J 'Li'��{� GRAN TEATRE DEL LICEU
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
OPERA, COMIC OPERA, MUSICAL Box 4/1
Enid Robertson Theatre Programme Collection MSS 792 T3743.R OPERA, COMIC OPERA, MUSICAL Box 4/1 Artist Date Venue, notes Melba, Dame Nellie, with Frederic Griffith 12.11.1902 Direction Mr George (Flute), Llewela Davies (Piano) M. (Second Musgrove Bensaude (Vocal) Signorina Sassoli Concert:15.11) Town Hall, Adelaide (Harp)Louis Arens, (Vocal)Dr. F. Matthew Ennis (Piano) Handel, Thomas, Arditi. Melba, Dame Nellie with, Tom Burke 15.6.1919 Royal Albert Hall, (Tenor), Bronislaw Huberman (Violin) London Frank St. Leger (Piano) Arthur Mason (Organ) Verdi, Puccini, etc. Melba, Dame Nellie 4.10.1921 Manager, John Lemmone, With Una Bourne (Piano), W.F.G.Steele (Second Concert Town Hall, Adelaide (Organ), John Lemmone (Flute) Mozart, 6.10.21) Verdi Melba, Dame Nellie & J.C. Williamson 26.9.1924 Direction, Nevin Tait Grand Opera Season , Aida (Verdi) Theatre Royal Adelaide Conductor Franco Paolantonio, with Augusta Concato, Phyllis Archibald, Nino Piccaluga, Edmondo Grandini, Gustave Huberdeau, Oreste Carozzi Melba, Dame Nellie & J.C. Williamson, 4.10.1924 Direction, Nevin Tait Grand Opera Season, Andrea Chenier, Theatre Royal Adelaide (Giordano) First Adelaide Performance, Franco Paolantonio (Conductor) Nino Piccaluga, Apollo Granforte, Doris McInnes, Antonio Laffi, Oreste Carozzi, Gaetano Azzolini, Luigi Cilla, Luigi Parodi, Antonio Venturi, Alfredo Muro, Vanni Cellini Melba, Dame Nellie & J.C. Williamson, 6.10.1924 Direction, Nevin Tait Grand Opera Season, DonPasquale, Theatre Royal, Adelaide (Donizetti) First Performance in Adelaide, Arnaldo -
Boston Symphony Orchestra Concert Programs, Season 35,1915-1916, Trip
SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY ^\^><i Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor ITTr WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE THURSDAY EVENING, MARCH 23 AT 8.00 COPYRIGHT, 1916, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER 1 €$ Yes, It's a Steinway ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway." Nothing more need be said. Everybody knows you have chosen wisely; you have given to your home the very best that money can buy. You will never even think of changing this piano for any other. As the years go by the words "It's a Steinway" will mean more and more to I you. and thousands of times, as you continue to enjoy through life the com- panionship of that noble instrument, absolutely without a peer, you will say to yourself: "How glad I am I paid the few extra dollars and got a Steinway." pw=a I»3 ^a STEINWAY HALL 107-109 East 14th Street, New York Subway Express Station at the Door Represented by the Foremost Dealers Everywhere Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor Violins. Witek, A. Roth, O. Hoffmann, J. Rissland, K. Concert-master. Koessler, M. Schmidt, E. Theodorowicz, J. Noack, S. Mahn, F. Bak, A. Traupe, W. Goldstein, H. Tak, E. Ribarsch, A. Baraniecki, A. Sauvlet. H. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Sulzen, H. -
Revista Musical Catalana \ •Butlletí De L'orfeó CATALÀ I
Any XIII 15 Març 1916 Núm. 147 mm 111 i rn-nt n t rr 11«n 111111111111 n i r M M iim m t r • Revista Musical Catalana \ •Butlletí de l'ORFEÓ CATALÀ i El Dr. Torras i Bages A nostra REVISTA deu pagar el tribut d'un record al que fou mestre i orientador de la part més sana i forta del nostre Renaixement, al que fou bisbe de Vich durant setze anys, i, ben mirat, bisbe de tot Catalunya des de la publicació de La Tradició Catalana, llibre fona• mental del catalanisme. Catalunya ha tingut homes eminents, homes representatius, en totes èpoques, que per sí sols demostren la força, la fesomia incon- fundible de nostra rassa; savis i poetes, artistes i filosops : grans reis de la nació, grans reis del pensament i de la fantasia. 1 si hem tingut èpoques de decadència, en canvi, ara última• ment, amb aquesta reacció de rassa que en diem Renaixensa, han surgit altra volta aquests esperits singulars que són com la flor de l'arbre de la Pàtria i que demostren la vida fecunda que l'anima. Però de la última plèiade de grans homes de Catalunya, cap tan alt, cap tan fecundant a l'espiritualitat catalana com el Dr. Torras i Bages. I és perquè ell era el gran català pensador, vident, el gran català cristià. Per la intel·ligència som homes, pel cristianisme pugem a la perfecció i ens divinitzem; el Dr. Torras era potent en la ciència del pensament i tenia el ver esperit d'apòstol de la Veritat revelada, i aixi ell s'imposava a qui sedejava veritat i perfecció, i per això la seva influencia fecundía bellament i sanament en el jardí intel·lectual i espiritual de Catalunya. -
Xanadu: Encounters with China
XANADU Encounters with China A NATIONAL LIBRARY OF AUSTRALIA EXHIBITION XANADU Encounters with China National Library of Australia Canberra 2004 Published by the National Library of Australia Canberra ACT 2600 Australia ©National Library of Australia 2004 National Library of Australia Cataloguing-in-Publication entry Xanadu: encounters with China. Bibliography. Includes index. ISBN 0 642 27612 9. 1. Australia—Relations—China—Exhibitions. 2. China— Relations—Australia—Exhibitions. I. Terry, Martin. II. Title. 327.94051 Publisher's editor: Leora Kirwan Curatorial assistant: Irene Turpie Designer: Kathy Jakupec Printed by: Goanna Print Front: Firing Crackers in Honour of the Kitchen God in Juliet Bredon Chinese New Year festivals: A Picturesque Monograph of the Rites, Ceremonies and Observances Thereto Shanghai: Kelly and Walsh, 1930 Thanks to Geremie Barme and Andrew Gosling for their advice. Every reasonable effort has been made to contact the copyright holders. Where this has not been possible, the copyright holders are invited to contact the publisher. FOREWORD The creation of the National Library of Australia's major Asian Collection in the years following World War 11 is one of the success stories of Australia's engagement with the Asia-Pacific region. From the 1950s, the Library has built major research collections on East Asia and South-East Asia, and we also have significant holdings on other countries of the region, such as India. Today, the National Library houses the largest developing research resource on Asia in Australia, with holdings of over half a million volumes. Xanadu: Encounters with China is a very special exhibition for the National Library of Australia, drawing as it does on the Library's maps, pictures, rare books and, most notably, its Asian material. -
CATÁLOGOS DE DOCUMENTOS DE ARTE 32 Noticias Y Opiniones Sobre Música, Cine, Teatro Y Artes Plásticas En El Periódico Excélsior Durante 1919-1923
Universidad Instituto Nacional Autónoma de Investigaciones de México Estéticas ISBN 970-32-3701-036- X CATÁLOGOS DE DOCUMENTOS DE ARTE 32 Noticias y opiniones sobre música, cine, teatro y artes plásticas en el periódico Excélsior durante 1919-1923 Margarito Sandoval Pérez UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO INSTITUTO DE INVESTIGACIONES ESTÉTICAS CATÁLOGOS DE DOCUMENTOS DE ARTE 32 NOTICIAS Y OPINIONES SOBRE MÚSICA, CINE, TEATRO Y ARTES PLÁSTICAS EN EL PERIÓDICO EXCÉLSIOR DURANTE 1919-1923 INSTITUTO DE INVESTIGACIONES ESTÉTICAS Directora: María Teresa Uriarte Secretario Académico: Jorge Jiménez Rentería Margarito Sandoval Pérez CATÁLOGOS DE DOCUMENTOS DE ARTE 32 NOTICIAS Y OPINIONES SOBRE MÚSICA, CINE, TEATRO Y ARTES PLÁSTICAS EN EL PERIÓDICO EXCÉLSIOR DURANTE 1919-1923 UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO INSTITUTO DE INVESTIGACIONES ESTÉTICAS MÉXICO 2006 N7475 S36 Sandoval Pérez, Margarito Catálogos de documentos de arte : noticias y opiniones sobre música, cine, teatro y artes plásticas en el periódico Excélsior durante 1919-1923 / Margarito Sandoval Pérez. — México : unam, Instituto de Investigaciones Estéticas, 2006. 461 p. : il. — (Catálogo de documentos de arte ; 32). ISBN: 970-32-3701-0 1. Criticismo en el arte — México — Historia — Siglo XX. 2. Criticismo en el arte — Siglo XX — Catálogos. 3. Artes — México — Publicaciones periódicas — Catálogos. 4. Arte moderno — Siglo XX — México — Publicaciones periódicas — Catálogos. 5. Excélsior (México : Ciudad) — Catálogos. I. Universidad Nacional Autónoma de México. Instituto de Investigaciones Estéticas. II. t. III. Ser. Diseño de portada: Ivonne Fernández Ilustración de portada: José Luciano Castañeda, Musa Clío 1797 (fragmento) D.R. © 2006. Universidad Nacional Autónoma de México Instituto de Investigaciones Estéticas Circuito Mario de la Cueva, Ciudad Universitaria México, D.F. -
Symphony Orchestrh
« BOSTON »%m SYMPHONY ORCHESTRH PRSGRMftE ANGELUS PLAYER-PIANO The Angelus The Angelus was the First is the Best Player Player THE value of a player- piano is far in excess of its cost. Music is educational like art and literature. It is synonymous with culture and engenders a wholesome and refining in- fluence in the family. Music, formerly a luxury, has become the great popular art. The Angelus has contributed greatly to this end. The Angelus Player- Piano is a masterpiece by means of which you can give audible expression to those emotions sometimes hidden away in the remotest corner of your heart. The Angelus is the musical wonder of the world. Its fascination is life-long, and its joys remain long after the cost is forgotten. Call to see and hear Angelus Uprights Angelus Grands Ask about %600—%1050 these pianos. *1250to$1650 special payment plan. CCHaryey® "THE HOME OF HARMONY" 144 BOYLSTON STREET (opposite the Common), BOSTON 284 MAIN ST.. BROCKTON 14 CITY HALL SQ.. LYNN SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephones ( Ticket Office ) Back fi J492 Branch Exchange | Administration Offices ) losiom SympLomy Orek THIRTY-FIFTH SEASON, 1915-1916 Dr. KARL MUCK, Conductor >©H BMi iVesMrai WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, MARCH 24 AT 2.30 O'CLOCK SATURDAY EVENING, MARCH 25 AT 8.00 O'CLOCK COPYRIGHT, 1916, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER 1089 a Yes, It's a Steinway ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway." Nothing more need be said. -
LUCIA DI LAMMERMOOR Al Gran Teatre Del Liceu
1 “Chi mi frena in tal momento?” LUCIA DI LAMMERMOOR al Gran Teatre del Liceu Estrena absoluta: Teatre San Carlo de Nàpols, 26 setembre 1835 Estrena a Barcelona: Teatre de la Santa Creu, 22 setembre 1838 Estrena al Gran Teatre del Liceu: 15 de setembre 1849 Nombre total de representacions: 302 TEMPORADA 1849-1850 Nombre de funcions: 2 Dates: 15, 22 setembre 1849 Número històric al Liceu: 1, 2 Enrico Ashton: Adolf de Gironella Lucia: Giovanna Rossi-Caccia Edgardo di Ravenswood: Guglielmo Fedor Arturo Bucklaw: Emanuele Testa Raimondo Bidebent: Pietro Rodda [Pere Roda] Alisa: Adelaida Aleu-Cavallé Normanno: Ferran Rauret Director d’orquestra: Marià Obiols • El mestre Obiols escriu una cadència expressament per a Giovanna Rossi-Caccia per a l'escena de la follia. • Crítiques: Diario de Barcelona i El Locomotor, 17/09/1849. ======================================================= TEMPORADA 1850-1851 Nombre de funcions: 5 Dates: 13, 16, 20, 25, 30 juliol 1851 Número històric al Liceu: 3, 4, 5, 6, 7. Enrico Ashton: Agustí Rodas Lucia: Teresa De Giuli-Borsi Edgardo di Ravenswood: Ettore Irfrè (dies 13, 16, 20) Giuseppe Sinico (dies 25, 30) Arturo Bucklaw: Josep Font Raimondo Bidebent: Antoni Vives Alisa: Adelaida Aleu-Cavallé Normanno: Ferran Rauret Director: Marià Obiols Nota: La Sra. De Giuli-Borsi canta a la cavatina del primer acte una cabaletta escrita expressament per a ella per Donizetti. ================================================== TEMPORADA 1853-1854 Total representacions: 7 Número històric al Liceu: 8, 9, 10, 11, 12, 13, -
Ferrara in Musica 3
sommario FERRARAINMUSICA 3 Presentazione di Carlo Alberto Roncarati Settembre 2004 n. 2 5 Teatro Comunale di Ferrara, un percorso musicale iniziato oltre 200 anni fa di Alessandra Zagatti 11 Ferrara, “capitale” della produzione musicale e della formazione dei giovani musicisti di Andrea Botti 13 Giovani talenti crescono di Roberto Manuzzi 15 Il “Borgatti” di Cento, un esempio originale di produzione lirica di Anna Poppi e Davide Masarati 21 Imprenditoria e spettacolo dal vivo:una logica di mercato di Vincenzo Sette 23 Antifonario di un antico ricordo orchestrale In copertina: di Edoardo Farina Antenore Magri 25 L’impegno di un privato per la diffusione della cultura violinistica “Musica Metafisica” di Gianluca La Villa Olio su tela, 1962 29 Il Circolo Frescobaldi dalle origini ai giorni nostri di Athos Tromboni 36 La Casa Musicale Strozzi, una tradizione tutta ferrarese di Fabio Terminali 37 La Scuola di liuteria del Centopievese PERIODICO di Angelo Giubelli NON IN COMMERCIO 39 La vecchia signora e i suoi menestrelli di Andrea Poli 42 L’artista Gianni Ferraresi Direttore Responsabile: di Vito De Santis CORRADO PADOVANI 44 Appuntamento al “Jazz Club” Comitato di Redazione: di Enrico Malucelli CORRADO POCATERRA 46 Gli anni d’oro della “Pungazza” LAURA SERVIDEI di Maria Cristina Nascosi PIERPAOLO CORREGGIOLI 50 Musica e danza, un rapporto “alla pari” Segreteria di redazione: di Alessandro Taverna NICOLETTA MARZOLA 52 Una casa musicale ferrarese, riferimento per i Gruppi Rock di Stefano Ciervo 53 Radici e futuro del Canto Gregoriano di Paolo Cavallari Fotolito, Impaginazione e Stampa: SATE srl 56 Musica lirica a Ferrara via Goretti, 88 - 44100 Ferrara di Mirella Golinelli tel. -
La Metropolitan Opera House Canta Con Voz Española: La Génesis Neoyorquina De La Soprano María Barrientos
ANUARIO MUSICAL, N.º 73 enero-diciembre 2018, 275-284 ISSN: 0211-3538 doi:10.3989/anuariomusical.2018.73.18 LA METROPOLITAN OPERA HOUSE CANTA CON VOZ ESPAÑOLA: LA GÉNESIS NEOYORQUINA DE LA SOPRANO MARÍA BARRIENTOS THE METROPOLITAN OPERA HOUSE SINGS WITH SPANISH VOICE: THE NEW YORKER GENESIS OF THE SOPRANO MARIA BARRIENTOS Virginia Sánchez Rodríguez Centro de Investigación y Documentación Musical-Unidad Asociada al CSIC Universidad de Castilla-La Mancha [email protected] ORCID iD: https://orcid.org/0000-0001-8071-2937 Resumen Abstract La soprano María Barrientos (*1884; †1946) fue una de las The soprano María Barrientos (*1884; †1946) was one of artistas españolas con mayor proyección internacional durante el the Spanish artists with major international projection during the primer tercio del siglo XX. A pesar de que al fi nal de su vida se fi rst third of the 20th Century. In spite of the fact that she was dedi- dedicó a la canción de concierto, María Barrientos estuvo vinculada cated to the song of concert at the end of his life, María Barrientos a la ópera hasta la década de 1920, perteneciendo a las compañías was linked to the opera up to the decade of 1920, belonging to the más relevantes de la época y actuando en los principales teatros. most relevant companies of the epoch and singing in the principal En el presente trabajo ofrecemos un acercamiento a su debut en theatres. In the present work, we offer an approach to her début la Metropolitan Opera House de Nueva York, acaecido en el año in the Metropolitan Opera House of Nueva York, happened in the 1916. -
Wagner in Australia: Productions of the Operas and Music Dramas in Sydney 1877-1989
WAGNER IN AUSTRALIA: PRODUCTIONS OF THE OPERAS AND MUSIC DRAMAS IN SYDNEY 1877-1989 Presented to The Department of Music The University of New South Wales In Partial Fulfilment of the Requirements for the Degree of Master of Music Merylyn Russell January 1990 ACKNOWLEDGEMENTS This major project was produced as a result of the co-operation of a number of people. I should to like thank members of the staff of the Dennis Wolanski Library, the Australian Broadcasting Commission Library, the Mitchell Library, Sydney, the Music Department and the Manuscript Departments of the National Library, Canberra and the Library of the Australian Opera. I should also like to thank Moffatt Oxenbould, the Artistic Director of the Australian Opera and my supervisor, Roger Covell, for their generous assistance. 11 TABLE OF CONTENTS Chapter Page Introduction .................................................................. vii 1 W.S. Lyster: A Nineteenth Century Impresario................ ! 2 The Great Imported Companies ....................................13 George Musgrove .....................................................14 The Melba/Williamson Season 1911 ............................18 Thomas Quinlan 1912-13 ........................................... 20 The Melba/Williamson Season 1928 ............................ 30 Sir Benjamin Fuller 1934-35.......................... ........... 32 Policies and Problems ............................................... 36 3 The First Australian Companies .................................. .43 4 The Australian Opera................................................. -
Correspondence of Percy Pitt (D
British Library: Music Collections PERCY PITT PAPERS: correspondence of Percy Pitt (d. 1932), musical director at Covent Garden, 1902, and the British Broadcasting Company, 1922 (cf. J. D. Chamier, Percy Pitt of Covent Garden and the B... (1892-1932) (Egerton MS 3301-3306) Table of Contents PERCY PITT PAPERS: correspondence of Percy Pitt (d. 1932), musical director at Covent Garden, 1902, and the British Broadcasting Company, 1922 (cf. J. D. Chamier, Percy Pitt of Covent Garden and the B... (1892–1932) Key Details........................................................................................................................................ 1 Provenance........................................................................................................................................ 1 Egerton MS 3304–3306 PERCY PITT PAPERS. Vols. IV–VI. General correspondence, in alphabetical order, consisting chiefly of letters........................................................................................................ 3 Key Details Collection Area British Library: Music Collections Reference Egerton MS 3301-3306 Creation Date 1892-1932 Extent and Format 6 items Languages of Material English; French; German; Italian Title PERCY PITT PAPERS: correspondence of Percy Pitt (d. 1932), musical director at Covent Garden, 1902, and the British Broadcasting Company, 1922 (cf. J. D. Chamier, Percy Pitt of Covent Garden and the B.B.C., 1938); 1892-1932. Six volumes. Folio. (1892-1932) Scope and Content Percy Pitt, conductor and composer: Correspondence: 1892-1932. Music: Correspondence of P. Pitt: 1892-1932. Provenance Legal Status Not Public Record(s) Egerton MS 3301 (8 Aug 1903-1910) Collection Area British Library: Music Collections Reference Egerton MS 3301 Creation Date 8 Aug 1903-1910 Extent and Format 1 item Languages of Material English; German Scope and Content PERCY PITT PAPERS. Vol. I (ff. 278). Letters from Hans Richter, conductor; 8 Aug. 1903-1910. German. Hans Richter, conductor: Correspondence with P. -
Ttfl Mo by COAST Aovetmethg 00," Oooooooooooooa Kj) O Rjj Oooooooooooooa G£ at This Theatre This Iveek
M*W»0«ttfl mo BY COAST AOVEtmetHG 00," oooooooooooooa Kj) O Rjj oooooooooooooa g£ At This Theatre This IVeek 6 BEGINNING MONDAY, NOVEMBER I 8 Texas T< D; Special Price Matinee Wednesday. Matinee Saturday exas 1 ommy l^ancers FENNER y TOLMAN Pacific will positively appear at Lam bard i Coast jUrcainan #arben£=J$lultncimaf) J^otel Grand Opera Company Witt Five Other Vaudeville Features EVELYN GILBERT LEROY AND CHASE Petite Soubrette Soprano and Harpist MINNIE RHOADES REPERTOIRE Monday, November 18—"La Boheme." Singer of Popular Songsj Tuesday, November ICJT—"Conchita." Wednesday (Special Price Matinee), November 20—"II Trovatore." '"' Wednesday (Night), November 20—"Lucia Di Lammermoor." Thursday, November 21-—•"Salome." GuiL Friday, November 22—"Madame Butterfly." . Saturday (Matinee), November 23-—-"Salome." ' Leading Tenor, Seven Years with Adelina Patti Saturday (Night), November ^3—"Cavalleria Rusticana" and "E PagHacei." 6:30 to 8:30 10:30 to 12:30 PRICES Evenings and Saturday Matinee—Entire lower floor, $2.00; Balcony, first. 5 rows Special Matinee Performance—12:30 to 2:00 $1:5' 3, next'6 rows $4.-00, following 6 rows 75c, last 5 rows 50c; gallery (4 rows reserved), 75c; . gallery admission, 50c; box seats, $2.50 Special Price Matinee Wednesday—Entire lower floor, $1.50; balgony first 5 rows ID .0 o, next 0 rows 73c, last 11 rows 50c: gallery, reserved and admission, 50c; box Sc.00. 01 [Oj [0. OREGON TAXI CAB COMPANY We Lost , i A Customer! Since 1848 — 64 Years Ago How? Eurfonamt ffitanog AS HAVE BEEN UNEXCELLED AT THEIR MODERATE PRICE He Died! #4.