Old Guys Get New Prez
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The City Record. Fire Department
THE CITY RECORD. VoL. XXXII. NEW YORK, TUESDAY, AUGUST 23, 1904. NUMBER 9,517. THE CITY RECORD. From Assistant Fire Marshal in charge boroughs of Brooklyn and Queens—Re- porting 6o fires, week ending the 23d inst. From Fireman first grade John C. Hussey, Engine Company 59 (Theatre Detail)— JOURNAL OF THE CITY OF NEW YORK. Reporting slight panic at Proctor's One Hundred and Twenty-fifth Street Theatre OFFICIAL during afternoon performance on the 22d inst. From Edward S. Middleton, Assistant Superintendent of Buildings—Requesting Published Under Authority of Section x526, Greater New York Charter, by the leave of absence for three weeks from August I, 1904. Granted. From Stanley & Patterson—Concerning amount due for telegraph supplies. Noti- BOARD OF CITY RECORD. fied that voucher has been forwarded to Department of Finance for payment. From Gamewell Fire Alarm Telegraph Company—Acknowledging receipt of notifi- GEORGE B. McCLELLAN, MAYOR, cation relative to award of contract for furnishing and delivering fire alarm telegraph supplies, Class B, for use of this Department in borough of Queens. JOHN J. DELANY, CORPORATION COUNSEL. EDWARD M. GROUT, COMPTROLLER. From Western Electric Company—Relative to their bid for furnishing telegraph supplies for use in the boroughs of Brooklyn and Queens, and for the volunteer service in the borough of Queens. From James Silvey—Acknowledging receipt of copy of annual report for 1902. From Samuel Glaser—Relative to supplying wall paper, paints, etc., for Department PATRICK J. TRACY, SUPERVISOR. use. Published daily, except legal holidays. Referred. Subscription, il9.3o per year, exclusive of supplements. Three cents a copy. -
BROOKLYN SCHOOLS W/ ACCOUNTS at MFTA Locationcode ATS System Code Location Name 9/26/2018 K001 15K001 P.S
BROOKLYN SCHOOLS w/ ACCOUNTS AT MFTA LocationCode ATS System Code Location Name 9/26/2018 K001 15K001 P.S. 001 The Bergen K002 17K002 Parkside Preparatory Academy K003 13K003 P.S. 003 The Bedford Village K004 75K004 P.S. K004 K005 16K005 P.S. 005 Dr. Ronald Mcnair K006 17K006 Norma Adams Clemons Academy K007 19K007 P.S. 007 Abraham Lincoln K008 13K008 P.S. 008 Robert Fulton K009 13K009 P.S. 009 Teunis G. Bergen K010 15K010 Magnet School of Math, Science and Design Technology K011 13K011 P.S. 011 Purvis J. Behan K012 17K012 Dr. Jacqueline Peek‐Davis School K013 19K013 P.S. 013 Roberto Clemente K014 22K014 J.H.S. 014 Shell Bank K015 15K015 P.S. 015 Patrick F. Daly K016 14K016 P.S. 016 Leonard Dunkly K017 14K017 P.S. 017 Henry D. Woodworth K018 14K018 P.S. 018 Edward Bush K020 13K020 P.S. 020 Clinton Hill K021 16K021 P.S. 021 Crispus Attucks K023 14K023 P.S. 023 Carter G. Woodson K024 15K024 P.S. 024 K025 16K025 P.S. 025 Eubie Blake School K026 16K026 P.S. 026 Jesse Owens K028 16K028 P.S. 028 The Warren Prep Academy K029 15K029 P.S. 029 John M. Harrigan K030 20K030 P.S./I.S. 30 Mary White Ovington K031 14K031 P.S. 031 Samuel F. Dupont K032 15K032 P.S. 032 Samuel Mills Sprole K034 14K034 P.S. 034 Oliver H. Perry K035 16K035 M.S. 035 Stephen Decatur K036 75K036 P.S. 36 K037 84K037 Beginning with Children Charter School II K038 15K038 P.S. -
New York Genealogical and Biographical Record, Vol 21
K<^' ^ V*^'\^^^ '\'*'^^*/ \'^^-\^^^'^ V' ar* ^ ^^» "w^^^O^o a • <L^ (r> ***^^^>^^* '^ "h. ' ^./ ^^0^ Digitized by the internet Archive > ,/- in 2008 with funding from ' A^' ^^ *: '^^'& : The Library of Congress r^ .-?,'^ httpy/www.archive.org/details/pewyorkgepealog21 newy THE NEW YORK Genealogical\nd Biographical Record. DEVOTED TO THE INTERESTS OF AMERICAN GENEALOGY AND BIOGRAPHY. ISSUED QUARTERLY. VOLUME XXL, 1890. 868; PUBLISHED BY THE SOCIETY, Berkeley Lyceuim, No. 23 West 44TH Street, NEW YORK CITY. 4125 PUBLICATION COMMITTEE: Rev. BEVERLEY R. BETTS, Chairman. Dr. SAMUEL S. PURPLE.. Gen. JAS. GRANT WILSON. Mr. THOS. G. EVANS. Mr. EDWARD F. DE LANCEY. Mr. WILLL\M P. ROBINSON. Press of J. J. Little & Co., Astor Place, New York. INDEX OF SUBJECTS. Albany and New York Records, 170. Baird, Charles W., Sketch of, 147. Bidwell, Marshal] S., Memoir of, i. Brookhaven Epitaphs, 63. Cleveland, Edmund J. Captain Alexander Forbes and his Descendants, 159. Crispell Family, 83. De Lancey, Edward F. Memoir of Marshall S. Bidwell, i. De Witt Family, 185. Dyckman Burial Ground, 81. Edsall, Thomas H. Inscriptions from the Dyckman Burial Ground, 81. Evans, Thomas G. The Crispell Family, 83. The De Witt Family, 185. Fernow, Berlhold. Albany and New York Records, 170 Fishkill and its Ancient Church, 52. Forbes, Alexander, 159. Heermans Family, 58. Herbert and Morgan Records, 40. Hoes, R. R. The Negro Plot of 1712, 162. Hopkins, Woolsey R Two Old New York Houses, 168. Inscriptions from Morgan Manor, N. J. , 112. John Hart, the Signer, 36. John Patterson, by William Henry Lee, 99. Jones, William Alfred. The East in New York, 43. Kelby, William. -
Nightlight: Tradition and Change in a Local Music Scene
NIGHTLIGHT: TRADITION AND CHANGE IN A LOCAL MUSIC SCENE Aaron Smithers A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Folklore. Chapel Hill 2018 Approved by: Glenn Hinson Patricia Sawin Michael Palm ©2018 Aaron Smithers ALL RIGHTS RESERVED ii ABSTRACT Aaron Smithers: Nightlight: Tradition and Change in a Local Music Scene (Under the direction of Glenn Hinson) This thesis considers how tradition—as a dynamic process—is crucial to the development, maintenance, and dissolution of the complex networks of relations that make up local music communities. Using the concept of “scene” as a frame, this ethnographic project engages with participants in a contemporary music scene shaped by a tradition of experimentation that embraces discontinuity and celebrates change. This tradition is learned and communicated through performance and social interaction between participants connected through the Nightlight—a music venue in Chapel Hill, North Carolina. iii ACKNOWLEDGEMENTS Any merit of this ethnography reflects the commitment of a broad community of dedicated individuals who willingly contributed their time, thoughts, voices, and support to make this project complete. I am most grateful to my collaborators and consultants, Michele Arazano, Robert Biggers, Dave Cantwell, Grayson Currin, Lauren Ford, Anne Gomez, David Harper, Chuck Johnson, Kelly Kress, Ryan Martin, Alexis Mastromichalis, Heather McEntire, Mike Nutt, Katie O’Neil, “Crowmeat” Bob Pence, Charlie St. Clair, and Isaac Trogden, as well as all the other musicians, employees, artists, and compatriots of Nightlight whose combined efforts create the unique community that define a scene. -
A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century
A SCENE WITHOUT A NAME: INDIE CLASSICAL AND AMERICAN NEW MUSIC IN THE TWENTY-FIRST CENTURY William Robin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2016 Approved by: Mark Katz Andrea Bohlman Mark Evan Bonds Tim Carter Benjamin Piekut © 2016 William Robin ALL RIGHTS RESERVED ii ABSTRACT WILLIAM ROBIN: A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century (Under the direction of Mark Katz) This dissertation represents the first study of indie classical, a significant subset of new music in the twenty-first century United States. The definition of “indie classical” has been a point of controversy among musicians: I thus examine the phrase in its multiplicity, providing a framework to understand its many meanings and practices. Indie classical offers a lens through which to study the social: the web of relations through which new music is structured, comprised in a heterogeneous array of actors, from composers and performers to journalists and publicists to blog posts and music venues. This study reveals the mechanisms through which a musical movement establishes itself in American cultural life; demonstrates how intermediaries such as performers, administrators, critics, and publicists fundamentally shape artistic discourses; and offers a model for analyzing institutional identity and understanding the essential role of institutions in new music. Three chapters each consider indie classical through a different set of practices: as a young generation of musicians that constructed itself in shared institutional backgrounds and performative acts of grouping; as an identity for New Amsterdam Records that powerfully shaped the record label’s music and its dissemination; and as a collaboration between the ensemble yMusic and Duke University that sheds light on the twenty-first century status of the new-music ensemble and the composition PhD program. -
Ridgefield Encyclopedia (5-15-2020)
A compendium of more than 3,500 people, places and things relating to Ridgefield, Connecticut. by Jack Sanders [Note: Abbreviations and sources are explained at the end of the document. This work is being constantly expanded and revised; this version was last updated on 5-15-2020.] A A&P: The Great Atlantic and Pacific Tea Company opened a small grocery store at 378 Main Street in 1948 (long after liquor store — q.v.); became a supermarket at 46 Danbury Road in 1962 (now Walgreens site); closed November 1981. [JFS] A&P Liquor Store: Opened at 133½ Main Street Sept. 12, 1935. [P9/12/1935] Aaron’s Court: short, dead-end road serving 9 of 10 lots at 45 acre subdivision on the east side of Ridgebury Road by Lewis and Barry Finch, father-son, who had in 1980 proposed a corporate park here; named for Aaron Turner (q.v.), circus owner, who was born nearby. [RN] A Better Chance (ABC) is Ridgefield chapter of a national organization that sponsors talented, motivated children from inner-cities to attend RHS; students live at 32 Fairview Avenue; program began 1987. A Birdseye View: Column in Ridgefield Press for many years, written by Duncan Smith (q.v.) Abbe family: Lived on West Lane and West Mountain, 1935-36: James E. Abbe, noted photographer of celebrities, his wife, Polly Shorrock Abbe, and their three children Patience, Richard and John; the children became national celebrities when their 1936 book, “Around the World in Eleven Years.” written mostly by Patience, 11, became a bestseller. [WWW] Abbot, Dr. -
'Flush with Punky Guitars and Grabby Pop Melodies.'
NOVEMBER 2010 ISSUE MMUSICMAG.COM REVIEWS HOLE SNobody’sUPERCHUNK Daughter [Universal] Majesty Shredding [Merge Records] The first album released under the Hole moniker since 1998’s Celebrity Skin is Superchunkreally doesn’t aspire to be Merge Records’ most innovative frontwoman Courtney Love’s second solo album—co-founder,or best-selling act. Mac McCaughan and Laura Ballance—founders songwriter and lead guitarist Eric Erlandson isn’t involved,of both Superchunk and Merge—leave that to the Arcade Fire, whose nor is any other previous Hole member. So it’s Love andSuburbs three album recently became the venerable North Carolina indie ringers on 11 new songs—10 of which Love wroteimprint’s with first-ever chart-topper. The decidedly less ambitiousMajesty collaborators like Billy Corgan,Shredding Linda ,Perry Superchunk’s and new first full-length in nine years, is a gift to fans guitarist Micko Larkin. (Perry gets full credit on one tune, “Letter to God.”) who have been following the group since its Clinton-era heyday. Flush Much of the riveting intensity of the group’s 1990s heyday appears to havewith left punkyalong with guitars her former and grabbyDaniel Jackson pop melodies, the album could have been bandmates, but there are fl ashes here of the snarling Too often, though, the slower songs trip her up. While once fury Love deployed to suchreleased devastating in effectthe mid-’90s,back in the day. just theyas werethe quartetshowcases was for harrowing transitioning displays of from naked theemotion, She spits out her vocals with vengeful disdain on “Skinny Little Love sounds more dispassionate these days. -
REVIEWS HOLE Snobody’Superchunk Daughter [Universal] I Hate Music
ISSUE #30 MMUSICMAG.COM REVIEWS HOLE SNobody’sUPERCHUNK Daughter [Universal] I Hate Music [Merge] The first album released under the Hole moniker since 1998’s Celebrity Skin is really frontwoman Courtney Love’sFor a band that supposedly hates music, Superchunk seems pretty second solo album—co-founder,determined to resurrect the ’90s Chapel Hill sound. Ironically—as the title of songwriter and lead guitarist Eric Erlandson isn’t involved,Superchunk’s 10th album is surely meant to be taken—I Hate Music ranks nor is any other previous Hole member. So it’s Love andamong three this North Carolina quartet’s most listenable material. The album ringers on 11 new songs—10 of which Love wrotefeatures with 11 songs—just like 2010’s Majesty Shredding, Superchunk’s fi rst collaborators like Billy Corgan,studio albumLinda Perry in 10 and years—and new while it lacks the frenzy of the band’s younger guitarist Micko Larkin. (Perry gets full credit on one tune, “Letter to God.”) days, the recording quality is infi nitely better. Singer Mac McCaughan hasn’t Much of the riveting intensity of the group’s 1990s heyday appears to havelost left his along distinctive with her former falsetto, Daniel Jackson and happily, his guitar riffs still go from slightly bandmates, but there are fl ashes here of the snarling Too often, though, the slower songs trip her up. While once fury Love deployed to suchdiscordant devastating to effect all overback inthe the place. day. theyThe were stark, showcases high-pitch for harrowing guitar displaysis most of powerfulnaked emotion, She spits out her vocals onwith “Breaking vengeful disdain Down,” on “Skinny and “Me Little & YouLove &sounds Jackie more Mittoo,” dispassionate the disc’s these catchiest days. -
North Carolina Museum of Art Celebrates 20Th Anniversary of Outdoor Summer Concerts with Special Lineup of Local, National Performers
FOR IMMEDIATE RELEASE May 2, 2017 MEDIA CONTACT Emily Kowalski | (919) 664-6795 | [email protected] North Carolina Museum of Art Celebrates 20th Anniversary of Outdoor Summer Concerts with Special Lineup of Local, National Performers Summer season also includes outdoor movies, family-friendly performances, and a music-movie combo Raleigh, N.C.—The North Carolina Museum of Art (NCMA) announces its 20th anniversary summer outdoor concert and movie series. This season’s lineup includes 12 concerts, one music-movie combo special event, 16 movies, and three family-friendly performances. “We’re thrilled to celebrate this special anniversary with an all-star lineup featuring local favorites, exciting newcomers to the music scene, and internationally acclaimed rock bands,” says George Holt, the NCMA’s director of performing arts and film. “Since the debut of the Joseph M. Bryan, Jr., Theater in the Museum Park in 1997, we’ve welcomed some of the world’s finest musicians and performers, and we’ve experienced countless unforgettable moments.” Concerts and Family-Friendly Performances The concert series kicks off May 6 with a concert by Chapel Hill indie folk band Mipso. Mipso’s first NCMA appearance celebrates the release of a new album, Coming Down the Mountain. North Carolina band River Whyless opens. On June 5 legendary artists and longtime friends Joan Baez, Mary Chapin Carpenter, and Indigo Girls Amy Ray and Emily Saliers share the stage in a special sold-out group performance as Four Voices. Tegan and Sara—who over eight albums and nearly two decades have evolved from a folk duo to acclaimed indie- rockers and then to a glossier dance-pop powerhouse—perform on June 9. -
RALEIGH-DURHAM North Carolina's Axis of Cool
the SCENE RALEIGH-DURHAM North Carolina’s axis of cool. With its food trucks, design collectives and rehabbed downtowns, the Research Triangle — the patch of North Carolina that is home to Raleigh, Durham, Chapel Hill and 150,000 college students — seems to be yet another hipster vibe factory. It’s Silver Lake, you think, just with a few more ‘‘yes, ma’ams.’’ But then you taste the okra and sni the heirloom tomatoes. You meet an ex-vegan who’s smoking whole hogs and a church pastor who plays in a secular rock group. And speaking of music, it’s everywhere — beamed out from great college radio stations, seeping out of historic rock clubs and packaged by a growing local record industry . This is the kind of place where bands still play house shows, where a local will endorse a dingy club by telling you that, inside, it feels like you’re at a Halo of Flies show in 1988. You don’t really know what he’s talking about, but you must nd out. STEPHEN HEYMAN RALEIGH DENIM Victor Lytvinenko, 30, a former cook at Nobu in New York, and his wife Sarah, 29, who studied design at North Carolina State, began sewing selvage denim in their living room three years ago; now their jeans are on sale at Barneys for up to $300. Inside Raleigh Denim’s new workshop (and small retail space), ambient music plays over the hum of vintage sewing machines, including one from 1921 that torques hemlines in a way that makes denim geeks freak. -
2019 Agency Annual Concession Plan
CITY OF NEW YORK AGENCY ANNUAL CONCESSION PLAN FOR FISCAL YEAR 2019 (CITYWIDE) FOR NEW EXPIRATION FOR NEW ANTICIPATED ANNUAL CONCESSION LOCATION OF CONCESSION/BRIEF DESCRIPTION FOR EFFECTIVE DATE AFFECTED CONCESSION CONCESSIONS, BUSINESS ADDRESS OF CONCESSION CONCESSION OR DATE OF AFFECTED CONCESSIONS, CONCESSION SIGNIFICANT/NON- AGENCY ID/PERMIT CURRENT CONCESSIONAIRE NAME CONCESSIONS PLANNED FOR OF CURRENT COMMUNITY SOLICITATION ANTICIPATED CURRENT CONCESSIONAIRE STATUS FACILITY TYPE CURRENT BOROUGH(S) ANTICIPATED REVENUE FOR FISCAL SIGNIFICANT NUMBER SOLICITATION/INITIATION IN FISCAL YEAR 2019 CONCESSION BOARD(S) METHOD RELEASE DATE OF CONCESSION CONCESSION TERM YEAR 2019 SOLICITATION Sunset Park at 41st between 6th and 7th Avenues and at 44th DPR B087-C N/A N/A Plan to Initiate Mobile Food Cart Notice to Proceed 12/31/2022 Brooklyn 7 Request for Bids N/A 5 Years $16,500 Non-significant between 5th and 6th Avenues DPR B100-MT N/A N/A Seth Low Playground Plan to Initiate Mobile Food Truck Notice to Proceed 12/31/2022 Brooklyn 11 Request for Bids N/A 5 Years $139,500 Non-significant 173 Main Street, 3rd Floor Ossining, Washington Park (J.J. Byrne Playground) on 5th Ave. between 3rd DPR B111-FM-O Zeltsman Associates, Inc d.b.a Down to Earth Markets Continuing Farmers Market 5/11/2016 5/10/2021 Brooklyn 6 Request for Proposals N/A N/A $1,145 Non-significant NY 10562 and 4th streets 2453 64th Street, Apt. B12, Washington Park (J.J. Byrne Playground) on 5th Ave. between 3rd DPR B111-MT Muradova, Yulduz Continuing Mobile Food Truck 7/30/2016 -
Columbia Chronicle College Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 3-2-1998 Columbia Chronicle (03/02/1998) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (03/2/1998)" (March 2, 1998). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/416 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. RECEtVED ~(0!\998 r cffft. c~e~ ' ' C H I Dorm students Art exhibit showcases finally move to richness of black history Columbia dorm ganza with singing performed by Chicago Housing Authority police officers. Students label temporary housing 'a bad scene' When thinking about black Art Burton, director of history and the countless con- Student life and By Ani ta Hardwick tributions Africans and Development, said the events Ctlrre.tptmdent African-Americans have give students a wide array of made to this world, Columbia talent and artistry to delve Columbia College's surplus housing students, who lived in the recognizes this important into-something Columbia Essex Inn Hotel, located at 800 South Michigan Ave., for the fall month in an array of ways. students, no matter from what semester, were finally given the opportunity to move into the Even though the month began culture they originate, can Columbia College Residence Center.