Ttfl Mo by COAST Aovetmethg 00," Oooooooooooooa Kj) O Rjj Oooooooooooooa G£ at This Theatre This Iveek

Total Page:16

File Type:pdf, Size:1020Kb

Ttfl Mo by COAST Aovetmethg 00, M*W»0«ttfl mo BY COAST AOVEtmetHG 00," oooooooooooooa Kj) O Rjj oooooooooooooa g£ At This Theatre This IVeek 6 BEGINNING MONDAY, NOVEMBER I 8 Texas T< D; Special Price Matinee Wednesday. Matinee Saturday exas 1 ommy l^ancers FENNER y TOLMAN Pacific will positively appear at Lam bard i Coast jUrcainan #arben£=J$lultncimaf) J^otel Grand Opera Company Witt Five Other Vaudeville Features EVELYN GILBERT LEROY AND CHASE Petite Soubrette Soprano and Harpist MINNIE RHOADES REPERTOIRE Monday, November 18—"La Boheme." Singer of Popular Songsj Tuesday, November ICJT—"Conchita." Wednesday (Special Price Matinee), November 20—"II Trovatore." '"' Wednesday (Night), November 20—"Lucia Di Lammermoor." Thursday, November 21-—•"Salome." GuiL Friday, November 22—"Madame Butterfly." . Saturday (Matinee), November 23-—-"Salome." ' Leading Tenor, Seven Years with Adelina Patti Saturday (Night), November ^3—"Cavalleria Rusticana" and "E PagHacei." 6:30 to 8:30 10:30 to 12:30 PRICES Evenings and Saturday Matinee—Entire lower floor, $2.00; Balcony, first. 5 rows Special Matinee Performance—12:30 to 2:00 $1:5' 3, next'6 rows $4.-00, following 6 rows 75c, last 5 rows 50c; gallery (4 rows reserved), 75c; . gallery admission, 50c; box seats, $2.50 Special Price Matinee Wednesday—Entire lower floor, $1.50; balgony first 5 rows ID .0 o, next 0 rows 73c, last 11 rows 50c: gallery, reserved and admission, 50c; box Sc.00. 01 [Oj [0. OREGON TAXI CAB COMPANY We Lost , i A Customer! Since 1848 — 64 Years Ago How? Eurfonamt ffitanog AS HAVE BEEN UNEXCELLED AT THEIR MODERATE PRICE He Died! #4. The leading feature of the Itttrt?tttamt piano is its beautifully rich tone quality. Only high grade materials—handled by PACIFIC COAST the most skilled artisans —are used in the constru&ion of the Ifiirflmamt. Moderate terms if desired. TAILORING CO. Custom tailors to Ladies' and Gentle• Steinway and Other Fine Pianos Sold on Terms if Desirea men. Quality and value have made our reputation. Phoenix Bldg., Fifth £sf Oak Sts. Sherman Jpay & Co Phone Main 3305 OPP. P. O., MORRISON AT SIXTH STUD EBAKER THREE SPEED COUPES ELECTRIC LIGHTED, JP PHONES ELECTRIC SELF STARTER, i ] EAST I4EI EDMUND GURNEY MIGHTY MICHIGAN A COMPLETE CAR IN B- 1346 EVERY DETAIL I foyOR C4 Habtes; bailor STUDEBAKER IDEAL FOR WINTER USE Electric Lights, Leather and Whipcord Up• THE CAR THAT ALL THE COUNTRY IS TALKING ABOUT holstery, Plate Glass Windows, Silk Slip Fourth Floor, Mohawk Building Curtains, Cut Glass Boquet Holder, Cut Glass 11825 COMPLETE and Leather Toilet Case and Dainty Watch Compare it with oyory other ear on tho market and you. will find thit the Corner Third & Morrison Car that will Please You Best. ARISTOCRATIC IN APPEARANCE MICHI6AN AUTO fc BUGGY CO. NORTHWEST BRANCH 369-371 HAWTHORN AVE. MODERATELY PRICED PHONE FOR DEMONSTRATION AUTO NEWS STUDEBAKER CHAPMAN AND ALDER STREETS REMEMBER SERVICE THIS WEEK— In the purchasing of an automobile the most serious point to consider has been, aside from the mechanical features, the Special Price Matinee Wednesday, November 20th. question of service. Particularly is this of the 'greatest ne• Verdi's Popular Opera cessity with the electric car. At the pres• ent time the facilities from the service standpoint, as regards the proper caring "IE TROVATORE" of electric automobiles through well Has Revolutionized the tire husmess Prices $1.50, 1.00, 70, 50, 35 and 25,. Seats Now Selling. equipped service stations, is fairly good, but only by the most aggressive policy You should investigate and see and most careful supervision from the for yourself its nationally BOX OFFICE OPEN FROM IO A. M. TO 10 P. M. PHONES MAIN I, Ami factories manufacturing electric cars is it possible for the purchasers to be protected recognized merit as they should be. OREGON TAXI CAB COMPANY The Anderson Electric Car Co., of De• Essenkay Sales Company of Oregon A 2242 Brown Ta xj'cab Main 250 troit, manufacturers of the well known De• 605 Washington Street troit Electric, has taken up a 'most ag• gressive policy in the last few years on N the Pacific Coast, and in giving the a FEATURE; style, work and a guarantee your agency of their car to Mr. Frank C. in Oakland, Stockton, Sacramento, Port• W FAVOR; best value for your money, a FACT Riggs, of Portland, they insisted that he land, Seattle, Victoria and Vancouver. For the Portland car owner who travels J$ltllmerj> maintain an exclusive electric department to California in the winter time, or the and with an entrance from the street to California car owner who visits Oregon this department exclusively for the use of and Washington in the summer time, there Phones: Main 1750 OTolcott's Jffltllmerp is every facility and convenience necessary A 2750 electric cars. 415 Alder Street, Corner Eleventh for the electric car at either end of the This Portland agency gives the Detroit Coast. The cost of transportation will vary Electric a complete chain of up-to-date from about $25 to $45 for the car on the steamships. agencies, well and fully equipped, to take We Cater Especially to 44 yf Of sters, Steaks and Chops Judging from the past, it has been ex• care of the Detroit Electric, starting at pected that each year there will be a Theatre Parties tEfje fetoel San Diego with an exclusive electric garage surprise in the new Detroit Electrics. A Specialty This year, mechanically, there are fewer 352 MORRISON STREET owned and operated by Mr. Mark Roberts, changes than ever before, but the new Clear and at Pasadena and Los Angeles with Vision Brougham is entirely brand new Open 11:00 A. M. to I:00 A. M. Shell Fish in Season and is a welcome addition to the various three very large garages; San Francisco A. G. St H. L. Day . Proprietors with a brand new one on Van Ness Ave.; 1913 models. ialtom©ooltttIe Interior Decorating c 1 and jy JJJ Q g Complete House Marshall 438 Outfitting CAT'N FIDDLE Our New Dainty Luncheon Menu just out —We consider it the finest in the west — Our parlor enlarged, making it the Handsomest Store in your city— Made Clean Baked Clean Sold Clean tractive place for After Theatre Luncheon and Tea — BLUE RIBBON JE^^'^^ refreshments at any Invite your friends. ^ time, especially BREAD H5 SEVENTH STREET The Wrapper is a Guarantee after the play. of Purity THEATRE ROW AT ALL GROCERS MAIN WORKS E THIRD AND ASH STS. DRY CLEANING PHONES AND DYEING OF EVERY 1 EAST 194 B1 194 DESCRIPTION LAMBARDI (Pacific Coast) GRAND OPERA COMPANY Mario Lambardi, Director Ettore Patrizi, Gen. Mgr. Fortune Gallo, Mgr. Sparks M. Berry, Director of Tour Charles R. Baker, Advance Manager MONDAY, NOVEMBER 18, 1912 "La Boheme" An Opera in Four Acts by G. Puccini "SEVEN SISTERS" AT THE BAKER THIS WEEK CAST OF CHARACTERS Rudolph, a poet G. Armanini or G. Agostini First Stock Production of Clever Comedy Attracts Much Attention. Schaunard, a musician E. Pineschi Beno.it, a landlord Amiha Matini Among the many successful productions of the Baker players this season is the Parpignol Giovanni Reano well known farce comedy, "The Seven Sisters," which is this week attracting much Marcel, a painter pt Nicoletti attention and drawing large crowds of delighted theatre-goers. It affords splendid op• Colline, a philosopher <j Martino portunities for nearly every member of the popular company including Alice Fleming in Alcindoro, a councillor of state. Q. Fornai the role created by Laurette Taylor in New York, and Robert Conness as the young Musetta ,'Efc' d'Oria lieutenant, which Charles Cherry played in the New York production. The play is Students, work girls, citizens, shopkeepers, street venders, soldiers, restaurant waiters, written in a most delightful vein and deals with the many troubles of a widow with hoys, girls, etc. Time—About 1830. In Paris. seven daughters to get off her hands fit the most desirable manner. It shows the SYNOPSIS OF SCENES great difference between the European countries and America in the manner of con• ACT I. An attic of the Latin Quarter Paris. ducting the marriage question, and also may offer some really good suggestions to other ACT II. A square in front of the Cafe Momus, Paris. mothers who may be troubled more or less with the same difficulty. It is written in a ACT III. The Gate of Enfer, Paris. comedy vein pure and simple and is rife with action and laughter. ACT IV. Same as Act T. Giovanni Colucci. Musical Director OREGON TAXI C A B COMPANY OREGON TAXI C A B CO MR A NY A 2242 Brown Taxi cab 'Main 250 Main 250 SEATING CAPACITY 250 ' ITS THE QUALITY' My Lady's Garter puritan Cafeteria By JACQUES FUTRELLE,; One of the heroes to perish in the Titanic Disaster. SPECIAL SUNDAY DINNER 11 to 8 RAILWAY EXCHANGE BUILDING The story of the theft of the historic jeweled gift of a king and the ORCHESTRA, 12 to 2 - 5:30 to 7:30 Stark St.. Bet. Third and Fourth complications arising from the secrecy of international diplomacy. For Space in This Program Phone Coast Advertising Co. Mfko Is the Hawk? ?Op Eilers Building Main At all book stores, $1.35. "The most beautiful car 1 on the road," called so by 9 i 3 Arrived! all who have seen the Oakland 42 42 h. p. Turkey on Thanksgiving Day Low lines, giving low center gravity, anti-suction, running boards, does away with all Tastes better when prepared by loving hands back home dust in the body. V-shape German silver radiator giv• ing increased volume of wa• SOMEBODY IS EXPECTING YOU ter and cooling surface.
Recommended publications
  • OPERA, COMIC OPERA, MUSICAL Box 4/1
    Enid Robertson Theatre Programme Collection MSS 792 T3743.R OPERA, COMIC OPERA, MUSICAL Box 4/1 Artist Date Venue, notes Melba, Dame Nellie, with Frederic Griffith 12.11.1902 Direction Mr George (Flute), Llewela Davies (Piano) M. (Second Musgrove Bensaude (Vocal) Signorina Sassoli Concert:15.11) Town Hall, Adelaide (Harp)Louis Arens, (Vocal)Dr. F. Matthew Ennis (Piano) Handel, Thomas, Arditi. Melba, Dame Nellie with, Tom Burke 15.6.1919 Royal Albert Hall, (Tenor), Bronislaw Huberman (Violin) London Frank St. Leger (Piano) Arthur Mason (Organ) Verdi, Puccini, etc. Melba, Dame Nellie 4.10.1921 Manager, John Lemmone, With Una Bourne (Piano), W.F.G.Steele (Second Concert Town Hall, Adelaide (Organ), John Lemmone (Flute) Mozart, 6.10.21) Verdi Melba, Dame Nellie & J.C. Williamson 26.9.1924 Direction, Nevin Tait Grand Opera Season , Aida (Verdi) Theatre Royal Adelaide Conductor Franco Paolantonio, with Augusta Concato, Phyllis Archibald, Nino Piccaluga, Edmondo Grandini, Gustave Huberdeau, Oreste Carozzi Melba, Dame Nellie & J.C. Williamson, 4.10.1924 Direction, Nevin Tait Grand Opera Season, Andrea Chenier, Theatre Royal Adelaide (Giordano) First Adelaide Performance, Franco Paolantonio (Conductor) Nino Piccaluga, Apollo Granforte, Doris McInnes, Antonio Laffi, Oreste Carozzi, Gaetano Azzolini, Luigi Cilla, Luigi Parodi, Antonio Venturi, Alfredo Muro, Vanni Cellini Melba, Dame Nellie & J.C. Williamson, 6.10.1924 Direction, Nevin Tait Grand Opera Season, DonPasquale, Theatre Royal, Adelaide (Donizetti) First Performance in Adelaide, Arnaldo
    [Show full text]
  • Thoughts on Diegetic Music in the Early Operas of Zandonai1
    DAVID ROSEN THOUGHTS ON DIEGETIC MUSIC IN THE EARLY OPERAS OF ZANDONAI1 Diegetic music – «music that (apparently) issues from a source within the narrative» (Gorbman, 23)2 – plays an important role in Zandonai’s early operas: not only does it appear frequently, but it often pushes the action forward, eliciting responses from the characters who hear it. And some of its uses are unusual, if not unprecedented. In this essay I focus on Il grillo del focolare but make cross-references to diegetic music in L’uccellino d’oro, Conchita, and Melenis as well. Readers unfamiliar with these operas may want to consult plot summaries, for example, in Dryden (469-79). Table 1 lists the passages referred to in this essay. 1 I want to express my thanks to the Centro internazionale di studi «Riccardo Zan- donai», especially to Diego Cescotti, Irene Comisso, and Federica Fortunato for assistance of all sorts before, during, and after the conference. Thanks go also to Gary Moulsdale for his comments on an earlier version of this text, to Ann Beck- man and other friends on WM-L (my favorite online opera discussion group) for answering some questions about precedents for certain uses of diegetic music, and to Carol Rosen for having translated into Italian the version of this essay that I delivered at the conference. 2 Citations refer to the Selective Bibliography at the end of this essay. The category ‘diegetic music’ thus includes both ‘musica in scena’ and ‘musica di scena’ (for the distinction see, for example, Girardi, 101-102). That is, it may include music emanating from offstage (whether in the wings or from the orchestra pit) or on- stage in full view of the audience.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 35,1915-1916, Trip
    SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY ^\^><i Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor ITTr WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE THURSDAY EVENING, MARCH 23 AT 8.00 COPYRIGHT, 1916, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER 1 €$ Yes, It's a Steinway ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway." Nothing more need be said. Everybody knows you have chosen wisely; you have given to your home the very best that money can buy. You will never even think of changing this piano for any other. As the years go by the words "It's a Steinway" will mean more and more to I you. and thousands of times, as you continue to enjoy through life the com- panionship of that noble instrument, absolutely without a peer, you will say to yourself: "How glad I am I paid the few extra dollars and got a Steinway." pw=a I»3 ^a STEINWAY HALL 107-109 East 14th Street, New York Subway Express Station at the Door Represented by the Foremost Dealers Everywhere Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor Violins. Witek, A. Roth, O. Hoffmann, J. Rissland, K. Concert-master. Koessler, M. Schmidt, E. Theodorowicz, J. Noack, S. Mahn, F. Bak, A. Traupe, W. Goldstein, H. Tak, E. Ribarsch, A. Baraniecki, A. Sauvlet. H. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Sulzen, H.
    [Show full text]
  • J 'Li'��{� GRAN TEATRE DEL LICEU
    ,.g.� � J 'li'��{� GRAN TEATRE DEL LICEU IL TRITTICO GRAN TEATRE DEL LICEU Temporada 1987/88 CONSORCI DEL GRAN TEATRE DEL LICEU Generalitat de Catalunya Ajuntament de Barcelona Ministerio de Cultura Diputació de Barcelona i Societat del Gran Teatre del Liceu stem especialitzats en assessorament, ® . - negociacïo IL TRITTICO Música de Giacomo Puccini i de valors gestió Producció Teatro alIa Scala i actius financers. IL TABARRO Òpera en un acte Llibret de Giuseppe Adami Decorats i vestuari: Silvia LelIi, Roberto Masotti i Luciano Morini SUOR ANGELICA Òpera en un acte Llibret de Giovacchino Forzano Decorats i vestuari: Michele Canzoneri GIANNI SCHICCHI Òpera en un acte Llibret de Giovacchino Forzano Decorats i vestuari: Sylvano Bussotti Funció de Gala Dilluns, 2 de novembre, 21 h., funció núm. 17, torn C 5 de novembre, 21 h., funció nún. 18, torn B J. GARÇON. A. VALLVÉ & E CONTRERAS Dijous, Diumenge, 8 de novembre. 17 h., funció núm. 19, torn T SOCIEDAD INSTRUMENTAL DE AGENTES Dimarts, 10 de novembre, 21 h., funció núm. 20, torn A DE CAMBIO y BOLSA COLEGIADOS. S.A. Barcelona Madrid Palma M. Valencia Rbla. Catalunya. 55 luan de Mena. 10 laume III. 22 Paz. 25 T. 301 9663 1. 222 91 84 T. 72 17 68 1. 332 39 29 ® IL TRITTICO IL TABARRO Michele Alessandro Cassis Luigi Nicola Martinucci Tinca Piera de Palma Talpa Alfonso Echeverria Giorgetta Olivia Stapp Frugola Rosa M� Ysàs Venditore di canzonette Antoni Comas Due amanti Rosa M� Conesa Josep M � Bosch SUOR ANGELICA Suor Angelica Maria Chiara La zia principessa Margarita Lilowa La Badessa Nancy
    [Show full text]
  • Understanding the Lirico-Spinto Soprano Voice Through the Repertoire of Giovane Scuola Composers
    UNDERSTANDING THE LIRICO-SPINTO SOPRANO VOICE THROUGH THE REPERTOIRE OF GIOVANE SCUOLA COMPOSERS Youna Jang Hartgraves Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2017 APPROVED: Jeffrey Snider, Major Professor William Joyner, Committee Member Silvio De Santis, Committee Member Stephen Austin, Chair of the Division of Vocal Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Hartgraves, Youna Jang. Understanding the Lirico-Spinto Soprano Voice through the Repertoire of Giovane Scuola Composers. Doctor of Musical Arts (Performance), August 2017, 53 pp., 10 tables, 6 figures, bibliography, 66 titles. As lirico-spinto soprano commonly indicates a soprano with a heavier voice than lyric soprano and a lighter voice than dramatic soprano, there are many problems in the assessment of the voice type. Lirico-spinto soprano is characterized differently by various scholars and sources offer contrasting and insufficient definitions. It is commonly understood as a pushed voice, as many interpret spingere as ‘to push.’ This dissertation shows that the meaning of spingere does not mean pushed in this context, but extended, thus making the voice type a hybrid of lyric soprano voice type that has qualities of extended temperament, timbre, color, and volume. This dissertation indicates that the lack of published anthologies on lirico-spinto soprano arias is a significant reason for the insufficient understanding of the lirico-spinto soprano voice. The post-Verdi Italian group of composers, giovane scuola, composed operas that required lirico-spinto soprano voices.
    [Show full text]
  • A Ricordo Dei Prodotti Lavorati Nell'ex Stabilimento Alimentare “Arrigoni” I
    Servizio Toponomastica Progetto “CHI SONO?” note sui nomi delle vie di CESENA Scheda relativa a : RICCARDO ZANDONAI Riccardo Zandonai, compositore italiano, nacque a Rovereto in provincia di Trento nel 1883 da famiglia di umili origini. Fin dall'infanzia espresse un notevole talento musicale incoraggiato dal padre che suonava il flicorno baritono nella banda del paese. Tuttavia fino al 1894 non intraprese studi regolari di musica, ma familiarizzò con gli strumenti musicali che aveva a disposizione come la chitarra dello zio, il violino led il clarinetto nella banda ed un vecchio organo della chiesa. Dal 1894 al 1896 frequenta il Liceo di Rovereto e sembra che il brano intitolato "Serenata e Barcarola" del 1894 fosse la prova di ammissione alla classe del maestro Gianferrari. Zandonai prosegui gli studi musicali e si diplomò nel 1901 presso il Conservatorio di Pesaro, diretto da Pietro Mascagni. Nel 1908, Arrigo Boito, fiducioso del talento del giovane musicista lo presentò all’Editore Ricordi, che lo incaricò di comporre la sua prima opera lirica, la fiaba "Il grillo del focolare" con la quale Zandonai si impone all'attenzione del pubblico e della critica. Seguirono le opere "Conchita (1911)", "Melenis" (1912) e "Francesca da Rimini" (1914), dall’omonima tragedia di D’Annunzio, considerata il capolavoro di Zandonai, introducendo nel modo musicale italiano, imperniato sul melodramma verista, elementi del sinfonismo tedesco e dell'impressionismo musicale francese. Anche le successive opere di Zandonai, fra le quali "Giulietta e Romeo" (1921), "I cavalieri di Ekebù" (1923), "Giuliano" (1928), "Una partita" (1933)e "La farsa amorosa" (1933) contengono pagine di notevole freschezza ed inventiva.
    [Show full text]
  • Revista Musical Catalana \ •Butlletí De L'orfeó CATALÀ I
    Any XIII 15 Març 1916 Núm. 147 mm 111 i rn-nt n t rr 11«n 111111111111 n i r M M iim m t r • Revista Musical Catalana \ •Butlletí de l'ORFEÓ CATALÀ i El Dr. Torras i Bages A nostra REVISTA deu pagar el tribut d'un record al que fou mestre i orientador de la part més sana i forta del nostre Renaixement, al que fou bisbe de Vich durant setze anys, i, ben mirat, bisbe de tot Catalunya des de la publicació de La Tradició Catalana, llibre fona• mental del catalanisme. Catalunya ha tingut homes eminents, homes representatius, en totes èpoques, que per sí sols demostren la força, la fesomia incon- fundible de nostra rassa; savis i poetes, artistes i filosops : grans reis de la nació, grans reis del pensament i de la fantasia. 1 si hem tingut èpoques de decadència, en canvi, ara última• ment, amb aquesta reacció de rassa que en diem Renaixensa, han surgit altra volta aquests esperits singulars que són com la flor de l'arbre de la Pàtria i que demostren la vida fecunda que l'anima. Però de la última plèiade de grans homes de Catalunya, cap tan alt, cap tan fecundant a l'espiritualitat catalana com el Dr. Torras i Bages. I és perquè ell era el gran català pensador, vident, el gran català cristià. Per la intel·ligència som homes, pel cristianisme pugem a la perfecció i ens divinitzem; el Dr. Torras era potent en la ciència del pensament i tenia el ver esperit d'apòstol de la Veritat revelada, i aixi ell s'imposava a qui sedejava veritat i perfecció, i per això la seva influencia fecundía bellament i sanament en el jardí intel·lectual i espiritual de Catalunya.
    [Show full text]
  • Xanadu: Encounters with China
    XANADU Encounters with China A NATIONAL LIBRARY OF AUSTRALIA EXHIBITION XANADU Encounters with China National Library of Australia Canberra 2004 Published by the National Library of Australia Canberra ACT 2600 Australia ©National Library of Australia 2004 National Library of Australia Cataloguing-in-Publication entry Xanadu: encounters with China. Bibliography. Includes index. ISBN 0 642 27612 9. 1. Australia—Relations—China—Exhibitions. 2. China— Relations—Australia—Exhibitions. I. Terry, Martin. II. Title. 327.94051 Publisher's editor: Leora Kirwan Curatorial assistant: Irene Turpie Designer: Kathy Jakupec Printed by: Goanna Print Front: Firing Crackers in Honour of the Kitchen God in Juliet Bredon Chinese New Year festivals: A Picturesque Monograph of the Rites, Ceremonies and Observances Thereto Shanghai: Kelly and Walsh, 1930 Thanks to Geremie Barme and Andrew Gosling for their advice. Every reasonable effort has been made to contact the copyright holders. Where this has not been possible, the copyright holders are invited to contact the publisher. FOREWORD The creation of the National Library of Australia's major Asian Collection in the years following World War 11 is one of the success stories of Australia's engagement with the Asia-Pacific region. From the 1950s, the Library has built major research collections on East Asia and South-East Asia, and we also have significant holdings on other countries of the region, such as India. Today, the National Library houses the largest developing research resource on Asia in Australia, with holdings of over half a million volumes. Xanadu: Encounters with China is a very special exhibition for the National Library of Australia, drawing as it does on the Library's maps, pictures, rare books and, most notably, its Asian material.
    [Show full text]
  • CATÁLOGOS DE DOCUMENTOS DE ARTE 32 Noticias Y Opiniones Sobre Música, Cine, Teatro Y Artes Plásticas En El Periódico Excélsior Durante 1919-1923
    Universidad Instituto Nacional Autónoma de Investigaciones de México Estéticas ISBN 970-32-3701-036- X CATÁLOGOS DE DOCUMENTOS DE ARTE 32 Noticias y opiniones sobre música, cine, teatro y artes plásticas en el periódico Excélsior durante 1919-1923 Margarito Sandoval Pérez UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO INSTITUTO DE INVESTIGACIONES ESTÉTICAS CATÁLOGOS DE DOCUMENTOS DE ARTE 32 NOTICIAS Y OPINIONES SOBRE MÚSICA, CINE, TEATRO Y ARTES PLÁSTICAS EN EL PERIÓDICO EXCÉLSIOR DURANTE 1919-1923 INSTITUTO DE INVESTIGACIONES ESTÉTICAS Directora: María Teresa Uriarte Secretario Académico: Jorge Jiménez Rentería Margarito Sandoval Pérez CATÁLOGOS DE DOCUMENTOS DE ARTE 32 NOTICIAS Y OPINIONES SOBRE MÚSICA, CINE, TEATRO Y ARTES PLÁSTICAS EN EL PERIÓDICO EXCÉLSIOR DURANTE 1919-1923 UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO INSTITUTO DE INVESTIGACIONES ESTÉTICAS MÉXICO 2006 N7475 S36 Sandoval Pérez, Margarito Catálogos de documentos de arte : noticias y opiniones sobre música, cine, teatro y artes plásticas en el periódico Excélsior durante 1919-1923 / Margarito Sandoval Pérez. — México : unam, Instituto de Investigaciones Estéticas, 2006. 461 p. : il. — (Catálogo de documentos de arte ; 32). ISBN: 970-32-3701-0 1. Criticismo en el arte — México — Historia — Siglo XX. 2. Criticismo en el arte — Siglo XX — Catálogos. 3. Artes — México — Publicaciones periódicas — Catálogos. 4. Arte moderno — Siglo XX — México — Publicaciones periódicas — Catálogos. 5. Excélsior (México : Ciudad) — Catálogos. I. Universidad Nacional Autónoma de México. Instituto de Investigaciones Estéticas. II. t. III. Ser. Diseño de portada: Ivonne Fernández Ilustración de portada: José Luciano Castañeda, Musa Clío 1797 (fragmento) D.R. © 2006. Universidad Nacional Autónoma de México Instituto de Investigaciones Estéticas Circuito Mario de la Cueva, Ciudad Universitaria México, D.F.
    [Show full text]
  • Symphony Orchestrh
    « BOSTON »%m SYMPHONY ORCHESTRH PRSGRMftE ANGELUS PLAYER-PIANO The Angelus The Angelus was the First is the Best Player Player THE value of a player- piano is far in excess of its cost. Music is educational like art and literature. It is synonymous with culture and engenders a wholesome and refining in- fluence in the family. Music, formerly a luxury, has become the great popular art. The Angelus has contributed greatly to this end. The Angelus Player- Piano is a masterpiece by means of which you can give audible expression to those emotions sometimes hidden away in the remotest corner of your heart. The Angelus is the musical wonder of the world. Its fascination is life-long, and its joys remain long after the cost is forgotten. Call to see and hear Angelus Uprights Angelus Grands Ask about %600—%1050 these pianos. *1250to$1650 special payment plan. CCHaryey® "THE HOME OF HARMONY" 144 BOYLSTON STREET (opposite the Common), BOSTON 284 MAIN ST.. BROCKTON 14 CITY HALL SQ.. LYNN SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephones ( Ticket Office ) Back fi J492 Branch Exchange | Administration Offices ) losiom SympLomy Orek THIRTY-FIFTH SEASON, 1915-1916 Dr. KARL MUCK, Conductor >©H BMi iVesMrai WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, MARCH 24 AT 2.30 O'CLOCK SATURDAY EVENING, MARCH 25 AT 8.00 O'CLOCK COPYRIGHT, 1916, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER 1089 a Yes, It's a Steinway ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway." Nothing more need be said.
    [Show full text]
  • LUCIA DI LAMMERMOOR Al Gran Teatre Del Liceu
    1 “Chi mi frena in tal momento?” LUCIA DI LAMMERMOOR al Gran Teatre del Liceu Estrena absoluta: Teatre San Carlo de Nàpols, 26 setembre 1835 Estrena a Barcelona: Teatre de la Santa Creu, 22 setembre 1838 Estrena al Gran Teatre del Liceu: 15 de setembre 1849 Nombre total de representacions: 302 TEMPORADA 1849-1850 Nombre de funcions: 2 Dates: 15, 22 setembre 1849 Número històric al Liceu: 1, 2 Enrico Ashton: Adolf de Gironella Lucia: Giovanna Rossi-Caccia Edgardo di Ravenswood: Guglielmo Fedor Arturo Bucklaw: Emanuele Testa Raimondo Bidebent: Pietro Rodda [Pere Roda] Alisa: Adelaida Aleu-Cavallé Normanno: Ferran Rauret Director d’orquestra: Marià Obiols • El mestre Obiols escriu una cadència expressament per a Giovanna Rossi-Caccia per a l'escena de la follia. • Crítiques: Diario de Barcelona i El Locomotor, 17/09/1849. ======================================================= TEMPORADA 1850-1851 Nombre de funcions: 5 Dates: 13, 16, 20, 25, 30 juliol 1851 Número històric al Liceu: 3, 4, 5, 6, 7. Enrico Ashton: Agustí Rodas Lucia: Teresa De Giuli-Borsi Edgardo di Ravenswood: Ettore Irfrè (dies 13, 16, 20) Giuseppe Sinico (dies 25, 30) Arturo Bucklaw: Josep Font Raimondo Bidebent: Antoni Vives Alisa: Adelaida Aleu-Cavallé Normanno: Ferran Rauret Director: Marià Obiols Nota: La Sra. De Giuli-Borsi canta a la cavatina del primer acte una cabaletta escrita expressament per a ella per Donizetti. ================================================== TEMPORADA 1853-1854 Total representacions: 7 Número històric al Liceu: 8, 9, 10, 11, 12, 13,
    [Show full text]
  • Ferrara in Musica 3
    sommario FERRARAINMUSICA 3 Presentazione di Carlo Alberto Roncarati Settembre 2004 n. 2 5 Teatro Comunale di Ferrara, un percorso musicale iniziato oltre 200 anni fa di Alessandra Zagatti 11 Ferrara, “capitale” della produzione musicale e della formazione dei giovani musicisti di Andrea Botti 13 Giovani talenti crescono di Roberto Manuzzi 15 Il “Borgatti” di Cento, un esempio originale di produzione lirica di Anna Poppi e Davide Masarati 21 Imprenditoria e spettacolo dal vivo:una logica di mercato di Vincenzo Sette 23 Antifonario di un antico ricordo orchestrale In copertina: di Edoardo Farina Antenore Magri 25 L’impegno di un privato per la diffusione della cultura violinistica “Musica Metafisica” di Gianluca La Villa Olio su tela, 1962 29 Il Circolo Frescobaldi dalle origini ai giorni nostri di Athos Tromboni 36 La Casa Musicale Strozzi, una tradizione tutta ferrarese di Fabio Terminali 37 La Scuola di liuteria del Centopievese PERIODICO di Angelo Giubelli NON IN COMMERCIO 39 La vecchia signora e i suoi menestrelli di Andrea Poli 42 L’artista Gianni Ferraresi Direttore Responsabile: di Vito De Santis CORRADO PADOVANI 44 Appuntamento al “Jazz Club” Comitato di Redazione: di Enrico Malucelli CORRADO POCATERRA 46 Gli anni d’oro della “Pungazza” LAURA SERVIDEI di Maria Cristina Nascosi PIERPAOLO CORREGGIOLI 50 Musica e danza, un rapporto “alla pari” Segreteria di redazione: di Alessandro Taverna NICOLETTA MARZOLA 52 Una casa musicale ferrarese, riferimento per i Gruppi Rock di Stefano Ciervo 53 Radici e futuro del Canto Gregoriano di Paolo Cavallari Fotolito, Impaginazione e Stampa: SATE srl 56 Musica lirica a Ferrara via Goretti, 88 - 44100 Ferrara di Mirella Golinelli tel.
    [Show full text]