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Juan Diego Juan Diego
aisge REVISTAACTUA DE LOS ARTISTAS E INTÉRPRETES Nº 27 • ABRIL/JUNIO 2011 I FISAHARA I I MARTIN PATINO I El cine como ‘Canciones para UUAANN IIEEGGOO fugaz halo de luz después de una JJ DD en la cruda guerra’, una diáspora del «liberación» que desierto cumple 40 años DeDe SalvadorSalvador AllendeAllende PÁGS. 6 A 11 PÁGS. 12 Y 15 I I. GABILONDO I I MARIVÍ BILBAO I aa capocapo embaucadorembaucador «Por razones «Me gustaría haber políticas, algunos nacido en «Las crisis son curas de humildad» se toman a Hollywood para cachondeo carreras bajar las escaleras PÁGIINAS 46 Y 47 artísticas de años» como Dios manda» PÁGS. 26 Y 27 PÁGS. 56 Y 57 2 ACTÚA I DESCUENTOS Y BENEFICIOS I I EN ESTE NÚMERO I ACTÚA 3 ENERO/MARZO ENERO/MARZO 2011 aisge REVISTA CULTURAL REVISTA CULTURAL aisge 2011 I DESCUENTOS Y BENEFICIOS I Gutiérrez Aragón Filmotecas 64 La CNC ÓPTICA ROMA PROMESCENA 4 Uno de los grandes directores de la 18 Galicia y Euskadi inauguran esta ofrece a todos los ofrece descuen- historia del cine español testimo- El director general de AISGE, Abel Martín, ana- nueva serie sobre los espacios que socios pertene- tos en artes nia su relación con los actores, liza las relaciones de la entidad con este orga- custodian la memoria de nuestros cientes a AISGE un 30% de descuento escénicas y ocio “una señal en el tiempo, un antes nismo regulador: desencuentro en torno a la grandes intérpretes del pasado siglo INSTIMED. Los socios de AISGE y fa- en gafas graduadas completas y en len- en Madrid. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Christopher Slaski Applied Music
Christopher Slaski Applied Music: The Challenge Of Composing For Films Gothenburg/Sweden, 10th April 2015 CHRISTOPHER SLASKI It’s a great pleasure to be here. I’ve been working in film and applied music for almost 20 years, having started early, when still at university. My beginnings in music was as a pianist and organist. From the age of five, I studied the piano and I began composing in my early teens. The life of a touring concert musician didn’t really appeal to me so I thought: How am I going to make my living out of music? I began to discover there was often very interesting music accompanying films, and I started listening to it with greater attention. I soon realised that this was what I want to do. But how to get into it ? I won’t dwell on that today. That’s for another lecture! Today we’re going to concentrate on the challenges that a film composer has to face, and the difference between composing absolute music and applied music. By ‘applied music’ I am referring to film music or music for advertising, television or theatre, that is to say, music that is written with the intention of applying it to something else. I’m going to try to cover a number of different areas that I believe are important, and give some illustrations using projects I’ve worked on. If anyone has any questions, we’ll leave them till the end when we we’ll have ten minutes or so to have a discussion. -
La Violencia De Género En El Cine De Iccíar
Trabajo Fin de Grado La violencia de género en el cine de Icíar Bollaín. El caso de Te doy mis ojos. Gender- based violence in Icíar Bollaín’s cinema. The case of Take my eyes. Autora Beatriz Pradas Royo Directora Amparo Martínez Herranz Facultad de Filosofía y Letras Departamento de Historia del Arte 2019 Índice. Resumen…………………………………………………………….....1 1.- Introducción…………………………………………………………..2 1.1.- Elección y justificación del tema………………………………...2 1.2.- Delimitación del tema y objetivos………………………………2 1.3.- Estado de la cuestión……………………………………………3 1.4.- Metodología…………………………………………………….6 2.- Desarrollo analítico…………………………………………………..8 2.1.- Los malos tratos en el cine español e internacional…………….8 2.2.- El caso de Icíar Bollaín…………………………………………10 2.2.1.- Principios creativos de su cine……………………….....19 2.3.- Te doy mis ojos…………………………………………………21 2.3.1.- Amores que matan………………………………………21 2.3.2.- Proceso creativo de Te doy mis ojos…………………….23 2.3.3.- Valores estéticos y narrativos…………………………..26 2.3.4.- Libro de familia…………………………………………28 2.3.5- El arte como catarsis…………………………………….33 3.- Conclusiones…………………………………………………………37 4.- Bibliografía…………………………………………………………..39 5.- Anexo 1. ……………………………………………………………..46 6.- Anexo 2. ……………………………………………………………..50 7.- Anexo 3. ……………………………………………………………..52 8.- Anexo 4. ……………………………………………………………..54 9.- Anexo 5 ……………………………………………………………...64 La violencia de género en el cine de Icíar Bollaín 1 El caso de Te doy mis ojos Resumen. La violencia de género es una lacra que afecta al conjunto de la sociedad desde hace décadas. A través de este trabajo, realizaré un breve recorrido sobre el tratamiento del asunto en el arte cinematográfico, comenzando por una panorámica general de películas que tratan este tema. A continuación, me centraré en la figura de la directora madrileña Icíar Bollaín, repasando su filmografía y los aspectos estéticos y narrativos de su cine. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Los Lunes Al Sol
CULTURA , LENGUAJE Y REPRESENTAC I ÓN / CULTURE , LANGUAGE AND REPRESENTATION ˙ I SSN 1697-7750 · VOL . XV I \ 2016, pp. 21-36 REV I STA D E ESTU di OS CULTURALES D E LA UN I VERS I TAT JAUME I / CULTURAL STUDIES JOURNAL OF UNIVERSITAT JAUME I D O I : HTTP ://D X .D O I .ORG /10.6035/CLR .2016.16.2 Los lunes al sol. Retrato social de historias de vida silenciadas Mondays in the Sun. A social Portrait of Silenced Lives’ Stories DIANA AMBER * JESÚS DOMINGO ** *UNIVERSIDAD DE JAÉN . **UNIVERSIDAD DE GRANADA Artículo recibido el / Article received: 01-09-2015 Artículo aceptado el / Article accepted: 10-08-2016 RESUMEN : La película Los lunes al sol ha tenido un fuerte impacto emocional y social en el colectivo de mayores de 45 años en desempleo. Numerosas iniciativas de acceso al empleo para los mayores la usan como referente reivindicativo. El estudio busca la comprensión de la imagen que el film ofrece sobre los desem- pleados mayores, con objeto de analizar las actitudes y experiencias de los per- sonajes frente al desempleo y del propio imaginario social sobre esta temática. La metodología utilizada es el análisis fílmico desde una vertiente discursiva y analítico-reflexiva, centrada principalmente en el análisis del hecho discursivo del film. Los resultados se centran en los entresijos personales, sociales y labo- rales de sus personajes. Describen e interpretan las escenas y escenarios más re- presentativos que componen y estructuran las historias narradas. Las principales conclusiones apuntan hacia la virtud del film para visibilizar la problemática y dignificar al colectivo desde la autocrítica social de esta realidad. -
Click to Download
Volume 8, Number 8 Original Music Soundtracks for Movies & Television Rock On! pg. 10 LOVE thEBOOB TUBE Cool new music for Alias, Boomtown, Monk, Carnivàle, Penn & Teller’s B.S. FSM picks 100+ great great TTV themes plus Indiana Jones JO JOhN WIllIAMs’’ FOR FORtuNE an and GlORY Dragonslayer on DVD WORKING WORKING WIth A AlEX NORth CD Reviews A ALL THE L LAtEST $4.95 U.S. • $5.95 Canada CONTENTS SEPTEMBER 2003 DEPARTMENTS COVER STORY 2 Editorial 20 We Love the Boob Tube The Man From F.S.M. Video store geeks shouldn’t have all the fun; that’s why we decided to gather the staff picks for our by-no- 4 News means-complete list of favorite TV themes. Music Swappers, the By the FSM staff Emmys and more. 5 Record Label 24 Still Kicking Round-up Think there’s no more good music being written for tele- What’s on the way. vision? Think again. We talk to five composers who are 5 Now Playing taking on tough deadlines and tight budgets, and still The Man in the hat. Movies and CDs in coming up with interesting scores. 12 release. By Jeff Bond 7 Upcoming Film Assignments 24 Alias Who’s writing what 25 Penn & Teller’s Bullshit! for whom. 8 The Shopping List 27 Malcolm in the Middle Recent releases worth a second look. 28 Carnivale & Monk 8 Pukas 29 Boomtown The Appleseed Saga, Part 1. FEATURES 9 Mail Bag The Last Bond 12 Fortune and Glory Letter Ever. The man in the hat is back—the Indiana Jones trilogy has been issued on DVD! To commemorate this event, we’re 24 The girl in the blue dress. -
Spanish Videos Use the Find Function to Search This List
Spanish Videos Use the Find function to search this list Velázquez: The Nobleman of Painting 60 minutes, English. A compelling study of the Spanish artist and his relationship with King Philip IV, a patron of the arts who served as Velazquez’ sponsor. LLC Library – Call Number: SP 070 CALL NO. SP 070 Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness. LLC Library CALL NO. Look in German All About My Mother Director: Pedro Almodovar with Cecilia Roth, Penélope Cruz, Marisa Perdes, Candela Peña, Antonia San Juan. 1999, 102 minutes, Spanish with English subtitles. Pedro Almodovar delivers his finest film yet, a poignant masterpiece of unconditional love, survival and redemption. Manuela is the perfect mother. A hard-working nurse, she’s built a comfortable life for herself and her teenage son, an aspiring writer. But when tragedy strikes and her beloved only child is killed in a car accident, her world crumbles. The heartbroken woman learns her son’s final wish was to know of his father – the man she abandoned when she was pregnant 18 years earlier. Returning to Barcelona in search on him, Manuela overcomes her grief and becomes caregiver to a colorful extended family; a pregnant nun, a transvestite prostitute and two troubled actresses. With riveting performances, unforgettable characters and creative plot twists, this touching screwball melodrama is ‘an absolute stunner. -
Film, Literature, and Translation
1 Film, Literature, and Translation: The Reception of Spain in the United States by Andrea Reisenauer Trabajo fin de Máster directed by Luis Pegenaute Departament de Traducció i Filologia Universitat Pompeu Fabra Barcelona, July 2015 2 ABSTRACT There is an increasing amount of research examining the parallels between the translation and adaptation processes, products, and studies themselves. Many Adaptation Studies scholars call for the use of Translation Studies' theoretical and methodological framework provided by the Polysystem theory to help further Adaptation Studies as a discipline. This study seeks to adopt this Polysystem theory to examine both Spanish adaptations and Spanish translations that have been published or released in the United States between 1980 and 2015. In doing so, it intends to not only reveal the preliminary, combined, and reception norms involved, but also to further demonstrate the parallel between these two processes and the value of a Polysystem approach in Translation Studies and Adaptations Studies. 3 TABLE OF CONTENTS ABSTRACT.....................................................................................................................................2 TABLE OF CONTENTS.................................................................................................................3 LIST OF TABLES ..........................................................................................................................5 CHAPTER 1—INTRODUCTION...............................................................................................6 -
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Spanish Language Films in the Sfcc Library
SPANISH LANGUAGE FILMS IN THE SFCC LIBRARY To help you select a movie that you will enjoy, it is recommended that you look at the description of films in the following pages. You may scroll down or press CTRL + click on any of the titles below to take you directly to the description of the movie. For more information (including some trailers), click through the link to the Internet Movie Database (www.imdb.com). All films are in general circulation and in DVD format unless otherwise noted. PLEASE NOTE: Many of these films contain nudity, sex, violence, or vulgarity. Just because a film has not been rated by the MMPA, does not mean it does not contain these elements. If you are looking for a film without those elements, consider viewing one of the films on the list on the last page of the document. A Better Life (2011) Age of Beauty / Belle epoque (1992) DVD/VHS All About My Mother / Todo sobre mi madre (1999) Alone / Solas (1999) And Your Mama Too / Y tu mamá también (2001) Aura, The / El aura (2005) Bad Education / La mala educación (2004) Before Night Falls / Antes que anochezca (2000) DVD/VHS Biutiful (2010) Bolivar I Am / Bolívar soy yo (2002) Broken Embraces / Abrazos rotos (2009) Broken Silence / Silencio roto (2001) Burnt Money / Plata quemada (2000) Butterfly / La lengua de las mariposas (1999) Camila (1984) VHS media office Captain Pantoja and the Special Services / Pantaleón y las visitadoras (2000) Carancho (2010) Cautiva (2003) Cell 211 / Celda 211 (2011) Chinese Take-Out(2011) Chronicles / Crónicas (2004) City of No Limits -
Revista Del Cine Español Nº 176 MARZO 2011 4 €
ACADEMIA Revista del Cine Español nº 176 MARZO 2011 4 € A CADEMIA DE LAS A RTES Y LAS C IENCIAS C INEMATOGRÁ FICAS DE E SPAÑA Ilustración: Augusto Costhanzo ACADEMIA REVISTA DEL CINE ESPAÑOL DIRECTOR: ARTURO GIRÓN [email protected] PRODUCCIÓN: ANA ROS [email protected] 4 La gala en el Teatro Real. La Academia REDACCIÓN ([email protected]): corona a Pa negre con nueve Goyas, entre JEFA DE REDACCIÓN: CHUSA L. MONJAS [email protected] ellos los de mejor película, dirección y ELOÍSA VILLAR [email protected], ANA ROS, JUAN GARCÍA [email protected] actriz protagonista 16 El ‘abc’ del DOCUMENTACIÓN: PATRICIA VIADA [email protected] backstage 23 El último discurso de Álex DISEÑO: ALBERTO LABARGA [email protected] de la Iglesia24 Entrevista con Isona IMPRIME: Gráficas 82 D.L. BU–217/95. ISSN 1136–8144 Passola, productora de Pa negre 26 Los ACADEMIA, REVISTA DEL CINE ESPAÑOL, NO SE SOLIDARIZA NECESARIAMENTE CON LAS Goya desde la calle desde la OPINIONES EXPUESTAS EN LOS ARTÍCULOS QUE PUBLICA, CUYA RESPONSABILIDAD 28 CORRESPONDE EXCLUSIVAMENTE A LOS AUTORES. televisión Belleza, y EDITA: 29 glamour evasión. La moda, por Lorenzo Caprile 34 Palmarés 38 Discurso de Mario Camus, Goya de Honor 39 Mis primeros Goya, por el director de C/ Zurbano, 3. 28010 Madrid producción Emiliano Otegui y la Tel. 91 5934648 y 91 4482321. Fax: 91 5931492 Internet: www.academiadecine.com directora y guionista Azucena Rodríguez E-mail: [email protected] 43 Sabela Correa, el mejor espectador PRESIDENTE: ÁLEX DE LA IGLESIA 25 premios honoríficos, por Jesús de VICEPRESIDENTES: ICÍAR BOLLAÍN, EMILIO A.