WINTER 2019-2020 Advocacy Isssue
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Critical Analysis of the Roles of Women in the Lais of Marie De France
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1976 Critical analysis of the roles of women in the Lais of Marie de France Jeri S. Guthrie The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Guthrie, Jeri S., "Critical analysis of the roles of women in the Lais of Marie de France" (1976). Graduate Student Theses, Dissertations, & Professional Papers. 1941. https://scholarworks.umt.edu/etd/1941 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. A CRITICAL ANALYSIS OF THE ROLES OF WOMEN IN THE LAIS OF MARIE DE FRANCE By Jeri S. Guthrie B.A., University of Montana, 1972 Presented in partial fulfillment of the requirements for the degree of Master of Arts UNIVERSITY OF MONTANA 1976 Approved by: Chairmah, Board of Exami iradua4J^ School [ Date UMI Number EP35846 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT OissHEH'tfttkffl Pk^islw^ UMI EP35846 Published by ProQuest LLC (2012). -
FULL LIST of WINNERS the 8Th International Children's Art Contest
FULL LIST of WINNERS The 8th International Children's Art Contest "Anton Chekhov and Heroes of his Works" GRAND PRIZE Margarita Vitinchuk, aged 15 Novocherkassk, Rostov Oblast, Russia for “The Lucky One” Age Group: 14-17 years olds 1st place awards: Anna Lavrinenko, aged 14 Novocherkassk, Rostov Oblast, Russia for “Ward No. 6” Xenia Grishina, aged 16 Gatchina, Leningrad Oblast, Russia for “Chameleon” Hei Yiu Lo, aged 17 Hongkong for “The Wedding” Anastasia Valchuk, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Ward Number 6” Yekaterina Kharagezova, aged 15 Novocherkassk, Rostov Oblast, Russia for “Portrait of Anton Chekhov” Yulia Kovalevskaya, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Oversalted” Valeria Medvedeva, aged 15 Serov, Sverdlovsk Oblast, Russia for “Melancholy” Maria Pelikhova, aged 15 Penza, Russia for “Ward Number 6” 1 2nd place awards: Anna Pratsyuk, aged 15 Omsk, Russia for “Fat and Thin” Maria Markevich, aged 14 Gomel, Byelorussia for “An Important Conversation” Yekaterina Kovaleva, aged 15 Omsk, Russia for “The Man in the Case” Anastasia Dolgova, aged 15 Prokhladniy, Kabardino-Balkar Republic, Russia for “Happiness” Tatiana Stepanova, aged 16 Novocherkassk, Rostov Oblast, Russia for “Kids” Katya Goncharova, aged 14 Gatchina, Leningrad Oblast, Russia for “Chekhov Reading Out His Stories” Yiu Yan Poon, aged 16 Hongkong for “Woman’s World” 3rd place awards: Alexander Ovsienko, aged 14 Taganrog, Russia for “A Hunting Accident” Yelena Kapina, aged 14 Penza, Russia for “About Love” Yelizaveta Serbina, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Chameleon” Yekaterina Dolgopolova, aged 16 Sovetsk, Kaliningrad Oblast, Russia for “The Black Monk” Yelena Tyutneva, aged 15 Sayansk, Irkutsk Oblast, Russia for “Fedyushka and Kashtanka” Daria Novikova, aged 14 Smolensk, Russia for “The Man in a Case” 2 Masha Chizhova, aged 15 Gatchina, Russia for “Ward No. -
BOOK CLUB Kit
BOOK CLUB KiT @monaawadauthor For more information, visit www.penguinrandomhouse.com COCKTAi LS The von Furstenberg If we can’t pull off the wrap dress, at least we can pull off one of DVF’s favorite cocktails. Tequila, Lime and Jalapeño Cocktail 1 shot of ice cold tequila 1 teaspoon of freshly squeezed lime juice 1 teaspoon of agave nectar 1 tablespoon of roughly chopped cilantro A couple of slices of jalapeño chili 1 cup of good quality sparkling wine Mix the tequila, lime juice, agave nectar, chili, and cilantro in a glass and stir vigorously. If you have a cocktail shaker, shake with some ice and pour into a glass. Then add the sparkling wine. My Mother’s Idea of a French 75 Everyone needs a little liquid strength for a visit with Mom 2 oz Champagne ½ oz lemon juice 1 oz gin 2 dashes simple syrup Combine gin, syrup, and lemon juice in a cocktail shaker filled with ice. Shake vigorously and strain into an iced champagne glass. Top up with Champagne. Stir gently. Garnish with lemon peel. Caribbean Therapy Liz’s guilty pleasure is the Caribbean Hand Treatment; ours is this cocktail! Caribbean Rum Punch (makes 2) ½ oz. lime juice 4 oz. orange juice 4 oz. pineapple juice 1 ½ oz. dark rum 1 ½ oz. light rum A dash of grenadine for color Mix ingredients together, pour over ice, sprinkle with nutmeg and garnish with an orange slice and a cherry. PLAYLi STS CURATED BY THE AUTHOR, MONA AWAD Velvet Morning: Lizzie’s Playlist Some Velvet Morning, Lee Hazelwood and Nancy Sinatra Let Love In, Nick Cave World in My Eyes, Depeche Mode I Live My Broken -
Much Ado About Nothing
ASF Study Materials for by William Shakespeare Director Greta Lambert Study Materials written by: Susan Willis Set Design Robert F. Wolin ASF Dramaturg Costume Design Jeffrey Todhunter [email protected] Lighting Design Tom Rodman Contact ASF: 1.800.841.4273 Sound Design Will Burns www.asf.net 1 Welcome to Much Ado about Nothing The war may be over, but the battle of the Cupid's arrows strike far and wide, but that by William Shakespeare sexes is blazing away in Shakespeare's brilliant does not make the course of true love any easier. romantic comedy Much Ado about Nothing. In fact, love is beset and suborned in Much Characters in the ASF Tour Written about 1598, Shakespeare is at the top Ado before it can be confessed or confirmed. The Spanish-led contingent: of his comedic form, and Much Ado is one of his If Shakespeare strews the path of comedy with Don Pedro, the ruling Spanish three great romantic comedies from that period, pitfalls and problems to be overcome—and he lord along with As You Like It and Twelfth Night. does—he is true to form here. These lovers Don John, his illegitimate With a text that is 75% prose, the play and undergo some deep self-evaluation before half-brother, a malcontent its wit move very quickly, full of banter, badinage, they can celebrate their mutual affection or Benedick, a lord ifrom Padua n and buffoonery. Language well used, misused, their nuptials. Don Pedro's company and even comically abused fills its dialogue, Claudio, a young lord from and truth confronts both deception and lies in the standoff between honor and love. -
Journal of the Short Story in English, 28 | Spring 1997 What We Talk About When We Talk "About Love": Carver and Chekhov 2
Journal of the Short Story in English Les Cahiers de la nouvelle 28 | Spring 1997 Varia What we talk about when we talk "About Love": Carver and Chekhov Laurie Champion Édition électronique URL : http://journals.openedition.org/jsse/83 ISSN : 1969-6108 Éditeur Presses universitaires de Rennes Édition imprimée Date de publication : 1 mars 1997 ISSN : 0294-04442 Référence électronique Laurie Champion, « What we talk about when we talk "About Love": Carver and Chekhov », Journal of the Short Story in English [En ligne], 28 | Spring 1997, mis en ligne le 15 juillet 2008, consulté le 03 décembre 2020. URL : http://journals.openedition.org/jsse/83 Ce document a été généré automatiquement le 3 décembre 2020. © All rights reserved What we talk about when we talk "About Love": Carver and Chekhov 1 What we talk about when we talk "About Love": Carver and Chekhov Laurie Champion "I'm a great admirer of Chekhov's short stories, and I will borrow from Chekhov at the risk of parody. I'll borrow something that he said."1Raymond Carver 1 Frequent comparisons between Raymond Carver and Anton Chekhov trace Carver's allusions to Chekhov in Errand, a quasi-historical account of Chekhov's death, or in larger arguments briefly refer to similarities in the two writers' techniques. Since Chekhov's influence is representative of Carver's career, it is surprising that the specific ways Carver incorporates Chekhov's writing ideologies have hitherto gone unacknowledged. An examination of Carver's themes and techniques suggests that he believed in art's transcendent power and consciously and unconsciously borrowed from Chekhov. -
Against Love Also by Laura Kipnis
AGAINST LOVE ALSO BY LAURA KIPNIS Bound and Gagged: Pornography and the Politics of Fantasy in America Ecstasy Unlimited: On Sex, Capital, Gender, and Aesthetics A GAl NST LOVE A POLEMIC Laura Kipnis Pantheon Books, New York Copyright© 2003 by Laura Kipnis All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Pantheon Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Pantheon Books and colophon are registered trademarks of Random House, Inc. Portions previously appeared in Critical Inquiry, Harper's, and The New York Times Mag azine. Library of Congress Cataloging-in-Publication Data Kipnis, Laura. Against love : a polemic I Laura Kipnis. p. em. Includes bibliographical references. ISBN 0-37 5-42189-0 r. Adultery. I. Title HQ8o6.K48 2003 306.73'6-dc21 2003042022 www.panthe onbooks.com Book design by M. Kristen Bearse Printed in the United States of America First Edition 4 6 8 9 7 5 To the only begetter -Shakespeare, Sonnets CONTENTS Reader Advisory 3 Prologue 5 Chapter One Love's Labors I I Chapter Tw o Domestic Gulags 52 Chapter Three The Art of Love I05 Chapter Four ...And the Pursuit of Happiness I43 Selected Bibliography 203 AGAINST LOVE READER ADVISORY Please fasten your seatbelts: we are about to encounter con tradictions. The subject is love, and things may get bumpy. To begin with, who would dream of being against love? No one. Love is, as everyone knows, a mysterious and all controlling force, with vast power over our thoughts and life decisions. -
The Wisdom of Anton Chekhov
Copyright © 2010 by Walter G. Moss THE WISDOM OF ANTON CHEKHOV Table of Contents (with links) CHEKHOV‟S LIFE AND TIMES ................................................................................. 3 Chekhov‟s Early Years and the Women in His Life................................................... 5 Years of Transition, 1886-1891 .................................................................................. 7 The Melikhovo Years, 1892-1898, and Helping Others ........................................... 14 The Moscow Art Theater, Olga, and Yalta, 1898-1904 ........................................... 21 CHEKHOV AND WISDOM ........................................................................................ 29 Chekhov‟s Beliefs and Values .................................................................................. 32 Faith, Hope, and Despair .......................................................................................... 40 Literature, Realism, Comedy, and Tragedy .............................................................. 45 Isolation, Women, Love, Sex, and Marriage ............................................................ 53 Social and Political Views ........................................................................................ 60 Environmental Views................................................................................................ 67 CONCLUSION AND LEGACY .................................................................................. 71 2 THE WISDOM OF ANTON CHEKHOV In his novel -
The Condemnation of Fatness and Apotheosis of Thin Bodies in Christian Diet Books
Soul Food: The Condemnation of Fatness and Apotheosis of Thin Bodies in Christian Diet Books Pauline Mathilde Julie Dunoyer Haverford College Department of Religion Senior Thesis Advisor, Professor Travis Zadeh April 2013 Dunoyer Table of Contents Acknowledgments…………………………………………………………………….........3 Abstract……………………………………………………………………………………..4 Introduction…………………………………………………………………………………5 Chapter 1– Slim Obligations: Dieting as a Social and Religious Duty……………………11 Chapter 2– Gastronomical Ideology: An Exploration of Christian Diet Literature……….19 Chapter 3– Narrow Recoveries: Personal Narratives of Eating Disorders………………...42 Chapter 4– Weighty Consequences: Female Corpulence in Culture………………………53 Conclusion…………………………………………………………………………………60 Appendix– Supplementary Figures………………………………………………………..61 Bibliography……………………………………………………………………………….64 2 Dunoyer Acknowledgments This project would not have been possible without the tremendous help and support from Professor Travis Zadeh, my advisor during this endeavor. I would also like to extend my gratitude to the religion department as a whole. I am so grateful for the valuable advice, guidance, and encouragement from Barbara Hall in the Writing Center, Librarian James Gulick, and the Office of Academic Resources in the culmination of my studies at Haverford College. I am so grateful to my Maman, Papa, and brother Mathieu for their love, encouragement, and humor throughout this challenging process. Finally, I thank my dear and delightful friends who have generously supported me in every step along the way. 3 Dunoyer Abstract In this thesis, I examine the social and religious pressures to diet on obese and overweight individuals. I also contest the ubiquitous notion found in Christian diet books that weight loss is salvific. These books follow a formulaic concept that losing weight means gaining spirituality, strengthening the correlation between a small body mass and a spiritual zenith. -
The Chekhovian Intertext Dialogue with a Classic
The Chekhovian Intertext Dialogue with a Classic n LYUDM il A P A R T S THE OHIO STATE UNIVERSITY PREss • COLUMBus Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Parts, Lyudmila. The Chekhovian intertext : dialogue with a classic / Lyudmila Parts.—1st ed. p. cm. Includes bibliographical references and index. ISBN 978–0–8142–1083–3 (cloth : alk. paper)—ISBN 978–0–8142–9162–7 (CD- ROM) 1. Chekhov, Anton Pavlovich, 1860–1904—Influence. 2. Chekhov, Anton Pavlovich, 1860–1904—Criticism and interpretation. 3. Russian literature—20th century—History and criticism. 4. Russian literature—21st century—History and criticism. 5. Russia (Federation)—Intellectual life—1991– 6. Russia (Fed- eration)—Civilization—21st century. I. Title. PG3458.Z8P37 2008 891.72’3—dc22 2007045611 This book is available in the following editions: Cloth (ISBN 978–0–8142–1083–3) CD-ROM (ISBN 978–0–8142–9162–7) The author expresses appreciation to the University Seminars at Columbia Uni- versity for their help in publication. Material in this work was presented to the University Seminar: Slavic History and Culture. Studies of the Harriman Institute Columbia University The Harriman Institute, Columbia University, sponsors the Studies of the Harri- man Institute in the belief that their publication contributes to scholarly research and public understanding. In this way the Institute, while not necessarily endors- ing their conclusions, is pleased to make available the results of some of the research conducted under its auspices. Cover design by Jenny Poff Text design by Juliet Williams Type set in Adobe Palatino Printed by Thomson-Shore, Inc. -
Translating and Adapting Tirso De Molina's El Amor Médico for the Stage Sarah A
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2012 "Speak to me in vernacular, doctor": Translating and Adapting Tirso de Molina's El Amor Médico for the Stage Sarah A. Brew University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the Dramatic Literature, Criticism and Theory Commons, Fiction Commons, Fine Arts Commons, Other Theatre and Performance Studies Commons, Playwriting Commons, Spanish Literature Commons, and the Theatre History Commons Brew, Sarah A., ""Speak to me in vernacular, doctor": Translating and Adapting Tirso de Molina's El Amor Médico for the Stage" (2012). Masters Theses 1911 - February 2014. 806. Retrieved from https://scholarworks.umass.edu/theses/806 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. “SPEAK TO ME IN VERNACULAR, DOCTOR”: TRANSLATING AND ADAPTING TIRSO DE MOLINA’S EL AMOR MÉDICO FOR THE STAGE A Thesis Presented by SARAH BREW Submitted to the Graduate School of The University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS May 2012 Theater © Copyright by Sarah Brew 2012 All Rights Reserved “SPEAK TO ME IN VERNACULAR, DOCTOR”: TRANSLATING AND ADAPTING TIRSO DE MOLINA’S EL AMOR MÉDICO FOR THE STAGE -
Unfulfilled Fate of Chekhov's Tales' Characters: “Ionych”
Journal of Siberian Federal University. Humanities & Social Sciences 7 (2015 8) 1382-1389 ~ ~ ~ УДК 80 Unfulfilled Fate of Chekhov’s Tales’ Characters: “Ionych”, “Literature Teacher”, “Gooseberry”, “About Love” Aldona Borkowska* Siedlce University of Natural Sciences and Humanities 2 Konarski Str., 08-110 Siedlce, Poland Received 05.02.2015, received in revised form 24.04.2015, accepted 51.05.2015 The subject of the study is an analysis of Anthon Chekhov’s selected tales which contain a convergence of fiction. The topic of unfulfilled fate seems to be a leading theme in Chekhov’s prose of the 1890s. The characters of the analyzed texts share the author’s opinion that indifference, everyday life, narrow- mindness influence the fate not less than regular crimes or wicked deeds. In those narrations anyone should notice the development of Chekhov’s attitude to happiness which underlines the influence of the surrounding/environment on shaping human awareness. He claims that it is impossible to gain satisfaction without opposing to shallow opinions and the devoidness of ideas which are characteristic attributes of a petty bourgeoisie, the best example of whom are the characters’ stories. Keywords: unfulfilled fate, dreams, happiness, wickedness, commonness. DOI: 10.17516/1997-1370-2015-8-7-1382-1389 Research area: philology. Introduction are no less dangerous to humans than injustice In the second half of the nineties, and vile deeds. A.P. Chekhov disclaims general philosophical The destiny of man for Chekhov is related arguments, as it was in “The Duel” or “House of to the effects of the atmosphere, on the one hand, No 6”, and refers to an in-depth study of social on the other to the resistance of the character reality. -
The Folklore Muse
Utah State University DigitalCommons@USU All USU Press Publications USU Press 2008 The Folklore Muse Frank de Caro Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Folklore Commons Recommended Citation De, C. F. A. (2008). The folklore muse: Poetry, fiction, and other eflectionsr by folklorists. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. ! e Folklore Muse ! e Folklore Muse Poetry, Fiction, and Other Re" ections by Folklorists Edited by Frank de Caro Utah State University Press Logan, Utah Copyright © 2008 Utah State University Press. All rights reserved. Excerpt from Kamp: A Memory Novel copyright © 2003 John Burrison. “Ballad Girls,” by Frank de Caro; “Eating Alone,” by Margaret Yocom; “Historical Sign” and “Christmas Tree,” by Ted Olson; extract from Lost in Redskirt Forest, by Neil R. Grobman; “my mother’s garden,” “arrowhead,” “shadowplay,” “tag,” and “red rover,” by Susan Stewart; and “Rock and Word,” by Steve Zeitlin, are reprinted by permission of their respective authors. “Legends, Rumors, Lore and Revelations (Some Incomplete) Involving Leaton Troutwine, a Local Eccentric/Celebrity/Hero (and Gordon’s Owner),” by Matt Clark, appears here by permission of Matt Clark’s literary executors, Michael Gri# th and Josh Russell. “Wondrous Love,” by Libby Tucker, is reprinted by permission of the author and Paterson Literary Review. “Work Song,” from Lay Back ! e Darkness: Poems by Edward Hirsch, copyright © 2003 by Edward Hirsch.