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Textual Analysis Film: Do the Right Thing (1989) Director: Spike Lee Sequence Running Time: 00:50:55 - 00:55:55 Word Count: 1745
Student sample Textual Analysis Film: Do The Right Thing (1989) Director: Spike Lee Sequence Running Time: 00:50:55 - 00:55:55 Word Count: 1745 In this paper I will analyze an extract from Spike Lee's Do The Right Thing (1989) that reflects the political, geographical, social, and economical situations through Lee's stylistic use of cinematography, mise-en-scene, editing, and sound to communicate the dynamics of the characters in the cultural melting pot that is Bedford-Stuyvesant,Brooklyn in New York City. This extract manifests Lee's artistic visions that are prevalent in the film and are contemplative of Lee's personal experience of growing up in Brooklyn. "This evenhandedness that is at the center of Spike Lee's work" (Ebert) is evident through Lee's techniques and the equal attention given to the residents of this neighborhood to present a social realism cinema. Released almost thirty years ago, Lee's film continues to empower the need for social change today with the Black Lives Matter movement and was even called "'culturally significant'by the U.S. Library of Congress" (History). Do The Right Thing takes place during the late 1980s in Bed-Stuy, Brooklyn and unravels the "bigotry and violence" (Lee) in the neighborhood of a single summer day, specifically one of the hottest of the season. Being extremely socially conscious, Do The Right Thing illustrates the dangers of racism against African Americans and was motivated by injusticesof the time--especially in New York--such as the death of Yusef Hawkins and the Howard Beach racial incident. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Introduction to Screenwriting 1: the 5 Elements
Introduction to screenwriting 1: The 5 elements by Allen Palmer Session 1 Introduction www.crackingyarns.com.au 1 Can we find a movie we all love? •Avatar? •Lord of the Rings? •Star Wars? •Groundhog Day? •Raiders of the Lost Ark? •When Harry Met Sally? 2 Why do people love movies? •Entertained •Escape •Educated •Provoked •Affirmed •Transported •Inspired •Moved - laugh, cry 3 Why did Aristotle think people loved movies? •Catharsis •Emotional cleansing or purging •What delivers catharsis? •Seeing hero undertake journey that transforms 4 5 “I think that what we’re seeking is an experience of being alive ... ... so that we can actually feel the rapture being alive.” Joseph Campbell “The Power of Myth” 6 What are audiences looking for? • Expand emotional bandwidth • Reminder of higher self • Universal connection • In summary ... • Cracking yarns 7 8 Me 9 You (in 1 min or less) •Name •Day job •Done any courses? Read any books? Written any screenplays? •Have a concept? •Which film would you like to have written? 10 What’s the hardest part of writing a cracking screenplay? •Concept? •Characters? •Story? •Scenes? •Dialogue? 11 Typical script report Excellent Good Fair Poor Concept X Character X Dialogue X Structure X Emotional Engagement X 12 Story without emotional engagement isn’t story. It’s just plot. 13 Plot isn’t the end. It’s just the means. 14 Stories don’t happen in the head. They grab us by the heart. 15 What is structure? •The craft of storytelling •How we engage emotions •How we generate catharsis •How we deliver what audiences crave 16 -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Durham: City of Champions
TWO DAY ITINERARY Where great things happen Durham: City of Champions Durham is home to national championships, hall of fame coaches, and the backdrop for the movie Bull Durham. While visitors do not go wanting for teams to root for or sporting events to attend, they also have opportunity to get active in Durham’s many recreation DAY 1 Located in Downtown Durham at Durham Central Park (501 Foster St), the skatepark is on the Rigsbee St side Durham Central Park Skatepark 501 Foster St, Durham, NC 27701 | (919) 682-2800 | www.durhamcentralpark.org/park-info/skate-park 1 markschuelerphoto.com 1 Start downtown with a visit to the Durham Central Park Skatepark. This 10,000-sq-ft. state-of- the-art park features a fl oating quarter pipe, three stairwells with handrails and an eight-foot trog bowl among other skater favorites. Helmets and pads are required! (Allow one hour) From Downtown Rigsbee St head south to W Chapel Hill St, turn left; follow and turn left onto 15-501 N Roxboro St; take the next right onto Hwy 98 E Holloway St (10 mins) (N) Wheels Fun Park 2 715 N Hoover Rd, Durham, NC 27712 | (919) 598-1944 | www.wheelsfunparkdurham.com Kids will go nuts for the attractions at Wheels Fun Park. From go-karts and mini golf to 4 1 (DT) batting cages and a roller skating rink, there are plenty of activities to keep the whole family 2 entertained. Open M-F 10am-9pm, F-Sa 10am-10pm, Su 1pm-7pm. (Allow 1-2 hours) (WC) (E) 3 Return to Hwy 98 and take Hwy 70 S to S Miami Blvd; take a right onto Ellis Rd, then first right onto (SE) Cash/Stage Rd (10 mins) (SW) DPR Ropes Course 1814 Stage Rd, Durham, NC 27703 DCVB Planning Assistance 3 (919) 560-4405 | www.durhamnc.gov The Durham Convention & Visitors Bureau sales and services staff are ready to help make The Discovery High Ropes Course pushes your visit to Durham a success. -
EDITORIAL Screenwriters James Schamus, Michael France and John Turman CA 90049 (310) 447-2080 Were Thinking Is Unclear
screenwritersmonthly.com | Screenwriter’s Monthly Give ‘em some credit! Johnny Depp's performance as Captain Jack Sparrow in Pirates of the Caribbean: The Curse of the Black Pearl is amazing. As film critic after film critic stumbled over Screenwriter’s Monthly can be found themselves to call his performance everything from "original" to at the following fine locations: "eccentric," they forgot one thing: the screenwriters, Ted Elliott and Terry Rossio, who did one heck of a job creating Sparrow on paper first. Sure, some critics mentioned the writers when they declared the film "cliché" and attacked it. Since the previous Walt Disney Los Angeles film based on one of its theme park attractions was the unbear- able The Country Bears, Pirates of the Caribbean is surprisingly Above The Fold 370 N. Fairfax Ave. Los Angeles, CA 90036 entertaining. But let’s face it. This wasn't intended to be serious (323) 935-8525 filmmaking. Not much is anymore in Hollywood. Recently the USA Today ran an article asking, basically, “What’s wrong with Hollywood?” Blockbusters are failing because Above The Fold 1257 3rd St. Promenade Santa Monica, CA attendance is down 3.3% from last year. It’s anyone’s guess why 90401 (310) 393-2690 this is happening, and frankly, it doesn’t matter, because next year the industry will be back in full force with the same schlep of Above The Fold 226 N. Larchmont Blvd. Los Angeles, CA 90004 sequels, comic book heroes and mindless action-adventure (323) 464-NEWS extravaganzas. But maybe if we turn our backs to Hollywood’s fast food service, they will serve us something different. -
Named Audience Award Winner at SXSW Fest - Panarmenian.Net
3/17/2014 “Before I Disappear” named audience award winner at SXSW Fest - PanARMENIAN.Net Like 58k USD 414.96 EUR 576.55 RUR 11.32 Yerevan +7 ... +12 C Home All news World Foreign Policy & Diaspora Politics Arts & Showbiz more... Overview News Articles Interviews Calendar Like Share Be the first of your friends to like this. Home All news “Before I Disappear” named audience award winner at Overview: Arts & Showbiz SXSW Fest Other news in this section March 17, 2014 14:23 AMT PanARMENIAN.Net Shawn Christensen’s Before I Disappear was named the audience award winner in the narrative feature competition at the South by Southwest Film Festival. Based on Christensen’s Oscarwinning 2012 short film Curfew, Disappear stars the writerdirector as a man, hitting a low point, who is asked to look after his 11yearold niece, The Hollywood Reporter said. In the documentary feature competition, the audience award winner was Diana Whitten’s Vessel, a portrait of abortion activist Rebecca Gomperts. Diego Luna’s Cesar Chavez, a drama about the famed labor organizer, which Lionsgate and its Pantelion Films are releasing theatrically March 28, took the audience award in the narrative spotlight category. The audience awards follow the previously announced 2014 Jury Awards, which included Grand Jury Latest news winners SarahViolet Bliss and Charles Rogers’ Fort Tilden for narrative feature, and Margaret Brown’s Asteroid Data Hunter Challenge The Great Invisible for documentary feature. launched The agency has since been collecting ideas for how to track, deflect Over the course of nine days, the 2014 SXSW Film Festival is screening a total of 133 features and 113 and capture asteroids, including turning to shorts. -
Peggy Hickey Choreographer
Peggy Hickey Choreographer MUSICAL THEATRE A Gentleman’s Guide to Love and Murder (Direc tor Darko Tresnjak) Broadway, Walter Kerr Theatre The King and I (Director Lee Blakeley) Chatalet, Paris A Gentleman’s Guide to Love and Murder ( Director Darko Tresnjak) Hartford Stage/Old Globe The Music Man (Director Mark Cudd y) Geva Theater- Rochester, NY Gigi (Director- David Lee) Reprise! Carnival (Director Darko Tresnjak) Goodspeed Opera House Little Shop of Horrors **Director/Choreographer** Peterborough Players, NH A Funny Thing Happened on the Way to the Forum (Dir. David Lee) Reprise! An Evening Without Monty Python (Dir. Eric Idle & BT McNichol) Los Angeles & NY My Fair Lady (Director James Brennan) New York Philharmonic StarrinG Kelli O’Hara, Kelsey Grammer, and Brian Dennehy T he Most Happy Fella ( Dir. Phil McKinley; starrinG Paul Sorvino) New York City Opera The Music Man (Director Phil McKinley) The Bushnell Center - Hartford StarrinG Patrick Cassidy & Shirley Jones Brigadoon (Director GreG Ganakas) Goodspeed Opera House Connecticut Critics Circle Award for Outstanding Choreography On the Twentieth Century (Director Ted Pappas) Goodspeed Opera House Connecticut Critics Circle Award for Outstanding Choreography Urinetown (Director Mark Cuddy) Geva Theatre - Rochester, New York 7 Brides for 7 Brothers (Director Wayne Bryan) Music Theatre of Wichita Peter Pan (Director Geoffrey Sherman) Alabama Shakespeare Festival Amour (Director Darko Tresnjak) Goodspeed Musicals A Little Night Music (Director Darko Tresnjak) Goodspeed Opera House -
Critiques / Bulworth / Fear and Loathing in Las Vegas / Feux D’Artifices / the Last Days of Disco / Le Septième Ciel / Wild Man Blues]
Document generated on 09/27/2021 9:20 p.m. Ciné-Bulles Le cinéma d’auteur avant tout Critiques Bulworth Fear and Loathing in Las Vegas Feux d’artifices The Last Days of Disco le Septième Ciel Wild Man Blues Paul Beaucage, Charles-Stéphane Roy and Jean Beaulieu Volume 17, Number 2, Summer 1998 URI: https://id.erudit.org/iderudit/34365ac See table of contents Publisher(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (print) 1923-3221 (digital) Explore this journal Cite this review Beaucage, P., Roy, C.-S. & Beaulieu, J. (1998). Review of [Critiques / Bulworth / Fear and Loathing in Las Vegas / Feux d’artifices / The Last Days of Disco / le Septième Ciel / Wild Man Blues]. Ciné-Bulles, 17(2), 48–56. Tous droits réservés © Association des cinémas parallèles du Québec, 1998 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Critiques BULWORTH de Jay Bulworth (Warren Beatty), un sénateur dé de Warren Beatty mocrate qui, las des mensonges et de la corruption politiques, décide d'avouer la vérité (si âpre soit- elle) à ses électeurs. À quoi doit-on attribuer sa sou par Paul Beaucage daine volte-face? Mystère. -
Hawaii Film & Entertainment
HAWAII FILM & ENTERTAINMENT BOARD 'Brem(R ellinB. Cfiarr SENATE COMMITTEES Screen ,;t\ctOYS 9Ui((;( ON ECONOMIC DEVELOPMENT and TAXAnON Chris Conyoeare, 'Esq. TOURISM and GOVERNMENT Voltovan .:4liuna 1..:4.'T.S.'E.. LocaC665 February 7, 2008 -1:15 pm 'Benita 'Brazier State Capitol, Conference Room 224 :Maui :firm Commission l1'aCea Ccmstantinau J{Olto[u[u :firm Office RE: SB 2273 - RELATING TO DIGITAL MEDIA Vonne Vawson Dear Chair Fukunaga, Chair Nishihara and members of the committees: J{awaif :FiCm Office jeanne lsfiiliawa The Hawaii Film and Entertainment Board. whose members include all ofHawaii's Teamsters. L oeaC 996 film unions. film commissions and leading industry associations. thank the Leroy jeniins legislature for its strong support ofHawaii's film industry but must oppose SB :H.l.y.Jl. 2273 as written as advised through the Attorney General's office through DBEDT because there are concerns about the constitutionality ofwhat has been proposed. john :Mason 'Bil} Is[a IU[:firm Office We also oppose the measure as written in regards to the certification and training 'Brien :MaLSon details. .:4.:J.:M., Lcca(677 We do. however. support the intent of the measure, to create incentives that drive Steylianie SyanBCer :f.7t.'V..:4.:H. workforce development ofthe industry, and encourage the legislature to continue to dialog with the film industry about the issue. .:4rt 'Umezu Xauai :FiCm Commission 1U4111falf Young 1. 'B.'E. W •• LocaC 1260 c/o SCREEN ACTORS GUILD. 949 Kapiolani Blvd., Suite t05. Honolulu, HI 96814. PH: (808) 596-0388' FAX: (800) 305-8146 ( LINDA LINGLE MARK J. -
LEGISLATIVE RESOLUTION Commending Paul Sorvino Upon The
LEGISLATIVE RESOLUTION commending Paul Sorvino upon the occasion of his designation as the 2015 Italian American of the Year by the New York Conference of Italian American State Legislators WHEREAS, It is the custom of this Legislative Body to pay tribute to those individuals of true purpose and worthy accomplishment who foster ethnic pride and strive to preserve their cultural heritage, thereby enhancing the profile of cultural diversity which strengthens the fabric of community throughout this great Empire State; and WHEREAS, Attendant to such concern, and in full accord with its long- standing traditions, this Legislative Body is justly proud to commend Paul Sorvino upon the occasion of his designation as the 2015 Italian American of the Year by the New York Conference of Italian American State Legislators to be celebrated on June 8, 2015, in Albany, New York; and WHEREAS, A native of Brooklyn, New York, Paul Sorvino is an accom- plished actor, director, author, screenwriter, operatic tenor, sculptor, pianist, passionate cook, and proud Italian-American whose noble fami- ly's coat of arms dates back to the 12th Century; and WHEREAS, Paul Sorvino began his entertainment career as a 16-year-old singer at a Catskills resort, and, by the age of 25, he was acting and singing on Broadway in the 1964 musical "Bajour"; and WHEREAS, An accomplished actor with roles in more than 170 films to his credit, Paul Sorvino is best known for his portrayal of tough guys such as Paul Cicero in Martin Scorsese's 1990 film "Goodfellas," and as Henry Kissinger -
English Film Notes to Under the Shadow
UNDER THE SHADOW Directed and Written by: Babak Anvari Starring: Narges Rashidi, Avin Manshadi, Bobby Naderi, Ray Haratian, Hamidreza Djavdan and Soussan Farrokhnia Produced by: Lucan Toh, Oliver Roskill and Emily Leo Running Time: 84 minutes MPAA Rating: Not yet rated Facebook: Under The Shadow Instagram: @UnderTheShadowFilm Twitter: @UTSFilm Logline: As a mother and daughter struggle to cope with the terrors of the post-revolution, war torn Tehran of the 80s, a mysterious evil begins to haunt their home. SALES CONTACT: XYZ Films, Nate Bolotin, 310-956-1550 PRESS CONTACTS: Prodigy Public Relations Samantha Grody, [email protected], 310-857-2020 ext. 101 (c: 978-902-2105) Richard Stafford, [email protected], 310-857-2020 ext. 100 (c: 310-384-5753) Kayla McCormack, [email protected], 310-857-2020 ext. 124 (c: 603-321-0192) Erik Bright, [email protected], 310-857-2020 ext. 127 (c: 310-902-1355) TO DOWNLOAD MATERIALS: ftp://corp.prodigypublicrelations.com/publicftp (username – prodigyftp / password – pressac- cess1) THE STORY LOGLINE As a mother and daughter struggle to cope with the terrors of the post-revolution, war torn Tehran of the 80s, a mysterious evil begins to haunt their home. ONE LINE Tehran, 1988: the Iran-Iraq war rumbles into its eighth year. The bombing campaigns focused on the city, coupled with the country’s bloody revolution, slowly tear a mother and daughter apart. As they struggle to stay together in the midst of these modern terrors, a mysterious evil stalks through their apartment, threatening their grip on reality. FULL SYNOPSIS Shideh and her family live amid the chaos of the Iran-Iraq behaviour becomes increasingly disturbed and Shideh is slowly war (known colloquially as The War of the Cities).