P04 Africa Analysis Mea18v2st.Indd
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
OTT and Related On-Line Services in Arab Region
OTT and related on-line services in Arab Region Release 1.1 31/01/2017 Reality of OTTs in Arab Region The objective of the study is: 1- to have a global view on OTT and on-line services worldwide with the impact and trends of these services on national players and economies, 2- to have an overview on associated practices and relevant public policies worldwide and in the Region, 3- to propose recommendations on methods and approaches for preparation of associated policies and frameworks. _____________________________ The present document is the first release of the report. A draft questionnaire is proposed with this release and is intended to be submittedfor a survey to Regulators/policy Makers and Operators in the Region. The outcome of the survey with the related findings will be commented and included in a next version of this report. It is to note that, as the subject of OTT is being regularly debated in almost all regions with potential move and change in the related positions and decisions, some information reported in the present report may become outdated. __________________________________________________________________ OTT and related on-line services in Arab Region Executive Summary With the increase of global mobile broadband penetration, as well as the rapid adoption of connected devices, consumers have been provided with an access to a wide variety of on-line services which go beyond the traditional voice and messaging services provided by telecom operators (alias telcos *). These on-line services are reshaping the entire telecommunication eco-system, and are of great benefit to consumers worldwide, to the global economy and ubiquitous connectivity. -
Sample Pages
Connected Consumer Survey 2019: TV and video in Malaysia and the Philippines Connected Consumer Survey 2019: TV and video in Malaysia and the Philippines Martin Scott Connected Consumer Survey 2019: TV and video in Malaysia and the Philippines 2 About this report This report focuses on aspects of Analysys Mason’s Connected GEOGRAPHICAL COVERAGE Consumer Survey that relate to the behaviour, preferences and plans of consumers in their use of pay-TV and OTT video services Emerging Asia–Pacific: in Malaysia and the Philippines. The viewership of video content is ▪ Malaysia changing rapidly and the interaction between pay TV and OTT ▪ Philippines services is complex. The survey was conducted in association with Dynata between July and August 2019. The survey groups were chosen to be representative of the internet-using population in these countries. We set quotas on age, gender and geographical spread to that effect. There were a minimum of 1000 respondents per country. KEY QUESTIONS ANSWERED IN THIS REPORT WHO SHOULD READ THIS REPORT ▪ How should pay-TV providers evolve their services in order to remain ▪ Product managers and strategy teams working for pay-TV providers or relevant in a world of changing viewing habits? operators with pay-TV operations, or companies that use video services ▪ How are consumers’ viewing habits changing in light of increased OTT as a value-added service (VAS) to support their core services. video use? ▪ Marketing executives and product managers for pay-TV providers and ▪ How exposed are pay-TV providers in Malaysia and the Philippines to the operators that are making decisions about TV and video service design disruption caused by the COVID-19 pandemic? and its impact on customer retention. -
Corus Secures High-Profile Partnerships in Continued Multiplatform Digital Expansion
CORUS SECURES HIGH-PROFILE PARTNERSHIPS IN CONTINUED MULTIPLATFORM DIGITAL EXPANSION Corus Brings Complex Networks and its Leading Youth Culture Brands to Canada in 360° Partnership so.da partners with Twitter to launch custom content initiative Twitter Originals, fueled with so.da Kin Expands with New Male Vertical so.da originals Launches with Four Social Series for Brand Integrations For additional photography and press kit material visit: www.corusent.com To share this socially: http://bit.ly/2HPaFdW For Immediate Release TORONTO, June 3, 2019 – Corus announced today its latest big moves in the digital space: becoming the home to premium digital brands and audiences in Canada through pivotal partnerships with Complex and Twitter; adding new branded content opportunities for advertisers with the launch of so.da originals; as well as the expansion of Kin with a new male creator vertical. Corus Brings Complex to Canada Continuing to deliver premium content to its highly engaged audiences across multiple platforms, Corus brings Complex Networks, a global media company, to Canadians through a new 360° partnership. As the #1 youth culture brand in the U.S. for the Male 18-24 demo with more viewers than Netflix in this demo*, Complex offers a portfolio of premium video-first brands positioned to serve diverse audiences, bringing unparalleled reach with Millennials and Gen Z. Corus will serve as the exclusive ad sales partner for Complex Networks in Canada and will license content from the Networks’ diverse library to be distributed on various platforms, including linear and on demand. Beginning this fall, Complex Networks’ Hot Ones, from the food brand First We Feast, will get a one-hour block on Global Television, following Canada’s #1 late night show for millennials and A25-54, Saturday Night Live**. -
SVOD Platforms Carried by Pay TV Operators
SVOD platforms carried by pay TV operators Source: Digital TV Research Note: Excludes SVOD platforms owned by pay TV operator Country Pay TV Operator SVOD Platform Argentina Telecentro Netflix Argentina Telecom Argentina Netflix Australia iiNet Netflix Australia Optus Netflix Austria UPC Netflix Azerbaijan Aile TV Megogo Bahrain Batelco Netflix Bahrain Viva Icflix Bahrain Viva Istikana Bahrain Viva Shahid Bahrain Viva Starz Play Bahrain Viva Telly Bahrain Zain Icflix Belgium Belgacom/Proximus Netflix Belgium Telenet Netflix Belgium Voo Canal Play Bolivia Tigo Netflix Bosnia M:tel Pickbox Brazil TIM Netflix Bulgaria Fusion TV Voyo Bulgaria Vivacom Voyo Canada Bell Netflix Canada Cogeco Netflix Canada MTS Netflix Canada Rogers Netflix Canada Telus Optik Netflix Chile VTR Netflix Colombia UNE Netflix Costa Rica Tigo Netflix Croatia T-HT Oyo Croatia T-HT Pickbox Croatia Vipnet Oyo Czech Rep T-Mobile Voyo Czech Rep UPC Netflix Denmark TDC HBO Denmark Telia HBO Denmark Waoo Netflix Denmark Waoo Viaplay Denmark YouSee HBO Egypt Telecom Egypt Icflix Egypt Vodafone Starz Play El Salvador Tigo Netflix Estonia Elion Netflix SVOD platforms carried by pay TV operators Source: Digital TV Research Note: Excludes SVOD platforms owned by pay TV operator Finland DNA C More Finland Elisa HBO Finland Elisa Netflix Finland Telia C More Finland Telia HBO Finland Telia Netflix France Bouygues Telecom Netflix France Free Canal Play France Free Filmo France Numericable Filmo France Orange Filmo France Orange Netflix France SFR Netflix Germany Deutsche Telekom -
Gulf Arabs to Create Regional Police Force
SUBSCRIPTION WEDNESDAY, DECEMBER 10, 2014 SAFAR 18, 1436 AH www.kuwaittimes.net Microsoft Lumia Cheerful Pele 535 Dual SIM leaves hospital now available after health in27 Kuwait scare20 Gulf Arabs to create Min 10º Max 27º regional police force High Tide 00:52 & 15.16 Low Tide Oil price fall hitting GCC revenues: Amir 08:38 & 20:25 40 PAGES NO: 16368 150 FILS DOHA: The six-member Gulf Cooperation Council says it will create a regional police force that will be based out of the United Arab Emirates’ capital of Abu Dhabi. The creation of the police force, known as GCC-POL, was announced yesterday at the conclusion of the Gulf bloc’s annual summit in Qatar. Local media have dubbed it the “Gulf Interpol” and say its aim is to improve cooperation against drug trafficking, money laundering and cyber-crime. The GCC is comprised of the energy-rich nations of Saudi Arabia, the UAE, Kuwait, Qatar, Bahrain and Oman. Supporting Sisi’s Egypt Meanwhile, Qatar joined its neighbors at a summit yesterday in supporting Egypt under President Abdel Fattah El-Sisi, whose crackdown on the Doha-backed Muslim Brotherhood had divided the Gulf monarchies for months. In their final statement, leaders of the six- nation Gulf Cooperation Council (GCC) states announced their “full support to Egypt” and the “politi- cal program of President Abdel Fattah El-Sisi”. Convening the Doha summit, which had been short- ened to one day, was made possible only by last-minute Kuwaiti mediation that succeeded in resolving a dispute between Saudi Arabia, the United Arab Emirates and Bahrain with Qatar over the Brotherhood. -
Mondo TV Outlook
Mondo TV Outlook Child’s play Media 10 May 2019 Mondo TV has started FY19 in much improved financial health, with a more concentrated portfolio centred on properties with good potential globally. Price €1.35 YooHoo has been sold to Netflix as an original series and is now airing Market cap €46m internationally, generating revenues and also acting as a flagship project. Licensing revenues should pick up in its wake. Robot Trains should also Net cash (€m) at 31 December 2018 8.1 contribute from this year. The highly competitive environment between Shares in issue 34.4m terrestrial and SVoD carriers provides a strong trading backdrop as they vie for content. Post the re-basing, Mondo TV is a far less risky investment Free float 64% proposition, yet is priced at a substantial discount to global peers. Code MTVI Primary exchange Borsa Italiana Star Revenue PBT* EPS* DPS EV/EBIT P/E Secondary exchange N/A Year end (€m) (€m) (c) (c) (x) (x) 12/17 32.0 15.4 43.0 0.0 1.9 3.1 Share price performance 12/18 18.9 (30.1) (56.3) 0.0 N/A N/A 12/19e 20.8 6.0 11.0 0.0 5.3 12.3 12/20e 27.8 7.8 14.0 0.0 4.1 9.6 Note: *PBT and EPS are normalised, excluding amortisation of acquired intangibles, exceptional items and share-based payments. FY19: The start of the recovery FY18 was a very difficult year for the group, with the untimely death of founder Orlando Corradi and the deterioration in trading, particularly in Asia. -
The Growth of VOD Investment in Local Entertainment Industries Contents
Asia-on- demand: the Growth of VOD Investment in Local Entertainment Industries contents Important Notice on Contents – Estimations and Reporting 04 GLOSSARY This report has been prepared by AlphaBeta for Netflix. 08 EXECUTIVE SUMMARY All information in this report is derived or estimated by AlphaBeta analysis using both 13 FACT 1: proprietary and publicly available information. Netflix has not supplied any additional data, nor VOD INVESTMENT IN LOCAL ASIAN CONTENT COULD GROW 3.7X BY 2022 does it endorse any estimates made in the report. Where information has been obtained from third party sources and proprietary sources, this is clearly referenced in the footnotes. 17 FACT 2: STRONG CONSUMER DEMAND INCENTIVIZES INVESTMENT IN HIGH-QUALITY Published in October 2018 LOCAL ENTERTAINMENT ONLINE 23 FACT 3: THROUGH VOD, ORIGINAL CONTENT PRODUCED IN ASIA IS GETTING INCREASED ACCESS TO GLOBAL AUDIENCES 27 FACT 4: THE ECONOMIC IMPACT OF LOCAL CONTENT INVESTMENT IS 3X LARGER THAN WHAT VOD PLAYERS SPEND 32 FACT 5: VOD PLAYERS OFFER BENEFITS TO THE LOCAL INDUSTRY - WELL BEYOND LOCAL CONTENT INVESTMENT 38 FACT 6: THE CONTENT PRODUCTION VALUE CHAIN IS BECOMING MORE GLOBAL AND DIVERSE, ALLOWING ASIAN COUNTRIES TO SPECIALIZE 43 FACT 7: THE KEY DRIVERS TO CAPTURING THE VOD CONTENT OPPORTUNITY ARE INVESTMENT INCENTIVES, SUPPORTIVE REGULATION, AND AlphaBeta is a strategy and economic advisory business serving clients across Australia and HIGH-QUALITY INFRASTRUCTURE Asia from offices in Singapore, Sydney, Canberra and Melbourne. 54 FINAL THOUGHTS: IMPLICATIONS FOR POLICYMAKERS SINGAPORE Level 4, 1 Upper Circular Road 57 APPENDIX: METHODOLOGY Singapore, 058400 Tel: +65 6443 6480 Email: [email protected] Web: www.alphabeta.com glossary The following terms have been used at various stages in this report. -
Pay-TV Programmers & Channel Distributors
#GreatJobs C NTENT page 5 www.contentasia.tv l www.contentasiasummit.com Asia-Pacific sports Game over: StarHub replaces Discovery rights up 22% to 7 new channels standby for July rollout in Singapore US$5b in 2018 Digital rights driving inflation, value peaks everywhere except India Demand for digital rights will push the value of sports rights in the Asia-Pacific region (excluding China) up 22% this year to a record US$5 billion, Media Partners Asia (MPA) says in its new re- port, Asia Pacific Sports In The Age of GoneGone Streaming. “While sports remains the last bastion for pay-TV operators com- bating subscriber churn, OTT delivery is becoming the main driver of rights infla- tion, opening up fresh opportunities for rights-holders while adding new layers of complexity to negotiations and deals,” the report says. The full story is on page 7 Screen grab of Discovery’s dedicated campaign site, keepdiscovery.sg CJ E&M ramps up While Singapore crowds spent the week- StarHub is extending bill rebates to edu- Turkish film biz end staring at a giant #keepdiscovery cation and lifestyle customers and is also Korean remakes follow video display on Orchard Road, StarHub offering a free preview of 30 channel to 25 local titles was putting the finishing touches to its 15 July. brand new seven-channel pack includ- StarHub’s decision not to cave to Dis- ing, perhaps ironically, the three-year-old covery’s rumoured US$11-million demands Korea’s CJ E&M is ramping up its Turkish CuriosityStream HD channel launched by raised questions over what rival platform operations, adding 25 local titles to its Discovery founder John Hendricks. -
The-Evolution-Of-The-OTT-TV-Market-January-2017.Pdf
BSAC Business Briefing The Evolution of the OTT TV Market January 2017 This paper was commissioned by BSAC and presented at a BSAC Council Meeting on 13 October 2016 accompanied by a complementary presentation and discussion by Ben Keen. It was subsequently revised and published in January 2017. Cutting the pay TV cord? Over the Top (OTT) television has become a shorthand term for a range of different online video services that may circumvent existing pay TV and broadcast business models, using the Internet as a means of distributing ‘Over The Top’ of those legacy services. The context of OTT growth is a slowing global pay TV market. Whilst still the dominant business model, pay TV operators all over the world are now experiencing slowing growth rates in their core subscriber metrics. To date, North America is the only region where there are signs that the traditional pay TV sector is actually contracting in size, prompting fears that consumers are genuinely starting to ‘cut the pay TV cord’. However, the industry has justifiable concerns that ‘cord cutting’ will eventually spread to all markets around the world as OTT alternatives become more attractive. BSAC Business Briefing: The Evolution of the OTT TV Market January 2017 1 The largest European pay TV operator by subscriber count is Liberty Global, which has been building scale through a series of acquisitions. Close behind Liberty is Sky Europe, which operates in Italy and Germany as well as the UK. All of the other top ranked pay TV players in Europe are primarily known as ‘telcos’ – but most use a variety of different distribution technologies to deliver their video services to paying customers (cable, satellite, IPTV and terrestrial). -
Contentasia Enewsletter 17 May 2021 Issue
C NTENT 17-30 May 2021 www.contentasia.tv l www.contentasiasummit.com C NTENT The Plot Thickens 25-27 August 2021 Discovery + WarnerMedia in Asia Job fears sweep a battered industry While debate rages around the Warner- Media/Discovery alliance announced last night, in Asia a fresh round of panic is battering an industry still reeling from this month’s fallout of the latest phase of Disney’s Fox Networks Group acquisition and an HBO Asia team only just unpack- ing boxes at their new WarnerMedia regional HQ in Singapore. The full story is on page 8 q Disney+ Hotstar heads for Thailand 30 June launch for hybrid service Disney is rolling out its lower-cost hybrid streaming service, Disney+ Hotstar, in Thailand on 30 June. This is the third Disney+ Hotstar platform in Southeast Asia after Indonesia, which launched in September last year, and Malaysia, which goes live on 1 June. The full story is on page 3 By 2029, HD Cable Households are Expected to Increase by 78% to 306 Million Across the Asia-Pacific Region Are you prepared to capture this growth? As a global leader of broadcast services and communications and a clear leader in this region, Intelsat continues to deliver the reliability and scalability programmers need to deliver high-quality video to viewers. Check out our latest eBook to understand the shifting media trends across the region and to make sure you are positioned to capture future subscribers and revenue in this highly competitive market. 230M+ Pay TV subscribers _________ 800 Channels _________ 5 Premier Video Neighborhoods _________ 3 Satellites Learn more by downloading intelsat.com linkedin.com/company/Intelsat Intelsat’s Media Market Watch 2021 twitter.com/Intelsat A Complete Guide to Pay TV Opportunities in the Asia-Pacific Region facebook.com/Intelsat youtube.com/user/IntelsatMedia 17-30 May 2021 page 2. -
Digital Disruptors: Digital Streaming Services
+44 20 8123 2220 [email protected] Digital Disruptors: Digital Streaming Services https://marketpublishers.com/r/D5875CD12D9EEN.html Date: July 2020 Pages: 58 Price: US$ 1,325.00 (Single User License) ID: D5875CD12D9EEN Abstracts Digital streaming services have widely disrupted traditional media consumption, particularly in developed markets, and new services continue to launch. This briefing includes profiles of the following companies: Apple Music, Amazon Prime Video, BluTV, DAZN, Hooq, Hotstar, Icflix, Molotov, Netflix, QQ Music, Rakuten TV, Spotify, Stan, StarzPlay and others Strategy Briefings offer unique insight into emerging trends world-wide. Aimed squarely at strategists and planners, they draw on Euromonitor International’s vast information resources to give top line insight across markets and within consumer segments. Written by some of our most experienced analysts, they are designed as provocations for senior management to use in their own forum, allowing them to stand back and reflect on the behaviour and motivation driving global markets today and tomorrow Data coverage: market sizes (historic and forecasts), company shares, brand shares and distribution data. Why buy this report Identify factors driving change now and in the future Understand motivation Forward-looking outlook Briefings and presentation should provoke lively discussion at senior level Take a step back from micro trends Digital Disruptors: Digital Streaming Services +44 20 8123 2220 [email protected] Get up to date estimates and comment Euromonitor International has over 40 years' experience of publishing market research reports, business reference books and online information systems. With offices in London, Chicago, Singapore, Shanghai, Vilnius, Dubai, Cape Town, Santiago, Sydney, Tokyo and Bangalore and a network of over 800 analysts worldwide, Euromonitor International has a unique capability to develop reliable information resources to help drive informed strategic planning. -
Yearbook 2019/2020 Key Trends
YEARBOOK 2019/2020 KEY TRENDS TELEVISION, CINEMA, VIDEO AND ON-DEMAND AUDIOVISUAL SERVICES - THE PAN-EUROPEAN PICTURE → Director of publication Susanne Nikoltchev, Executive Director → Editorial supervision Gilles Fontaine, Head of Department for Market Information → Authors Francisco Javier Cabrera Blázquez, Maja Cappello, Laura Ene, Gilles Fontaine, Christian Grece, Marta Jiménez Pumares, Martin Kanzler, Ismail Rabie, Agnes Schneeberger, Patrizia Simone, Julio Talavera, Sophie Valais → Coordination Valérie Haessig → Special thanks to the following for their contribution to the Yearbook Ampere Analysis, Bureau van Dijk (BvD), European Broadcasting Union - Media Intelligence Service (EBU-M.I.S.), EURODATA-TV, LyngSat, WARC, and the members of the EFARN and the EPRA networks. → Proofreading Anthony Mills → Layout Big Family → Press and public relations Alison Hindhaugh, [email protected] → Publisher European Audiovisual Observatory 76 Allée de la Robertsau, 67000 Strasbourg, France www.obs.coe.int If you wish to reproduce tables or graphs contained in this publication please contact the European Audiovisual Observatory for prior approval. Please note that the European Audiovisual Observatory can only authorise reproduction of tables or graphs sourced as “European Audiovisual Observatory”. All other entries may only be reproduced with the consent of the original source. Opinions expressed in this publication are personal and do not necessarily represent the view of the Observatory, its members or of the Council of Europe. © European Audiovisual Observatory (Council of Europe), Strasbourg 2020 YEARBOOK 2019/2020 KEY TRENDS TELEVISION, CINEMA, VIDEO AND ON-DEMAND AUDIOVISUAL SERVICES - THE PAN-EUROPEAN PICTURE 4 YEARBOOK 2019/2020 – KEY TRENDS TABLE OF CONTENT INTRODUCTION 0 Six keywords for 2019 and, possibly, 2020 .