The Condemnation of Fatness and Apotheosis of Thin Bodies in Christian Diet Books
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Can I Recognize My Body's Weight? the Influence of Shape and Texture on the Perception of Self
Can I Recognize My Body’s Weight? The Influence of Shape and Texture on the Perception of Self IVELINA V. PIRYANKOVA, Max Planck Institute for Biological Cybernetics 13 JEANINE K. STEFANUCCI, University of Utah JAVIER ROMERO, Max Planck Institute for Intelligent Systems STEPHAN DE LA ROSA, Max Planck Institute for Biological Cybernetics MICHAEL J. BLACK, Max Planck Institute for Intelligent Systems BETTY J. MOHLER, Max Planck Institute for Biological Cybernetics The goal of this research was to investigate women’s sensitivity to changes in their perceived weight by altering the body mass index (BMI) of the participants’ personalized avatars displayed on a large-screen immersive display. We created the personal- ized avatars with a full-body 3D scanner that records the participants’ body geometry and texture. We altered the weight of the personalized avatars to produce changes in BMI while keeping height, arm length, and inseam fixed and exploited the corre- lation between body geometry and anthropometric measurements encapsulated in a statistical body shape model created from thousands of body scans. In a 2 × 2 psychophysical experiment, we investigated the relative importance of visual cues, namely shape (own shape vs. an average female body shape with equivalent height and BMI to the participant) and texture (own photo- realistic texture or checkerboard pattern texture) on the ability to accurately perceive own current body weight (by asking the participant, “Is it the same weight as you?”). Our results indicate that shape (where height and BMI are fixed) had little effect on the perception of body weight. Interestingly, the participants perceived their body weight veridically when they saw their own photo-realistic texture. -
Critical Analysis of the Roles of Women in the Lais of Marie De France
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1976 Critical analysis of the roles of women in the Lais of Marie de France Jeri S. Guthrie The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Guthrie, Jeri S., "Critical analysis of the roles of women in the Lais of Marie de France" (1976). Graduate Student Theses, Dissertations, & Professional Papers. 1941. https://scholarworks.umt.edu/etd/1941 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. A CRITICAL ANALYSIS OF THE ROLES OF WOMEN IN THE LAIS OF MARIE DE FRANCE By Jeri S. Guthrie B.A., University of Montana, 1972 Presented in partial fulfillment of the requirements for the degree of Master of Arts UNIVERSITY OF MONTANA 1976 Approved by: Chairmah, Board of Exami iradua4J^ School [ Date UMI Number EP35846 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT OissHEH'tfttkffl Pk^islw^ UMI EP35846 Published by ProQuest LLC (2012). -
Women Surrealists: Sexuality, Fetish, Femininity and Female Surrealism
WOMEN SURREALISTS: SEXUALITY, FETISH, FEMININITY AND FEMALE SURREALISM BY SABINA DANIELA STENT A Thesis Submitted to THE UNIVERSITY OF BIRMINGHAM for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History and Music The University of Birmingham September 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The objective of this thesis is to challenge the patriarchal traditions of Surrealism by examining the topic from the perspective of its women practitioners. Unlike past research, which often focuses on the biographical details of women artists, this thesis provides a case study of a select group of women Surrealists – chosen for the variety of their artistic practice and creativity – based on the close textual analysis of selected works. Specifically, this study will deal with names that are familiar (Lee Miller, Meret Oppenheim, Frida Kahlo), marginal (Elsa Schiaparelli) or simply ignored or dismissed within existing critical analyses (Alice Rahon). The focus of individual chapters will range from photography and sculpture to fashion, alchemy and folklore. By exploring subjects neglected in much orthodox male Surrealist practice, it will become evident that the women artists discussed here created their own form of Surrealism, one that was respectful and loyal to the movement’s founding principles even while it playfully and provocatively transformed them. -
FULL LIST of WINNERS the 8Th International Children's Art Contest
FULL LIST of WINNERS The 8th International Children's Art Contest "Anton Chekhov and Heroes of his Works" GRAND PRIZE Margarita Vitinchuk, aged 15 Novocherkassk, Rostov Oblast, Russia for “The Lucky One” Age Group: 14-17 years olds 1st place awards: Anna Lavrinenko, aged 14 Novocherkassk, Rostov Oblast, Russia for “Ward No. 6” Xenia Grishina, aged 16 Gatchina, Leningrad Oblast, Russia for “Chameleon” Hei Yiu Lo, aged 17 Hongkong for “The Wedding” Anastasia Valchuk, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Ward Number 6” Yekaterina Kharagezova, aged 15 Novocherkassk, Rostov Oblast, Russia for “Portrait of Anton Chekhov” Yulia Kovalevskaya, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Oversalted” Valeria Medvedeva, aged 15 Serov, Sverdlovsk Oblast, Russia for “Melancholy” Maria Pelikhova, aged 15 Penza, Russia for “Ward Number 6” 1 2nd place awards: Anna Pratsyuk, aged 15 Omsk, Russia for “Fat and Thin” Maria Markevich, aged 14 Gomel, Byelorussia for “An Important Conversation” Yekaterina Kovaleva, aged 15 Omsk, Russia for “The Man in the Case” Anastasia Dolgova, aged 15 Prokhladniy, Kabardino-Balkar Republic, Russia for “Happiness” Tatiana Stepanova, aged 16 Novocherkassk, Rostov Oblast, Russia for “Kids” Katya Goncharova, aged 14 Gatchina, Leningrad Oblast, Russia for “Chekhov Reading Out His Stories” Yiu Yan Poon, aged 16 Hongkong for “Woman’s World” 3rd place awards: Alexander Ovsienko, aged 14 Taganrog, Russia for “A Hunting Accident” Yelena Kapina, aged 14 Penza, Russia for “About Love” Yelizaveta Serbina, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Chameleon” Yekaterina Dolgopolova, aged 16 Sovetsk, Kaliningrad Oblast, Russia for “The Black Monk” Yelena Tyutneva, aged 15 Sayansk, Irkutsk Oblast, Russia for “Fedyushka and Kashtanka” Daria Novikova, aged 14 Smolensk, Russia for “The Man in a Case” 2 Masha Chizhova, aged 15 Gatchina, Russia for “Ward No. -
WINTER 2019-2020 Advocacy Isssue
VOL. XLVII NO. 2 / WINTER 2019-2020 ADVOCACY ISSSUE INSIDE: • IAFP 2020 LEGISlaTIVE PRIORITIES • 2019 ANNUAL CONFERENCE RECAP • 2020 EDUCATION PREVIEW “STRONG MEDICINE FOR IOWA” Des Moines, Des IA Des Moines, Iowa 50309 Iowa Moines, Des Permit No. 762 No. Permit PAID 100 East Grand, Suite 240 Suite Grand, East 100 ostage P US STD PRSRT Iowa Academy of Family Physicians Family of Academy Iowa A Good Night's Sleep can Make all the Difference. Our Board certified and Fellowship trained Sleep Medicine providers specialize in the treatment of all types of sleep disorders for adults and pediatrics, including sleep apnea, narcolepsy, insomnia, restless leg syndrome and many more. DSM Sleep Specialists, PLC 1275 NW 128th St, Suite 200 Clive, IA 50325 P 515-224-3948 F 515-224-2944 www.dsmsleepspecialists.com Table of Contents Vision Statement for the Iowa Academy of Family Physicians “Family Medicine will be the foundation for a healthier Iowa.” OFFICERS DISTRICT 4 Michael Lindstrom, D.O. President Mason City Sherry Bulten, M.D. Humboldt Mara Groom, D.O. Spirit Lake OFFICIAL PUBLICATION OF THE IOWA ACADEMY OF FAMILY PHYSICIANS President-elect Vol. XLVII No. 2 / WINTER 2019-2020 Lonny Miller, M.D. At-Large Creston Candice Smith, M.D. On The Cover: Knoxville (Left photo) IAFP Family Physician of (left) Dr. Jim Bell, Dr. Sherry Bulten Vice President Laura Bowshier, M.D. and Dr. Alan Schwartzstein. (right) (Melissa and Dr. David Nystrom) Urbandale Residency Representative Anthony Day, M.D. Secretary-Treasurer IN THIS ISSUE Jason Wilbur, M.D. Resident Members Iowa City Tyler Olson, M.D. -
Perceived Body Image in Female Athletes by Sport Uniform Type
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2017 Perceived Body Image in Female Athletes by Sport Uniform Type Mary Elizabeth Gillespie Eastern Illinois University This research is a product of the graduate program in Kinesiology and Sports Studies at Eastern Illinois University. Find out more about the program. Recommended Citation Gillespie, Mary Elizabeth, "Perceived Body Image in Female Athletes by Sport Uniform Type" (2017). Masters Theses. 3385. https://thekeep.eiu.edu/theses/3385 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. Gr:.1.du:Jt~ D:1d1d:ta tomptet1n1 Theses ln P~:r:~ fuffll!ment cf me ocgree Graduate facuiry Advisors Directing the The5es Preserving. reproducing,. and dtstribt.ttfng thesis research is an important part of Booth libraf\''s responsibility to provide access to scholarship. In order to further this goal, Booth library makes all graduate theses completed as p.;).rt ot a. d'.egr~ p¥ogram ~t f:ut~n !tlinm1. L!n.iv4r$i.ty ~ f()( p~r~ i»tudy, ret0;vd1" .a.nd: mhlu oot-fo¥ profit educational purposes. Under 17 U.S.C. § 108, the librarv may reproduce and distribute a copy without mfringing on copyright; hoM:?,,.i!r, professioo,d courtesy dlcta~ thdt perrn,ss,0,1 be requested from the c1u-thor before doing so. Your signatures affirm the following: • The graduate candidate is the author of this thesis. -
BOOK CLUB Kit
BOOK CLUB KiT @monaawadauthor For more information, visit www.penguinrandomhouse.com COCKTAi LS The von Furstenberg If we can’t pull off the wrap dress, at least we can pull off one of DVF’s favorite cocktails. Tequila, Lime and Jalapeño Cocktail 1 shot of ice cold tequila 1 teaspoon of freshly squeezed lime juice 1 teaspoon of agave nectar 1 tablespoon of roughly chopped cilantro A couple of slices of jalapeño chili 1 cup of good quality sparkling wine Mix the tequila, lime juice, agave nectar, chili, and cilantro in a glass and stir vigorously. If you have a cocktail shaker, shake with some ice and pour into a glass. Then add the sparkling wine. My Mother’s Idea of a French 75 Everyone needs a little liquid strength for a visit with Mom 2 oz Champagne ½ oz lemon juice 1 oz gin 2 dashes simple syrup Combine gin, syrup, and lemon juice in a cocktail shaker filled with ice. Shake vigorously and strain into an iced champagne glass. Top up with Champagne. Stir gently. Garnish with lemon peel. Caribbean Therapy Liz’s guilty pleasure is the Caribbean Hand Treatment; ours is this cocktail! Caribbean Rum Punch (makes 2) ½ oz. lime juice 4 oz. orange juice 4 oz. pineapple juice 1 ½ oz. dark rum 1 ½ oz. light rum A dash of grenadine for color Mix ingredients together, pour over ice, sprinkle with nutmeg and garnish with an orange slice and a cherry. PLAYLi STS CURATED BY THE AUTHOR, MONA AWAD Velvet Morning: Lizzie’s Playlist Some Velvet Morning, Lee Hazelwood and Nancy Sinatra Let Love In, Nick Cave World in My Eyes, Depeche Mode I Live My Broken -
Transgender History / by Susan Stryker
u.s. $12.95 gay/Lesbian studies Craving a smart and Comprehensive approaCh to transgender history historiCaL and Current topiCs in feminism? SEAL Studies Seal Studies helps you hone your analytical skills, susan stryker get informed, and have fun while you’re at it! transgender history HERE’S WHAT YOU’LL GET: • COVERAGE OF THE TOPIC IN ENGAGING AND AccESSIBLE LANGUAGE • PhOTOS, ILLUSTRATIONS, AND SIDEBARS • READERS’ gUIDES THAT PROMOTE CRITICAL ANALYSIS • EXTENSIVE BIBLIOGRAPHIES TO POINT YOU TO ADDITIONAL RESOURCES Transgender History covers American transgender history from the mid-twentieth century to today. From the transsexual and transvestite communities in the years following World War II to trans radicalism and social change in the ’60s and ’70s to the gender issues witnessed throughout the ’90s and ’00s, this introductory text will give you a foundation for understanding the developments, changes, strides, and setbacks of trans studies and the trans community in the United States. “A lively introduction to transgender history and activism in the U.S. Highly readable and highly recommended.” SUSAN —joanne meyerowitz, professor of history and american studies, yale University, and author of How Sex Changed: A History of Transsexuality In The United States “A powerful combination of lucid prose and theoretical sophistication . Readers STRYKER who have no or little knowledge of transgender issues will come away with the foundation they need, while those already in the field will find much to think about.” —paisley cUrrah, political -
Much Ado About Nothing
ASF Study Materials for by William Shakespeare Director Greta Lambert Study Materials written by: Susan Willis Set Design Robert F. Wolin ASF Dramaturg Costume Design Jeffrey Todhunter [email protected] Lighting Design Tom Rodman Contact ASF: 1.800.841.4273 Sound Design Will Burns www.asf.net 1 Welcome to Much Ado about Nothing The war may be over, but the battle of the Cupid's arrows strike far and wide, but that by William Shakespeare sexes is blazing away in Shakespeare's brilliant does not make the course of true love any easier. romantic comedy Much Ado about Nothing. In fact, love is beset and suborned in Much Characters in the ASF Tour Written about 1598, Shakespeare is at the top Ado before it can be confessed or confirmed. The Spanish-led contingent: of his comedic form, and Much Ado is one of his If Shakespeare strews the path of comedy with Don Pedro, the ruling Spanish three great romantic comedies from that period, pitfalls and problems to be overcome—and he lord along with As You Like It and Twelfth Night. does—he is true to form here. These lovers Don John, his illegitimate With a text that is 75% prose, the play and undergo some deep self-evaluation before half-brother, a malcontent its wit move very quickly, full of banter, badinage, they can celebrate their mutual affection or Benedick, a lord ifrom Padua n and buffoonery. Language well used, misused, their nuptials. Don Pedro's company and even comically abused fills its dialogue, Claudio, a young lord from and truth confronts both deception and lies in the standoff between honor and love. -
Journal of the Short Story in English, 28 | Spring 1997 What We Talk About When We Talk "About Love": Carver and Chekhov 2
Journal of the Short Story in English Les Cahiers de la nouvelle 28 | Spring 1997 Varia What we talk about when we talk "About Love": Carver and Chekhov Laurie Champion Édition électronique URL : http://journals.openedition.org/jsse/83 ISSN : 1969-6108 Éditeur Presses universitaires de Rennes Édition imprimée Date de publication : 1 mars 1997 ISSN : 0294-04442 Référence électronique Laurie Champion, « What we talk about when we talk "About Love": Carver and Chekhov », Journal of the Short Story in English [En ligne], 28 | Spring 1997, mis en ligne le 15 juillet 2008, consulté le 03 décembre 2020. URL : http://journals.openedition.org/jsse/83 Ce document a été généré automatiquement le 3 décembre 2020. © All rights reserved What we talk about when we talk "About Love": Carver and Chekhov 1 What we talk about when we talk "About Love": Carver and Chekhov Laurie Champion "I'm a great admirer of Chekhov's short stories, and I will borrow from Chekhov at the risk of parody. I'll borrow something that he said."1Raymond Carver 1 Frequent comparisons between Raymond Carver and Anton Chekhov trace Carver's allusions to Chekhov in Errand, a quasi-historical account of Chekhov's death, or in larger arguments briefly refer to similarities in the two writers' techniques. Since Chekhov's influence is representative of Carver's career, it is surprising that the specific ways Carver incorporates Chekhov's writing ideologies have hitherto gone unacknowledged. An examination of Carver's themes and techniques suggests that he believed in art's transcendent power and consciously and unconsciously borrowed from Chekhov. -
New Frameworks in Deconstructivist Fashion
New Frameworks in Deconstructivist Fashion: Its Categorization in Three Waves, Application of the Notions of Plasticity, De-design and the Inclusion of Bora Aksu and Hussein Chalayan as the Third Wave Turkish Deconstructivist Designers Gizem Kızıltunalı A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy The Manchester School of Art MIRIAD Manchester Metropolitan University August 2017 Contents Abstract……………………………………………………………………………………4 Acknowledgements……………………………………………………………………5 List of Figures……………………………………………………………………………6 Introduction…………………………………………………………………………….16 Literature Review……………………………………………………………………..30 Methodology…………………………………………………………………………….64 Chapter One: Theoretical qualities of deconstructivist fashion design ……………………………………………………………………………………………….73 Chapter Two: Observing plasticity, the de-designs and deconstructions of the first wave Japanese and the second wave Belgian deconstructivist designers …………………………………………………………88 Chapter Three: Third wave Turkish deconstructivist designers: Hussein Chalayan and Bora Aksu.…………………………………………………………..159 Chapter Four: The de-designs and deconstructions of the third wave deconstructivist designers: Hussein Chalayan and Bora Aksu..………170 Chapter Five: Commonalities of the third wave Turkish deconstructivist designers: Metamorphosis of the fashion system, deconstruction through culture………………………………………………………………………..244 Conclusion……………………………………………………………………………….365 Bibliography…………………………………………………………………………….376 -
Keeping It Real": Young Working Class Femininities and Celebrity Culture
“Keeping it Real": Young Working Class Femininities and Celebrity Culture By Kelly Buckley Cardiff University School of Social Sciences This thesis is submitted in partial fulfilment for the requirements for the degree of PhD Submitted for Examination September 2010 UMI Number: U567059 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U567059 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Declarations This thesis has not previously been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. Signed ............................................... (candidate) Date Statement 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed... ........k : . (candidate) D ate. «s Statement 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by footnotes or explicit references. Signed ............................................... (candidate) Date ...... Statement 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations.