyday. Flush Much of the riveting intensity of the group’s 1990s heyday appears to havewith left punkyalong with guitars her former and grabbyDaniel Jackson pop melodies, the album could have been bandmates, but there are fl ashes here of the snarling Too often, though, the slower songs trip her up. While once fury Love deployed to suchreleased devastating in effectthe mid-’90s,back in the day. just theyas werethe quartetshowcases was for harrowing transitioning displays of from naked theemotion, She spits out her vocals with vengeful disdain on “Skinny Little Love sounds more dispassionate these days. -
REVIEWS HOLE Snobody’Superchunk Daughter [Universal] I Hate Music
ISSUE #30 MMUSICMAG.COM REVIEWS HOLE SNobody’sUPERCHUNK Daughter [Universal] I Hate Music [Merge] The first album released under the Hole moniker since 1998’s Celebrity Skin is really frontwoman Courtney Love’sFor a band that supposedly hates music, Superchunk seems pretty second solo album—co-founder,determined to resurrect the ’90s Chapel Hill sound. Ironically—as the title of songwriter and lead guitarist Eric Erlandson isn’t involved,Superchunk’s 10th album is surely meant to be taken—I Hate Music ranks nor is any other previous Hole member. So it’s Love andamong three this North Carolina quartet’s most listenable material. The album ringers on 11 new songs—10 of which Love wrotefeatures with 11 songs—just like 2010’s Majesty Shredding, Superchunk’s fi rst collaborators like Billy Corgan,studio albumLinda Perry in 10 and years—and new while it lacks the frenzy of the band’s younger guitarist Micko Larkin. (Perry gets full credit on one tune, “Letter to God.”) days, the recording quality is infi nitely better. Singer Mac McCaughan hasn’t Much of the riveting intensity of the group’s 1990s heyday appears to havelost left his along distinctive with her former falsetto, Daniel Jackson and happily, his guitar riffs still go from slightly bandmates, but there are fl ashes here of the snarling Too often, though, the slower songs trip her up. While once fury Love deployed to suchdiscordant devastating to effect all overback inthe the place. day. theyThe were stark, showcases high-pitch for harrowing guitar displaysis most of powerfulnaked emotion, She spits out her vocals onwith “Breaking vengeful disdain Down,” on “Skinny and “Me Little & YouLove &sounds Jackie more Mittoo,” dispassionate the disc’s these catchiest days. -
North Carolina Museum of Art Celebrates 20Th Anniversary of Outdoor Summer Concerts with Special Lineup of Local, National Performers
FOR IMMEDIATE RELEASE May 2, 2017 MEDIA CONTACT Emily Kowalski | (919) 664-6795 | [email protected] North Carolina Museum of Art Celebrates 20th Anniversary of Outdoor Summer Concerts with Special Lineup of Local, National Performers Summer season also includes outdoor movies, family-friendly performances, and a music-movie combo Raleigh, N.C.—The North Carolina Museum of Art (NCMA) announces its 20th anniversary summer outdoor concert and movie series. This season’s lineup includes 12 concerts, one music-movie combo special event, 16 movies, and three family-friendly performances. “We’re thrilled to celebrate this special anniversary with an all-star lineup featuring local favorites, exciting newcomers to the music scene, and internationally acclaimed rock bands,” says George Holt, the NCMA’s director of performing arts and film. “Since the debut of the Joseph M. Bryan, Jr., Theater in the Museum Park in 1997, we’ve welcomed some of the world’s finest musicians and performers, and we’ve experienced countless unforgettable moments.” Concerts and Family-Friendly Performances The concert series kicks off May 6 with a concert by Chapel Hill indie folk band Mipso. Mipso’s first NCMA appearance celebrates the release of a new album, Coming Down the Mountain. North Carolina band River Whyless opens. On June 5 legendary artists and longtime friends Joan Baez, Mary Chapin Carpenter, and Indigo Girls Amy Ray and Emily Saliers share the stage in a special sold-out group performance as Four Voices. Tegan and Sara—who over eight albums and nearly two decades have evolved from a folk duo to acclaimed indie- rockers and then to a glossier dance-pop powerhouse—perform on June 9. -
Big, Bent Ears May 2015-January 2016 Gben a Multimedia Installation About Listening Bi W
T EARS EN , B IG B g in n te is l ut bo a ion llat sta ia in a multimed tEars.org Big, Bent Ears May 2015-January 2016 gBen A multimedia installation about listening Bi w. Curated by Sam Stephenson & Ivan Weiss of Rock Fish Stew w w Artists BIG, BENT EARS originated as an online series in Alex Boerner, filmmaker collaboration with The Paris Review called “Big, Bent Mika Chance, filmmaker Ears: A Serial in Documentary Uncertainty.” Kate Joyce, photographer Carter McCall, filmmaker We have provided links throughout this guide to related Jonna McKone, filmmaker Ligaiya Romero, filmmaker chapters. Please follow along using your mobile devices. Richard Rothman, photographer Ivan Weiss, filmmaker g Partners .or w tew Rock Fish Stew Institute of Literature and Materials • Arts Access • ww.RockFishS Triple Aught • DecoRaleigh • SiteLink • CAM/now • Morningstar Law Group • Themeworks • Gensler • Theater Consultants Collaborative • ROCK FISH STEW is a documentary non-profit The Wine Feed • The Betty Eichenberger Adams Society based in Durham, N.C. We work with words, films, CAM’s educational and community programs are funded in part by the photographs, collected materials – whatever is called Goodnight Educational Foundation, The Grable Foundation, the William for. We explore people’s daily processes and devotion R. Kenan Jr. Charitable Trust, the United Arts Council of Raleigh and to craft, and strive to elucidate the connections between Wake County, IBM Community, SunTrust Grant, Telepathic Graphic. individuals, their communities and histories, and the Family Sundaes are funded by the PNC Foundation. environment at large. Rock Fish Stew received primary funding for this project from the Reva and David Logan Foundation of Chicago. -
THE MICHIGAN REVIEW the JOURNAL of CAMPUS AF FAIRS at the UNIVERSITY of MICHIGAN 03.08.07 VOLUME XXV, ISSUE 8 Features INSIDE THE
THE MICHIGAN REVIEW THE JOURNAL OF CAMPUS AF FAIRS AT THE UNIVERSITY OF MICHIGAN 03.08.07 VOLUME XXV, ISSUE 8 Features INSIDE THE Professor and former Provost Paul Courant “SECRET SOCIETY” discusses economics A look inside Michigamua, the Order of Angell - and the progressive opposition of the University BY NICK CHEOLAS, EDITOR-IN-CHIEF But the society lives on, despite lawsuits, tion of the Michigan Union, Michigamua was documentaries, break-ins, expulsions, criticism granted a permanent lease in the Union tower P. 12 O SERVE MICHIGAN. and protests. And just as the society continues, in 1932. The organization remained in the tow- TThe aim of the senior society is simple. For so does the controversy. er until 2000. 105 years, the organization formerly known as All this in an organization that has, its Among its membership – which includes A look at the much- Michigamua – and now known as the Order of members contend, but one goal: to serve former President Gerald Ford and former maligned senior Angell – has fought to serve the University of Michigan. )RRWEDOO&RDFKDQG$WKOHWLF'LUHFWRUÀHOGLQJ society, the Order of Michigan above all else. Yost – the group also lists civil rights leader But the simplicity of their mission stands HISTORY and former Assistant Attorney General Roger Angell in sharp contrast to the controversy sparked by Founded in 1902 by a group of University Wilkins, a member of the Pride of 1953. the senior society. seniors in conjunction with University Presi- “Michigamua was integrated in the 1940s, P. 3 The group exists, its members say, to serve dent James Angell, early members adopted the up to two decades before many parts of cam- Michigan above all else. -
Mrg302 Mrg382
P.O. Box 1235 Chapel Hill, NC 27514 USA Phone: 919.688.9969 x125 www.mergerecords.com SUPERCHUNK Remastered Reissues File Under: Alternative Release Date is 18 March 2014 Export: World excluding N America, S America, Vinyl is non-returnable Japan, Hong Kong, Taiwan & Korea MRG060 - Foolish (Remastered + Bonus) CD & LP • Remastered album from original 1/2” reels on CD and 180-gram vinyl + bonus download audio • Bonus is The Clambakes, Vol. 6: One in a Row (a 64-minute live recording from 1994) + three songs from rehearsals taped just prior to recording the album LP + three acoustic b-sides from the Driveway to Driveway EP • CD & LP package include new essay by Superchunk’s Jon Wurster • LP includes full album download CD • CD box lot is 30 // LP box lot is 40 MRG090 - Here’s Where the Strings Come In (Remastered + Bonus) • Remastered album from original 1/2” reels on CD and 180-gram vinyl + bonus download audio MRG302• Bonus is The Clambakes Vol. 5 (a live recording from 2003) + exclusive demo versions of songs on Strings • CD & LP cardboard jackets reprinted at Stoughton Press; LP includes LP MRG412full album & bonus download • CD box lot is 40 // LP box lot is 30 WILD FLAG MRG302 MRG386CD MRG129 - Indoor Living (Remastered + Bonus) • Remastered album from original 1/2” reels on CD and 180-gram vinyl + bonus download audio • Bonus is We’d Like To Thank The Homecoming Committee - Live At Duke 1997 • CD is 6-panel softpak + booklet. LP is 180-gram vinyl in jacket + full LP album & bonus download.