(1925–2019) This Edition of the Festival Is Dedica
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
![ESPOP] Encuesta De Satisfacción Política Y Opinión Pública](https://docslib.b-cdn.net/cover/5238/espop-encuesta-de-satisfacci%C3%B3n-pol%C3%ADtica-y-opini%C3%B3n-p%C3%BAblica-105238.webp)
ESPOP] Encuesta De Satisfacción Política Y Opinión Pública
[#ESPOP] Encuesta de Satisfacción Política y Opinión Pública Febrero 2018 11 Metodología • Estos son hallazgos de la encuesta de satisfacción política y opinión pública de la Universidad de San Andrés. En total fueron realizadas 1001 entrevistas entre el 12 y el 23 de Febrero de 2018 a adultos de 18-64 años conectados a internet, en Argentina. • La encuesta se realiza en 23 provincias y la Ciudad Autónoma de Buenos Aires vía el Panel online de Netquest. La muestra es proporcional al tamaño de las provincias (con algunos ajustes para garantizar base de lectura) y representativa a nivel de las regiones. Las provincias fueron agrupadas en 5 regiones: NOA, NEA, Cuyo, Centro, Patagonia, y Buenos Aires dividida a su vez en CABA, GBA e interior de la Provincia de Buenos Aires. Se aplicaron cuotas de sexo, edad y nivel socioeconómico. • La encuesta versa sobre satisfacción con el desempeño de los poderes políticos y las políticas públicas y sobre la opinión respecto de los principales líderes políticos nacionales, grupos y sectores, ministros y gobernadores. Algunas preguntas siguen una serie de tiempo basada en la encuesta de Indicadores de Satisfacción Política Institucional (ISPI) realizada por la Universidad de San Andrés e Ipsos de Marzo de 2016 a Mayo de 2017. En la presente investigación se modificaron las escalas numéricas de satisfacción y opinion (antes de 1-10) por escalas ordinales de 4 categorías (dos positivas y dos negativas). Los valores de las series de tiempo fueron recategorizados para ser comparabales con las nuevas mediciones. • Cuando los resultados no sumen 100, puede deberse a redondeos computacionales,, respuestas múltiples o la exclusión de los que no saben o no contestan. -
América Latina, Tecnocracia Y Centroderecha: ¿Es Posible Deducir Una Relación Inexorable Entre Estos Factores?
América Latina, tecnocracia y centroderecha: ¿es posible deducir una relación inexorable entre estos factores? Autor: Andrés Carlos González Grobas Correo electrónico: [email protected] Institución: Facultad de Ciencias Sociales – Universidad de Buenos Aires Área temática: GI 09 – Estudios del Ejecutivo Aun cuando presidentes latinoamericanos de toda ideología han nombrado en altos cargos gubernamentales a economistas sin experiencia política, la creencia popular establece que sólo mandatarios de centroderecha optan por utilizar un recurso así. Consecuentemente, los actuales funcionarios argentinos y peruanos tienden a ser calificados mediante expresiones tales como “Gobierno de los CEO” o “Gabinete dominado por tecnócratas”. El trabajo que presentamos nos posibilitará analizar si el uso de la terminología mencionada se ajusta a la realidad. Para este propósito, siempre observando la clasificación elaborada por Dávila Avendaño (2010), estudiaremos las trayectorias académica y partidaria que hacen a aquellos asesores respectivamente nombrados por Mauricio Macri y Pedro Pablo Kuczynski. Recopilamos la información necesaria para desarrollar el presente escrito de enfoque descriptivo accediendo a fuentes secundarias, principalmente artículos periodísticos, revistas académicas y libros. Nuestra labor permitió indicar en el Perú una verdadera mayoría de ministros y secretarios tecnócratas, fenómeno que no se repite en la Argentina, donde gran cantidad de colaboradores presidenciales posee militancia política, candidaturas electorales -
Encuesta De Satisfacción Política Y Opinión Pública
Encuesta de Satisfacción Política y Opinión Pública #ESPOP Abril 2018 1 Metodología • Estos son hallazgos de la encuesta de satisfacción política y opinion pública de la Universidad de San Andrés. En total fueron realizadas 1004 entrevistas entre el 16 y el 23 de Abril de 2018 a adultos de 18-64 años conectados a internet, en Argentina. • La encuesta se realiza en 23 provincias y la Ciudad Autónoma de Buenos Aires vía el Panel online de Netquest. La muestra es proporcional al tamaño de las provincias (con algunos ajustes para garantizar base de lectura) y representativa a nivel de las regiones. Las provincias fueron agrupadas en 5 regiones: NOA, NEA, Cuyo, Centro, Patagonia, y Buenos Aires dividida a su vez en CABA, GBA e interior de la Provincia de Buenos Aires. Se aplicaron cuotas de sexo, edad y nivel socioeconómico. • La encuesta versa sobre satisfacción con el desempeño de los poderes políticos y las políticas públicas y sobre la opinion respecto de los principals líderes politicos nacionales, grupos y sectores, ministros y gobernadores. Algunas preguntas siguen una serie de tiempo basada en la encuesta de Indicadores de Satisfacción Política Institucional (ISPI) realizada por la Universidad de San Andrés e Ipsos de Marzo de 2016 a Mayo de 2017. En la presente investigación se modificaron las escalas numéricas de satisfacción y opinion (antes de 1-10) por escalasordinales de 4 categorías (dos positivas y dos negativas). Los valores de las series de tiempo fueron recategorizados para ser comparabales con las nuevas mediciones. • Cuando los resultados no sumen 100, eso puede deberse a redondeos computacionales,, respuestas múltiples o la exclusión de los que no saben o no contestan. -
Economic Impact Study Fy15
THE UNIVERSITY OF VIRGINIA ACADEMIC DIVISION, UVA HEALTH SYSTEM, AND UVA-WISE ECONOMIC IMPACT STUDY FY15 NOVEMBER 2016 Prepared by: Table of Contents I. THE UNIVERSITY OF VIRGINIA ECONOMIC IMPACT EXECUTIVE SUMMARY .............................. 3 II. METHODOLOGY ....................................................................................................... 4 III. THE UNIVERSITY OF VIRGINIA - TOTAL IMPACT ................................................................ 7 A. Overall Impact Findings ...................................................................................... 7 B. Economic Impact of UVA on the Commonwealth .............................................. 8 C. Employment Impact of UVA on the Commonwealth ......................................... 9 D. Strengthening State and Local Governments ................................................... 10 E. Conducting Ground-Breaking Research ............................................................ 10 F. Technology Transfer & Commercialization ...................................................... 12 G. Economic Development through Entrepreneurship and Innovation ............... 13 H. Ties to the Community ...................................................................................... 18 I. Students Continue to Benefit the Commonwealth after Graduation .............. 22 J. Visitors to the Area ........................................................................................... 23 IV. THE UNIVERSITY OF VIRGINIA ACADEMIC DIVISION – TOTAL IMPACT ................................. -
Film Studies (FILM) 1
Film Studies (FILM) 1 FILM-115 World Cinema 3 Units FILM STUDIES (FILM) 54 hours lecture; 54 hours total This course will survey the historical, social, and artistic development FILM-100 Survey and Appreciation of Film 3 Units of cinema around the globe, introducing a range of international films, 54 hours lecture; 54 hours total movements, and traditions. This course is an introduction to the history and elements of filmmaking Transfers to both UC/CSU such as narrative, mise-en-scene, cinematography, acting, editing, and FILM-117 Director's Cinema 3 Units sound as well as approaches to film criticism. 54 hours lecture; 54 hours total Transfers to both UC/CSU This course examines the historical and artistic career of a seminal FILM-101 Introduction to Film Production 3 Units director in cinema history. Possible subjects include Martin Scorsese, 36 hours lecture; 54 hours lab; 90 hours total Alfred Hitchcock, Francis Ford Coppola, and Woody Allen. This course is designed to introduce you to the creative process Transfers to CSU only of filmmaking. We will study all aspects of production from the FILM-120 Horror Film 3 Units conceptualization of ideas and scripting, to the basic production 54 hours lecture; 54 hours total equipment and their functions, and finally the production and post- This course offers an in-depth examination of the popular horror film production processes. Assignments will emphasize visualization, through an analysis of its historical evolution, major theories, aesthetics shooting style, and production organization. Presentation of ideas in and conventions, and the impact of its role as a reflection of culture both the written word and visual media are integral to the production society. -
20 18 Impa Ct Report
2018 IMPACT REPORT IN 2018, WE TURNED WATER INTO ACTION It’s with great pleasure that I witness how, once again this year, One Drop It’s been another inspiring year of extraordinary achievements bringing “and our partners have made an enormous difference, with sustainable “sustainable access to safe water to some of the world’s most vulnerable water projects that truly make the world a better place. Year after year, communities and I couldn’t be prouder to share with you our Impact project by project, we contribute to the achievement of Sustainable Report for 2018. Development Goal 6 defined by the United Nations: ensuring availability Thank you to everyone involved in One Drop’s projects. Thank you for and sustainable management of water and sanitation for all by 2030. joining forces with us and supporting our ambitious vision of a better Nevertheless, a lot remains to be done. world—a world where everyone has access to living conditions that allow The impressive results summarized in this 2018 Impact Report are a true for empowerment and development. By working in collaboration with testimony of our work, and they reflect and honour you, the true leaders local governments, visionary organizations, audacious philanthropists, – who join forces and share your efforts, knowledge, and finances, to international development agencies and communities, we create global make a positive difference. Thank you for helping us accomplish what we and positive impact. One Drop projects will soon have sustainably do each year. Let’s keep working together, taking action, and making an transformed the lives of over 1.6 million people around the world—and impact. -
Thinking About Color and the 'Reality Effect' in the Cinema
revista Fronteiras – estudos midiáticos 16(3):215-227 setembro/dezembro 2014 © 2014 by Unisinos – doi: 10.4013/fem.2014.163.07 Thinking about color and the ‘Reality Effect’ in the cinema Considerando a cor e o “Efeito do Real” no cinema Maria Helena Braga e Vaz da Costa1 ABSTRACT A great number of different views regarding realism has been in evidence. Whether greater realism in the cinema is welcomed or whether it is criticized, there is no doubt that realism is always a matter of concern in discussions about cinema’s vocation. It is not easy to define realism, and even though the general opinion is that realism is a determining factor in the cinema, it was not always the only ideological need responsible for the introduction of new technologies into the cinema. This article will situate color within this perspective. Keywords: cinema, color, realism. RESUMO Um grande número de visões sobre o realismo cinematográfico tem estado em evidência. Independentemente da opinião se um maior realismo no cinema é bem-vindo ou deve ser criticado, parece não existir dúvida de que o realismo é sempre objeto de discussão no contexto da pretensa vocação do cinema. A temática do realismo é complexa, e mesmo que a opinião geral seja a de que o realismo é um fator determinante para o cinema, este não foi a única necessidade ideológica responsável pela introdução de novas tecnologias pelo aparato cinematográfico. Este artigo contextualiza a cor dentro dessa perspectiva. Palavras-chave: cinema, cor, realismo. Technological innovation can be explained, in the is no doubt that realism is always a matter of concern view of some authors, as the outcome of technological in discussions about cinema’s vocation. -
Screendollars About Films, the Film Industry No
For Exhibitors June 29, 2020 Screendollars About Films, the Film Industry No. 123 Newsletter and Cinema Advertising We salute Kings Row (1942), one of the finest films of the 1940’s. It stars Ronald Regan as a once- wealthy but suddenly broke orphan Drake McHugh, Betty Field as Cassandra Tower with Claude Raines as her father Dr. Alexander Tower and Charles Coburn as the jealous and sadistic Dr. Henry Gordon. The film was based on Harry Bellamann's shocking and controversial novel, depicting violence and dysfunction in a small Midwestern town. While Peyton Place may be better known today for its portrayal of dark secrets under the surface of small-town life, Kings Row paved the way for the genre. It is widely regarded as Regan’s finest performance in film, with Regan himself stating that Kings Row made him a star. The score was written by Erich Wolfgang Korngold, a famous Austrian Jewish composer who left pre-war Vienna in 1934 and moved to Los Angeles, where his career flourished as he became one of the pre-eminent film composers of Hollywood’s Golden Age. John Williams has cited Korngold as (Click to Play) (Click to Play) his inspiration when scoring Star Wars, evident in the famous opening theme. “Where’s the rest of me?“ – Ronald Regan as Drake McHugh Notable Industry News (6/22-28) What the Pandemic has Done to Hollywood’s Studio Wars (The Observer) The landscape of film distribution has been turned upside down by the closure of theatres worldwide in response to the COVID-19 pandemic. -
![ESPOP] Encuesta De Satisfacción Política Y Opinión Pública](https://docslib.b-cdn.net/cover/6851/espop-encuesta-de-satisfacci%C3%B3n-pol%C3%ADtica-y-opini%C3%B3n-p%C3%BAblica-1936851.webp)
ESPOP] Encuesta De Satisfacción Política Y Opinión Pública
[#ESPOP] Encuesta de Satisfacción Política y Opinión Pública Marzo 2018 11 Metodología • Estos son hallazgos de la encuesta de satisfacciónpolítica y opiniónpública de la Universidad de San Andrés. En total fueronrealizadas 1001 entrevistas entre el 13 y el 22 de Marzo de 2018 a adultos de 18-64 añosconectados a internet, en Argentina. • La encuesta se realizaen 23 provincias y la Ciudad Autónoma de Buenos Aires vía el Panel online de Netquest. La muestraesproporcional al tamaño de las provincias (con algunosajustes para garantizar base de lectura) y representativa a nivel de las regiones. Las provinciasfueronagrupadasen 5 regiones: NOA, NEA, Cuyo, Centro, Patagonia, y Buenos Aires dividida a suvezen CABA, GBA e interior de la Provincia de Buenos Aires. Se aplicaroncuotas de sexo, edad y nivelsocioeconómico. • La encuesta versa sobresatisfacción con el desempeño de lospoderespolíticos y las políticaspúblicas y sobre la opiniónrespecto de losprincipaleslíderespolíticosnacionales, grupos y sectores, ministros y gobernadores. Algunaspreguntassiguenunaserie de tiempobasadaen la encuesta de Indicadores de SatisfacciónPolíticaInstitucional (ISPI) realizadapor la Universidad de San Andrés e Ipsos de Marzo de 2016 a Mayo de 2017. En la presenteinvestigación se modificaron las escalasnuméricas de satisfacción y opinion (antes de 1-10) porescalasordinales de 4 categorías (dos positivas y dos negativas). Los valores de las series de tiempofueronrecategorizados para sercomparabales con las nuevasmediciones. • Cuandolosresultados no sumen 100, puededeberse a redondeoscomputacionales,, respuestasmúltiples o la exclusión de los que no saben o no contestan. Enalgunosresultados se indicasifueronponderadossiguiendoalgúncriterio. • Todas las encuestasestánsujetas a otrasfuentes de error adicionales a loserroresmuestrales, tales comoerrores de cobertura o medición. La precisión de estaencuesta online se estimamediante el cálculo de intervalos de credibilidadbayesianos. -
Reality & Effect: a Cultural History of Visual Effects
Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication 5-3-2007 Reality & Effect: A Cultural History of Visual Effects Jae Hyung Ryu Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Part of the Communication Commons Recommended Citation Ryu, Jae Hyung, "Reality & Effect: A Cultural History of Visual Effects." Dissertation, Georgia State University, 2007. https://scholarworks.gsu.edu/communication_diss/13 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. REALITY & EFFECT: A CULTURAL HISTORY OF VISUAL EFFECTS by JAE HYUNG RYU Under the Direction of Ted Friedman ABSTRACT The purpose of this dissertation is to chart how the development of visual effects has changed popular cinema’s vision of the real, producing the powerful reality effect. My investigation of the history of visual effects studies not only the industrial and economic context of visual effects, but also the aesthetic characteristics of the reality effect. In terms of methodology, this study employs a theoretical discourse which compares the parallels between visual effects and the discourse of modernity/postmodernity, utilizing close textual analysis to understand the symptomatic meanings of key texts. The transition in the techniques and meanings of creating visual effects reflects the cultural transformation from modernism to postmodernism. Visual effects have developed by adapting to the structural transformation of production systems and with the advance of technology. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
Seventh Annual One Night for One Drop Draws A-List
FOR IMMEDIATE RELEASE March 11, 2019 SEVENTH ANNUAL ONE NIGHT FOR ONE DROP DRAWS A-LIST ATTENDANCE FOR WORLD-RENOWNED ONE DROP FOUNDATION AT BELLAGIO RESORT & CASINO FRIDAY, MARCH 8 Star-Studded Attendees Included Jonathan Bennett, Eve, Nigel Lythgoe, Hans Zimmer, Kevin Frazier and Many More, Who All Came Together for a Global Cause LAS VEGAS – On Friday, March 8, the seventh annual One Night for One Drop event at the “O” Theatre, presented by MGM Resorts International and COLGATE, drew a star-studded crowd in support of the one-night-only soirée benefiting the One Drop Foundation, a non-profit organization dedicated to providing access to safe water and sanitation around the globe. Imagined by Cirque du Soleil, One Night for One Drop mesmerized the sold-out audience with an emotional performance that took the spectators on an empathetic journey, drawing inspiration from human connection, friendship, beauty, nature, love and loss, in an aquatic ambiance. The performance was co-written and directed by André Kasten and Leah Moyer, performed by Cirque du Soleil artists as well as celebrated performers including Keone and Mari from “World of Dance” and Las Vegas headliner Blue Man Group, presented alongside Academy Award-winner & world-renowned score composer Hans Zimmer and featured intricate choreography created by Alexander Ekman and Andrew Winghart. Highlights from the dramatic acts were three spectacular arrangements performed live by Hans Zimmer, including a specially adapted piece from the award-winning film “Interstellar.” This year’s event was taped for the new entertainment special ONE NIGHT FOR ONE DROP: IMAGINED BY CIRQUE DU SOLEIL, set to air on Saturday, March 16 (8:00-9:00 PM, ET/PT) on the CBS Television Network.