Jewish Interest Titles Fall 2013
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Richard Flanagan's the Narrow Road to the Deep North and Matsuo
Coolabah, No.21, 2017, ISSN 1988-5946, Observatori: Centre d’Estudis Australians / Australian Studies Centre, Universitat de Barcelona Richard Flanagan’s The Narrow Road to the Deep North and Matsuo Basho’s Oku no Hosomichi Yasue Arimitsu Doshisha University [email protected] Copyright©2017 Yasue Arimitsu. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged, in accordance with our Creative Common Licence. Abstract. This paper investigates Australian author Richard Flanagan’s novel, The Narrow Road to the Deep North, and attempts to clarify the reason why Flanagan chose this title, which is linked to the travel writings of the Japanese author Matsuo Basho, for his novel. The novel focuses on the central character’s prisoner of war experience on the Thai-Burma Death Railway during World War II, and depicts the POW camp as well as cruel Japanese behaviour and atrocities in a realistic way. The work seems to provide a postcolonial framework in the sense that there is a colonial and postcolonial relationship between the colonizer, and the colonized. However, in this novel, the colonizer is Eastern, and the colonized is Western, and this fact reverses postcolonial theory which postulates a structure in which the colonizer is usually considered as Western and the colonized, Eastern. Postcolonial theory, thus, cannot be applied in this novel, which attempts to fuse the two opposites, the Western view and the Eastern view, through the work of the Japanese poet. As a result, Flanagan, in writing The Narrow Road to the Deep North, goes beyond being a postcolonial writer to become a writer in a globalizing age. -
Jahrgang 2020 - Empfehlungen BE
DOI: 10.7892/boris.153595 BEFUND Jahrgang 2020 | downloaded: 15.4.2021 | downloaded: 30.9.2021 Belletristik-Empfehlungen der Fachreferent*innen der https://doi.org/10.48350/155890 https://doi.org/10.7892/boris.153595 Universitätsbibliothek Bern (digital) www.unibe.ch/ub/belletristik source: Januar 2020 GABRIELA SCHERRER HARTMUT ABENDSCHEIN Elif Shafak: 10 Minutes 38 Peter Reichen, Roland Reichen; Seconds in this Strange Fotografie Jonathan Liechti: World Druffä. Aus dem Leben eines Berner Drogensüchtigen Lebendige und überraschende Dies ist ein photographisch- Beschreibungen des literarischer Essay und kein nahöstlichen Lebens in Aufklärungswerk, liebe Berner eindringlicher Prosa. Zeitung. JAN DUTOIT GABRIELA SCHERRER Olga Tokarczuk: Księgi Bernardine Evaristo: Girl, Jakubowe, albo, Wielka Woman, Other podróż przez siedem granic, pięć języków i trzy duże Leben und Kämpfe von zwölf religie, nie licząc tych małych sehr unterschiedlichen Charakteren, die Geschichten Für die, die Polnisch lesen, ihrer Familien, Freunde und haben wir «Die Liebhaber halten den Leser in Jakobsbücher» neu auch im Bann. Original! Und für die, die einmal reinhören möchten: bald liest Tokarczuk in Bern. ARTURO RUIZ Gleich 2 welsche fiktionale Antworten auf die Problematik des Klimawandels Tato Cabal: La forma del mundo Bruno Pellegrino, Audo Seigne, Daniel Vuataz: Stand-by, Novela sobre el histórico Saison 2 viaje protagonizado por Magallanes al frente de la Das Autorentrio - Bruno llamada Flota de la Pellegrino, Aude Seigne und Especiería, narrada desde Daniel -
Ramones 2002.Pdf
PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re earth: The airwaves were ruled by crotchety old di corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world. -
Christian Ricci Behind the Scenes in New York – Fall 2020 Assignment #1 October 05, 2020 1 Opened in 1973 on Bowery in Manhatt
Christian Ricci Behind the Scenes in New York – Fall 2020 Assignment #1 October 05, 2020 Opened in 1973 on Bowery in Manhattan’s East Village, CBGB was a bar and music venue which features prominently in the history of American punk rock, New Wave and Hardcore music genres. The club’s owner, Hilly Kristal, was always involved with music and musicians, having worked as a manager at the legendary jazz club Village Vanguard booking acts like Miles Davis. When CBGB first opened its doors in the early seventies the venue featured mostly country, blue grass, and blues acts (thus CBGB) before transitioning over to punk rock acts later in the decade. Many well know performers of the punk rock era received their start and earliest exposure at the club, including the Ramones, Patti Smith, Television, Blondie, and Joan Jett. During the New Wave era, performers like Elvis Costello, Talking Heads and even early performances from the Police graced the stage in the now legendary venue. Located at 315 Bowery, which is situated near the northern section of Bowery before it splits into 3rd and 4th Avenues at Cooper square, the original building on the site was constructed in 1878 and was used as a tenement house for 10 families with a shop (liquor store) on the ground floor. In 1934, 315 and 313 were combined into one building and the façade was redesigned and constructed in the Art Deco style, as documented in the 1940 tax photo. At that time, the building was occupied by the Palace Hotel with a ground floor saloon. -
Samuel Schmid Fait Escale Au Locle
Pascal Couchepin KEYSTONE FOOTBALL Sion et Bâle se qualifient pour le 1er tour veut aider de la Coupe UEFA. Pas YB. >>> PAGE 20 les parents Le conseiller fédéral entend soutenir le système des bons de garde. >>> PAGE 26 KEYSTONE Vendredi 31 août 2007 ● www.limpartial.ch ● N0 39684 ● CHF 2.– / € 1.30 JETONS DE PRÉSENCE Volte-face de la BCN Samuel Schmid fait escale au Locle KEYSTONE Fin de la polémique suscitée par la hausse des indemnités des administrateurs de la Banque cantonale (présidée par le socialiste Jean-Pierre Ghelfi): le conseil fait marche arrière. >>> PAGE 5 POPULATION Une croissance due aux étrangers La Suisse comptait 7,5 millions d’habitants à la fin de l’année dernière, soit 50 000 de plus qu’à fin 2005. Cette hausse, dans la lignée de celles enregistrées depuis 2000, est avant tout due à l’immigration. Le phénomène est par ailleurs plus marqué dans les zones urbaines que dans les campagnes. >>> PAGE 25 RICHARD LEUENBERGER JOURNÉE DES VILLES Le conseiller fédéral Samuel Schmid a participé Palme d’or Curiosités hier à l’assemblée de l’Union des villes suisses, réunie jusqu’à aujourd’hui au Locle. Patrimoine Les Journées Cent cinquante délégués d’exécutifs ont fait le déplacement. >>> PAGE 6 européennes se tiendront FRENETIC les 8 et 9 septembre. Le bois est à l’honneur RADIO-TV MUSIQUE SP de cette 14e édition. Découvertes Lumières en perspective. >>> PAGE 3 La grosse colère jurassiennes du patron de RTN Hier à Delémont, le chef Grand film Couronné à de l’Orchestre symphonique Cannes, «4 mois, A la tête des stations RTN, rassien et qui pourrait entraî- du Jura, Facundo Agudin, a 3 semaines, 2 jours» est une DAVID MARCHON RJB et RFJ, le Jurassien ner un accroissement des présenté la saison de émouvante balade tragique Pierre Steulet estime qu’il ne émissions communes entre Musique des Lumières. -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Rent Glossary of Terms
Rent Glossary of Terms 11th Street and Avenue B CBGB’s – More properly CBGB & OMFUG, a club on Bowery Ave between 1st and 2nd streets. The following is taken from the website http://www.cbgb.com. It is a history written by Hilly Kristal, the founder of CBGB and OMFUG. The question most often asked of me is, "What does CBGB stand for?" I reply, "It stands for the kind of music I intended to have, but not the kind that we became famous for: COUNTRY BLUEGRASS BLUES." The next question is always, "but what does OMFUG stand for?" and I say "That's more of what we do, It means OTHER MUSIC FOR UPLIFTING GORMANDIZERS." And what is a gormandizer? It’s a voracious eater of, in this case, MUSIC. […] The obvious follow up question is often "is this your favorite kind of music?" No!!! I've always liked all kinds but half the radio stations all over the U.S. were playing country music, cool juke boxes were playing blues and bluegrass as well as folk and country. Also, a lot of my artist/writer friends were always going off to some fiddlers convention (bluegrass concert) or blues and folk festivals. So I thought it would be a whole lot of fun to have my own club with all this kind of music playing there. Unfortunately—or perhaps FORTUNATELY—things didn't work out quite the way I 'd expected. That first year was an exercise in persistence and a trial in patience. My determination to book only musicians who played their own music instead of copying others, was indomitable. -
Suggested Summer Reading Titles
Self-selected Summer Reading Suggested Titles and/or Book Lists Grades 9-12 Summer 2021 Each of the sites listed and linked below contain: ○ Activity Guides ○ Brochure ○ PowerPoint ○ Promotional Video South Carolina Book Awards - click the awards tab for ● Junior Book Award Nominees more! Be sure to scroll down and check out the materials and resources! ● Young Adult Book Awards Be sure to scroll down and check out the materials and resources! More information and helpful links: Many books have a Lexile number. For information (for parents) about Lexile levels, please click here. A Lexile text measure tells you how challenging a text is to Parent Guide to Lexile comprehend. A Lexile reader measure describes your child’s reading (your child’s reading ability. Your child receives a Lexile measure from a test at school or a level) state assessment. Choosing books in your child’s comprehension “sweet spot” (100L below to 50L above your child’s reported Lexile measure) provides an ideal level of challenge for independent reading. To see how your child’s reading ability compares to other students at the same grade level, visit this site for more information. Visit Lexington County Public Library for Ebooks, Audiobooks, Movies and TV, Music, and Magazines! Lexington County Library Audiobooks ● For Teens ● For Kids Countdown to Summer Reading More information and helpful links: Lexington County Public Library Programs and Events Calendar Richland County Library Featured Lists TEST Prep - Visit the Learning Express Library for a comprehensive collection of test-preparation tools, skill-building materials and other career and life skills resources by clicking here. -
A Noah of Our Days: Around Him Mythologies Arose
Coolabah, Vol.3, 2009, ISSN 1988-5946 Observatori: Centre d’Estudis Australians, Australian Studies Centre, Universitat de Barcelona A Noah of Our Days: Around Him Mythologies Arose Elisa Morera de la Vall Copyright ©2009 Elisa Morera de la Vall. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged Abstract : From the pages of Thomas Keneally’s best seller, Schindler’s Ark , emerges the seductive figure of a modern hero of mythical proportions, the German Oskar Schindler who rescued over 1000 Jews from the hands of the Nazis and certain death. This Noah of our days sheltered his Jewish workers in an ark of salvation, his factory ‘Emalia’, and originated a legend further popularized by Steven Spielberg’s film. Keywords : facts, memory, story, history, legend, myth. The book of Genesis narrates the fabulous story of Noah who was chosen by God to save people and animals from the deluge that would drown all living things. Noah built an ark that stayed afloat and saved its occupants from extinction: “And they went in unto Noah into the ark …” (Gen. 7, 15). In his best seller, Schindler’s Ark , Thomas Keneally narrates the fabulous story of a modern Noah, Oskar Schindler, who managed to save the lives of over 1000 Jews from the Auschwitz ovens by turning his factory, Emalia, into an ark of salvation. The author was persuaded to write the book by one of the Schindlerjuden, or Schindler’s Jews, who survived. -
Paula Guerra
Paula Guerra Lou Reed: rock and roll is so genial in its conception that some people would be willing to die for it (…). Music gives a pulse that allows you to dream. It’s an entire generation walking to the sound of a Fender bass. It’s necessary that people be willing to die for music, that is all. People die no matter what, so why not music? Die for it. Isn’t it pretty? To want to die for beauty? (McNeil & McCain, 2006: 45). The 1960’s, from an music aesthetic and expression point of view, were marked by an intense creativity that spread throughout all artistic and cultural mediums. We associate this era with a revolutionary mark, be in cultural, moral or social terms, with the importance of figures such as Rimbaud, north American black blues, rock pioneers, beat generation, Henry Miller, Malraux, Baudelaire, Marcuse, Indian gurus, Marx, Trotsky, Mao Tse Tung… (Paraire, 1992: 75-77). In the USA, rock acquired an institutionalization close to that of the traditional star system, with the role of the English pop movement, in particular that of the Beatles, one of the most remarkable in this respect. It will not, then, be out of place to consider that rock music throughout the -------- 1 This text was first published in Portuguese with the following reference: Guerra, P., 2010. A instável leveza do rock. Génese, dinâmica e consolidação do rock alternativo em Portugal. The unstable lightness of rock. Genesis, dynamics and consolidation of alternative rock in Portugal (1980-2010). Faculty of Arts of University of Porto, Porto.