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The Call of the Siren: Bod, Baútisos, Baîtai, and Related Names (Studies in Historical Geography II)
The Call of the Siren: Bod, Baútisos, Baîtai, and Related Names (Studies in Historical Geography II) Bettina Zeisler (Universität Tübingen) 1. Introduction eographical or ethnical names, like ethnical identities, are like slippery fishes: one can hardly catch them, even less, pin them G down for ever. The ‘Germans’, for example, are called so only by English speakers. The name may have belonged to a tribe in Bel- gium, but was then applied by the Romans to various tribes of North- ern Europe.1 As a tribal or linguistic label, ‘German (ic)’ also applies to the English or to the Dutch, the latter bearing in English the same des- ignation that the Germans claim for themselves: ‘deutsch’. This by the way, may have meant nothing but ‘being part of the people’.2 The French call them ‘Allemands’, just because one of the many Germanic – and in that case, German – tribes, the Allemannen, settled in their neighbourhood. The French, on the other hand, are called so, because a Germanic and, in that case again, German tribe, the ‘Franken’ (origi- nally meaning the ‘avid’, ‘audacious’, later the ‘free’ people) moved into France, and became the ruling elite.3 The situation is similar or even worse in other parts of the world. Personal names may become ethnic names, as in the case of the Tuyu- hun. 4 Names of neighbouring tribes might be projected onto their overlords, as in the case of the Ḥaža, who were conquered by the Tuyuhun, the latter then being called Ḥaža by the Tibetans. Ethnic names may become geographical names, but then, place names may travel along with ethnic groups. -
Kūnqǔ in Practice: a Case Study
KŪNQǓ IN PRACTICE: A CASE STUDY A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THEATRE OCTOBER 2019 By Ju-Hua Wei Dissertation Committee: Elizabeth A. Wichmann-Walczak, Chairperson Lurana Donnels O’Malley Kirstin A. Pauka Cathryn H. Clayton Shana J. Brown Keywords: kunqu, kunju, opera, performance, text, music, creation, practice, Wei Liangfu © 2019, Ju-Hua Wei ii ACKNOWLEDGEMENTS I wish to express my gratitude to the individuals who helped me in completion of my dissertation and on my journey of exploring the world of theatre and music: Shén Fúqìng 沈福庆 (1933-2013), for being a thoughtful teacher and a father figure. He taught me the spirit of jīngjù and demonstrated the ultimate fine art of jīngjù music and singing. He was an inspiration to all of us who learned from him. And to his spouse, Zhāng Qìnglán 张庆兰, for her motherly love during my jīngjù research in Nánjīng 南京. Sūn Jiàn’ān 孙建安, for being a great mentor to me, bringing me along on all occasions, introducing me to the production team which initiated the project for my dissertation, attending the kūnqǔ performances in which he was involved, meeting his kūnqǔ expert friends, listening to his music lessons, and more; anything which he thought might benefit my understanding of all aspects of kūnqǔ. I am grateful for all his support and his profound knowledge of kūnqǔ music composition. Wichmann-Walczak, Elizabeth, for her years of endeavor producing jīngjù productions in the US. -
Remarks About the History of the Sarvāstivāda Buddhism
ROCZNIK ORIENTALISTYCZNY, T. LXVII, Z. 1, 2014, (s. 255–268) CHARLES WILLEMEN Remarks about the History of the Sarvāstivāda Buddhism Abstract Study about the history of a specific Buddhist monastic lineage known as “Sarvāstivāda” based on an overview of the history of its literature. Keywords: Sarvāstivāda, Buddhism, schism, Mahāyāna, Abhidharma, India, Gandhāra All scholars agree that the Sarvāstivāda (“Proclaiming that Everything Exists”) Buddhism was strong in India’s north-western cultural area. All agree that there was the first and seminal schism between the Sthaviravāda and the Mahāsāṅghika. However, many questions still remain to be answered. For instance, when did the first schism take place? Where exactly in India’s north-western area? We know what the Theravāda tradition has to say, but this is the voice of just one Buddhist tradition. Jibin 罽賓 The Chinese term Jibin is used to designate the north-western cultural area of India. For many years it has been maintained by Buddhist scholars that it is a phonetic rendering of a Prakrit word for Kaśmīra. In 2009 Seishi Karashima wrote that Jibin is a Chinese phonetic rendering of Kaśpīr, a Gāndhārī form of Kaśmīra.1 In 1993 Fumio Enomoto postulated that Jibin is a phonetic rendering of Kapiśa (Kāpiśī, Bagram).2 Historians have long held a different view. In his article of 1996 János Harmatta said that in the seventh century Jibin denoted the Kapiśa-Gandhāra area.3 For this opinion he relied on 1 Karashima 2009: 56–57. 2 Enomoto 1993: 265–266. 3 Harmatta (1996) 1999: 371, 373–379. 256 CHARLES WILLEMEN Édouard Chavannes’s work published in 1903. -
The Web That Has No Weaver
THE WEB THAT HAS NO WEAVER Understanding Chinese Medicine “The Web That Has No Weaver opens the great door of understanding to the profoundness of Chinese medicine.” —People’s Daily, Beijing, China “The Web That Has No Weaver with its manifold merits … is a successful introduction to Chinese medicine. We recommend it to our colleagues in China.” —Chinese Journal of Integrated Traditional and Chinese Medicine, Beijing, China “Ted Kaptchuk’s book [has] something for practically everyone . Kaptchuk, himself an extraordinary combination of elements, is a thinker whose writing is more accessible than that of Joseph Needham or Manfred Porkert with no less scholarship. There is more here to think about, chew over, ponder or reflect upon than you are liable to find elsewhere. This may sound like a rave review: it is.” —Journal of Traditional Acupuncture “The Web That Has No Weaver is an encyclopedia of how to tell from the Eastern perspective ‘what is wrong.’” —Larry Dossey, author of Space, Time, and Medicine “Valuable as a compendium of traditional Chinese medical doctrine.” —Joseph Needham, author of Science and Civilization in China “The only approximation for authenticity is The Barefoot Doctor’s Manual, and this will take readers much further.” —The Kirkus Reviews “Kaptchuk has become a lyricist for the art of healing. And the more he tells us about traditional Chinese medicine, the more clearly we see the link between philosophy, art, and the physician’s craft.” —Houston Chronicle “Ted Kaptchuk’s book was inspirational in the development of my acupuncture practice and gave me a deep understanding of traditional Chinese medicine. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Beyond Life and Death Images of Exceptional Women and Chinese Modernity Wei Hu University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 2017 Beyond Life And Death Images Of Exceptional Women And Chinese Modernity Wei Hu University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Comparative Literature Commons Recommended Citation Hu, W.(2017). Beyond Life And Death Images Of Exceptional Women And Chinese Modernity. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/4370 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. BEYOND LIFE AND DEATH IMAGES OF EXCEPTIONAL WOMEN AND CHINESE MODERNITY by Wei Hu Bachelor of Arts Beijing Language and Culture University, 2002 Master of Laws Beijing Language and Culture University, 2005 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Comparative Literature College of Arts and Sciences University of South Carolina 2017 Accepted by: Michael Gibbs Hill, Major Professor Alexander Jamieson Beecroft, Committee Member Krista Jane Van Fleit, Committee Member Amanda S. Wangwright, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Wei Hu, 2017 All Rights Reserved. ii DEDICATION To My parents, Hu Quanlin and Liu Meilian iii ACKNOWLEDGEMENTS During my graduate studies at the University of South Carolina and the preparation of my dissertation, I have received enormous help from many people. The list below is far from being complete. First of all, I would like to express my sincere gratitude to my academic advisor, Dr. -
Jingjiao Under the Lenses of Chinese Political Theology
religions Article Jingjiao under the Lenses of Chinese Political Theology Chin Ken-pa Department of Philosophy, Fu Jen Catholic University, New Taipei City 24205, Taiwan; [email protected] Received: 28 May 2019; Accepted: 16 September 2019; Published: 26 September 2019 Abstract: Conflict between religion and state politics is a persistent phenomenon in human history. Hence it is not surprising that the propagation of Christianity often faces the challenge of “political theology”. When the Church of the East monk Aluoben reached China in 635 during the reign of Emperor Tang Taizong, he received the favorable invitation of the emperor to translate Christian sacred texts for the collections of Tang Imperial Library. This marks the beginning of Jingjiao (oY) mission in China. In historiographical sense, China has always been a political domineering society where the role of religion is subservient and secondary. A school of scholarship in Jingjiao studies holds that the fall of Jingjiao in China is the obvious result of its over-involvement in local politics. The flaw of such an assumption is the overlooking of the fact that in the Tang context, it is impossible for any religious establishments to avoid getting in touch with the Tang government. In the light of this notion, this article attempts to approach this issue from the perspective of “political theology” and argues that instead of over-involvement, it is rather the clashing of “ideologies” between the Jingjiao establishment and the ever-changing Tang court’s policies towards foreigners and religious bodies that caused the downfall of Jingjiao Christianity in China. This article will posit its argument based on the analysis of the Chinese Jingjiao canonical texts, especially the Xian Stele, and takes this as a point of departure to observe the political dynamics between Jingjiao and Tang court. -
American Oriental Society
American Oriental Society FOUNDED 1842 Constituent of the American Council of Learned Societies And the International Union of Orientalists ABSTRACTS OF COMMUNICATIONS PRESENTED AT THE TWO HUNDRED AND TWENTY-NINTH MEETING Chicago, Illinois March 15–18, 2019 c American Oriental Society 2019 New Haven CT and Ann Arbor MI A. Ancient Near East I: Syntax and Semantics. John Huehnergard, Uni- versity of Texas, Chair (1:30 p.m.–2:30 p.m.) Picasso Ballroom ∗ 1. Øyvind Bjøru, University of Texas at Austin, and Na’ama Pat-El, The Univer- sity of Texas, Austin On the Historical Syntax of the Subordination Morpheme in Assyrian Akkadian Akkadian marks subordinated verbs with a special morpheme, Babylonian -u and Assyri-an -(¯u)ni; e.g., ˇsa ir-ra-ru ‘the one he curses’ (OB, Anzu, line 22). Semitists and Assyriologists have debated the origin of these morphemes in Akkadian in general and in Assyrian in particular (e.g., Kouwenberg 2010, Hasselbach 2012). In this paper we will concentrate on the syntax and distribution of the morpheme in Assyrian, where it is morphologically complex and its syntax differs significantly from Babylonian. We will argue that this morpheme becomes generalized in this dialect, shifting from being part of the Assyrian TAM markers with restricted distribution, to acquiring a purely syntactic function which is decoupled from the verbal paradigm. In Middle Assyrian, the morpheme is attested on all verbal and deverbal predicates, with no restriction, including with verbs carrying other suffixes, such as pronominal and ventive. The most interesting development, however, is attested in Neo-Assyrian, where the morpheme is used to mark the right-most edge of the subordinated sentence, no matter what element is located there, including pronominal subjects in nominal sentences; e.g., LU´ la ´u-da a-a-´uˇsu-tu-´u-ni ‘I don’t know who this man is’ (SAA 10, 280: r1-2). -
Local Authority in the Han Dynasty: Focus on the Sanlao
Local Authority in the Han Dynasty: Focus on the Sanlao Jiandong CHEN 㱩ڎ暒 School of International Studies Faculty of Arts and Social Sciences University of Technology Sydney Australia A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Technology Sydney Sydney, Australia 2018 Certificate of Original Authorship I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This thesis is the result of a research candidature conducted with another University as part of a collaborative Doctoral degree. Production Note: Signature of Student: Signature removed prior to publication. Date: 30/10/2018 ii Acknowledgements The completion of the thesis would not have been possible without the help and support of many people. Firstly, I would like to express my sincere gratitude to my supervisor, Associate Professor Jingqing Yang for his continuous support during my PhD study. Many thanks for providing me with the opportunity to study at the University of Technology Sydney. His patience, motivation and immense knowledge guided me throughout the time of my research. I cannot imagine having a better supervisor and mentor for my PhD study. Besides my supervisor, I would like to thank the rest of my thesis committee: Associate Professor Chongyi Feng and Associate Professor Shirley Chan, for their insightful comments and encouragement; and also for their challenging questions which incited me to widen my research and view things from various perspectives. -
Cao Pi (Pages 5-6) 5
JCC: Romance of the Three Kingdoms 三國演義 Cao Cao Dossier 曹操 Crisis Director: Matthew Owens, Charles Miller Email: [email protected], [email protected] Chair: Harjot Singh Email: [email protected] Table of Contents: 1. Front Page (Page 1) 2. Table of Contents (Page 2) 3. Introduction to the Cao Cao Dossier (Pages 3-4) 4. Cao Pi (Pages 5-6) 5. Cao Zhang (Pages 7-8) 6. Cao Zhi (Pages 9-10) 7. Lady Bian (Page 11) 8. Emperor Xian of Han (Pages 12-13) 9. Empress Fu Shou (Pages 14-15) 10. Cao Ren (Pages 16-17) 11. Cao Hong (Pages 18-19) 12. Xun Yu (Pages 20-21) 13. Sima Yi (Pages 22-23) 14. Zhang Liao (Pages 24-25) 15. Xiahou Yuan (Pages 26-27) 16. Xiahou Dun (Pages 28-29) 17. Yue Jin (Pages 30-31) 18. Dong Zhao (Pages 32-33) 19. Xu Huang (Pages 34-35) 20. Cheng Yu (Pages 36-37) 21. Cai Yan (Page 38) 22. Han Ji (Pages 39-40) 23. Su Ze (Pages 41-42) 24. Works Cited (Pages 43-) Introduction to the Cao Cao Dossier: Most characters within the Court of Cao Cao are either generals, strategists, administrators, or family members. ● Generals lead troops on the battlefield by both developing successful battlefield tactics and using their martial prowess with skills including swordsmanship and archery to duel opposing generals and officers in single combat. They also manage their armies- comprising of troops infantrymen who fight on foot, cavalrymen who fight on horseback, charioteers who fight using horse-drawn chariots, artillerymen who use long-ranged artillery, and sailors and marines who fight using wooden ships- through actions such as recruitment, collection of food and supplies, and training exercises to ensure that their soldiers are well-trained, well-fed, well-armed, and well-supplied. -
A Comparison of Buddhist Music and Dance Between Ancient Cambodian and Yunnan Minority Peoples After Reading the Customs of Cambodia
A Comparison of Buddhist Music and Dance Between Ancient Cambodian and Yunnan Minority Peoples After Reading The Customs of Cambodia Yang Minkang (Music Research Institute, The Central Conservatory of Music, Beijing) [Summary] Over 700 years ago, The Customs of Cambodia was written by Zhou Daguan. It provided a detailed, reliable record and description of the Buddhist culture of Chenla, describing the Buddhist sects, characteristics of temples, Theravada rituals, ritual music activities, and related folklore activities. Compared with the music of some Yunnan ethnic groups that believe in Theravada, such as Dai, Blang, De’ang, etc, they all have some common features. In the vast sea of Chinese historical records, this is another important historical document that records ceremonies and ritual music and dance in detail after the Pyu Music.1 It helps us to understand the ins and outs of Theravada music and dance culture in China today, it also sheds light on the research of Theravada’s cultural history in Southeast Asia. [Keywords] The Customs of Cambodia, Dai Minority, Blang Minority, Theravada, Ritual music. [Chinese Library Classification] J607， J608, J609.2 [Document Code] A [Article ID] 1008－9667（2009）03－0027－08 During the Sui and Tang Dynasties, Chenla which was a vassal state of Funan, began to rise. Its original territories included today's northern Cambodia and southern Laos. Around the mid-6th century, A.D, Chenla annexed the eastern border area of Funan and gradually became stronger. In the 7th century, it eventually replaced Funan and became the most powerful Indianized countries in Southeast Asia. During the Song2 and Yuan3 dynasties, this country that once belonged to Funan grew stronger. -
The Spreading of Christianity and the Introduction of Modern Architecture in Shannxi, China (1840-1949)
Escuela Técnica Superior de Arquitectura de Madrid Programa de doctorado en Concervación y Restauración del Patrimonio Architectónico The Spreading of Christianity and the introduction of Modern Architecture in Shannxi, China (1840-1949) Christian churches and traditional Chinese architecture Author: Shan HUANG (Architect) Director: Antonio LOPERA (Doctor, Arquitecto) 2014 Tribunal nombrado por el Magfco. y Excmo. Sr. Rector de la Universidad Politécnica de Madrid, el día de de 20 . Presidente: Vocal: Vocal: Vocal: Secretario: Suplente: Suplente: Realizado el acto de defensa y lectura de la Tesis el día de de 20 en la Escuela Técnica Superior de Arquitectura de Madrid. Calificación:………………………………. El PRESIDENTE LOS VOCALES EL SECRETARIO Index Index Abstract Resumen Introduction General Background........................................................................................... 1 A) Definition of the Concepts ................................................................ 3 B) Research Background........................................................................ 4 C) Significance and Objects of the Study .......................................... 6 D) Research Methodology ...................................................................... 8 CHAPTER 1 Introduction to Chinese traditional architecture 1.1 The concept of traditional Chinese architecture ......................... 13 1.2 Main characteristics of the traditional Chinese architecture .... 14 1.2.1 Wood was used as the main construction materials ........ 14 1.2.2