4Th October, 2019, at 1 Pm READINGS: from the BLACK SEA to the BALTIC COAST IVAN AIVAZOVSKY's PAINTINGS in the COLLECTIONS of LATVIAN, ESTONIAN and UKRAINIAN MUSEUMS

Total Page:16

File Type:pdf, Size:1020Kb

4Th October, 2019, at 1 Pm READINGS: from the BLACK SEA to the BALTIC COAST IVAN AIVAZOVSKY's PAINTINGS in the COLLECTIONS of LATVIAN, ESTONIAN and UKRAINIAN MUSEUMS 4th October, 2019, at 1 pm READINGS: FROM THE BLACK SEA TO THE BALTIC COAST IVAN AIVAZOVSKY'S PAINTINGS IN THE COLLECTIONS OF LATVIAN, ESTONIAN AND UKRAINIAN MUSEUMS PROGRAMME: 12.30–13.00 Registration 13.00–13.15 OPENING SPEECH. BIOGRAPHY OF IVAN AIVAZOVSKY Daiga Upeniece, Head of the Art Museum RIGA BOURSE 13.15–13.45 I. AIVAZOVSKY IN RIGA Ksenija Rudzīte, LNMA / Curator of the Foreign Painting Collection at the Art Museum RIGA BOURSE The topic of the paper focuses on the artist’s connections with the art life in Riga. When and where the first exhibition of Aivazovsky’s paintings was organized in Riga? What did the local press write about it? How did the collection of Aivazovsky’s works at the Latvian National Museum of Fine Arts form? 13.45–14.15 THE COLLECTION OF I. AIVAZOVSKY IN ESTONIA Aleksandra Murre, Director of the Kadriorg Art Museum and Mikkeli Museum The topic of the paper focuses on Aivazovsky’s collections of paintings in museums and private collections in Estonia. Not only the discoveries that were made during the production of the exhibition In Pursuit of the Ideal (2018, the Kadriorg Art Museum) will be told, but also the content and history of the painting View of Mount Vesuvius a Day before the Volcanic Eruption, 1885. 14.15–14.45 THE COLLECTION OF I. AIVAZOVSKY’S ARTWORKS AT THE ODESSA FINE ARTS MUSEUM Mariia Kazakova, Leading researcher and curator of exhibition projects of Odessa Fine Arts Museum The paper is dedicated to the Odessa Fine Arts Museum, its history, as well as the history and the content of its collection of I. Aivazovsky artworks. 14.45–15.00 Q&A LANGUAGE: Latvian, Russian VENUE: Art Museum RIGA BOURSE, Doma laukums 6, Riga / Conference Hall (3rd floor) ADDITIONAL INFORMATION: Booking is not needed. Free entrance P: (+371) 67 226467; E: [email protected] .
Recommended publications
  • Russian Art+ Culture
    RUSSIAN ART+ CULTURE WINTER GUIDE RUSSIAN ART WEEK, LONDON 23-30 NOVEMBER 2018 Russian Art Week Guide, oktober 2018 CONTENTS Russian Sale Icons, Fine Art and Antiques AUCTION IN COPENHAGEN PREVIEW IN LONDON FRIDAY 30 NOVEMBER AT 2 PM Shapero Modern 32 St George Street London W1S 2EA 24 november: 2 pm - 6 pm 25 november: 11 am - 5 pm 26 november: 9 am - 6 pm THIS ISSUE WELCOME RUSSIAN WORKS ON PAPER By Natasha Butterwick ..................................3 1920’s-1930’s ............................................. 12 AUCTION HIGHLIGHTS FEATURED EVENTS ...........................14 By Simon Hewitt ............................................ 4 RUSSIAN TREASURES IN THE AUCTION SALES ROYAL COLLECTION Christie's, Sotheby's ........................................8 Interview with Caroline de Guitaut ............... 24 For more information please contact MacDougall's, Bonhams .................................9 Martin Hans Borg on +45 8818 1128 Bruun Rasmussen, Roseberys ........................10 RA+C RECOMMENDS .....................30 or [email protected] Stockholms Auktionsverk ................................11 PARTNERS ...............................................32 Above: Georgy Rublev, Anti-capitalist picture "Demonstration", 1932. Tempera on paper, 30 x 38 cm COPENHAGEN, DENMARK TEL +45 8818 1111 Cover: Laurits Regner Tuxen, The Marriage of Nicholas II, Emperor of Russia, 26th November 1894, 1896 BRUUN-RASMUSSEN.COM Credit: Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2018 russian art week guide_1018_150x180_engelsk.indd 1 11/10/2018 14.02 INTRODUCTION WELCOME Russian Art Week, yet again, strong collection of 19th century Russian provides the necessary Art featuring first-class work by Makovsky cultural bridge between and Pokhitonov, whilst MacDougall's, who Russia and the West at a time continue to provide our organisation with of even worsening relations fantastic support, have a large array of between the two.
    [Show full text]
  • THE ARMENIAN Mirrorc SPECTATOR Since 1932
    THE ARMENIAN MIRRORc SPECTATOR Since 1932 Volume LXXXXI, NO. 43, Issue 4685 MAY 15, 2021 $2.00 Former President Kocharyan Looks And Acts Like New Candidate By Raffi Elliott Special to the Mirror-Spectator YEREVAN – Armenia’s second president, Robert Ko- charyan, took a further step towards formalizing his par- ticipation in upcoming snap parliamentary elections on Sunday, May 9. At a press briefing for his newly-established electoral alliance, dubbed the Armenia Bloc, the former president told reporters that he decided to return to politics to rectify what he believes are great threats to the country’s long- Russian peacekeepers arriving in Shushi last year (Sputnik photo) term security and stability allegedly caused by the cur- rent authorities. Kocharyan accuses Prime Minister Nikol Pashinyan’s government of failing to provide security in Russia Vows No Letup in Karabakh Peace Efforts border regions, signing the November 9 cease-fire on un- YEREVAN (RFE/RL) — Russia will keep doing its best forts to get Armenia and Azerbaijan to open their transport favourable terms, and mismanaging the economy. to ensure the full implementation of the Russian-brokered links after decades of conflict. He said a trilateral working agreement that stopped the Armenian-Azerbaijani war in group formed by the Russian, Armenian and Azerbaijani Nagorno-Karabakh, Foreign Minister Sergey Lavrov said governments for that purpose is helping to further stabilize during a visit to Yerevan on Thursday, May 6. the situation in the Karabakh conflict zone. “We are not reducing our efforts at returning all detainees to their homes, demining, preserving cultural and religious heritage as well as launching the work of relevant interna- “We are not reducing our efforts tional organizations in Nagorno-Karabakh,” Lavrov said at returning all detainees to their homes, demining, preserving cultural and religious heritage..
    [Show full text]
  • Russian Art 1
    RUSSIAN ART 1 RUSSIAN ART Christie’s dominated the global market for Russian Works of Art and Fabergé in 2016, with our Russian Art sales achieving more than £12 million internationally. For the tenth consecutive season, our Russian Art auctions saw the highest sell-through rates in the market. With a focus on outstanding quality, Christie’s continues to attract both emerging and established collectors in the field. For over a decade, Christie’s has set world auction records in every Russian Art sale. We have broken a total of six records in the past two years, including two in excess of £4 million. Christie’s has set world records for over 50 of Russia’s foremost artists, including Goncharova, Repin, Levitan, Vereshchagin, Vasnetsov, Borovikovsky, Serov, Somov, Lentulov, Mashkov, Annenkov and Tchelitchew. Six of the 10 most valuable paintings ever purchased in a Russian Art sale were sold at Christie’s. Christie’s remains the global market leader in the field of Russian Works of Art and Fabergé, consistently achieving the highest percentage sold by both value and lot for Russian Works of Art. Christie’s closes 2016 with a 60% share of the global Fabergé market, and a 62% share of the global market for Russian Works of Art. cover PROPERTY FROM AN IMPORTANT EUROPEAN COLLECTION KONSTANTIN KOROVIN (1861–1939) Woodland brook, 1921 Estimate: £120,000–150,000 Sold for: £317,000 London, King Street · November 2016 back cover PROPERTY OF A MIDDLE EASTERN COLLECTOR A GEM-SET PARCEL-GILT SILVER-MOUNTED CERAMIC TOBACCO HUMIDOR The mounts marked K.
    [Show full text]
  • The Unique Cultural & Innnovative Twelfty 1820
    Chekhov reading The Seagull to the Moscow Art Theatre Group, Stanislavski, Olga Knipper THE UNIQUE CULTURAL & INNNOVATIVE TWELFTY 1820-1939, by JACQUES CORY 2 TABLE OF CONTENTS No. of Page INSPIRATION 5 INTRODUCTION 6 THE METHODOLOGY OF THE BOOK 8 CULTURE IN EUROPEAN LANGUAGES IN THE “CENTURY”/TWELFTY 1820-1939 14 LITERATURE 16 NOBEL PRIZES IN LITERATURE 16 CORY'S LIST OF BEST AUTHORS IN 1820-1939, WITH COMMENTS AND LISTS OF BOOKS 37 CORY'S LIST OF BEST AUTHORS IN TWELFTY 1820-1939 39 THE 3 MOST SIGNIFICANT LITERATURES – FRENCH, ENGLISH, GERMAN 39 THE 3 MORE SIGNIFICANT LITERATURES – SPANISH, RUSSIAN, ITALIAN 46 THE 10 SIGNIFICANT LITERATURES – PORTUGUESE, BRAZILIAN, DUTCH, CZECH, GREEK, POLISH, SWEDISH, NORWEGIAN, DANISH, FINNISH 50 12 OTHER EUROPEAN LITERATURES – ROMANIAN, TURKISH, HUNGARIAN, SERBIAN, CROATIAN, UKRAINIAN (20 EACH), AND IRISH GAELIC, BULGARIAN, ALBANIAN, ARMENIAN, GEORGIAN, LITHUANIAN (10 EACH) 56 TOTAL OF NOS. OF AUTHORS IN EUROPEAN LANGUAGES BY CLUSTERS 59 JEWISH LANGUAGES LITERATURES 60 LITERATURES IN NON-EUROPEAN LANGUAGES 74 CORY'S LIST OF THE BEST BOOKS IN LITERATURE IN 1860-1899 78 3 SURVEY ON THE MOST/MORE/SIGNIFICANT LITERATURE/ART/MUSIC IN THE ROMANTICISM/REALISM/MODERNISM ERAS 113 ROMANTICISM IN LITERATURE, ART AND MUSIC 113 Analysis of the Results of the Romantic Era 125 REALISM IN LITERATURE, ART AND MUSIC 128 Analysis of the Results of the Realism/Naturalism Era 150 MODERNISM IN LITERATURE, ART AND MUSIC 153 Analysis of the Results of the Modernism Era 168 Analysis of the Results of the Total Period of 1820-1939
    [Show full text]
  • Maritime Romanticism Created by Jake Tedesco January, 2021
    2020 2021 Maritime Romanticism Created by Jake Tedesco January, 2021 Motivation Inspired by the artwork of Ivan Aivazovsky, students will be introduced to his maritime painting and the Romantic movement in art. In this project, students will draw a sailing ship, by following step-by- step instructions to create a vessel much like those that made the great oceans passable for exploration, transportation, and trade. In order to intensify the drawing composition, students will apply color by layering transparent washes of watercolor paints. Student Objectives • Introduce students to the marine art of Russian artist Ivan Aivazovsky. • Learn about the Romantic art movement. • Demonstrate skill in use of tools and process: pencil drawing and painting with watercolors. Historical and Cultural Connections The Romantic movement (or Romanticism) was an artistic, intellectual, and literary movement that spread throughout Europe at the end of the 18th century and was in its height during the mid 1800’s. It was considered a direct response to the Industrial Revolution. The movement focused on intense emotion as a source of inspiration. During this time, water was “left to speak for itself; the weather would play a huge part in what emotions were experienced from viewing a painting. “ For example, the sea could be depicted in many different ways. It could be painted as rough, stormy, dark, or calm, etc. Each of these evoking a different viewer experience. Ivan Aviazovsky (1817-1900) was a Romantic painter considered one of the greatest Marine artists in history. Born to an Armenian family living on the Black Sea, he later traveled to Europe.
    [Show full text]
  • Bundestag's Genocide Recognition a First Step Aleppo Armenian Quarter
    JUNE 11, 2016 Mirror-SpeTHE ARMENIAN ctator Volume LXXXVI, NO. 47, Issue 4441 $ 2.00 NEWS The First English Language Armenian Weekly in the United States Since 1932 INBRIEF Czech President to High-Level Chinese Delegation Visits Armenia Urge Government to Recognize Armenian YEREVAN (RFE/RL) — Armenian President Serzh Sargsyan described Genocide consistent development of “centuries- old friendly relations between Armenia PRAGUE (Armenpress) — In an interview with and China” as a top foreign policy pri- the Czech Parliamentni Listi online newspaper, ority for Armenia as he received a del- Czech President Milos Zeman said he intends to egation led by Zhang Gaoli, first vice urge the Parliament and the Government of the premier of the State Council of the Czech Republic to follow Germany’s lead and offi- People’s Republic of China and mem- cially recognize the Armenian Genocide. ber of the Standing Committee of the “I have expressed my point of view back in 2014, Central Political Bureau of the when the Armenian President was visiting Prague Communist Party of China, on June 6. at my invitation; I said that the 1915 massacres are Sargsyan welcomed the high rank- Genocide. And because we will depart for Armenia ing official and his delegation, stating next week, I will repeat this”, he said. “But the next that their visit to Armenia is evidence step needs to be done, and upon returning from of the high-level cooperation between Armenia I have to urge the Parliament and the the two countries and a mutual desire Government to follow the German Bundestag’s to strengthen it further.
    [Show full text]
  • Some Highlights of Russian Realism from the Golden Age Awarded an Honorary Professorship by Provincial Cities, Not Just St
    FROM RUSSIA WITH LOVE By Melville Holmes In 1863, the same year that disaffection with the Paris Salon reached such a pitch that Napoleon III felt obliged to mount the Salon des Refusés, concurrent with the offcial Salon, a minor insurrection took place in the Imperial Academy in St. Petersburg, but one that would go down in the annals of Russian culture as a turning point and a milestone in the history of Russian art. A group of art students at the Academy, largely led by Kramskoi, refused to take part in a competition for a gold medal, which included the prize of a scholarship to study abroad, in Paris or Italy. The reason given had to do with certain rules of the contest and wanting the freedom to select one’s own subject matter. This was the frst time the students stood up to the authorities, though the real upshot was rather indefnite. Eight of the rebels would go on to become offcially acknowledged Academicians, including Kramskoi. In fact, the Russian Academy seems largely to have been much more kindly and encouraging to gifted artists Vasili Pukirev (1832-1890) From with fresh ideas than their Parisian The Unequal Marriage 1862 counterparts. oil on canvas 68.5 х 54” One example is Vasili Pukirev (1832- Tretyakov Gallery, Moscow 1890), best known for The Unequal The fgure on the far right is thought to be Pukirev. Marriage. There were lots of scenes of daily, often peasant life (“genre” paintings), being done at the time but they weren’t wandering or traveling infuential critic Vladimir Stasov this representation of a marriage between artists.
    [Show full text]
  • TURNER – AIVAZOVSKY an Auspicious Encounter
    TURNER – AIVAZOVSKY An Auspicious Encounter Khatchatur I. Pilikian An abridged version of this paper was first read at the Aivazovsky International Symposium on July 23rd 1990, Theodosia, Crimea PROLOGUE Aivazovsky‘s Self-portrait. 1874 Turner‘s Self-portrait. c.1798 Oil, 74 x 58 cm. Oil, 29 x 23 inches. Uffizzi Gallery, Florence. Tate gallery, London Once upon a time there was Hovhanness Haivaz, an Armenian lad born in Theodosia, the ―God- given‖ city built by the ancient Greeks on the shores of the black sea in Crimea. He had the gift of the muses. He soon began singing, playing the violin – oriental style—and drawing on the walls with charcoal. Hovhanness became Ivan, and Haivaz stretched to Haivazovsky, Aivazian and finally was established as Aivazovsky. Ivan Aivazovsky became the greatest marine painter of Imperial Russia. Early in his carrier, he was elected a member of five Academies of Fine Arts, including those of St. Petersburg (his Alma Mater). Rome, Florence, Stuttgart and Amsterdam. He was an Academician at 27, and Professor of Marine Painting at the Academy of Fine Arts, St. Petersburg, at the age of 30. He fell in love with an Italian diva, the ballerina Maria Taglioni. She wrote to him: ―your marvellous talent makes me proud to be called an artist.‖ Lifelong friendship was sealed, although they never married. He was 25 and she 38. Falling in love anew, at 31, he married Julia Graves, an English governess in St. Petersburg. They had four daughters. After twelve years of marriage, Julia left her husband. Twenty-two years later, Aivazovsky, at 65, married Anna Boornazian, a young Armenian widow from Theodosia.
    [Show full text]
  • Important Russian Art November 26, 2018
    PRESS RELEASE | LONDON FOR IMMEDIATE RELEASE | 2 NOVEMBER 2018 MONUMENTAL IMPERIAL VASE AND MASTERPIECES BY AIVAZOVSKY, REPIN AND KUSTODIEV TO BE OFFERED IN THE AUCTION OF IMPORTANT RUSSIAN ART NOVEMBER 26, 2018 Previews in Moscow (November 8–10) and in London (November 22–25) London – Kicking off London’s Russian Art Week, on 26 November Christie’s Important Russian Art auction will present 268 lots featuring important paintings that are fresh to the market and valuable works of art. Highlights of the painting section include Ivan Aivazovsky's Venice at sunset, 1873 (£400,000 – 600,000, illustrated above left); Vasilii Shukhaev’s Self-portrait in a grey smock and Portrait of Vera Shukhaeva, the artist’s wife which are offered together as a single lot with an estimate of £300,000 – 500,000; and an astonishing group of works by Léon Bakst from the Constantinowitz Collection, never before seen at auction. The works of art section is highlighted by a monumental and extremely rare Imperial porcelain vase decorated with an equestrian portrait of Emperor Franz I after Johann Peter Kraft by Nesterov (£800,000 – 1,200,000, illustrated above right). RUSSIAN PAINTINGS The top lot of the sale is Ivan Aivazovsky's (1817–1900) Venice at sunset from 1873 (lot 30, £400,000 – 600,000). With its history and refined architectural landscapes, Venice captivated Aivazovsky, who first visited the city in the summer of 1840 as a recent alumnus of the Imperial Academy of Arts in St Petersburg. Renowned for his ability to paint from memory within the comfort of his own studio, which was especially equipped for large-scale canvases, Aivazovsky rarely sought to achieve topographical accuracy of a given place; rather, he aimed to convey its very essence and atmosphere.
    [Show full text]
  • In This Issue!
    Dear reader, Սիրելի ընթերցող, Issue 9 2020 Welcome to our Bardez-Partez / Պարտէզ! News and Views from the Armenian Institute As we say hello to a new decade, I am left reflecting on the In this issue! one just gone, and how better to have ended it than with recognition of the Armenian Genocide by the House of Armenian Artists in the UK page 10 Representatives in the United States following a number of attempts to block the vote. Hopefully the historic vote will push the UK towards recognition, and maybe with a Prime Minister whose own great-grandfather acted to save Armenians at the time, attitudes may change. Armenia itself is also blossoming into a new era, being heralded as ‘the Culture hit’ holiday destination for 2020 by the Evening Standard, amongst others. I took some non- Armenian friends in August and they (and I) had a truly wonderful time - drinking the wine, eating the glorious food, and discovering the heritage sites. We even managed to hike National Lottery Grant pages 12-13 part of the Transcaucasian Trail (I have the badge to prove it), meeting people from all over Europe as we did so. Furthermore, the Armenian Institute has firmly established itself over the past decade, and is very much looking forward to moving into our new home in 2020. AI hosted and ran over 25 events in 2019 ranging from book and film launches to workshops and lectures, as well as republishing I Ask you, I Ask you, Ladies and Gentlemen page 17 Ladies and Gentleman, bringing the words of Leon Surmelian to a new audience.
    [Show full text]
  • Armenian President Partakes in Midem Gala Supper in Cannes
    22 YEARS The Noah’s Ark #23 (1063) 08 June 2015 Published Since 1993 Weekly Newspaper HIGHLIGHTS ÜáÛÛ³Ý î³å³Ý ß³μ³Ã³Ã»ñà (³Ý·É. / ýñ³Ýë.) Armenian President partakes in Midem Gala Supper in Cannes see page 2 In This Issue New Armenian opposition party Noyan Tapan Printing House takes shape p.4 is offering coloured and black and white offset and digital printing of books, brochures, booklets, journals, etc with IMF forecasts zero growth in Armenia high quality and low prices Tel: 060 27 64 62 economy p.6 Address: Isahakyan 28, 3rd floor, Yerevan 0009 Deal on Vorotan hydro cascade signed p.7 Noyan Tapan Video Studio Brazil Senate recognizes Armenian is offering professional video and photography for indoor Genocide p.10 and outdoor events such as weddings, birthday parties, official events, seminars and conferences. Tel: 060 27 64 62 Three Armenians elected to Turkish Address: Isahakyan 28, 3rd floor, Yerevan 0009 Parliament p.13 8 June #23 (1063) 2015 2 www.nt.am The Noyan Tapan Highlights SOCIETY Armenian President partakes in Midem Gala Supper in Cannes On the evening of June 6, President Serzh Sargsyan took part in the Midem Gala Supper in Cannes, where he deliv- ered a speech. Prior to it, the video clip titled "We are Armenians" had been displayed. The five- minute video clip "We are Armenians" presents about 50 well-known diaspora Armenians who have become world- famous for their achievements. There took place an award ceremony during the event. On the occasion of Republic Day, the Armenian president awarded Rosy Khurshudi Hovannisian (Rosy Armen) the Order of Honor for making a significant contribution to the preservation of national identity and to the country to deliver its own culture to the music to the European one." strengthening of cultural ties between the world and to get acquainted with the oth- Unfortunately, the Armenian ideas and homeland and the diaspora.
    [Show full text]
  • For Those in Peril on the Sea : the Motivations of Nineteenth Century European Artists to Create Shipwreck Paintings
    Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2020 For Those in Peril on the Sea : The motivations of nineteenth century European artists to create shipwreck paintings Calvin Liepins Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Liepins, Calvin, "For Those in Peril on the Sea : The motivations of nineteenth century European artists to create shipwreck paintings" (2020). MA Theses. 76. https://digitalcommons.sia.edu/stu_theses/76 This Thesis - Open Access is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. For Those in Peril on the Sea: The Motivations of Nineteenth Century European Artists to Create Shipwreck Paintings by Calvin Liepins A thesis submitted in conformity with the requirements for the Master’s Degree in Art Business Sotheby’s Institute of Art 2020 13,788 Words For Those in Peril on the Sea: The Motivations of Nineteenth Century European Artists to Create Shipwreck Paintings By: Calvin Liepins This thesis will be an examination of the motivations of nineteenth century European artists to create paintings portraying shipwrecks. I have identified four main motivations, Nature over Man, Man over Nature, Political Position, and Personal Upheaval, and will analyze various works in order to view how each motivation relates to the other.
    [Show full text]