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Film Reviews
Page 117 FILM REVIEWS Year of the Remake: The Omen 666 and The Wicker Man Jenny McDonnell The current trend for remakes of 1970s horror movies continued throughout 2006, with the release on 6 June of John Moore’s The Omen 666 (a sceneforscene reconstruction of Richard Donner’s 1976 The Omen) and the release on 1 September of Neil LaBute’s The Wicker Man (a reimagining of Robin Hardy’s 1973 film of the same name). In addition, audiences were treated to remakes of The Hills Have Eyes, Black Christmas (due Christmas 2006) and When a Stranger Calls (a film that had previously been ‘remade’ as the opening sequence of Scream). Finally, there was Pulse, a remake of the Japanese film Kairo, and another addition to the body of remakes of nonEnglish language horror films such as The Ring, The Grudge and Dark Water. Unsurprisingly, this slew of remakes has raised eyebrows and questions alike about Hollywood’s apparent inability to produce innovative material. As the remakes have mounted in recent years, from Planet of the Apes to King Kong, the cries have grown ever louder: Hollywood, it would appear, has run out of fresh ideas and has contributed to its evergrowing bank balance by quarrying the classics. Amid these accusations of Hollywood’s imaginative and moral bankruptcy to commercial ends in tampering with the films on which generations of cinephiles have been reared, it can prove difficult to keep a level head when viewing films like The Omen 666 and The Wicker Man. -
Switchblade Comb" by Mobius Vanchocstraw
00:00:00 Music Music "Switchblade Comb" by Mobius VanChocStraw. A jaunty, jazzy tune reminiscent of the opening theme of a movie. Music continues at a lower volume as April introduces herself and her guest, and then it fades out. 00:00:08 April Wolfe Host Welcome to Switchblade Sisters, where women get together to slice and dice our favorite action and genre films. I'm April Wolfe. Every week, I invite a new female filmmaker on—a writer, director, actor, or producer—and we talk in-depth about one of their fave genre films, perhaps one that influenced their own work in some small way, and today I'm very excited to have writer-director Alice Waddington here with me. Hi, Alice! 00:00:28 Alice Guest Hi, April! How are you? Waddington [Music fades out.] 00:00:30 April Host Oh, I'm quite well. [Alice laughs.] Despite fires raging. 00:00:32 Alice Guest Oh my goodness. 00:00:33 April Host But I gotta say your pink jumpsuit—pink corduroy jumpsuit is really livening up the place. 00:00:39 Alice Guest [Laughs.] Thank you so much. I'm—you know, I am on my Logan's Run stuff already. So. [Laughs.] 00:00:44 April Host Absolutely. I mean, Halloween should be year-round. [Alice laughs.] Okay, so for those of you who are not as familiar with Alice's work, please let me give you an introduction. Alice Waddington was born in a rural background, but she was raised in the big city of Bilbao, Spain. -
PRESS NOTES March 2019
PRESS NOTES March 2019 INFORMION 114 Minutes Ratio: 2:35 color Red Dragon DCP • AUDIO: 5.1 PRESS Emma Griffiths [email protected] PRODUCERS Larry Fessenden [email protected] Chadd Harbold [email protected] Jenn Wexler [email protected] PRINT TRAFFIC GLASS EYE PIX 172 East 4th Street #5F New York, NY 10009 WEBSITES A film by Larry Fessenden glasseyepix.com depravedfilm.com GLASS EYE PIX & FORAGER FILM COMPANY present DAVID CALL JOSHUA LEONARD and ALEX BREAUX "DEPRAVED" ANA KAYNE MARIA DIZZIA CHLOË LEVINE OWEN CampBELL and ADDISON TIMLIN cinematography CHRIS SKOTCHDOPOLE James SIEWERT production design APRIL LASKY costume design SARA ELISABETH LOTT makeup effects GERNER & SPEARS EFFECTS visual effects james SIEWERT music WILL bates sound design JOHN MOROS mix TOM EFINGER executive producers JOE SWANBERG EDWIN LINKER PETER GILBERT co-executive producerS andrew MER SIG DE MIGUEL STEPHEN VINCENT co-producer LIZZ ASTOR producers CHADD HARBOLD JENN WEXLER writer director editor producer LARRY FESSENDEN (c) 2019 DEPRAVED PRODUCTIONS INC. ALL RIGHTS RESERVED. A Glass Eye Pix COSTUME Lucy Double POST PICTURE "depRAVEd" Forager Film Company assistant costume designer ASHLEY MORGAN BLOOM Finishing Written and Performed by production ARIS BORDO Polidori Double CONTACT POST UNWANTED HOUSEGUEST wardrobe supervisor COLIN VAN WYE colorist publisher Tavistock Records CREW ALANNA GOODMAN Child Singers BLASE THEODORE BELLA MAGGIO "Wheels on the Bus" writer director editor Uniforms Edit and Online Facilities LARRY FESSENDEN KAUFMAN’S ARMY & NAVY JOEY MAGGIO THE STATION Performed by NIA AMALIA MOROS UNWANTED HOUSEGUEST producers additional animation LARRY FESSENDEN MAKEUP TV Voices BEN DUFF JAMES LE GROS "Pleasant Street" CHADD HARBOLD hair and makeup dept. -
Loft Film Fest Staff SUPPORTING SPONSORS
THIS GUIDE PROVIDED BY THE LOFT CINEMA AND ZOCALO MAGAZINE Loft Film Fest FULL SCHEDULE LFF 12-13 2018 Loft Film Fest Sponsors SHORT FILM PROGRAMS LFF 18-19 IN COMPETITION LFF 20-22 TITLE SPONSORS Get your Tickets FILM FESTIVAL PASS General: $150 Loft Members: $125 FILMS General: $10 Loft Members: $8 PRESENTING SPONSORS OFFICIAL FEST SITE LoftFilmFest.org SCREENINGS TAKE PLACE AT The Loft Cinema 3233 E. Speedway Blvd. Tucson, AZ 85716 CONTACT [email protected] (520) 795-0844 Loft Film Fest Staff SUPPORTING SPONSORS FESTIVAL EXECUTIVE DIRECTOR Peggy Johnson FESTIVAL DIRECTORS J.J. Giddings, Jeff Yanc MANAGING DIRECTOR Zach Breneman FESTIVAL PROGRAMMING CONSULTANTS PROGRAM SPONSORS Aurélie Gomes, Sarah Gonzales, Debi Chess Mabie, Maggie Mackay, Mike Plante, Ernie Quiroz, Nikki Sanchez FINANCE DIRECTOR Jonathan Kleefeld ART DIRECTORS Ben Mackey, Matt McCoy SPONSORSHIP DIRECTOR Amber Kleefeld FILM SPONSORS DIRECTOR OF EDUCATION & ENGAGEMENT Shawna Dacosta GUEST RELATIONS Daniela Ontiveros DIRECTOR OF THEATRE OPERATIONS Jason Denholm ASSISTANT MANAGERS IN-KIND DONATIONS Blaine Austin, Ray Borboa, Becky Hall, Pedro Arizona Inn, Cafe Desta, A Priori Distribution, Tumerico, AZ Daily Robles-Hill, Brenda Rodriguez, A.J. Simon Star, Tucson Tamales THIS GUIDE PROVIDED BY THE LOFT CINEMA AND ZOCALO MAGAZINE Loft Film Fest LFF 04 The Lofty Achievement Award The Loft Film Fest is awarding 2 Lofty Awards this year. The Lofty is presented each year at the Loft Film Fest to an individual whose career and body of work have The Loft Film Fest was proud to receive a $20,000 Art significantly contributed to the world of cinema, and Works grant from the National Endowment for the Arts for who continues to inspire, entertain and enlighten our 2018 edition – the only film festival in Arizona to receive audiences. -
Electric Boogaloo: the Wild, Untold Story of Cannon Films
Press Kit ELECTRIC BOOGALOO: THE WILD, UNTOLD STORY OF CANNON FILMS Table Of Contents CONTACT DETAILS And Technical Information 1 SYNOPSIS: LOGLINE AND ONE PARAGRAPH 2 SYNOPSIS: ONE PAGE 3 DIRECTOR’S STATEMENT 4 PRODUCER’S STATEMENT 5 KEY CREATIVE CREDITS 6 DIRECTOR BIOGRAPHY 7 PRODUCER BIOGRAPHY 8 KEY CREATIVEs 10 INTERVIEWEE LIST 11 - 12 SELECT INTERVIEWEE BIOGRAPHIES 13 - 16 FINAL END CREDITS 17 - 34 A CELEBRATION OF HOLLYWOOD’S LEAST LOVED STUDIO FROM THE DIRECTOR OF NOT QUITE HOLLYWOOD RATPAC DOCUMENTARY FILMS WILDBEAR ENTERTAINMENT IN ASSOCIATION WITH MELBOURNE INTERNATIONAL FILM FESTIVAL PREMIERE FUND SCREEN QUEENSLAND FILM VICTORIA AND CELLULOID NIGHTMARES PRESENT ELECTRIC BOOGALOO: THE WILD, UNTOLD STORY OF CANNON FILMS ORIGINAL MUSIC JAMIE BLANKS CINEMATOGRAPHER GARRY RICHARDS EDITED BY MARK HARTLEY SARA EDWARDS JAMIE BLANKS Check the Classification EXECUTIVE PRODUCERS NATE BOLOTIN TODD BROWN JEFF HARRISON HUGH MARKS JAMES PACKER PRODUCED BY BRETT RATNER VERONICA FURY WRITTEN AND DIRECTED BY MARK HARTLEY Press Kit A CELEBRATION OF HOLLYWOOD’S LEAST LOVED STUDIO FROM THE DIRECTOR OF NOT QUITE HOLLYWOOD RATPAC DOCUMENTARY FILMS WILDBEAR ENTERTAINMENT IN ASSOCIATION WITH MELBOURNE INTERNATIONAL FILM FESTIVAL PREMIERE FUND SCREEN QUEENSLAND FILM VICTORIA AND CELLULOID NIGHTMARES PRESENT ELECTRIC BOOGALOO: THE WILD, UNTOLD STORY OF CANNON FILMS ORIGINAL MUSIC JAMIE BLANKS CINEMATOGRAPHER GARRY RICHARDS EDITED BY MARK HARTLEY SARA EDWARDS JAMIE BLANKS Check the Classification EXECUTIVE PRODUCERS NATE BOLOTIN TODD BROWN JEFF HARRISON -
Bakalářská Práce
Univerzita Karlova v Praze Filozofická fakulta Katedra filmových studií Bakalářská práce Bc. Jiří Blažek Exploatace Víta Olmera: Bulvární zrcadlo polistopadové společnosti Vitus Olmer's exploitation: A Sensationalistic View of Post-communist Society Praha 2015 Vedoucí práce: PhDr. David Čeněk Poděkování: V prvé řadě patří poděkování vedoucímu práce PhDr. Davidu Čeňkovi, za odborné vedení mého výzkumného záměru. Rovněţ bych chtěl poděkovat Jiřímu Flíglovi, za jeho inspirativní uvedení fenoménu exploatace do českého polistopadového prostoru. Můj vděk dále patří zbytku pedagogického sboru; jedině díky jejich individuálnímu a odbornému přístupu jsem získal potřebný rozhled a oborové znalosti. Poděkovat se sluší i mým ročníkovým kolegům; naše pestré rozpravy mi dodaly nejednu inspiraci i určující impuls, jakým směrem bych chtěl vést svůj odborný zájem. Nakonec chci ale poděkovat hlavně své rodině, bez jejíţ neutuchající podpory bych nebyl tam, kde jsem nyní. Prohlášení: Prohlašuji, ţe jsem tuto diplomovou práci vypracoval samostatně a výhradně s pouţitím citovaných pramenů, literatury a dalších odborných zdrojů. V Praze, dne 15. ledna 2015 ………………………….. ABSTRAKT Bakalářská práce se soustředí na filmovou exploataci jako bulvární fenomén. Případovým modelem výzkumu je polistopadová produkce Víta Olmera vymezená roky 1990 – 1995 nejpříznačněji odráţející nové tvůrčí demokratické podmínky, jeţ Olmer účinně zuţitkoval ve svůj prospěch, a stal se jedním z nejproduktivnějších filmařů své doby. První část analýzy mapuje status exploatačního filmu v zahraniční akademické obci a s pomocí východisek Pierra Bourdieua objasňuje, jak se logika „dobrého vkusu“ podepsala na přístupu k „nevkusné kinematografii“, jejím výzkumu, a v neposlední řadě, na postojích samotných badatelů. Následně kapitola poskytuje obecný přehled obtíţných úloh přímo vzešlých z problematické pozice exploatace ve filmových studiích, k nejzásadnější z nich patří zřídkakdy teoreticky reflektovaná samotná identita exploatačního filmu, kterou vyznačuje výrazná roztroušenost. -
Durch Das Feuer Parasite Japannual 2019
Jetzt mit 2. Standort am Spittelberg Durch das Feuer Programm Oktober 2019 Joker Filmcasino Margaretenstraße 78, 1050 Wien Refugee Lullaby T 01/587 90 62 Japannual www.filmcasino.at MC Escher – Reise in Filmhaus Kino & Bar Down to Earth – Spittelberggasse 3, 1070 Wien T 01/890 72 86 Druck Eigner sensomatic Grafik: Druck: die Unendlichkeit www.filmhaus.at Die Hüter der Erde Redaktion: Gerald Knell polyfilm BetriebsgmbH Nr. 343 Österreichische Post AG AG polyfilm343 BetriebsgmbHPost Österreichische Nr. Parasite & www.filmhaus.at Filmcasino 02Z031971 SP Zulassungsnr.: S 10 www.filmcasino.at Japannual 2019 Durch das Feuer Parasite (Sauver ou périr) Frédéric Tellier | FR 2018 | 116 min | Franz. OmU | Bong Joon-ho | KR 2019 | 132 min | Kor. OmU | Mit: Song Kang-Ho, Mit: Pierre Niney, Anaïs Demoustier, Vincent Rottiers Lee Sun-kyun, Cho Yeo-jeong Zum bereits dritten Mal berei- Ein kleiner Schwerpunkt ist dem chert Japannual den Kinoalltag Regisseur Koji Wakamatsu und Franck ist Feuerwehrmann in herzzerreißende Geschichte Familie Kim ist ganz unten an- nen Palme seit „Pulp Fiction“: mit aktuellen Werken aus Japan. dem Jahr 1969 gewidmet. Zwei Paris und lebt ein erfülltes Le- eines starken Mannes: fordernd, gekommen: Vater, Mutter, Sohn Parasite ist der bisher beste Film Dabei sollen weder knallbunte seiner Filme aus diesem Jahr ben: Er rettet Menschen und gutaussehend, der alles hat, und Tochter hausen in einem von Bong Joon Ho (The Host, Manga Adaptionen (Fly Me To werden gezeigt, ebenso wie ein seine Frau erwartet Zwillinge. der alles verliert und von vorne grünlich-schummrigen Keller, Snowpiercer, Okja) und gilt jetzt The Saitama) noch kritisch-be- Spielfilm über den verstorbenen Franck ist glücklich. -
Press-File-2017.Pdf
MENU 2017 Edito ................................................................................................................................... 4 BIFFF Fun Facts ................................................................................................................... 5 Program ............................................................................................................................. 6 BIF Market .......................................................................................................................... 7 ArtBIFFF Expo .................................................................................................................... 8 2nd International Art Contest ............................................................................................ 9 Pimp My Chair .................................................................................................................. 10 34th Makeup Contest ....................................................................................................... 11 Gaming Madness day ....................................................................................................... 12 Magyar Movie Madness ................................................................................................... 13 Tromarathon .................................................................................................................... 14 Panorama ....................................................................................................................... -
Sitges #49 International Fantastic Film Festival 7Th-16Th October at Sitges
DIVENDRES 7 AUDITORI MELIÁ SITGES RETIRO 09.00h INSIDE Inauguració 08.30h DANS LA FORET (INTO THE FOREST) PF 13.30h TRAIN TO BUSAN SOFC49 10.30h SWEET, SWEET LONELY GIRL PF 16.00h THE AGE OF SHADOWS Ò 12.15h LAKE BODOM PF 19.30h EN TU CABEZA. PARTE II: MILAGROS 14.00h MOMOTARO: SACRED SAILORS Y REMEDIOS + INSIDE Gala inauguració * Anima’t E 22.45h COLOSSAL SOFE * 15.45h INTIMATE ENEMIES Ò 18.00h THE TIGER Ò Dissabte 8 20.45h DANS LA FORET (INTO THE FOREST) PF 01.15h THE LOVE WITCH + 22.45h EN TU CABEZA. PARTE II: MILAGROS KARAOKE CRAZIES + THE LURE SOFC49 * Y REMEDIOS + INSIDE Inauguració * Dissabte 8 01.00h JAPAN MADNESS: ASSASSINATION CLASSROOM - GRADUATION + KARATE KILL + HIGANJIMA: VAMPIRE ISLAND (HIGANJIMA DELUXE) PF + M X-TR + M X-TR E * Dissabte 8 AUDITORI MELIÁ SITGES RETIRO 08.15h THE LOVE WITCH SOFC49 08.15h BEYOND THE GATES PF 10.30h HELL OR HIGH WATER SOFE 10.00h THE NEIGHBOR PF 12.30h MELANIE. THE GIRL WITH ALL THE 11.45h COLOSSAL SOFE * GIFTS SOFC49 14.00h CURTS D’ANIMACIÓ A COMPETICIÓ I 14.45h SAFE NEIGHBORHOOD SOFC49 Anima’t - curts * 16.45h THE VOID SOFC49 * 16.00h SWEET, SWEET LONELY GIRL PF * 18.30h SHIN GODZILLA SOFE 17.30h THE AGE OF SHADOWS Ò 20.45h PROYECTO LÁZARO SOFC49 * 20.00h LAKE BODOM PF * 23.00h TRAIN TO BUSAN SOFC49 22.00h ALIENS: EL REGRESO SC * Diumenge 9 Diumenge 9 01.15h LA NIT + ZOMBI: ATTACK OF THE 01.00h KARAOKE CRAZIES + THE LURE + LETHERHOSENZOMBIES + SEOUL STATION + THE LOVE WITCH SOFC49 * IT STAINS THE SANDS RED + MIRUTHAN M X-TR DIUMENGE 9 AUDITORI MELIÁ SITGES RETIRO 08.15h EL EXTRAÑO (THE WAILING) SOFC49 08.15h RUPTURE PF 11.15h CURTS FANTÀSTICS A COMPETICIÓ I * 10.15h SAFE NEIGHBORHOOD SOFC49 13.15h OPERATION MEKONG Ò * 12.00h SHIN GODZILLA SOFE 15.45h MUSEUM SOFC49 * 14.15h DOFUS–LIVRE I: JULITH Anima’t 18.30h LA AUTOPSIA DE JANE DOE (THE 16.15h BEYOND THE GATES + Q&A PF * AUTOPSY OF JANE DOE) SOFC49 * 18.15h MR. -
Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE -
The Overlook Film Festival Brand New Genre Fest in Mt.Hood, Oregon to Launch on April 27, 2017 a 4-Day Celebration at Horror's Most Iconic Hotel
THE OVERLOOK FILM FESTIVAL BRAND NEW GENRE FEST IN MT.HOOD, OREGON TO LAUNCH ON APRIL 27, 2017 A 4-DAY CELEBRATION AT HORROR'S MOST ICONIC HOTEL PackAge And Passes On SAle Now www.overlookfilmfest.com (FOR IMMEDIATE RELEASE, Los AngElEs, OctobEr 31, 2016) – The Overlook Film Festival, a four-day celebration at horror’s most iconic hotel The Timberline Lodge – the hotel used as the exterior setting of the infamous Overlook Hotel in Stanley Kubrick’s masterpiece THE SHINING - will kickoff for the first time from April 27 through April 30, 2017. The festivity is expected to showcase experiential events, exciting work in new and classic horror cinema, and interactive activities where attendees can be fully immersed in the diverse world of the genre space. Located just one hour east of Portland, Oregon, The Overlook Film Festival will attract genre fans and cinephiles from all over the world along with major press and industry members who are excited for this unique experience. The annual four-day celebration is created by veteran festival organizers MichAEl LErmAn and Landon ZakhEim, both sharing a passion and a vision for providing a rare experience for fans to not just watch the latest work from emerging genre filmmakers but to also connect with each other in order to foster a creative and engaging community. The duo plan to bring their signature events to the festival, including a full weekend long immersive game from interactive company Bottleneck Immersive and an original live version of radio play “Tales From Beyond The Pale” by Glass Eye Pix. -
New Acquisitions Drama
NEW ACQUISITIONS After failed medical experiments residents of a town are Discovered at 10 in Bulgaria, Naim found his gift both a being moved to a new location. Whilst an attempt at escaping blessing and a course. He couldn’t stand the Bulgarian Arvin and Ejla fall into a deep pit. Armed oppressors and dead policies and was brought to Turkey by a special operation of animals circling them are least of their worries when the dead Turkish Secret Intelligence. A world record holder at 15, only bodies in the pit start coming back to life… weightlifter to have snatched 2,5 times of his body weight. a high-octane genre gem from Azerbaijan Sold: All rights: Turkey, German-speaking. Sold: Theatrical: Benelux, Sweden, Denmark, Norway, UK, Turkey, SE Asia, India French-speaking. VOD: CIS, CEE, MENA NEW ACQUISITION NEW ACQUISITION APORIA NAIM. A POCKET HERCULES horror/action/adventure biography/drama/sport Azerbaijan 2019, 85 min Turkey 2019, 141 min. A young Brazilian girl arrives to in Portugal looking for a better „Hungover“ romancing with „Sideways“ in Iceland. life. The promised land quickly turns bleak as it turns out the cleaning job is at the local brothel. The owners of the illegal A charming feelgood comedy about a group of guys who just business try to lure Bruna in while two journalists investiga- want to leave their worries behind while they go catch some ting a human trafficking ring are also after her. A behind the trout. What could go wrong… A breakout box office hit in scenes look into the dark secrets of operating a brothel… Icelandic cinemas & a strong festival contender.