Festival Internacional De Cine De Mar Del Plata 2014
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ferdi Candan.Pdf
T.C. ORDU ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ SĠNEMA VE TELEVĠZYON ANABĠLĠM DALI 2010 SONRASI AMERĠKAN KORKU SĠNEMASINDA PSĠKANALĠTĠK ÖĞELER: TEKĠNSĠZ VE ĠĞRENÇ HAZIRLAYAN FERDĠ CANDAN DANIġMAN PROF. DR. MEHMET YILMAZ YÜKSEK LĠSANS ORDU 2019 ĠÇĠNDEKĠLER ĠÇĠNDEKĠLER ............................................................................................................... i ÖZET ........................................................................................................................... iii ABSTRACT ................................................................................................................. iv KISALTMALAR ............................................................................................................v GÖRSELLER DĠZĠNĠ................................................................................................... vi GĠRĠġ .............................................................................................................................1 1. BÖLÜM ......................................................................................................................3 1.1. PROBLEM .......................................................................................................3 1.2. AMAÇ .............................................................................................................3 1.3. ÖNEM ..............................................................................................................3 1.4. VARSAYIMLAR .............................................................................................4 -
Film Reviews
Page 117 FILM REVIEWS Year of the Remake: The Omen 666 and The Wicker Man Jenny McDonnell The current trend for remakes of 1970s horror movies continued throughout 2006, with the release on 6 June of John Moore’s The Omen 666 (a sceneforscene reconstruction of Richard Donner’s 1976 The Omen) and the release on 1 September of Neil LaBute’s The Wicker Man (a reimagining of Robin Hardy’s 1973 film of the same name). In addition, audiences were treated to remakes of The Hills Have Eyes, Black Christmas (due Christmas 2006) and When a Stranger Calls (a film that had previously been ‘remade’ as the opening sequence of Scream). Finally, there was Pulse, a remake of the Japanese film Kairo, and another addition to the body of remakes of nonEnglish language horror films such as The Ring, The Grudge and Dark Water. Unsurprisingly, this slew of remakes has raised eyebrows and questions alike about Hollywood’s apparent inability to produce innovative material. As the remakes have mounted in recent years, from Planet of the Apes to King Kong, the cries have grown ever louder: Hollywood, it would appear, has run out of fresh ideas and has contributed to its evergrowing bank balance by quarrying the classics. Amid these accusations of Hollywood’s imaginative and moral bankruptcy to commercial ends in tampering with the films on which generations of cinephiles have been reared, it can prove difficult to keep a level head when viewing films like The Omen 666 and The Wicker Man. -
THE BLACK BOOK of FATHER DINIS Directed by Valeria Sarmiento Starring Lou De Laâge, Stanislas Merhar, Niels Schneider
Music Box Films Presents THE BLACK BOOK OF FATHER DINIS Directed by Valeria Sarmiento Starring Lou de Laâge, Stanislas Merhar, Niels Schneider 103 MIN | FRANCE, PORTUGAL | 2017 | 1.78 :1 | NOT RATED | IN FRENCH WITH ENGLISH SUBTITLES Website: https://www.musicboxfilms.com/film/the-black-book/ Press Materials: https://www.musicboxfilms.com/press-page/ Publicity Contact: MSophia PR Margarita Cortes [email protected] Marketing Requests: Becky Schultz [email protected] Booking Requests: Kyle Westphal [email protected] LOGLINE A picaresque chroNicle of Laura, a peasaNt maid, aNd SebastiaN, the youNg orphaN iN her charge, against a backdrop of overflowing passion and revolutionary intrigue in Europe at the twilight of the 18th century. SUMMARY THE BLACK BOOK OF FATHER DINIS explores the tumultuous lives of Laura (Lou de Laâge), a peasaNt maid, aNd SebastiaN (Vasco Varela da Silva), the youNg orphaN iN her charge, against a backdrop of overflowing passion and revolutionary intrigue in Europe at the twilight of the 18th ceNtury. An uNlikely adveNture yarN that strides the coNtiNeNt, from Rome aNd VeNice to LoNdoN aNd Paris, with whispers of coNspiracies from the clergy, the military, aNd the geNtry, this sumptuous period piece ponders the intertwined nature of fate, desire, and duty. Conceived by director Valeria SarmieNto as aN appeNdix to the expaNsive literary maze of her late partNer Raul Ruiz's laNdmark MYSTERIES OF LISBON, this picaresque chronicle both eNriches the earlier work aNd staNds oN its owN as a graNd meditatioN of the stories we construct about ourselves. THE BLACK BOOK OF FATHER DINIS | PRESS NOTES 2 A JOURNEY THROUGHOUT EUROPE AND HISTORY Interview with Director Valeria Sarmiento What was the origin of the project? OrigiNally, I was supposed to make aNother film with Paulo BraNco called The Ice Track (from Roberto Bolaño’s Novel), but we could Not fiNd fuNdiNg because the rights of the Novel became more aNd more expeNsive. -
Wenders Has Had Monumental Influence on Cinema
“WENDERS HAS HAD MONUMENTAL INFLUENCE ON CINEMA. THE TIME IS RIPE FOR A CELEBRATION OF HIS WORK.” —FORBES WIM WENDERS PORTRAITS ALONG THE ROAD A RETROSPECTIVE THE GOALIE’S ANXIETY AT THE PENALTY KICK / ALICE IN THE CITIES / WRONG MOVE / KINGS OF THE ROAD THE AMERICAN FRIEND / THE STATE OF THINGS / PARIS, TEXAS / TOKYO-GA / WINGS OF DESIRE DIRECTOR’S NOTEBOOK ON CITIES AND CLOTHES / UNTIL THE END OF THE WORLD ( CUT ) / BUENA VISTA SOCIAL CLUB JANUSFILMS.COM/WENDERS THE GOALIE’S ANXIETY AT THE PENALTY KICK PARIS, TEXAS ALICE IN THE CITIES TOKYO-GA WRONG MOVE WINGS OF DESIRE KINGS OF THE ROAD NOTEBOOK ON CITIES AND CLOTHES THE AMERICAN FRIEND UNTIL THE END OF THE WORLD (DIRECTOR’S CUT) THE STATE OF THINGS BUENA VISTA SOCIAL CLUB Wim Wenders is cinema’s preeminent poet of the open road, soulfully following the journeys of people as they search for themselves. During his over-forty-year career, Wenders has directed films in his native Germany and around the globe, making dramas both intense and whimsical, mysteries, fantasies, and documentaries. With this retrospective of twelve of his films—from early works of the New German Cinema Alice( in the Cities, Kings of the Road) to the art-house 1980s blockbusters that made him a household name (Paris, Texas; Wings of Desire) to inquisitive nonfiction looks at world culture (Tokyo-ga, Buena Vista Social Club)—audiences can rediscover Wenders’s vast cinematic world. Booking: [email protected] / Publicity: [email protected] janusfilms.com/wenders BIOGRAPHY Wim Wenders (born 1945) came to international prominence as one of the pioneers of the New German Cinema in the 1970s and is considered to be one of the most important figures in contemporary German film. -
Switchblade Comb" by Mobius Vanchocstraw
00:00:00 Music Music "Switchblade Comb" by Mobius VanChocStraw. A jaunty, jazzy tune reminiscent of the opening theme of a movie. Music continues at a lower volume as April introduces herself and her guest, and then it fades out. 00:00:08 April Wolfe Host Welcome to Switchblade Sisters, where women get together to slice and dice our favorite action and genre films. I'm April Wolfe. Every week, I invite a new female filmmaker on—a writer, director, actor, or producer—and we talk in-depth about one of their fave genre films, perhaps one that influenced their own work in some small way, and today I'm very excited to have writer-director Alice Waddington here with me. Hi, Alice! 00:00:28 Alice Guest Hi, April! How are you? Waddington [Music fades out.] 00:00:30 April Host Oh, I'm quite well. [Alice laughs.] Despite fires raging. 00:00:32 Alice Guest Oh my goodness. 00:00:33 April Host But I gotta say your pink jumpsuit—pink corduroy jumpsuit is really livening up the place. 00:00:39 Alice Guest [Laughs.] Thank you so much. I'm—you know, I am on my Logan's Run stuff already. So. [Laughs.] 00:00:44 April Host Absolutely. I mean, Halloween should be year-round. [Alice laughs.] Okay, so for those of you who are not as familiar with Alice's work, please let me give you an introduction. Alice Waddington was born in a rural background, but she was raised in the big city of Bilbao, Spain. -
OSN Brings the Best Content for Customers with Latest Technology by Nawara Fattahova Called ‘Live More’ Last Year
lifestyle SUNDAY, FEBRUARY 1, 2015 OSN brings the best content for customers with latest technology By Nawara Fattahova called ‘Live More’ last year. It’s our corporate social responsibility campaign and we will KUWAIT: OSN, the leading pay TV network in continue to focus on that to create an emo- the Middle East and North Africa that offers tional bond with potential customers. international television entertainment content Reducing churn (people who leave the such as movies, sporting events and much service) is also a big focus for us. To reduce more, participated in the annual InfoConnect this, we will focus on our OSN privileges pro- exhibition held from Jan 26 to Feb 1, 2015 at gram. We established this program two and the Misref Fairground. During this event, they half years back, and it’s an amazing program had many special offers and promotions. with a strong link with our product. Many Kuwait Times met Hamad Malik, Chief organizations have loyalty programs, but they Marketing Officer of OSN, to learn more. usually give points that you can never redeem, but our focus is to give our customers experi- Kuwait Times: What is your marketing strat- ences which they can’t buy or nobody else will egy for 2015? give them. An example is if you are a WWE fan, Hamad Malik: We want to position our we give the opportunity for people to go and brand as a premium brand, and also as an watch the fights, meet the wrestlers and affordable luxury that understands clients’ spend time with them. -
English Film Notes to Under the Shadow
UNDER THE SHADOW Directed and Written by: Babak Anvari Starring: Narges Rashidi, Avin Manshadi, Bobby Naderi, Ray Haratian, Hamidreza Djavdan and Soussan Farrokhnia Produced by: Lucan Toh, Oliver Roskill and Emily Leo Running Time: 84 minutes MPAA Rating: Not yet rated Facebook: Under The Shadow Instagram: @UnderTheShadowFilm Twitter: @UTSFilm Logline: As a mother and daughter struggle to cope with the terrors of the post-revolution, war torn Tehran of the 80s, a mysterious evil begins to haunt their home. SALES CONTACT: XYZ Films, Nate Bolotin, 310-956-1550 PRESS CONTACTS: Prodigy Public Relations Samantha Grody, [email protected], 310-857-2020 ext. 101 (c: 978-902-2105) Richard Stafford, [email protected], 310-857-2020 ext. 100 (c: 310-384-5753) Kayla McCormack, [email protected], 310-857-2020 ext. 124 (c: 603-321-0192) Erik Bright, [email protected], 310-857-2020 ext. 127 (c: 310-902-1355) TO DOWNLOAD MATERIALS: ftp://corp.prodigypublicrelations.com/publicftp (username – prodigyftp / password – pressac- cess1) THE STORY LOGLINE As a mother and daughter struggle to cope with the terrors of the post-revolution, war torn Tehran of the 80s, a mysterious evil begins to haunt their home. ONE LINE Tehran, 1988: the Iran-Iraq war rumbles into its eighth year. The bombing campaigns focused on the city, coupled with the country’s bloody revolution, slowly tear a mother and daughter apart. As they struggle to stay together in the midst of these modern terrors, a mysterious evil stalks through their apartment, threatening their grip on reality. FULL SYNOPSIS Shideh and her family live amid the chaos of the Iran-Iraq behaviour becomes increasingly disturbed and Shideh is slowly war (known colloquially as The War of the Cities). -
Revue De Presse Land of Scarecrows
Revue de Presse Land of Scarecrows 1/ Variety Asia Online http://www.varietyasiaonline.com/content/view/6717/1/ Pusan reveals project funding winners Written by Han Sunhee Wednesday, 13 August 2008 Story Categories: Documentary, Festivals, Film, Finance, Korea, Pusan, SEOUL – Twenty seven movie projects are to receive funding from the Pusan International Film Festival's Asia Cinema Fund it was announced Tuesday. The ACF spans three sections that support different aspects of the production and post-production processes for movies that are deemed Asia's most creative film efforts. The six recipients of coin from the 'Independent Feature Script and Project Incubating Fund' section include Korean helmer Kim Jong-kwan's "Seaside" and Malaysian director Woo Ming Jin's "Woman On Fire Looks For Water." A further six projects are to receive coin from the 'Independent Feature Post-production Fund.' These include Korean helmer Roh Gyeong-tae's "Land of Scarecrow," Chinese helmer He Jianjun's "River People." Malaysian helmer Ho Yuhang's "At The End of Daybreak" was selected as the recipient of Asia Pacific Actors Network's production support fund, and was backed by Korean production shingle M&FC. The AND Fund for docus rewarded five Korean projects including Korean-American female director Tammy Chu Tolle's "Resilience" and nine other Asian projects including Indian helmer Ranu Ghosh's "Quarter No. 4/11." 2008 Independent Feature Script and Project Development Fund recipients "Seaside" (Korea) Kim Jongkwan "Daybreak" (Korea) Cho Kyu Jang "The Reason" -
Fantastic Arcade Added to Festival
1 THE DAILY TEXAN NEWS PAGE 6 SPORTS PAGE 7 TOMORROW’S WEATHER UT gets ready to move High Low to new data center Lone Star State showdown 91 73 Thursday, September 23, 2010 Serving the University of Texas at Austin community since 1900 www.dailytexanonline.com Friendship TODAY Fantastic Arcade added to Festival from Navy raises $15m Calendar for building Free Henna By Collin Eaton Students help drum up Daily Texan Staff donations to aid flood victims in About 40 years ago, a young Na- Pakistan by offering free henna val officer named William Powers tattoos for donors. Stop by in Jr. was on a tour in Bahrain when front of the FAC from 9 a.m. to James Mulva, the man who would 5 p.m. become the chairman and CEO of ConocoPhilips, came to the island Craziest Cake fresh from UT’s Na- Competition val Re- Austin’s creative bakers serve Offi- compete for the title of the cer Train- craziest cake. The competition is ing Corps. at the AT&T Executive Education On two and Conference Center from different 7 to 10 p.m. and will offer sides of free cake samples. RSVP by the island, e-mailing rsvp@austinmonthly. Powers com. and Mul- va occa- sionally Delfos Danza James Mulva met each Conoco Philips CEO Contemporánea other at The Teresa Lozano Long events Institute of Latin American during their tours. But eight years Studies and the Department ago, it was at a Texas Exes event hon- of Theater and Dance presents Thomas Allison | Daily Texan Staff oring Mulva that UT President Pow- contemporary dance by Tech director Kody McKay Sandel demos one of eight custom-made arcade-style games for the upcoming Fantastic Arcade at The Highball. -
For Immediate Release
Media Contact: Valerie Cisneros [email protected] 407-629-1088 x302 FOR IMMEDIATE RELEASE SUSAN SARANDON, PAUL SORVINO, GIANCARLO ESPOSITO, SHAWN CHRISTENSEN TO ATTEND 2014 FLORIDA FILM FESTIVAL Orlando, FL – (March 25, 2014) Enzian announced today the special events featuring celebrity guest appearances for the 23rd Annual Florida Film Festival, April 4-13, 2014, in Maitland and Winter Park, Florida, with Primary Sponsor Full Sail University and Primary Public Partner Orange County Government. For more information, visit http://www.floridafilmfestival.com/program/special-guests. The Florida Film Festival is excited and honored to welcome the following artists: Susan Sarandon The extremely versatile Susan Sarandon brings her own brand of sex appeal and intelligence to every role – from her fearless portrayal in Bull Durham to her Oscar®-nominated performances in Thelma and Louise, Lorenzo’s Oil, The Client, and Atlantic City to her Academy Award®-winning and SAG® Award- winning role in Dead Man Walking as Sister Helen, a nun consoling a death-row inmate. An Evening with Susan Sarandon, featuring Dead Man Walking Friday, April 11, 7:30-10:45PM, at Enzian Directed by Tim Robbins UK/USA, 1995, 122 minutes, Rated R Inspired by the true story of a nun’s relationship with a condemned man, this brilliantly acted, gripping, and provocative examination of crime and capital punishment earned Susan Sarandon the 1995 Oscar® for Best Actress and Sean Penn an Oscar nomination for Best Actor. Sister Helen Prejean (Sarandon), a compassionate New Orleans nun, is the spiritual advisor to Matthew Poncelet (Penn), a vicious, angry, and complex murderer awaiting execution. -
Under the Silver Lake
Presents UNDER THE SILVER LAKE A film by David Robert Mitchell 139 mins, USA, 2018 Language: English Official Selection: 2018 Festival de Cannes – Competition – World Premiere 2018 Fantasia Festival – Camera Lucida – Canadian Premiere Distribution Publicity Mongrel Media Inc Bonne Smith 1352 Dundas St. West Star PR Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com Synopsis From the dazzling imagination that brought you It Follows and The Myth of the American Sleepover comes a delirious neo-noir thriller about one man’s search for the truth behind the mysterious crimes, murders, and disappear- ances in his East L.A. neighborhood. Sam (Andrew Garfield) is a disenchanted 33 year old who discovers a mys- terious woman, Sarah (Riley Keough), frolicking in his apartment’s swimming pool. When she vanishes, Sam embarks on a surreal quest across Los An- geles to decode the secret behind her disappearance, leading him into the murkiest depths of mystery, scandal, and conspiracy in the City of Angels. From writer-director David Robert Mitchell comes a sprawling and unexpect- ed detective thriller about the Dream Factory and its denizens—dog killers, aspiring actors, glitter-pop groups, nightlife personalities, It girls, memorabilia hoarders, masked seductresses, homeless gurus, reclusive songwriters, sex workers, wealthy socialites, topless neighbors, and the shadowy billionaires floating above (and underneath) it all. Mining a noir tradition extending from Kiss Me Deadly and The Long Good- bye to Chinatown and Mulholland Drive, Mitchell uses the topography of Los Angeles as a backdrop for a deeper exploration into the hidden meaning and secret codes buried within the things we love. -
Número Podrá Ser Disfrutado Desde Tu Dis - Gustavo Rowek Positivo Ya Sea Compu Personal, Smart Phone O Tablet
Página 05 NOTICIAS Página 06 CLíNICA PRIDGEN / PEDERNERA Página 10 ENTREvISTA A FERNANDO SCARCELLA Página 18 PING PONG CON ELOy MICHELINI Página 19 ENTREvISTA A PECHI PAGES Página 20 CLíNICAS EN DRuMMER DRuM SHOP Página 22 TAMBORES ARBOR ANIMA STAvE DRuMS Página 24 MASTERCLASS DE MARCO MINNEMANN Página 28 CLíNICAS EN ZONA SOuL DRuM SHOP Página 30 TAMBORES vINTAGE Página 32 NAMM SHOw 2017 (PARTE III) Página 34 José Aldao, Thomas Pridgen y GP luego del show de Thomas junto a Gabriel Pedernera MADERAS y CASCOS Página 36 Fernando Scarcella es el baterista de una de las bandas ícono del rock nacional en actividad, más importantes TEST SAKAE TRILOGy de la historia del rock en nuestro país, Rata Blanca, y la aparición de Fernando por segunda vez en BAS remite a una gran relación que tenemos con él como persona y a su historia en particular que en el momento de la Página 38 entrevista anterior tenía a Scarcella saliendo de una lesión grave en su muñeca que por suerte estaba supe - ARTIST PERCuSIóN rando con increíble fuerza y determinación. Hoy nos vimos en la necesidad de mostrarles como Fernando no Página 40 sólo superó esa etapa sino como está inmerso en proyectos que lo tienen bien ocupado entre su actividad CLíNICAS EN DRuMMER DRuM SHOP de baterista, cabeza de una escuela de música y otra de batería que son proyectos muy importantes y difíciles de llevar adelante. Fernando supo rodearse de la gente adecuada para concretar estos proyectos y es un gran ejemplo para los músicos en general que por ahí no se animan a ir más allá de tocar.