SVOD Subscriptions up by 28% in 2019
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Tate Report 08-09
Tate Report 08–09 Report Tate Tate Report 08–09 It is the Itexceptional is the exceptional generosity generosity and and If you wouldIf you like would to find like toout find more out about more about PublishedPublished 2009 by 2009 by vision ofvision individuals, of individuals, corporations, corporations, how youhow can youbecome can becomeinvolved involved and help and help order of orderthe Tate of the Trustees Tate Trustees by Tate by Tate numerousnumerous private foundationsprivate foundations support supportTate, please Tate, contact please contactus at: us at: Publishing,Publishing, a division a divisionof Tate Enterprisesof Tate Enterprises and public-sectorand public-sector bodies that bodies has that has Ltd, Millbank,Ltd, Millbank, London LondonSW1P 4RG SW1P 4RG helped Tatehelped to becomeTate to becomewhat it iswhat it is DevelopmentDevelopment Office Office www.tate.org.uk/publishingwww.tate.org.uk/publishing today andtoday enabled and enabled us to: us to: Tate Tate MillbankMillbank © Tate 2009© Tate 2009 Offer innovative,Offer innovative, landmark landmark exhibitions exhibitions London LondonSW1P 4RG SW1P 4RG ISBN 978ISBN 1 85437 978 1916 85437 0 916 0 and Collectionand Collection displays displays Tel 020 7887Tel 020 4900 7887 4900 A catalogue record for this book is Fax 020 Fax7887 020 8738 7887 8738 A catalogue record for this book is available from the British Library. DevelopDevelop imaginative imaginative education education and and available from the British Library. interpretationinterpretation programmes programmes AmericanAmerican Patrons Patronsof Tate of Tate Every effortEvery has effort been has made been to made locate to the locate the 520 West520 27 West Street 27 Unit Street 404 Unit 404 copyrightcopyright owners ownersof images of includedimages included in in StrengthenStrengthen and extend and theextend range the of range our of our New York,New NY York, 10001 NY 10001 this reportthis and report to meet and totheir meet requirements. -
OTT and Related On-Line Services in Arab Region
OTT and related on-line services in Arab Region Release 1.1 31/01/2017 Reality of OTTs in Arab Region The objective of the study is: 1- to have a global view on OTT and on-line services worldwide with the impact and trends of these services on national players and economies, 2- to have an overview on associated practices and relevant public policies worldwide and in the Region, 3- to propose recommendations on methods and approaches for preparation of associated policies and frameworks. _____________________________ The present document is the first release of the report. A draft questionnaire is proposed with this release and is intended to be submittedfor a survey to Regulators/policy Makers and Operators in the Region. The outcome of the survey with the related findings will be commented and included in a next version of this report. It is to note that, as the subject of OTT is being regularly debated in almost all regions with potential move and change in the related positions and decisions, some information reported in the present report may become outdated. __________________________________________________________________ OTT and related on-line services in Arab Region Executive Summary With the increase of global mobile broadband penetration, as well as the rapid adoption of connected devices, consumers have been provided with an access to a wide variety of on-line services which go beyond the traditional voice and messaging services provided by telecom operators (alias telcos *). These on-line services are reshaping the entire telecommunication eco-system, and are of great benefit to consumers worldwide, to the global economy and ubiquitous connectivity. -
Bringing the Future Faster
6mm hinge Bringing the future faster. Annual Report 2019 WorldReginfo - 7329578e-d26a-4187-bd38-e4ce747199c1 Bringing the future faster Spark New Zealand Annual Report 2019 Bringing the future faster Contents Build customer intimacy We need to understand BRINGING THE FUTURE FASTER and anticipate the needs of New Zealanders, and Spark performance snapshot 4 technology enables us Chair and CEO review 6 to apply these insights Our purpose and strategy 10 to every interaction, Our performance 12 helping us serve our Our customers 14 customers better. Our products and technology 18 Read more pages 7 and 14. Our people 20 Our environmental impact 22 Our community involvement 24 Our Board 26 Our Leadership Squad 30 Our governance and risk management 32 Our suppliers 33 Leadership and Board remuneration 34 FINANCIAL STATEMENTS Financial statements 38 Notes to the financial statements 44 Independent auditor’s report 90 OTHER INFORMATION Corporate governance disclosures 95 Managing risk framework roles and 106 responsibilities Materiality assessment 107 Stakeholder engagement 108 Global Reporting Initiative (GRI) content 109 index Glossary 112 Contact details 113 This report is dated 21 August 2019 and is signed on behalf of the Board of Spark New Zealand Limited by Justine Smyth, Chair and Charles Sitch, Chair, Audit and Risk Management Committee. Justine Smyth Key Dates Annual Meeting 7 November 2019 Chair FY20 half-year results announcement 19 February 2020 FY20 year-end results announcement 26 August 2020 Charles Sitch Chair Audit and Risk Management Committee WorldReginfo - 7329578e-d26a-4187-bd38-e4ce747199c1 Create New Zealand’s premier sports streaming business Spark Sport is revolutionising how New Zealanders watch their favourite sports events. -
SVOD Platforms Carried by Pay TV Operators
SVOD platforms carried by pay TV operators Source: Digital TV Research Note: Excludes SVOD platforms owned by pay TV operator Country Pay TV Operator SVOD Platform Argentina Telecentro Netflix Argentina Telecom Argentina Netflix Australia iiNet Netflix Australia Optus Netflix Austria UPC Netflix Azerbaijan Aile TV Megogo Bahrain Batelco Netflix Bahrain Viva Icflix Bahrain Viva Istikana Bahrain Viva Shahid Bahrain Viva Starz Play Bahrain Viva Telly Bahrain Zain Icflix Belgium Belgacom/Proximus Netflix Belgium Telenet Netflix Belgium Voo Canal Play Bolivia Tigo Netflix Bosnia M:tel Pickbox Brazil TIM Netflix Bulgaria Fusion TV Voyo Bulgaria Vivacom Voyo Canada Bell Netflix Canada Cogeco Netflix Canada MTS Netflix Canada Rogers Netflix Canada Telus Optik Netflix Chile VTR Netflix Colombia UNE Netflix Costa Rica Tigo Netflix Croatia T-HT Oyo Croatia T-HT Pickbox Croatia Vipnet Oyo Czech Rep T-Mobile Voyo Czech Rep UPC Netflix Denmark TDC HBO Denmark Telia HBO Denmark Waoo Netflix Denmark Waoo Viaplay Denmark YouSee HBO Egypt Telecom Egypt Icflix Egypt Vodafone Starz Play El Salvador Tigo Netflix Estonia Elion Netflix SVOD platforms carried by pay TV operators Source: Digital TV Research Note: Excludes SVOD platforms owned by pay TV operator Finland DNA C More Finland Elisa HBO Finland Elisa Netflix Finland Telia C More Finland Telia HBO Finland Telia Netflix France Bouygues Telecom Netflix France Free Canal Play France Free Filmo France Numericable Filmo France Orange Filmo France Orange Netflix France SFR Netflix Germany Deutsche Telekom -
Gulf Arabs to Create Regional Police Force
SUBSCRIPTION WEDNESDAY, DECEMBER 10, 2014 SAFAR 18, 1436 AH www.kuwaittimes.net Microsoft Lumia Cheerful Pele 535 Dual SIM leaves hospital now available after health in27 Kuwait scare20 Gulf Arabs to create Min 10º Max 27º regional police force High Tide 00:52 & 15.16 Low Tide Oil price fall hitting GCC revenues: Amir 08:38 & 20:25 40 PAGES NO: 16368 150 FILS DOHA: The six-member Gulf Cooperation Council says it will create a regional police force that will be based out of the United Arab Emirates’ capital of Abu Dhabi. The creation of the police force, known as GCC-POL, was announced yesterday at the conclusion of the Gulf bloc’s annual summit in Qatar. Local media have dubbed it the “Gulf Interpol” and say its aim is to improve cooperation against drug trafficking, money laundering and cyber-crime. The GCC is comprised of the energy-rich nations of Saudi Arabia, the UAE, Kuwait, Qatar, Bahrain and Oman. Supporting Sisi’s Egypt Meanwhile, Qatar joined its neighbors at a summit yesterday in supporting Egypt under President Abdel Fattah El-Sisi, whose crackdown on the Doha-backed Muslim Brotherhood had divided the Gulf monarchies for months. In their final statement, leaders of the six- nation Gulf Cooperation Council (GCC) states announced their “full support to Egypt” and the “politi- cal program of President Abdel Fattah El-Sisi”. Convening the Doha summit, which had been short- ened to one day, was made possible only by last-minute Kuwaiti mediation that succeeded in resolving a dispute between Saudi Arabia, the United Arab Emirates and Bahrain with Qatar over the Brotherhood. -
Mondo TV Outlook
Mondo TV Outlook Child’s play Media 10 May 2019 Mondo TV has started FY19 in much improved financial health, with a more concentrated portfolio centred on properties with good potential globally. Price €1.35 YooHoo has been sold to Netflix as an original series and is now airing Market cap €46m internationally, generating revenues and also acting as a flagship project. Licensing revenues should pick up in its wake. Robot Trains should also Net cash (€m) at 31 December 2018 8.1 contribute from this year. The highly competitive environment between Shares in issue 34.4m terrestrial and SVoD carriers provides a strong trading backdrop as they vie for content. Post the re-basing, Mondo TV is a far less risky investment Free float 64% proposition, yet is priced at a substantial discount to global peers. Code MTVI Primary exchange Borsa Italiana Star Revenue PBT* EPS* DPS EV/EBIT P/E Secondary exchange N/A Year end (€m) (€m) (c) (c) (x) (x) 12/17 32.0 15.4 43.0 0.0 1.9 3.1 Share price performance 12/18 18.9 (30.1) (56.3) 0.0 N/A N/A 12/19e 20.8 6.0 11.0 0.0 5.3 12.3 12/20e 27.8 7.8 14.0 0.0 4.1 9.6 Note: *PBT and EPS are normalised, excluding amortisation of acquired intangibles, exceptional items and share-based payments. FY19: The start of the recovery FY18 was a very difficult year for the group, with the untimely death of founder Orlando Corradi and the deterioration in trading, particularly in Asia. -
Top Recommended Shows on Netflix
Top Recommended Shows On Netflix Taber still stereotype irretrievably while next-door Rafe tenderised that sabbats. Acaudate Alfonzo always wade his hertrademarks hypolimnions. if Jeramie is scrawny or states unpriestly. Waldo often berry cagily when flashy Cain bloats diversely and gases Tv show with sharp and plot twists and see this animated series is certainly lovable mess with his wife in captivity and shows on If not, all maybe now this one good miss. Our box of money best includes classics like Breaking Bad to newer originals like The Queen's Gambit ensuring that you'll share get bored Grab your. All of major streaming services are represented from Netflix to CBS. Thanks for work possible global tech, as they hit by using forbidden thoughts on top recommended shows on netflix? Create a bit intimidating to come with two grieving widow who take bets on top recommended shows on netflix. Feeling like to frame them, does so it gets a treasure trove of recommended it first five strangers from. Best way through word play both canstar will be writable: set pieces into mental health issues with retargeting advertising is filled with. What future as sheila lacks a community. Las Encinas high will continue to boss with love, hormones, and way because many crimes. So be clothing or laptop all. Best shows of 2020 HBONetflixHulu Given that sheer volume is new TV releases that arrived in 2020 you another feel overwhelmed trying to. Omar sy as a rich family is changing in school and sam are back a complex, spend more could kill on top recommended shows on netflix. -
Thinktv FACT PACK NEW ZEALAND
ThinkTV FACT PACK JAN TO DEC 2017 NEW ZEALAND TV Has Changed NEW ZEALAND Today’s TV is a sensory experience enjoyed by over 3 million viewers every week. Powered by new technologies to make TV available to New Zealanders anywhere, any time on any screen. To help advertisers and agencies understand how TV evolved over the last year, ThinkTV has created a Fact Pack with all the stats for New Zealand TV. ThinkTV’s Fact Pack summarises the New Zealand TV marketplace, in-home TV viewing, timeshifted viewing and online video consumption. And, because we know today’s TV is powered by amazing content, we’ve included information on some top shows, top advertisers and top adverts to provide you with an insight into what was watched by New Zealanders in 2017. 2017 THE NEW ZEALAND TV MARKETPLACE BIG, SMALL, MOBILE, SMART, CONNECTED, 1. HD-capable TV sets are now in CURVED, VIRTUAL, 3D, virtually every home in New Zealand DELAYED, HD, 4K, 2. Each home now has on average ON-DEMAND, CAST, 7.6 screens capable of viewing video STREAM… 3. Almost 1 in every 3 homes has a internet-connected smart TV THE TV IS AS CENTRAL TO OUR ENTERTAINMENT AS IT’S EVER BEEN. BUT FIRST, A QUICK PEAK INSIDE NEW ZEALAND’S LIVING ROOMS • In 2015 New Zealand TV celebrated 55 years of broadcast with the first transmission on 1 June, 1960 • Today’s TV experience includes Four HD Free-to-air channels Two Commercial Free-to-Air broadcasters One Subscription TV provider • Today’s TV is DIGITAL in fact, Digital TV debuted in 2006 followed by multi-channels in 2007 • In its 58th year, New Zealand TV continues to change and evolve. -
Bryan Donnell • Director of Photography [email protected] • Website Bryandonnell.Com • 213.321.3909 M
Bryan Donnell • Director of Photography [email protected] • website bryandonnell.com • 213.321.3909 m DOCUMENTARY TELEVISION E.P./PRODUCER/DIRECTOR NETWORK/CO. Untitled doc feature Chai Vasarhelyi/Jimmy Chin HBO/Little Monsters Untitled doc feature Erin Lee Carr Netflix/Story Syndicate This Is Life w/ Lisa Ling (multiple eps) Lisa Ling/multiple CNN/Part2 We’re Here Peter Logreco HBO/IPC • nominee best doc series Emmy, IDA, Independent Spirit Untitled doc series Nikki Calabrese HBO/WoW Rick James biopic Steve Rivo/Sacha Jenkins Showtime/Mass Appeal The Con Star Price ABC/IPC Empires of New York (add’l) Matthew Galkin CNBC/IPC The Witnesses Matt Testa Oxygen/Herzog Broken Steve Rivo Netflix/ZeroPointZero The Redemption Project w/ Van Jones Jason Cohen CNN/Citizen Jones Murder Mountain Jon Chinn/Matt Testa/Joshua Zeman Netflix/Lightbox QB1 Peter Berg/Rachel Libert Netflix/Film45 Kids Behind Bars Peter Logreco A&E/IPC Afflicted Peter Logreco Netflix/Doc Shop Criminal Confessions Dick Wolf/Adam Kassen Oxygen/Shed Media Religion of Sports Tom Brady/Sam French Dish/Dirty Robber Invisible Killers Steve Rivo/BJ Perlmutt Discovery/Doc Group Hot Girls Wanted: Turned On Peter Logreco Netflix/Herzog Truth and Power Brian Knappenberger Pivot/Luminant Media DB Cooper: Case Closed? Ted Skillman History Channel truInside: Iconic Comedies Lisa Kalikow, Meri Haitkin, et al. truTV/left/right Morgan Spurlock: Inside Man Morgan Spurlock/Matt Galkin CNN/Warrior Poets • IDA AWARD, best doc series Living in Secret Sarah Skibitzke LMN/Brownstone Years of Living Dangerously (add’l) James Cameron/Joel Bach Showtime/Years Project • EMMY AWARD, best doc series Summer Dreams Jonathan Chinn/Ted Skillman CBS/Mandalay Sport in America (add’l) Adam del Deo/James Stern HBO/Endgame 30 for 30: The Dotted Line Morgan Spurlock/Matt Galkin ESPN/Warrior Poets Intervention Dan Partland A&E/GRB • EMMY AWARD, best reality series • EMMY NOM, best cinematography (for me) 30 Days: Animal Rights Morgan Spurlock/Jonathan Chinn FX/Actual Reality DOCUMENTARY FILMS PRODUCER/DIRECTOR DISTRIBUTOR/PROD. -
Pay-TV Programmers & Channel Distributors
#GreatJobs C NTENT page 5 www.contentasia.tv l www.contentasiasummit.com Asia-Pacific sports Game over: StarHub replaces Discovery rights up 22% to 7 new channels standby for July rollout in Singapore US$5b in 2018 Digital rights driving inflation, value peaks everywhere except India Demand for digital rights will push the value of sports rights in the Asia-Pacific region (excluding China) up 22% this year to a record US$5 billion, Media Partners Asia (MPA) says in its new re- port, Asia Pacific Sports In The Age of GoneGone Streaming. “While sports remains the last bastion for pay-TV operators com- bating subscriber churn, OTT delivery is becoming the main driver of rights infla- tion, opening up fresh opportunities for rights-holders while adding new layers of complexity to negotiations and deals,” the report says. The full story is on page 7 Screen grab of Discovery’s dedicated campaign site, keepdiscovery.sg CJ E&M ramps up While Singapore crowds spent the week- StarHub is extending bill rebates to edu- Turkish film biz end staring at a giant #keepdiscovery cation and lifestyle customers and is also Korean remakes follow video display on Orchard Road, StarHub offering a free preview of 30 channel to 25 local titles was putting the finishing touches to its 15 July. brand new seven-channel pack includ- StarHub’s decision not to cave to Dis- ing, perhaps ironically, the three-year-old covery’s rumoured US$11-million demands Korea’s CJ E&M is ramping up its Turkish CuriosityStream HD channel launched by raised questions over what rival platform operations, adding 25 local titles to its Discovery founder John Hendricks. -
The Export of European Films on SVOD Outside Europe
The export of European films on SVOD services outside Europe Christian Grece September 2019 A publication of the European Audiovisual Observatory Table of Contents Overview of 79 SVOD services in 21 countries worldwide Analysis by region and country ▪ North America – Canada and USA ▪ Latin America – Argentina, Brazil and Mexico ▪ South East Asia – Indonesia, Malaysia, Philippines, Singapore and Thailand ▪ East Asia – China and Japan ▪ India ▪ Oceania –Australia and New Zealand ▪ Middle East – The United Arab Emirates, Egypt and Saudi Arabia ▪ Individual countries - Russian Federation, South Africa and Turkey Introduction The aim of this report is to give a picture on the export of EU films on SVOD services outside of the European Union. 79 SVOD services in 21 countries worldwide are part of the sample. The report looks at the circulation of unique film titles and the volume/occurrences of films available on these services, on a regional and service basis. The first part gives a snapshot of the availability of EU films around the globe after which a overview for each region is provided. Methodology The analysis has been carried out based on data provided by Ampere Analysis and comprehends SVOD catalogue data collected in June 2019. A film is defined as a feature film, fiction film, documentary or other film content available in the “Film” / “Movie” section of the SVOD catalogues part of the sample. For the origin of a film, only the first country of production is taken into account. The production countries are based on data collected from the Observatory’s LUMIERE database on admissions to films in Europe, IMDb and the Movie database. -
WHERE ARE the AUDIENCES? August 2021 Introduction
WHERE ARE THE AUDIENCES? August 2021 Introduction • New Zealand On Air (NZ On Air) supports and funds public media content for New Zealand audiences, focussing on authentic NZ stories and songs that reflect New Zealand’s cultural identity and help build social cohesion, inclusion and connection. • It is therefore essential NZ On Air has an accurate understanding of the evolving media behaviour of NZ audiences. • The Where Are The Audiences? study delivers an objective measure of NZ audience behaviour at a time when continuous single source audience measurement is still in development. • This document presents the findings of the 2021 study. This is the fifth wave of the study since the benchmark in 2014 and provides not only a snapshot of current audience behaviour but also how behaviour is evolving over time. • NZ On Air aims to hold a mirror up to New Zealand and its people. The 2021 Where Are The Audiences? study will contribute to this goal by: – Informing NZ On Air’s content and platform strategy as well as the assessment of specific content proposals – Positioning NZ On Air as a knowledge leader with stakeholders. – Maintaining NZ On Air’s platform neutral approach to funding and support, and ensuring decisions are based on objective, single source, multi-media audience information. Glasshouse Consulting July 21 2 Potential impact of Covid 19 on the 2020 study • The Where Are The Audiences? study has always been conducted in April and May to ensure results are not influenced by seasonal audience patterns. • However in 2020 the study was delayed to May-June due to levels 3 and 4 Covid 19 lockdown prior to this period.